Roman Love
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Основной стиль: Uplifting Trance
Любимые стили: Electro Progressive, House, Melodic Trance, Progressive Trance, Tech Trance, Trance, Vocal Trance
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Roman Love - молодой и перспективный музыкант. Человек, для которого творчество не имеет границ. Основная деятельность Романа - создание танцевальной музыки. Это занятие увлекло его относительно недавно и стало неотъемлемой частью его жизни. Каждый трек этого музыканта это результат серьезной творческой работы, это уникальный взгляд на то, как может звучать музыка.
В диджейских сетах Романа вы услышите знакомые вам мелодии,и будете приятно удивлены их новому модному звучанию.
Подписывайтесь на мой подкаст в iTunes: itunes.apple.com/ru/podcast/id…
Голосование DJ Roman Love - Flame Of Trance Podcast [010]
01. David Gravell - Kaiju (Original Mix)
02. Speed Limits & Jaco feat. Joni Fatora - Palm of Your Hand (Original Mix)
03. Juventa feat. Kelly Sweet - Superhuman (Kago Pengchi Remix)
04. Kyau Albert - Relevant Angel (Original Mix)
05. Dennis Sheperd & Sylvia Tosun - We Are (Original Mix)
06. Digital X - Raveland (Original Mix)
07. Denis Kenzo & Kimberly Hale - Find The Light (Original Mix)
08. Yang - 9 Dragons (Original Mix)
09. Dreamy - Those Sudden Feelings (Original Energetic Mix)
10. RAM - Clockwork Orange (Original Mix)
11. Andrew Rayel - Followed By Darkness (Original Mix)
12. Eloquentia vs Vast Vision feat Robin Vane - Will See You Again (Original Mix)
Голосование DJ Roman Love - Flame Of Trance Podcast [009]
01. Ferry Tayle feat. Sarah Shields & Ludovic H - The Most Important Thing (Willem de Roo Remix)
02. Sied Van Riel, Bjorn Akesson - The Next Episode (Original Mix)
03. Paul van Dyk, Jessus Adham Asraf feat. Tricia Mcteague - Only In A Dream (Original Mix)
04. Dan Thompson - Purple Matter (ReSeize Remix)
05. Adam Szabo Willem de Roo - Stingray (Original Mix)
06. Steve Nyman & Paulina Dubaj - The Loneliest Place (Original Mix)
07. Arisen Flame - Redemption (Original Mix)
08. Tenishia & Susana - Never Let You Down (Original Mix)
09. Beat Service - Spark (Original Mix)
10. Eminence & Johann Stone - Nebula (Original Mix)
11. Driftmoon - Stronghold (Original Mix)
12. Lange - Imagineer (Alex M.O.R.P.H. Remix)
Голосование DJ Roman Love - Flame Of Trance Podcast [008]
01. Eranga & Mino Safy ft. Maria Milewska - Up To You (Original Mix)
02. Ben Nicky & Thomas Mengel feat. Sue McLaren - Heart Go (Thomas Mengel Remix)
03. Lee Osborne - Sky-Dweller (Original Mix)
04. Allen & Envy and Katty Heath - I Wasn't The One (Michael Retouch Remix)
05. Soundprank - Hold On (Original Mix)
06. Faruk Sabanci - Ruya (Original Mix)
07. Kaimo K & Tarmo Tammel - Sublime (Original Mix)
09. Sean Tyas & Giuseppe Ottaviani - Plan B (Extended Mix)
10. JES - High Glow (Ciaran McAuley Remix)
11. Hiroyuki ODA - Parallel (Original Mix)
12. Somna & Jennifer Rene - Because You're Here (Original Mix)
Голосование DJ Roman Love - Flame Of Trance Podcast [007]
01. Denis Kenzo feat. Jilliana Danise - Will Be Forever (Original Mix)
02. Alex Petar - Momentum (Original Mix)
03. Chris Schweizer - Daredevil (Original Mix)
04. Amos Coax - Origins (Original Mix)
05. Betsie Larkin, Andy Moor - Not Afraid (Original Mix)
06. Roger Shah, Sied van Riel feat. Jennifer Rene - Without You (Mohamed Ragab Remix)
07. Hristian Hristov - Hold On (Original Mix)
08. Matt Cerf and Ost & Meyer feat. Fenja - Like We Love (Avenue One Remix)
09. Denis Kenzo & Sveta B. - Deep In My Heart (Original Mix)
10. Nick Karsten - Dunno (Original Mix)
11. Behind The Sunset - Actus Secundus (Original Mix)
12. Airborn - Hymn of Heavens (Original Mix)
Голосование DJ Roman Love - Flame Of Trance Podcast [006]
01. 5tranger - Runner (Original Mix)
02. Armin van Buuren feat. Laura Jansen - Sound Of The Drums (Bobina Remix)
03. Airborn - People Have Wings (Original Mix)
04. Roman Messer feat. Christina Novelli - Frozen (Yuri Kane Remix)
05. Meridian - Impression (Original Mix)
06. Ost & Meyer - Sky Hunter (Original Mix)
07. Zack Shaar - Blue Pulse (Original Mix)
08. Duncan Newell - On The Rocks (Original Mix)
09. Pablo Artigas - Limit Breaker (Original Mix)
10. Chris Schweizer - Here Without You (Original Mix)
11. Susana - Feel You Here (Beat Service Remix)
12. The Thrillseekers - This Is All We Have (Andy Moor Remix)
За творчество Держи +++ !!! Жду в друзьях! И ВК ; )
++++++++++++++++++PR за интересные работы и дальнейших успехов в творчестве, добавил в друзья =)
Заходи в гости =)
Хорошие работы! Так держать! Продвигайся вперед! +PR! В друзья!
