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You can’t consider yourself a film buff unless you’ve seen at least half of these movies. We’ve arranged them from plain good to absolute masterpieces and timeless classics that have become part of the Russian psyche.

If you’re too lazy to read this classic of Russian literature about laziness, this film is for you. Oblomov is played by the talented Oleg Tabakov: Most of the movie he spends loafing around on the couch, until a woman transforms his life.
It’s difficult to imagine that this film was shot in the Soviet Union: hard-currency prostitutes, sex scenes, police brutality... For its time, the flick was a genuine movie revolution and earned itself a 16+ rating.
The plot revolves around a prostitute who dreams of finding a foreigner and going abroad. Having fulfilled her dream, the heroine feels alien and unwanted, but going back to the USSR is not an option...
Another film that shocked Soviet audiences in the perestroika years. And not without reason: it depicted the first sex scene in Russian cinema history. But the focus of the picture is a Turgenev-style intergenerational conflict.
Young Vera lives according to the laws of the new age, which her father cannot accept.
A little-known singer, already experiencing difficulties, becomes a single mother. But then her fortune changes, she wins fame and public adoration, yet this does not bring personal happiness. The film can be said to be a fictionalized biopic of the Soviet cult singer Alla Pugacheva, who essentially plays herself.
Lovers of Mad Max and the first Star Wars trilogy will be intrigued by this Soviet steampunk movie from director Georgy Daneliya: two random acquaintances find themselves in another galaxy, where they meet aliens who happen to have a spaceship.
On their quest to return to Earth, the pair experience all kinds of adventures. The only thing in their favor is that they have matches, which in this galaxy are worth their weight in gold...
One of the first Soviet propaganda films. The film’s hero is a revolutionary worker, while its anti-hero is his alcoholic father who supports the tsar. This family drama was based on the eponymous novel by Maxim Gorky.
According to Serbian film-maker Emir Kusturica, this is one of the best movies in the world. It is the story of Romeo and Juliet set among the Hutsul tribes of Ukraine. According to contemporaries, the director used the film to depict a personal tragedy of his own not unlike the Shakespearian original.
Vertov was to film what Malevich was to art—a tireless experimenter determined to break free of theatricality. Together with cameraman Mikhail Kaufman, he brought the avant-garde to the silver screen, shifting the camera angles and employing “disruptive-associative montage” techniques. In this silent film, he captures real life: here there are no actors, no staged shots.
A slightly psychedelic film musical based on the fairytale The Wolf and the Seven Young Kids : a mother goat goes in search of food, leaving her kids (quite literally) at home. They are kidnapped (again quite literally) by a gray wolf who demands a ransom... This is one of the first Soviet film musicals, and its songs are loved by children and adults alike.
By Soviet standards, the blonde Nadezhda is a real go-getter. She knows where to get things that are in short supply, and is well connected and something of a VIP, since she works in a grocery store, which in the USSR is almost like being a factory boss.
Having fallen in love with a dreamy astrophysicist, she tries to remodel him, but he can think only of extraterrestrial civilizations. This is one of the last Soviet comedies, and a box office smash in its day.
This is Maxim Gorky’s The Lower Depths in a tragicomic interpretation by the legendary Eldar Ryazanov. Homeless people live in a city dump, and, despite the threats from the authorities, do not want to leave the place they call home. So tanks are sent in to change their minds, but it no longer matters to them—they dream of ascending to a higher spiritual plain.
A Soviet film very much in the spirit of Woody Allen. Swindler and magician Count Cagliostro goes into hiding in the provinces after his latest scam is uncovered by an influential St. Petersburg prince. There, Cagliostro continues his jiggery-pokery, promising a young man in love with a statue to bring it to life; but the charlatan’s main goal is to unravel the formula of love, in order to further manipulate people.
A popular screen version of a novel by queen of crime Agatha Christie. Ten strangers with no connection to one another arrive on a remote island at the invitation of the owner, who seems to be absent. One by one they come to a macabre end.
