Romeoy
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Romeoy
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Romeo + Juliet | Anniversary Mashup
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Key hair stylist Aldo Signoretti was kidnapped by gang members and held for $300 ransom which Baz Luhrmann paid.
At the gas station showdown, a boom mic is visible in a car window as the camera moves past it.
The film opens and closes with the Chorus, appearing as an anchorwoman on a TV screen, narrating the prologue and the closing lines.
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Beautiful Modernization of Shakespeare's Classic Play
The amazing thing about this movie is that it has managed to re-do Shakespeare's famous tragedy in a modern setting while still retaining its original dialogue. What's even more amazing is it works. I admit that I was a little apprehensive about seeing this movie, fearing that Luhrman had either destroyed the play's beauty and power by setting it in modern times, or had butchered Shakespeare's eloquent words by making them sound more modern. I was wrong. Almost everything about this movie is just incredible. Luhrman brilliantly casted Claire Danes as fourteen-year-old Juliet. The actress certainly looks the part, with her youthful features and innocent eyes. More importantly, she acts the part. Ms. Danes almost flawlessly captures Juliet's distressing journey from childhood to womanhood, beautifully showing her dramatic transition which had taken toll on her during her five day relationship with Romeo. When the story begins, Juliet is a naive girl, having not yet experienced true love, and by the end we can clearly see just how much her love for Romeo has deepened in passion, and how dramatically her character has developed. Leanardo DeCaprio's Romeo was almost equally impressive. Some of his recitations of Shakespeare made me cringe, but for the most part he was perfect. One of Romeo's most important characteristics in the play is the intensity of his emotions, and DeCaprio captures this feature incredibly. Romeo is brash and impulsive, with a tendency to act on the heat of the moment rather than to first consider the situation like the more levelheaded Juliet. This unfortunate characteristic, which played a huge role in leading up to the lovers' tragic fate, is wonderfully mastered by DeCaprio and retained throughout the film. But we also, like with Juliet, get a glimpse of his character's development. At the beginning of the play Romeo is a hopeless romantic who fantasizes of love, and seems to dwell more in his daydreamed world than actually on earth. At this point he has no idea what true love really is, he only thinks he does. It is not until he meets Juliet that he can begin to comprehend the true depth and passion of love. DeCaprio triumphs in this area as well. The other actors are superb, and wonderfully portray their characters as Shakespeare intended. But what really impressed me was, as I stated earlier, the keeping of Shakespeare's original dialogue in Luhrman's modern setting. I know some people criticize this film for destroying the romance and beauty of Shakespeare's words by setting the story in modern day Verona, but I feel that it only made the film more romantic. What Luhrman did was both bold and brilliant, and he succeeded wonderfully. I won't speak any more of the brilliance of this film, I just highly recommend you see it as soon as possible. If you're a fan of Shakespeare like me, I think you will enjoy this hip, yet still lovely, modernization of his most famous play ever.
William Shakespeare's Romeo + Juliet
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Shakespeare's famous play is updated to the hip modern suburb of Verona still retaining its original dialogue. Shakespeare's famous play is updated to the hip modern suburb of Verona still retaining its original dialogue. Shakespeare's famous play is updated to the hip modern suburb of Verona still retaining its original dialogue.
Romeo : Did my heart love 'til now? Forswear its sight. For I never saw true beauty 'til this night.
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From Wikipedia, the free encyclopedia
An 1870 oil painting by Ford Madox Brown depicting the play's balcony scene
The opening act of Romeo and Juliet . See also: Acts II , III , IV , V
Ruling house of Verona
Prince Escalus is the ruling Prince of Verona .
Count Paris is a kinsman of Escalus who wishes to marry Juliet.
Mercutio is another kinsman of Escalus, a friend of Romeo.
House of Capulet
Capulet is the patriarch of the house of Capulet.
Lady Capulet is the matriarch of the house of Capulet.
Juliet Capulet is the 13-year-old daughter of Capulet, the play's female protagonist.