Отличные работки!!!)))+++PR!!!заходи в гости;)
отличная музыка!! удачи в творчестве!)))
За очень интересную статью +)) Привет
Respect Роман!!!Успехов тебе!!!отличный стиль!!!
+PR! желаю творческих успехов и всего самого хорошего!!
Ага, я позвонил, ты какой-то злой был) Скоро поеду по грибы))) и ягоды)))
Периодически появляюсь, родственники там живут... На Металлургов... в июле снова приеду
Здарова Тезка + тебе и респект из Орла!!! Залась ко мне оцени, но-моему у нас стиль похож
Пожалуйста, зарегистрируйтесь (это быстро!) или войдите, чтобы оставлять фидбэки и делать ещё массу прикольных вещей.
Диджеев много. Профессиональных диджеев — мало!
From Wikipedia, the free encyclopedia
This article is about a type of emotional attachment. For the modern popular-fiction genre, see Romance novel. For the historical era associated with the arts, see Romanticism. For other uses, see Romance (disambiguation).
This article is written like a personal reflection, personal essay, or argumentative essay that states a Wikipedia editor's personal feelings or presents an original argument about a topic. Please help improve it by rewriting it in an encyclopedic style. (July 2018) (Learn how and when to remove this template message)
This article possibly contains original research. Please improve it by verifying the claims made and adding inline citations. Statements consisting only of original research should be removed. (January 2018) (Learn how and when to remove this template message)
Romance or Romantic love is an emotional feeling of love for, or a strong attraction towards another person, and the courtship behaviors undertaken by an individual to express those overall feelings and resultant emotions.
The Wiley Blackwell Encyclopedia of Family Studies states that "Romantic love, based on the model of mutual attraction and on a connection between two people that bonds them as a couple, creates the conditions for overturning the model of family and marriage that it engenders."[1] This indicates that romantic love can be the founding of attraction between two people. This term was primarily used by the "western countries after the 1800s were socialized into, love is the necessary prerequisite for starting an intimate relationship and represents the foundation on which to build the next steps in a family."
Alternatively, Collins Dictionary describes romantic love as "an intensity and idealization of a love relationship, in which the other is imbued with extraordinary virtue, beauty, etc., so that the relationship overrides all other considerations, including material ones."[2]
Although the emotions and sensations of romantic love are widely associated with sexual attraction, romantic feelings can exist without expectation of physical consummation and be subsequently expressed. In certain cases, romance could even be just passed down as a normal friendship. Historically, the term romance originates with the medieval ideal of chivalry as set out in the literature of Chivalric romance.
Anthropologist Charles Lindholm defined love as "any intense attraction that involves the idealization of the other, within an erotic context, with expectation of enduring sometime into the future".[3]
This section needs additional citations for verification. Please help improve this article by adding citations to reliable sources. Unsourced material may be challenged and removed. (April 2018) (Learn how and when to remove this template message)
The word "romance" comes from the French vernacular where initially it indicated a verse narrative. The word was originally an adverb of Latin origin, "romanicus," meaning "of the Roman style". European medieval vernacular tales, epics, and ballads generally dealt with chivalric adventure, not bringing in the concept of love until late into the seventeenth century.