This spine-chilling tale was brilliantly played by a stellar cast of Russian actors. Incidentally, for reasons of political correctness, the title in English underwent various changes, and is today known as And Then There Were None .
The virtuoso actress Faina Ranevskaya is remembered to this day for her razor-sharp, side-splitting phrases that have since become aphorisms. In this film based on stories by Chekhov, she plays the most frequent target of all Russian jokes—the mother-in-law. A very funny film about the pre-revolutionary petty bourgeois.
This historical film by the cult director and innovator Eisenstein, commissioned by the Soviet state, was intended to raise public morale and patriotic spirit.
The tight schedule meant that the large-scale Battle of the Ice scene, in which the knights were supposed to fall through a frozen lake, had to be shot in summer. The “ice” was asphalt sprinkled with salt and wooden boards painted white.
The sullen father of two boys returns home after several years’ absence. The boys do not know where he’s been and are very wary of him. As if nothing had happened, he takes his sons away from home on a trip...
Andrei Zvyagintsev’s first picture won him a Golden Lion at the Venice Film Festival and recognition as one of the most outstanding directors of modern times. The film also defined his directorial style—taciturn and savoring every frame.
Programmer Myshkin returns from abroad. His big-shot companion Rogozhin talks about his new flame, a certain Nastasya Filippovna. Myshkin blindly falls in love with her image. This absurdist film is based on Dostoevsky’s novel The Idiot, set in “wild 90s” Russia.
A tale about Soviet rock-and-rollers, who illegally buy foreign fashion items, listen to banned Western music, dance boogie-woogie, and, of course, fall in love.
Their underground get-togethers are dispersed by voluntary units of diehard communists, and they are condemned at party meetings. Todorovsky’s nostalgic film musical performed well at the box office on release.
This biopic of famous Soviet hockey player Valery Kharlamov traces his rise to glory from a provincial Urals club to CSKA Moscow and the USSR’s demolition of Canada in the first game of the 1972 Summit Series. It stars sex symbol and Russia’s most in-demand young actor Danila Kozlovsky.
This film was born from a play staged at the Moscow Lenkom Theater, with the screenplay by dramatist Grigory Gorin. Like the original character, Baron Munchhausen is full of incredible stories, but his fiancée wants him to stop spinning ludicrous yarns. He gradually become more serious, but nevertheless decides to “repeat” his journey to the moon. A crowd gathers to watch the firing of the human cannonball...
If the film Hachiko made you shed a tear, you’ll need a bucket for White Bim , as two generations of Russians have already found out. Bim, a Gordon Setter puppy with one black ear, lives with hunter Ivan Ivanovich. When his owner ends up in the hospital, Bim goes in search of him...
This film about Russia’s most notorious medieval tsar was another one tasked with raising the public’s patriotic spirit, while simultaneously justifying the iron rule of the “father of nations” Joseph Stalin (who was reportedly an admirer of Ivan the Terrible).
The film was commissioned by the state during the Great Patriotic War, and many of the actors were suffering from hunger. Three parts were initially planned, but Eisenstein died, leaving only two.
A musical comedy about a competition between two collective farms as they prepare for a fair. The post-war hunger is glossed over, with the film showing an abundance of food and merrymaking.
Pyryev was a director at the Mosfilm studio, before serving for more than a decade as chairman of the USSR State Committee for Cinematographers. In that capacity, he was essentially the country’s chief censor, and from the viewpoint of Soviet ideology his film was nothing if not exemplary.
A foreigner visits Russia to study the national customs and traditions, and gets more than he bargained for. What starts off as a hunt descends into mayhem with more than a few crates of vodka along the way.
The comedy regularly reduces Russians to tears of laughter (or otherwise), because they recognize themselves only too well in these outlandish escapades.
A psychologist arrives at the Solaris space station and discovers strange goings-on: all the scientists on board are suffering from some kind of mental illness. The psychologist too starts seeing hallucinations in the form of his dead wife. Tarkovsky’s sci-fi drama was adapted for screen from the novel by Polish writer Stanislav Lem, and it still inspires many filmmakers and artists to this day.