Tybalt is a cousin of Juliet, the nephew of Lady Capulet.
The Nurse is Juliet's personal attendant and confidante.
Rosaline is Lord Capulet's niece, Romeo's love in the beginning of the story.
Peter, Sampson, and Gregory are servants of the Capulet household.
House of Montague
Montague is the patriarch of the house of Montague.
Lady Montague is the matriarch of the house of Montague.
Romeo Montague , the son of Montague, is the play's male protagonist.
Benvolio is Romeo's cousin and best friend.
Abram and Balthasar are servants of the Montague household.
Others
Friar Laurence is a Franciscan friar and Romeo's confidant.
Friar John is sent to deliver Friar Laurence's letter to Romeo.
An Apothecary who reluctantly sells Romeo poison.
A Chorus reads a prologue to each of the first two acts.
^ see § Shakespeare's day
^ As well as A Midsummer Night's Dream , Gibbons draws parallels with Love's Labour's Lost and Richard II . [28]
^ Levenson defines "star-cross'd" as "thwarted by a malign star". [63]
^ When performed in the central yard of an inn and in public theaters such as the Globe Theatre the only source of lighting was daylight. When performed at Court, inside the stately home of a member of the nobility and in indoor theaters such as the Blackfriars theatre candle lighting was used and plays could be performed even at night.
^ Halio here quotes Karl A. Menninger's Man Against Himself (1938). [85]
^ The five more popular plays, in descending order, are Henry VI, Part 1 , Richard III , Pericles , Hamlet and Richard II . [108]
^ 1634–1699: McCusker, J. J. (1997). How Much Is That in Real Money? A Historical Price Index for Use as a Deflator of Money Values in the Economy of the United States: Addenda et Corrigenda (PDF) . American Antiquarian Society . 1700–1799: McCusker, J. J. (1992). How Much Is That in Real Money? A Historical Price Index for Use as a Deflator of Money Values in the Economy of the United States (PDF) . American Antiquarian Society . 1800–present: Federal Reserve Bank of Minneapolis. "Consumer Price Index (estimate) 1800–" . Retrieved 16 April 2022 .
^ Booth's Romeo and Juliet was rivalled in popularity only by his own "hundred night Hamlet " at The Winter Garden of four years before.
^ First page of the program for the opening night performance of Romeo and Juliet at Booth's Theatre, 3 February 1869.
^ Levenson provides the quote from the 1960 interview with Zeffirelli in The Times . [137]
^ Levenson credits this list of genres to Stanley Wells .
^ Brode quotes Renato Castellani .
^ Brode cites Anthony West of Vogue and Mollie Panter-Downes of The New Yorker as examples. [205]
^ McKernan and Terris list 39 instances of uses of Romeo and Juliet , not including films of the play itself.
^ Romeo and Juliet , III.i.73.
^ Romeo and Juliet , III.v.115.
^ Romeo and Juliet , IV.i.105.
^ Romeo and Juliet , V.iii.308–309.
^ Halio 1998 , p. 93.
^ Gibbons 1980 , p. 33.
^ Moore 1930 , pp. 264–77.
^ Higgins 1998 , p. 223.
^ Jump up to: a b Higgins 1998 , p. 585.
^ Jump up to: a b Hosley 1965 , p. 168.
^ Gibbons 1980 , pp. 33–34.
^ Levenson 2000 , p. 4.
^ Jump up to: a b da Porto 1831 .
^ Prunster 2000 , pp. 2–3.
^ Jump up to: a b Moore 1937 , pp. 38–44.
^ Muir 1998 , pp. 86–89.
^ Da Porto does not specify which Bartolomeo is intended, whether Bartolomeo I ( regnat 1301–1304) or Bartolomeo II ( regnat 1375–1381), though the association of the former with his patronage of Dante makes him perhaps slightly more likely, given that Dante actually mentions the Cappelletti and Montecchi in his Commedia .
^ Jump up to: a b c Scarci 1993–1994 .
