Rich Teen Hentai Harem 2

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In certain anime, harem protagonists are surrounded by a group of potential lovers/friends, but only some characters earn the affection of viewers.
By Isaiah Jones Published Dec 30, 2019
Harem protagonists are known for being cutter characters of each other. On occasion we do get a protagonist in a series that breaks the mold. This list looks at five of the best and five of the worst harem protagonists in anime.
The best harem protagonists each have a quality that sets them apart. This can be having a unique personality, being able to create a harem that exceeds other series, or having everyone in their harem get along with each other. In addition to harem protagonists, be sure to check out the best and worst harems in anime as well.
Kicking off the list is Arata Kasuga from Trinity Seven. Arata becomes a magician and meets with the Trinity Sevens to become a Magus. This is becasuse he wants to save his cousin Hijiri after she's gone missing. Arata manages to get along smoothly with his harem, especially since each girl in his harem represents a different anime trope. Arata may have a harem, but he never loses sight of his goal. Enrolling in the mage academy, Arata continues the search for Kijiri.
Tsukune Aono from Rosario + Vampire makes this list, not because he has a bad harem, but because he is clearly in love with Moka Akashiya. Tsukune is a human that attends Youkai Academy, a school for the supernatural. He ended up there after failing all of his entrance exams.
Tsukune’s harem consists of a vampire, a witch, a succubus, and a yuki-onna (snow women). All these different girls are in love with Tsukune, but he chooses to limit himself.
Shidou Itsuka from Date A Live is a student at Raizen High School. Shidou has the power to seal spirits by kissing them. A very good power if you're a harem protagonist. He works for Ratatoski save spirits that help prevent spacequakes, the resault of a spirit’s unharnessed power.
As you can expect, Shidou has a harem of spirits. Shidou’s job is to seal spirits meaning his job is to create a harem. Date A Live has aired for three seasons and Shidou has a harem of nine girls including his tsundere sister Kotori. As the series continues, so does Shidou’s harem with more spirits having to be sealed.
Fuutarou Uesugi from The Quintessential Quintuplets is a high school student, who excels in his studies. Due to his good grades, Fuutarou gets the opportunity to clear his family debt by tutoring his classmate Miku Nakano. This turns out to be the start of his harem. Miku happens to be a quintuplet and Fuutarou must tutor her four other sisters. Fuutarou ends up with a harem of sisters which cannot end up well in any situation. Since they’re all sisters they’re all cut and paste characters of each other with different hair styles and mild facial difference.
Kurusu Kimihito from Monster Musume: Everyday Life with Monster Girls volunteers as a Cultural Exchange Between Species Host. At his house he takes in different types of monster girls to live. Each monster girl refers to him as a different pet-name whether it be Darling, Boss, Master, etc. Kurusu fits the generic harem protagonist personality. He means well but gets into different antics with each girl and often says the wrong thing at the wrong time. However, he’s willing to stand up for them against anyone who says anything bad about monster girls.
Tohru Honda from Fruits Basket stands out from the rest on this list by being the only female protagonist. Often referred to in anime as a reverse harem, Tohru has a harem of Sohmas in love with her. Kyo the fiery hot head that is always getting into fights with Yuki, the charming cool guy. The two rival each other for Tohru’s love, but she makes sure to show them both attention. In fact, Tohru is kind to everyone in the anime and makes sure to give attention to everyone she can.
Konosuba! God’s Blessing on This Wonderful World has some great characters in the series. Even Kazuma Satou, the lead character, is great in every aspect. Except for being a harem protagonist. Kazuma’s harem consists of a useless but cute goddess, a mage who can fire off explosive attacks and nothing else, and a masochistic crusader.
However, Kazuma has no interest in any of them. He’s a perverted schemer who’s only redeeming harem quality is that he has an ability called Steal. This lets him steal an object from a person of his choosing which he uses to steal panties from other girls in the series.
You probably expected this entry on the list, Issei Hyoudou, the self proclaimed Harem King, is a harem protagonist in the High School DxD series. Issei is a reincarnated devil of the Gremory family after he was revived by Rias when he was killed by his girlfriend on a bad date. Now as a devil, Issei has a harem with the other Gremory servants. Other than a few minor arguments, all of the harem gets along with each other and accept Issei for the perverted peeping-tom he is. While it’s clear that Issei shows favoritism towards Rias, he is often found in precarious positions with the other devils, angels, and pretty much every female character in the series.
Mokoto Itou from School Days truly is the worse and even that is taking it lightly. He truly does not have a reeding quality about him. Mokoto has a crush on Kotonoha Katsura and turns to his childhood best friend Sekai Saionji for help. She agrees to help him get with Kotonoha but develops feelings for him in the process. Mokoto constantly goes behind each girls back flirting with the other before finally settling on his choice. When an inconvenience pops up, he switches to the other girl. This happens multiple times in the series playing with both girls emotions and being an all around terrible person.
Rounding out the list as the best harem protagonist in anime is Koyomi Araragi from the Monogatari Series. Like most harem protagonists, Koyomi, or Ararararagi by Mayoi Hachikuji, is a bit perverted. What sets him apart is just how much the members of his harem love him. Accepted by everyone, Koyomi’s interactions with each character feel genuine as if he caters to their personality types. He makes sure that everyone he interacts with knows that he will be there for them whether it’s helping with their apparitions to helping brush their teeth…
Next Anime's 10 Most Awkward Couples
Isaiah is a student at the University of Western Ontario. Currently he is studying Media and Journalism and working towards a degree in Media, Information, Technoculture. In addition, he is minoring in Music. Isaiah enjoys writing and would love to pursue a career in Journalism if the opportunity presents itself. During his free time you can catch Isaiah playing video games, watching anime, writing, or attending concerts.