An implausibly kind-hearted four-part film about a night school for young workers. History teacher Nestor, fresh out of college and with a name like a medieval chronicler, has to cope with a very difficult, but highly talented class in which many students are much older and more experienced lifewise than he is.
Soviet directors loved bringing English classics to the screen, but this film version of Brandon Thomas’s Charley’s Aunt is still the one to beat. This comedy farce, in which the hero hides from the police by pretending to be the rich “Donna Lucia” from Brazil, employs a now standard plot device—the “donna” is wildy popular with would-be husbands…
An operetta actress is asked to play the role of a scientist in a new film. But the theater and cinema rehearsal times clash, and she can’t be in two places at once. Luckily, she manages to find a real-life scientist who looks just like her. The actress persuades the highbrow scientist to replace her on the set...
Both roles are played by the people’s darling Lyubov Orlova, who gave frontline performances for soldiers during the Great Patriotic War.
This Russian version of Pinocchio is one of the most beloved tales of Soviet children. The movie’s original soundtrack was voted into the Golden Fund of Russian Film Music.
The Soviet-Afghan war has long been a sore spot in Russia, which is why there are so few films about it. But that didn’t deter director Fedor Bondarchuk, who made a gut-wrenching blockbuster in the spirit of U.S. films about Vietnam.
This Soviet-Japanese coproduction, directed by Japan’s Akira Kurosawa and shot in Russian, won an Oscar for best foreign film. The film is based on the autobiography of Far East explorer Vladimir Arsenyev. On his expeditions, he was assisted by hunter Dersu Uzala, a native of the Ussuri region, who knew the terrain like the back of his hand and what to do if a tiger got too close.
A comedy about a pair of speculators who go in search of a winning lottery ticket. The film topped the Soviet box office in 1982 with 55 million viewers. One of the best comedy duos in the USSR, actors Kokshenov and Pugovkin have been making audiences chuckle for more than 30 years.
A young boy, on failing to enter college, gets a job as a courier and starts an affair with a professor’s daughter. The girl’s father is less than thrilled by her choice, made worse by the guy’s decision to tease the old man by alleging that his daughter is pregnant. Another perestroika film that vividly depicts the new era and even the first Soviet break-dance .
A sumptuous saga about a young cadet in Tsarist Russia. He falls in love with a daring American lady, and is ready to do anything to defend her and his own honor. It features Russian actor Oleg Menshikov with Hollywood star Julia Ormond.
The film is also famous for then-President Boris Yeltsin allowing the illuminated Kremlin stars to be turned off for the first time since the Great Patriotic War.
This romantic story set in summertime St. Petersburg was a true cinematic event in 2006, despite the no-frills plot. Masha, a young woman, loses her mobile phone. It is found by Maxim, who wants to return it. But try as they might, the couple are fated not to meet, always missing each other by a split second. Long chats over the phone inevitably lead to deeper feelings.
Don’t be put off by the title. The debut film of director Alexander Khant has a meaty plot and some real folk heroes. In this adventure road movie, lowlife Vitka discovers that he has a criminal father who is now disabled. He can get his father’s apartment if only he can put him in a nursing home...
A documentary film by avant-garde filmmaker Vertov about a day in the life of the young Soviet Union: cars and buses trundle along, workers toil away in factories, pedestrians hurry by. It also features a wedding, childbirth, and a funeral, all filmed using the ground-breaking techniques of the legendary director.
A cinematic symbol of the time of the “Khrushchev thaw.” A shock-worker at a metallurgical plant attends evening classes and falls in love with his young teacher, who has just graduated from college. Both are proud, principled Soviet people, and their relationship is a rocky ride.
The Oscar-winning The Shape of Water fades in comparison with this Soviet adaptation of the sci-fi novel by Alexander Belyaev, also called Amphibian Man .
Instead of a green monster, Vladimir Korenev plays the role of Ichthyander, a handsome youth surgically altered to survive under the sea. There, he lives with his dolphin friends, until one day by chance he rescues a beautiful girl from drowning. Now he wants to become a normal human being, but, alas, he cannot live long without water.