^ Da Porto, Luigi. "Historia novellamente ritrovata di due nobili amanti, (A Newly-Discovered History of two Noble Lovers)" .
^ Gibbons 1980 , pp. 35–36.
^ Jump up to: a b Gibbons 1980 , p. 37.
^ Keeble 1980 , p. 18.
^ Roberts 1902 , pp. 41–44.
^ Gibbons 1980 , pp. 32, 36–37.
^ Levenson 2000 , pp. 8–14.
^ Romeo and Juliet , I.iii.23.
^ Jump up to: a b Gibbons 1980 , pp. 26–27.
^ Jump up to: a b Gibbons 1980 , pp. 29–31.
^ Gibbons 1980 , p. 29.
^ Jump up to: a b c Spencer 1967 , p. 284.
^ Jump up to: a b c Halio 1998 , pp. 1–2.
^ Wells 2013 .
^ Gibbons 1980 , p. 21.
^ Gibbons 1980 , p. ix.
^ Halio 1998 , pp. 8–9.
^ Jump up to: a b Bowling 1949 , pp. 208–20.
^ Halio 1998 , p. 65.
^ Romeo and Juliet , I.v.92–99.
^ Jump up to: a b Honegger 2006 , pp. 73–88.
^ Groves 2007 , pp. 68–69.
^ Groves 2007 , p. 61.
^ Siegel 1961 , pp. 371–92.
^ Romeo and Juliet , II.v.38–42.
^ Romeo and Juliet , V.iii.169–170.
^ MacKenzie 2007 , pp. 22–42.
^ Romeo and Juliet , III.i.138.
^ Evans 1950 , pp. 841–65.
^ Jump up to: a b c Draper 1939 , pp. 16–34.
^ Jump up to: a b c Nevo 1972 , pp. 241–58.
^ Romeo and Juliet , I.i.167–171.
^ Jump up to: a b Parker 1968 , pp. 663–74.
^ Romeo and Juliet , II.ii.
^ Romeo and Juliet , I.v.42.
^ Romeo and Juliet , I.v.44–45.
^ Romeo and Juliet , II.ii.26–32.
^ Romeo and Juliet , I.v.85–86.
^ Romeo and Juliet , III.ii.17–19.
^ Halio 1998 , pp. 55–56.
^ Jump up to: a b c Tanselle 1964 , pp. 349–61.
^ Romeo and Juliet , III.iv.8–9.
^ Romeo and Juliet , II.ii.109–111.
^ Romeo and Juliet , I.0.6.
^ Levenson 2000 , p. 142.
^ Muir 2005 , pp. 34–41.
^ Lucking 2001 , pp. 115–26.
^ Halio 1998 , pp. 55–58.
^ Driver 1964 , pp. 363–70.
^ Jump up to: a b Scott 1987 , p. 415.
^ Scott 1987 , p. 410.
^ Scott 1987 , pp. 411–12.
^ Shapiro 1964 , pp. 498–501.
^ Bonnard 1951 , pp. 319–27.
^ Jump up to: a b Halio 1998 , pp. 20–30.
^ Jump up to: a b Halio 1998 , p. 51.
^ Halio 1998 , pp. 47–48.
^ Halio 1998 , pp. 48–49.
^ Romeo and Juliet , II.ii.90.
^ Halio 1998 , pp. 49–50.
^ Levin 1960 , pp. 3–11.
^ Halio 1998 , pp. 51–52.
^ Halio 1998 , pp. 52–55.
^ Bloom 1998 , pp. 92–93.
^ Wells 2004 , pp. 11–13.
^ Jump up to: a b Halio 1998 , p. 82.
^ Menninger 1938 .
^ Appelbaum 1997 , pp. 251–72.
^ Romeo and Juliet , V.i.1–11.
^ Halio 1998 , pp. 81, 83.
^ Romeo and Juliet , I.v.137.
^ Halio 1998 , pp. 84–85.
^ Halio 1998 , p. 85.
