Ru Porn 21
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Ru Porn 21
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Peter Steinfeld (screenplay) Allan Loeb (screenplay) Ben Mezrich (book "Bringing Down the House: The Inside Story of Six M.I.T. Students Who Took Vegas for Millions")
Peter Steinfeld (screenplay) Allan Loeb (screenplay) Ben Mezrich (book "Bringing Down the House: The Inside Story of Six M.I.T. Students Who Took Vegas for Millions")
Peter Steinfeld (screenplay) Allan Loeb (screenplay) Ben Mezrich (book "Bringing Down the House: The Inside Story of Six M.I.T. Students Who Took Vegas for Millions")
According to Kevin Spacey, as part of their research for the film, they took some of the real players who were on the original team to Vegas. Although they weren't allowed to play, every time they wanted Spacey to up his bet, they would push up against his chair. He said, "I would win every time!"
Why didn't Ben keep his winnings in a safe deposit box? He can add more whenever he wants and it would be safe from everybody, particularly Micky.
Time to Pretend Written by Andrew VanWyngarden and Ben Goldwasser Performed by MGMT Courtesy of Columbia Records By Arrangement with Sony BMG Music Entertainment
Just as predictable yet enjoyable as the game depicted
Considering the risky pleasure generally associated with gambling and the seductive thrill of watching a heist or scam unfold, it should come as no surprise that 21, a film which combines the two aforementioned premises should excel at being enjoyable. And while the film may be very familiar ground to anyone with in any experience with Ocean's Eleven style crime capers, and the majority of the film's plot points verge on being almost laughably predictable, it is executed with enough exuberant flair to make it worthwhile in the midst of its formula. A slow start gives the necessary exposition as to how a thoroughly ethical young MIT student (Sturgess)'s desperate need for money to attend Harvard medical school leads him to join a team of mathematical geniuses trained in blackjack card counting who routinely rip off Las Vegas casinos during weekends between class. However, this opening proves overlong, overly predictable, and largely unnecessary, dragging far too much before plunging into the film's real fun as Sturgess and his team are engulfed by the seductive glamour of Vegas and the thrill of the huge monetary takes. Some judicious editing, clearing away such unnecessary subplots (such as a robotics competition with Sturgess' tiresomely stereotypical nerdy friends) could have resulted in a far more streamlined and faster paced film. Some viewers may take offence to the "Hollywoodizing" of the MIT team, with team members of different ethnicity largely shoved to the background in favour of the typically gorgeous Caucasian leads, a disconcertingly common practice in modern day cinema. However, the flashy MTV style cinematography and editing ably capture the engrossing spectacle of Vegas, and once the film gets going, it would be difficult to deny the sheer enjoyment of being swept up in the heady rush of quick wealth and all of its hedonistic trappings. The film's quality cast add credulity to the frequently underwritten characters they portray. Jim Sturgess once again impresses as the ethical math prodigy slowly corrupted by a world of superficial glamour, his endearing charm putting an intriguing enough take on the "troubled but well meaning hero" archetype. As one might expect, Kevin Spacey effortlessly steals the show as the charismatic but ruthless professor managing the MIT card counting team, and Spacey's easygoing yet commanding presence is a profound boost to the film. Kate Bosworth contributes a typically flat performance, but given her token 'inevitable love interest' role, she fails to detract much from the film's overall quality. Lawrence Fishburne adds class, much needed dramatic weight and moments of grim humour to his antagonistic burly head of casino security, gradually catching on to the MIT team's scamming. While the age old adage of 'style over substance' certainly holds true here, 21 may essentially epitomize the modern Hollywood crime caper film, but the formula hasn't quite run dry enough to overly detract from the enjoyment factor. The film's snappy visuals and strong casting are mostly enough to make up for a largely uninspired and frequently weak script. However, fans of similar works will not be disappointed, and for those willing to forgive the film's frequent delving into the wells of convention and accept entertainment over profundity, 21 should prove an ideal watch. -7/10
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What was the official certification given to 21 (2008) in Japan?
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"21" is the fact-based story about six MIT students who were trained to become experts in card counting and subsequently took Vegas casinos for millions in winnings. "21" is the fact-based story about six MIT students who were trained to become experts in card counting and subsequently took Vegas casinos for millions in winnings. "21" is the fact-based story about six MIT students who were trained to become experts in card counting and subsequently took Vegas casinos for millions in winnings.
[Cole Williams confronts Micky for the first time again]
Ben Campbell : [narrating, when we see Micky tied up in the basement of the casino] I had a 1590 on my SAT. I got a 44 on my MCATs. And I have a 4.0 GPA from MIT. I thought I had my life mapped out. But then I remembered what my Nonlinear Equations professor once told me, always account for variable change.
Cole Williams : [Cole Williams walks out of the shadows] Hello, Micky.
Micky Rosa : Look, I got money in Boston. A hundred grand. I'll give it to you. If you just let me walk away. I'll walk away.
Cole Williams : I don't want your money, Micky. I don't need it. But I know someone who might be interested. He's good with numbers, too. He works for the IRS.
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FBI ran website sharing thousands of child porn images
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WASHINGTON — For nearly two weeks last year, the FBI operated what it described as one of the Internet’s largest child pornography websites, allowing users to download thousands of illicit images and videos from a government site in the Washington suburbs.
The operation — whose details remain largely secret — was at least the third time in recent years that FBI agents took control of a child pornography site but left it online in an attempt to catch users who officials said would otherwise remain hidden behind an encrypted and anonymous computer network. In each case, the FBI infected the sites with software that punctured that security, allowing agents to identify hundreds of users.
