Roadkill Porn

Roadkill Porn
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Aug. 21, 2014, 09:07 AM EDT | Updated Dec. 6, 2017
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Arts and Culture Reporter, HuffPost
Wyatt Neumann is a photographer and a father. In 2014 he took his two-year-old daughter Stella on a cross-country road trip, photographing their journey along the way. Neumann captured sunsets and cornfields and, of course, Stella, often donning one of most two-year-old girls' two favorite ensembles: a princess dress and nothing at all.
In the middle of the trip, what the Safari Gallery describes as "a hyper puritanical, neo-conservative group" launched a cyber-attack on Neumann's images, specifically those of Stella. Calling the images "perverse," "sick" and "pornographic," members of the group attempted to remove all traces of them from the web. They successfully prompted Facebook and Instagram to shut down his accounts, and they criticized his artist website as well. While Neumann claims he was open to others expressing their opinions about his work, the "forced censorship" went too far.
"The anonymous public made their opinions about my work," he explained in an interview with The Huffington Post. "It was the actions they took against me, the reality for me was that these people could actually affect my ability to express myself. They took down my Instagram and Facebook; those are huge digital platforms for a photographer. It had a physical effect on my ability to communicate with people. The fact that they had that ability to control my experience in this life made me want to fight back. I really believe that the work is beautiful and [reveals] the innocence of childhood."
Neumann was determined, somehow, to turn all the hate directed his way into something beautiful. Rather than ignoring the criticism lodged against him, he created a new series in which he juxtaposed the hateful comments with the corresponding images he maintained were innocent. What he created was a photography show that presents both sides of the moral debate, allowing each visitor to interpret the images individually.
The title of the subsequent exhibition, "I FEEL SORRY FOR YOUR CHILDREN –- The Sexualization of Innocence in America," was in part inspired by an online comment attached to one of Neumann's works that read: "The whole thing is sickening and I FEEL SORRY FOR YOUR CHILDREN." The exhibition examines the attacks launched against his photographs as well as what he sees as a segment of contemporary culture, thriving off shame and censorship, that incited such attacks.
"When I decided to do the show I was so upset and I was like, You know what? I think this is beautiful," Neumann continued. "I'm going to show these to the world the way that I saw them when I took them. I'm going to put them in beautiful frames on beautiful walls in a beautiful gallery."
The exhibition proudly displays Neumann's photos, while raising the questions asked by anonymous online critics in a public sphere. Are these images pornography or art? Exploitation or expression? Is the human body a site of shame or wonder? Fear or freedom? These questions are not only at the core of this exhibition, but of a debate about the sexualization of young girls that far exceeds the parameters of the art world.
Neumann delves into the darker details in his artist statement: "What’s troubling is the abject reviling of the human body, the intense and overt sexualization of the natural human form, especially the naked bodies of carefree young children, who have yet to feel the burden of institutionalized body image awareness and the embarrassment that comes with adolescence. My children are free, they live without shame."
He continued to The Huffington Post: "My kids have a whole lifetime of having body shame issues. My daughter is going to have years of feeling not pretty. I want my children to have a solid foundation of self-confidence and self-worth."
The exhibition illuminates a struggle faced by many single fathers, who often feel targeted by a public suspicious of a man alone with a young girl. "The most impactful reaction [to the exhibition thus far] was a father who came, a single dad. It brought him to tears. He said 'I struggle with this all the time. I can feel this in America. As a man with a little girl, I feel this all the time.' As fathers we try to do our best; it's a difficult thing. The new breed of fathers in this country are adopting a lot of the ethos and positioning that has traditionally been a women's role."
Take a look at Neumann's striking series below, juxtaposed with negative comments expressed by incognito internet users. Let us know your thoughts on this bold project in the comments.
WARNING: Some readers may find the below language offensive.
Neumann's photographs are currently on view at The Safari Gallery at 355 West Broadway until August 21, 2014.
Arts and Culture Reporter, HuffPost

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Jacob Sullum

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1.31.2013 3:35 PM

This week U.S. District Judge Dean Whipple sentenced Christjan Bee of Monett, Missouri, to three years in prison for "possessing an obscene image of the sexual abuse of children." The U.S. Attorney's Office for the Western District of Missouri describes the material at issue as "a collection of electronic comics, entitled 'incest comics,'" that "contained multiple images of minors engaging in graphic sexual intercourse with adults and other minors." According to federal prosecutors, "The depictions clearly lack any literary, artistic, political or scientific value." Local police found the drawings on Bee's computer in August 2011 while executing a search warrant they obtained based on a tip from his wife. Bee originally was indicted for receiving child pornography, based on a different set of images, but that charge was dropped as part of a plea deal . This case is another example of how a constitutionally questionable law criminalizing mere possession of obscenity is escaping scrutiny.
Congress enacted the law criminalizing obscene depictions of sex acts involving minors after the Supreme Court ruled in 2002 that a federal ban on "virtual" child pornography, production of which does not involve any real children, violated the First Amendment. In contrast with child pornography, which is illegal even if it is not judged obscene, the material covered by the new law has to meet the obscenity test that the Supreme Court established in the 1973 case Miller v. California , which among other things involves a lack of "serious literary, artistic, political, or scientific value." That is why prosecutors made a point of saying there was none of that in the drawings on Bee's computer. But while the Court has upheld bans on possession (as opposed to production or distribution) of child pornography, it has rejected bans on possession of obscenity. In the latter case, decided in 1969, the Court unanimously ruled that the power to regulate obscenity "does not extend to mere possession by the individual in the privacy of his own home." Hence it is hard to see how Bee can be sent to prison for mere possession of those "incest comics."
Bee won't be raising a First Amendment challenge, however, because he gave up that right in exchange for dismissal of the child pornography charge, which carries a mandatory minimum sentence of five years. The charge to which he pled guilty, by contrast, carries an indeterminate sentence of up to 10 years, and in the end the plea deal shaved at least two years off his prison term. Last year I described a similar case in which an Ohio man got 15 months rather than five years by pleading guilty to an obscenity charge based on Simpsons porn rather than face a charge of receiving actual child pornography based on other images.
The upshot is that Congress so far has managed to criminalize possession of virtual child porn, even though the Supreme Court has explicitly said it may not do that, by calling it something else. In Canada, by contrast, the definition of child pornography explicitly includes fictional depictions, so leave your manga at home .
Jacob Sullum is a senior editor at Reason .

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Roadkill Cast & crew IMDbPro Action Adventure Crime Riding the back roads of a rural county in 1983, a young woman traveling alone gets caught up in a law enforcement manhunt for a fugitive killer. Director Warren Fast Writer Warren Fast Stars Caitlin Carmichael Ryan Charles Knudson Danielle Harris See production, box office & company info
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Wyatt Neumann is a photographer and a father. In 2014 he took his two-year-old daughter Stella on a cross-country road trip, photographing their journey along the way. Neumann captured sunsets and cornfields and, of course, Stella, often donning one of most two-year-old girls' two favorite ensembles: a princess dress and nothing at all.
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