^ Romeo and Juliet , III.i.112.
^ Kahn 1977 , pp. 5–22.
^ Halio 1998 , pp. 87–88.
^ Halio 1998 , pp. 89–90.
^ Levenson 2000 , pp. 25–26.
^ Goldberg 1994 .
^ Halio 1998 , pp. 85–86.
^ Romeo and Juliet , II.i.24–26.
^ Rubinstein 1989 , p. 54.
^ Romeo and Juliet , II.ii.43–44.
^ Goldberg 1994 , pp. 221–27.
^ da Porto 1868 , p. 10.
^ Jump up to: a b Leveen 2014 .
^ OED: balcony .
^ Jump up to: a b Halio 1998 , p. 97.
^ Halio 1998 , p. ix.
^ Jump up to: a b Taylor 2002 , p. 18.
^ Levenson 2000 , p. 62.
^ Dawson 2002 , p. 176.
^ Marsden 2002 , p. 21.
^ Jump up to: a b c d Halio 1998 , pp. 100–02.
^ Levenson 2000 , p. 71.
^ Marsden 2002 , pp. 26–27.
^ Branam 1984 , pp. 170–79.
^ Stone 1964 , pp. 191–206.
^ Pedicord 1954 , p. 14.
^ Morrison 2007 , p. 231.
^ Morrison 2007 , p. 232.
^ Jump up to: a b Gay 2002 , p. 162.
^ Halliday 1964 , pp. 125, 365, 420.
^ The Times 1845 .
^ Potter 2001 , pp. 194–95.
^ Levenson 2000 , p. 84.
^ Schoch 2002 , pp. 62–63.
^ Halio 1998 , pp. 104–05.
^ Winter 1893 , pp. 46–47, 57.
^ Holland 2002 , pp. 202–03.
^ Levenson 2000 , pp. 69–70.
^ Mosel 1978 , p. 354.
^ Smallwood 2002 , p. 102.
^ Halio 1998 , pp. 105–07.
^ Smallwood 2002 , p. 110.
^ Halio 1998 , pp. 107–09.
^ Jump up to: a b c Levenson 2000 , p. 87.
^ Holland 2001 , p. 207.
^ The Times 1960 .
^ Halio 1998 , p. 110.
^ Halio 1998 , pp. 110–12.
^ Pappe 1997 , p. 63.
^ Quince 2000 , pp. 121–25.
^ Munro 2016 , pp. 68–69.
^ Jump up to: a b Howard 2000 , p. 297.
^ Edgar 1982 , p. 162.
^ Marks 1997 .
^ Houlihan 2004 .
^ Barranger 2004 , p. 47.
^ The New York Times 1977 .
^ Hetrick & Gans 2013 .
^ Nestyev 1960 , p. 261.
^ Sanders 2007 , pp. 66–67.
^ Winn 2007 .
^ Curnow 2010 .
^ Buhler 2007 , p. 156.
^ Jump up to: a b Sanders 2007 , p. 187.
^ Meyer 1968 , pp. 38.
^ Huebner 2002 .
^ Holden 1993 , p. 393.
^ Collins 1982 , pp. 532–38.
^ Levi 2002 .
^ Sanders 2007 , pp. 43–45.
^ Stites 1995 , p. 5.
^ Romeo and Juliet , I.v, II.ii, III.v, V.iii.
^ Sanders 2007 , pp. 42–43.
^ Sanders 2007 , p. 42.
^ Romeo and Juliet , I.0.6.
^ Sanders 2007 , p. 20.
^ Sanders 2007 , p. 187–88.
^ Swift 2009 .
^ Buhler 2007 , p. 157.
^ Sanders 2007 , pp. 75–76.
^ Ehren 1999 .
^ Arafay 2005 , p. 186.
^ Review from NT: "Den fina recensionen i NT :) Skriver... - Johan Christher Schütz | Facebook" . Archived from the original on 18 June 2020.
^ Levenson 2000 , pp. 49–50.