The Justice Department acknowledged in court filings that the FBI operated the site, known as Playpen, from Feb. 20 to March 4, 2015. At the time, the site had more than 215,000 registered users and included links to more than 23,000 sexually explicit images and videos of children, including more than 9,000 files that users could download directly from the FBI. Some of the images described in court filings involved children barely old enough for kindergarten.
That approach is a significant departure from the government’s past tactics for battling online child porn, in which agents were instructed that they should not allow images of children being sexually assaulted to become public. The Justice Department has said that children depicted in such images are harmed each time they are viewed, and once those images leave the government’s control, agents have no way to prevent them from being copied and re-copied to other parts of the internet.
Officials acknowledged those risks, but said they had no other way to identify the people accessing the sites.
“We had a window of opportunity to get into one of the darkest places on Earth, and not a lot of other options except to not do it,” said Ron Hosko, a former senior FBI official who was involved in planning one of the agency’s first efforts to take over a child porn site. “There was no other way we could identify as many players.”
Lawyers for child pornography victims expressed surprise that the FBI would agree to such tactics – in part because agents had rejected them in the past – but nonetheless said they approved. “These are places where people know exactly what they’re getting when they arrive,” said James Marsh, who represents some of the children depicted in some of the most widely-circulated images. “It’s not like they’re blasting it out to the world.”
The FBI hacks have drawn repeated – though so far unsuccessful – legal challenges, largely centered on the search warrants agents obtained before agents cracked the computer network.
But they have also prompted a backlash of a different kind. In a court filing, a lawyer for one of the men arrested after the FBI sting charged that “what the government did in this case is comparable to flooding a neighborhood with heroin in the hope of snatching an assortment of low-level drug users.” The defense lawyer, Colin Fieman, asked a federal judge to throw out child pornography charges against his client, former middle school teacher Jay Michaud. A federal judge is scheduled to hear arguments on that request Friday.
Federal agents first noticed Playpen not long after it went online in August, 2014. The site was buried in what is often called the “dark web,” a part of the internet that is accessible to the public only through Tor, network software that bounces users’ internet traffic from one computer to another to make it largely untraceable.
By March of last year, the FBI said, Playpen had grown to become “the largest remaining known child pornography hidden service in the world,” the Justice Department said in a court filing. FBI agents tracked the site to computer servers in North Carolina, and in February seized the site and quietly moved it to its own facility in Newington, Va.
The FBI kept Playpen online for 13 days. During that time, federal prosecutors told defense lawyers that the site included more than 23,000 sexually explicit images and videos of children. Some of those could be downloaded directly from the government’s computers; others were available through links to other hard-to-find locations on the web, Fieman said.
One section of the site was labeled “toddlers,” according to court records. And prosecutors said that some of the images users accessed during the time Playpen was under the government’s control included “prepubescent female” having sexual intercourse with adults.
Fieman said more than 100,000 Playpen registered users visited the site while it was under the FBI’s control. The Justice Department said in court filings that agents had found “true” computer addresses for more than 1,300 of them, and has told defense lawyers that 137 have been charged with a crime, though it has so far declined to publicly identify those cases.
Law enforcement has long complained that online services like Tor create a type of safe haven for criminals because they hide the unique network addresses from which people connect to sites on the internet. Officials said the only way for the government to crack that network was to take over the site and infect it with malware that would trick users’ web browsers into revealing their real internet addresses, which agents could then trace back to the people who were using them.
“The government always considers seizing an illegal child pornography site and removing it from existence immediately and permanently,” Justice Department spokesman Peter Carr said. “While doing so would end the trafficking of child pornography taking place on that one website, it would do nothing to prevent those same users from disseminating child pornography through other means.”
Still, he said, “The decision whether to simply shut down a website or to allow it to continue operating for a brief period for a law enforcement purpose is a difficult one.”
Justice officials said they were unable to discuss details of the investigation because much of it remains under seal, at their request.
The Justice Department said in court filings that agents did not post any child pornography to the site themselves. But it did not dispute that the agents allowed images that were already on the site to remain there, and that it did not block the site’s users from uploading new ones while it was under the government’s control. And the FBI has not said it had any ability to prevent users from circulating the material they downloaded onto other sites.
“At some point, the government investigation becomes indistinguishable from the crime, and we should ask whether that’s OK,” said Elizabeth Joh, a University of California Davis law professor who has studied undercover investigations. “What’s crazy about it is who’s making the cost/benefit analysis on this? Who decides that this is the best method of identifying these people?”
The FBI was first known to have operated a child porn site in 2012, when agents seized control of three sites from their operator in Nebraska. FBI Special Agent Jeff Tarpinian testified that the government “relocated two servers to an FBI facility here in Omaha and we continued to let those child pornography run – websites operate for a short period of time."
That case led to federal child pornography charges against at least 25 people. But in an illustration of how difficult the cases can be, at least nine of the people charged in those cases are still identified in court records only as “John Doe,” suggesting the FBI has so far been unable to link specific people to the network addresses it logged.
The next year, the FBI took control of a dark web site known as Freedom Hosting. The man prosecutors have accused of operating that site, Eric Marques, is due to be extradited to the United States; the charges against him remain sealed. The FBI revealed its role in an Irish court hearing covered by local media.
In each case, the FBI injected the site with malware to crack Tor’s anonymity.
Those hacks, developed with the help of outside contractors, were a technical milestone. When the FBI first realized it could break through Tor, Hosko said the agency gathered counterterrorism investigators and intelligence agencies to see if any of them had a more pressing need for the software. “It was this, exponentially,” Hosko said.
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