The word romance developed other meanings, such as the early nineteenth century Spanish and Italian definitions of "adventurous" and "passionate," which could intimate both "love affair" and "idealistic quality."
Anthropologists such as Claude Lévi-Strauss show that there were complex forms of courtship in ancient as well as contemporary primitive societies. There may not be evidence, however, that members of such societies formed loving relationships distinct from their established customs in a way that would parallel modern romance.[4]
In the majority of primitive societies studied by the anthropologists, the extramarital and premarital relations between men and women were completely free. The members of the temporary couples were sexually attracted to each other more than to anyone else, but in all other respects their relationships had not demonstrated the characteristics of romantic love. In the book of Boris Shipov Theory of Romantic Love[5] the corresponding evidences of anthropologists have been collected. Lewis H. Morgan: "the passion of love was unknown among the barbarians. They are below the sentiment, which is the offspring of civilization and super added refinement of love was unknown among the barbarians."[6] Margaret Mead: "Romantic love as it occurs in our civilisation, inextricably bound up with ideas of monogamy, exclusiveness, jealousy and undeviating fidelity does not occur in Samoa."[7] Bronislaw Malinowski: "Though the social code does not favour romance, romantic elements and imaginative personal attachments are not altogether absent in Trobriand courtship and marriage."[8]
One should notice that the phenomenon which B.Malinowski calls love, actually has very little in common with the European love: "Thus there is nothing roundabout in a Trobriand wooing; nor do they seek full personal relations, with sexual possession only as a consequence. Simply and directly a meeting is asked for with the avowed intention of sexual gratification. If the invitation is accepted, the satisfaction of the boy's desire eliminates the romantic frame of mind, the craving for the unattainable and mysterious."[9] "an important point is that the pair's community of interest is limited to the sexual relation only. The couple share a bed and nothing else. ... there are no services to be mutually rendered, they have no obligation to help each other in any way..."[10]
The aborigines of Mangaia island of Polynesia, who mastered the English language, used the word "love" with a completely different meaning as compared to that which is usual for the person brought up in the European culture. Donald S.Marshall: "Mangaian informants and co-workers were quite interested in the European concept of "love." English-speaking Mangaians had previously used the term only in a physical sense of sexual desire; to say "I love you" in English to another person was tantamount to saying "I want to copulate with you." The components of affection and companionship, which may characterize the European use of the term, puzzled the Mangaians when we discussed the term."[11] "The principal findings that one can draw from an analysis of emotional components of sexual relationship feelings on Mangaia are:
Nathaniel Branden claims that by virtue of "the tribal mentality,” "in primitive cultures the idea of romantic love did not exist at all. Passionate individual attachments are evidently seen as threatening to tribal values and tribal authority."[13] Dr. Audrey Richards, an anthropologist who lived among the Bemba of Northern Rhodesia in the 1930s, once related to a group of them an English folk-fable about a young prince who climbed glass mountains, crossed chasms, and fought dragons, all to obtain the hand of a maiden he loved. The Bemba were plainly bewildered, but remained silent. Finally an old chief spoke up, voicing the feelings of all present in the simplest of questions: "Why not take another girl?" he asked.[14]
Before the 18th century, many marriages were not arranged, but rather developed out of more or less spontaneous relationships.[citation needed] After the 18th century, illicit relationships took on a more independent role. In bourgeois marriage, illicitness may have become more formidable and likely to cause tension.[15] In Ladies of the Leisure Class, Rutgers University professor Bonnie G. Smith depicts courtship and marriage rituals that may be viewed as oppressive to modern people. She writes "When the young women of the Nord[who?] married, they did so without illusions of love and romance. They acted within a framework of concern for the reproduction of bloodlines according to financial, professional, and sometimes political interests." Subsequent sexual revolution has lessened the conflicts arising out of liberalism, but not eliminated them.[citation needed]
Anthony Giddens, in The Transformation of Intimacy: Sexuality, Love and Eroticism in Modern Society, states that romantic love introduced the idea of a narrative to an individual's life, and telling a story is a root meaning of the term romance. According to Giddens, the rise of romantic love more or less coincided with the emergence of the novel. It was then that romantic love, associated with freedom and therefore the ideals of romantic love, created the ties between freedom and self-realization.[16][citation needed]
David R. Shumway states that "the discourse of intimacy" emerged in the last third of the 20th century, intended to explain how marriage and other relationships worked, and making the specific case that emotional closeness is much more important than passion, with intimacy and romance coexisting.[17]