^ Bloom 1998 , p. 89.
^ Levenson 2000 , p. 91.
^ OED: romeo .
^ Bly 2001 , p. 52.
^ Muir 2005 , pp. 352–62.
^ Fowler 1996 , p. 111.
^ Romeo and Juliet , V.iii.
^ Fowler 1996 , pp. 112–13.
^ Fowler 1996 , p. 120.
^ Fowler 1996 , pp. 126–27.
^ Jump up to: a b Orgel 2007 , p. 91.
^ "The Master of Verona" . Publishers Weekly . Retrieved 14 July 2021 .
^ "Biografia di David Blixt" [Biography of David Blixt]. veronaeconomia.it (in Italian) . Retrieved 14 July 2021 .
^ "Film documentario su Cangrande, il Principe di Verona" [Documentary film on Cangrande, the Prince of Verona]. Verona-in.it (in Italian). 24 October 2013 . Retrieved 14 July 2021 .
^ Kirkus Reviews 2017 .
^ Sabur 2017 .
^ Marsh 2017 .
^ Richardson 2017 .
^ Pells 2017 .
^ Manga Classics: Romeo and Juliet (2018) UDON Entertainment ISBN 978-1-947808-03-4
^ Jump up to: a b Brode 2001 , p. 42.
^ Rosenthal 2007 , p. 225.
^ Brode 2001 , p. 43.
^ Brode 2001 , p. 48.
^ Tatspaugh 2000 , p. 138.
^ Brode 2001 , pp. 48–49.
^ Brode 2001 , p. 51.
^ Brode 2001 , pp. 51–25.
^ Rosenthal 2007 , p. 218.
^ Brode 2001 , pp. 51–53.
^ Brode 2001 , p. 53.
^ Romeo and Juliet , III.v.
^ Rosenthal 2007 , pp. 218–20.
^ Tatspaugh 2000 , p. 140.
^ Tatspaugh 2000 , p. 142.
^ Rosenthal 2007 , pp. 215–16.
^ Symonds 2017 , p. 172.
^ McKernan & Terris 1994 , pp. 141–56.
^ Lanier 2007 , p. 96.
^ McKernan & Terris 1994 , p. 146.
^ Howard 2000 , p. 310.
^ Rosenthal 2007 , p. 228.
^ Goyal 2013 .
^ International Business Times 2013 .
^ Lee 2014 .
^ Kennedy 2010 .
^ "Uranus Moons" . NASA Solar System Exploration . Retrieved 11 February 2021 .
^ Gibbons 1980 , p. vii.
Gibbons, Brian, ed. (1980). Romeo and Juliet . The Arden Shakespeare , second series. London: Thomson Learning . ISBN 978-1-903436-41-7 .
Levenson, Jill L., ed. (2000). Romeo and Juliet . The Oxford Shakespeare . Oxford: Oxford University Press . ISBN 0-19-281496-6 .
Spencer, T.J.B., ed. (1967). Romeo and Juliet . The New Penguin Shakespeare. London: Penguin . ISBN 978-0-14-070701-4 .
Appelbaum, Robert (1997). " "Standing to the Wall": The Pressures of Masculinity in Romeo and Juliet ". Shakespeare Quarterly . Folger Shakespeare Library . 48 (38): 251–72. doi : 10.2307/2871016 . ISSN 0037-3222 . JSTOR 2871016 .
Arafay, Mireia (2005). Books in Motion: Adaptation, Adaptability, Authorship . Rodopi. ISBN 978-90-420-1957-7 .
Barranger, Milly S. (2004). Margaret Webster: A Life in the Theatre . University of Michigan Press . ISBN 978-0-472-11390-3 .
Bloom, Harold (1998). Shakespeare: The Invention of the Human . New York: Riverhead Books . ISBN 1-57322-120-1 .
Bly, Mary (2001). "The Legacy of Juliet's Desire in Comedies of the Early 1600s". In Alexander, Margaret M. S; Wells, Stanley
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