Eight cinematic novellas tell about the life of the ancient Russian monk and icon painter Andrei Rublev . He observes the cruel, bloody, soulless Russian Middle Ages full of wandering minstrels, pagans, holy fools, and devastating Mongol raids. Tarkovsky’s masterpiece is highly rated abroad, too, and regularly appears in Top 100 lists of the best films ever made in any language.
Although few modern viewers would voluntarily sit through this epic, it is rightly included in all textbooks on the history of cinema. Legendary director Sergei Eisenstein shows events from the first Russian revolution of 1905: sailors aboard the Potemkin refuse to eat maggot-infested meat and mutiny against their commanding officers. One of the most memorable scenes of the film—the much-imitated (and parodied) Odessa steps sequence—is perhaps the most recognizable moment in world cinema.
This story of several families in Russia set against the backdrop of the Napoleonic Wars from 1805 to 1812 won an Oscar for best foreign film. Critics consider it to be the best adaptation of Leo Tolstoy's epic. The roles of Andrei Bolkonsky and Anatol Kuragin were played by Soviet sex symbols Vyacheslav Tikhonov and Vasily Lanovoy.
Spend a whole weekend relishing this glorious moving canvas (four films in total), and then compare it with the recent BBC series.
Poor, lonely plumber Afonya is a shoddy worker and full-time alcoholic. He is reprimanded by his superiors and threatened with dismissal, but that has little effect. Only Katya, a woman he meets, believes that he can change...
This comedy about a simple Russian guy won viewers’ hearts and minds with its recognizable characters and sharp dialogue.
The film, based on the play by Evgeny Schwartz, tells the story of a bear transformed into a youth through witchcraft. If he kisses the princess, he will turn back into a beast, but he wants to remain human...
This beloved Soviet fairytale for adults was first shown on January 1, the day when many hope for a new life and an ordinary miracle. That’s probably why it’s still popular today.
A high school student becomes a religious fanatic, and takes everything he hears and reads horribly literally. He forces others to live by his dogmas, with disastrous consequences.
Made by renowned theater and film director Kirill Serebrennikov, the film developed out of his successful stage production at the Moscow Gogol Center. It received several awards at international film festivals, including Cannes.
One of Zvyagintsev’s best-known films, shot in the tiny village of Teriberka in the Murmansk region in northern Russia, has become a mecca for novice art-house directors. This drama about the helplessness of the individual in the face of the state machine was awarded a Golden Globe and nominated for an Oscar.
This gripping tale about a simple guy by the name of Anton who accidentally violates the centuries-old truce between the forces of dark and light, was one of the first Russian blockbusters.
The film, shot by renowned director Timur Bekmambetov, who is also quite active in Hollywood, is a screen version of Sergei Lukyanenko’s sci-fi novel of the same name (and don’t forget the sequel Day Watch).
This coming-of-age drama went down a storm when it debuted at Cannes. The film made 24-year-old Valeriya a star, although it remains her only notable cinematic work to date.
This screen adaptation of the eponymous novel by Mikhail Sholokhov was made by Oscar-winner Bondarchuk. Timed to coincide with the 30th anniversary of Victory Day, it tells about the exploits of Soviet troops during the Second World War and is acknowledged as a classic of the genre.
The film depicts three days in the life of an ordinary Soviet school against the backdrop of a love story between a new, young female teacher and an older colleague. The picture was recognized as the best film of the year, and won the main prize at the Moscow Film Festival and even a USSR State Award.
Yuri Detochkin is a Soviet Robin Hood. He steals cars from the rich, sells them, and gives the money to orphanages. An investigator uncovers the crime, but on learning about Detochkin’s noble aims finds himself unable to arrest the thief.
One of the most popular Soviet films, it was intended to depict the ideal Soviet citizen, for whom conscience and social equality are paramount.
An “ ostern ” (Soviet western) about the end of the Russi
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