Revolver Movie In Tamil Dubbed Download

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Jake Green is a hotshot gambler, long on audacity and short on common sense. He's rarely allowed to play in any casino because he is a winner. Jake has taken in so much money over the years, he is the only client of his accountant and older brother Billy. One night, Jake, Billy and their other brother Joe are invited to sit in on a private game, where Jake is expected to lose to Dorothy Macha, a crime boss and local casino owner who can't play for squat, but always wins because people are too scared to beat him. Jake isn't afraid of Macha, and not only beats Dorothy in a quick game of chance, but takes every possible opportunity to insult the man. Jake and his brothers leave the game, and Macha puts out the order for a hit on Jake, who ends up working for and being protected by a pair of brothers, Avi and Zack, who are out to take Macha down.
Gambler Jake Green enters into a game with potentially deadly consequences.
Revolver is a Guy Ritchie movie, so I figured there'd be a lot of mayhem, with blazing gunfire, mumbled British dialog, and car chases. And Jason Statham is in it! But that's not really what I got. Instead, this is more of a psychological thriller, and that's not Ritchie's forte. There are more minds being blown than there are heads being blown off, that much I can tell you. Which made this movie a bit of a disappointment to me. Statham plays Jake Green, a gambler just out of jail after seven years. Soon after his release, he's winning games of chance left and right. Which doesn't sit will with his nemesis, one Dorothy (!) Macha (Ray Liotta), who owns the casino where Jake's winning his winnings. When Macha's goons go after Jake, he receives some unexpected help from a couple of strangers – the suave Avi (Andre Benjamin) and the burly Zach (Vincent Pastore). They'll keep Macha's hounds at bay, for a price – all of Jake's money and his willing participation in their own loan-sharking racket. This still sounds like a fun movie. And let's not forget, "revolver" is right there in the title, too. But as the story progresses, it becomes less and less about feuding and fussing and fighting than about mind games. Who are Zach and Avi? Is Macha insane? Why won't these people just shoot each other? The body count is way too low for this sort of genre thriller. Heck, after a while I began questioning my own eyes. Was Jake actually hallucinating the whole thing? Maybe Jake wasn't real, either. Maybe I was the one hallucinating! Maybe I'm in Purgatory, endlessly watching the same boring Guy Ritchie movie. It's not quite Hell – that'd be watching any Uwe Boll movie on a loop – but it feels just as tedious. Revolver seems like a baffling foray into a theater of the absurd for a director who's not known for overly cerebral flourishes in his work. That's not to say that Ritchie's earlier films are for dummies only – they're fun, visceral treats, for the most part, and a lot of fun. But this one? This one was dull and inscrutable. The novelty of seeing Jason Statham with hair wore off rather quickly, although he's just as good in this movie as he is in almost any other movie (except maybe Spy, where he was hilariously good). Liotta is an unhinged menace, as he typically is. It was nice to see Vincent Pastore playing someone who's not a low-level organized-crime fall guy, though. And Andre Benjamin is smooth. But no, and I fully intend this pun, Revolver is a misfire.
Under the guise of a standard "shootem-up" action movie, even going to the point of hiring standard well trained action movie actors, this is instead, and in actuality, an exploration into the nature of the individuated-self sense, and the meaning of how we perceive. For those seeking entertainment, or a well directed action movie, you will be confused, frustrated, and disappointed. This is not a conventional film, and it is dealing with a wholly unconventional subject, one that the vast majority of viewers will not understand. The hero of this story must completely awaken from the dream of his conditional existence and the limited individuated egoic "self" cannot be accomplished by "one's-self". That which supports and maintains perception accomplishes that process, and the process requires the complete transcendence and dissolution of the egoic self, via absolute surrender of the process of attention away from the individuated self sense, onto that which support, sustains and is "not" the individuated self sense. In many ways this film is a Luc Besson / Guy Ritche modern Koan. Checkmate.
It's no return to rock, this, but rather Ritchie's soporific, proggy-conceptual Film of Ideas, with Vivaldi interludes, fussbudget set design, recurrent references to chess, and a hit man inexplicably got up as Tati's Mr. Hulot.
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Revolver Movie In Tamil Dubbed Download

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