The very word harem conjures up the seediest fantasies of the wealth, splendor and decadence of Turkey’s Ottoman Empire.
There are cushions everywhere, shimmering curtains, incense breezes past the flickering candles, wine is poured and grapes are peeled, and, of course, seductive young women are stroking the beard of a powerful man old enough to be their father.
But how much of that is true, and how much is simply an exotic (and erotic) dream conjured up by ignorant outsiders?
Scene from the Harem by Fernand Cormon, c. 1877.
In the 15th and 16th centuries, Istanbul’s grand Topkapi Palace was the main residence of the ruling sultan. Now a museum and popular tourist site, it was then a sprawling complex of luxurious private chambers, grand state rooms, mosques, courtyards, kitchens, a library, a treasury and so much more.
At the heart of the sultan’s own rooms was the harem. Harem comes from the Arabic word haram, meaning a sacred or protected place — not to be confused with the haram pronounced “haraam” with a longer ‘a’ sound, which means forbidden. (It makes more sense in Arabic script)
Topkapi Palace on September 06, 2014 in Istanbul, Turkey.
The harem refers to the area of the sultan’s household that belonged to the women. It was a perfectly sealed sanctuary with no view or direct route to the outside, accessible only to those who knew the route. It contained living quarters for the sultan’s mother, his wives, his sisters, his daughters, and the female servants and slaves.
So, yes, this latter category included concubines, but that wasn’t what the harem was for. The vast majority of Muslim homes in the Ottoman Empire would have had a harem, even if it was just a single room, so the family’s women had their own space. Some Christian and Jewish households in the empire also followed this segregated style out of custom.
One of the rooms in the Harem section of Topkapi Palace, known as women’s quarters, in Istanbul, Turkey.
The harem was designed in accordance with the religious Sharia law, which ruled that in public women had to be watched closely by men and kept veiled. In the harem, however, they were free to do as they liked in the company of only other women.
For the vast majority of women the harem simply functioned as a household within a household and they had absolutely no contact with the sultan — the noble women did the things that noble women do, and their servants served them.
At the head of the house was the sultan’s mother, who held the title of Valide sultan.
Within the harem the women were educated to become suitably sophisticated society brides and mothers for the bachelors in the sultan’s court, and the sultan’s daughters were useful chess pieces in wooing political allies.
The reality of the seedy myth though, is that the Ottoman Sultans kept large groups of concubines in the harem of Topkapi Palace. In fact they were permitted to sleep with any of their female servants and slaves who took their fancy — and often did — but only concubines were there primarily for sex.
Reception of the children of Marquis de Bonnac by the Ottoman Sultan.
Muslims could not be sold as slaves, so the role of concubine was filled by purchases of Christian girls taken from the Caucuses, Syria and Africa and given exotic Persian names to make them worthy of an emperor’s attentions.
They were kept under the watchful eyes of eunuchs. They were seen as less than men and therefore able to enter the harem. Concubines were expected to cater for all the sultan’s pleasures, including reading poetry and playing music, but their main role was in bed and to give the sultan a male heir.
Women of the Harem by Jules Laurens, c. 1847.
The children were raised in the harem with their mothers, who might be rewarded for their service by becoming one of the sultan’s four wives permitted under Islamic law.
With multiple wives and concubines producing large numbers of children with a potential claim to the throne (boys remained in the harem until puberty), the demise of an old sultan would generally end poorly for this extended family.
Beginning with Sultan Mehmed II — who on his accession in 1444 did away with his male relations — Ottoman law expected a new sultan to have his brothers got rid of, garotted with silk bowstrings or handkerchiefs at his command. It’s estimated that in total 78 Ottoman princes were done away with in this manner.
Sultan Mehmed II smelling a rose, from the Topkapı Sarayı (Palace) Albums. Hazine 2153, folio 10a.
From 1603 a more “humane” solution was preferred — these potential rivals were imprisoned in the harem from childhood in kafes. The kafes, or prince’s cages, of Topkapi Palace were small apartments that were cut off from the outside world, even within the isolated harem.
Deprived of education so that they would be unqualified to rule, they were released once they hit puberty. Emotionally troubled and isolated, many of the young princes would take their own life on their release.
Despite this brutal legacy, Topkapi Palace is beautiful — adorned with elegant wooden lattices, trickling fountains, serene domes and cool tiles.
With only rumour and hearsay escaping beyond the palace walls, no wonder European travelers were driven to publish exaggerated and scandalous accounts of the goings on inside.
With few men having access to the mysterious, cloistered world of the harem, they could largely invent a steamy exotic world without fear of contradiction.
They claimed — amongst other things — that the sultan would flick his handkerchief at each unlucky girl to make his choice for night, that rebellious concubines were locked in iron cages, and that Sultan Ibrahim I, also known as “Ibrahim the Mad,” was said to have bedded 24 concubines in a single night.
Throughout the 19th century and into the early 20th, western writers wrote lustily of raunchy escapades behind the palace walls, and artists produced endless paintings of the female form inspired by the sultry image of the harem.
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