One example of the changes experienced in relationships in the early 21st century was explored by Giddens regarding homosexual relationships. According to Giddens, since homosexuals were not able to marry they were forced to pioneer more open and negotiated relationships. These kinds of relationships then permeated the heterosexual population.[citation needed]
Boris Shipov hypothesizes that "those psychological mechanisms that give rise to limerence or romantic love between a man and a woman [arise] as a product of the contradiction between sexual desire and the morality of a monogamous society, which impedes the realization of this attraction."[18]
F. Engels, in his book The Origin of the Family, Private Property and the State: "monogamy was the only known form of the family under which modern sex love could develop, it does not follow that this love developed exclusively, or even predominantly, within it as the mutual love of the spouses. The whole nature of strict monogamian marriage under male domination ruled this out."[19] Sigmund Freud stated, "It can easily be shown that the psychical value of erotic needs is reduced as soon as their satisfaction becomes easy. An obstacle is required in order to heighten libido; and where natural resistances to satisfaction have not been sufficient men have at all times erected conventional ones so as to be able to enjoy love. This is true both of individuals and of nations. In times in which there were no difficulties standing in the way of sexual satisfaction, such as perhaps during the decline of the ancient civilizations, love became worthless and life empty."[20]
The conception of romantic love was popularized in Western culture by the concept of courtly love. Chevaliers, or knights in the Middle Ages, engaged in what were usually non-physical and non-marital relationships with women of nobility whom they served. These relations were highly elaborate and ritualized in a complexity that was steeped in a framework of tradition, which stemmed from theories of etiquette derived out of chivalry as a moral code of conduct.
Courtly love and the notion of domnei were often the subjects of troubadours, and could be typically found in artistic endeavors such as lyrical narratives and poetic prose of the time. Since marriage was commonly nothing more than a formal arrangement,[21] courtly love sometimes permitted expressions of emotional closeness that may have been lacking from the union between husband and wife.[22] In terms of courtly love, "lovers" did not necessarily refer to those engaging in sexual acts, but rather, to the act of caring and to emotional intimacy.
The bond between a knight and his Lady, or the woman of typically high stature of whom he served, may have escalated psychologically but seldom ever physically.[23] For knighthood during the Middle Ages, the intrinsic importance of a code of conduct was in large part as a value system of rules codified as a guide to aid a knight in his capacity as champion of the downtrodden, but especially in his service to the Lord.
In the context of dutiful service to a woman of high social standing, ethics designated as a code were effectively established as an institution to provide a firm moral foundation by which to combat the idea that unfit attentions and affections were to ever be tolerated as "a secret game of trysts" behind closed doors. Therefore, a knight trained in the substance of "chivalry" was instructed, with especial emphasis, to serve a lady most honorably, with purity of heart and mind. To that end, he committed himself to the welfare of both Lord and Lady with unwavering discipline and devotion, while at the same time, presuming to uphold core principles set forth in the code by the religion by which he followed.[23]
Religious meditations upon the Virgin Mary were partially responsible for the development of chivalry as an ethic and lifestyle: the concept of the honor of a lady and knightly devotion to her, coupled with an obligatory respect for all women, factored prominently as central to the very identity of medieval knighthood. As knights were increasingly emulated, eventual changes were reflected in the inner-workings of feudal society. Members of the aristocracy were schooled in the principles of chivalry, which facilitated important changes in attitudes regarding the value of women.[24]
Behaviorally, a knight was to regard himself towards a lady with a transcendence of premeditated thought—his virtue ingrained within his character. A chevalier was to conduct himself always graciously, bestowing upon her the utmost courtesy and attentiveness. He was to echo shades of this to all women, regardless of class, age, or status.[25] Over time, the concept of chivalry and the notion of the courtly gentleman became synonymous with the ideal of how love and romance should exist between the sexes. Through the timeless popularization in art and literature of tales of knights and princesses, kings and queens, a formative and long standing (sub)consciousness helped to shape relationships between men and women.
De amore or The Art of Courtly Love, as it is known in English, was written in the 12th century. The text is widely misread as permissive of extramarital affairs. However, it is useful to differentiate the physical from without: romantic love as separate and apart from courtly love when interpreting such topics as: "Marriage is no real excuse for not loving", "He who is not jealous cannot love", "No one can be bound by a double love", and "When made public love rarely endures".[26]
Some believe that romantic love evolved independently in multiple cultures. For example, in an article presented by Henry Grunebaum, he argues "therapists mistakenly believe that romantic love is a phenom
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