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Freeform’s 1980s slasher-flick series lets its young summer-campers go for a dip before the killing starts in preview teaser
Remember those old slasher films from the Eighties, when summer camp was place where teen’s could listen to the Cure and skinny-dip at the lake — when they weren’t in danger of facing a killer lurking in the woods, that is? Dead of Summer , the upcoming TV show from Freeform (formerly known as ABC Family), finds a terror beyond the self-evident horrors of living with a bunch of hormonal adolescents for three months.
Set in the halcyon days of hair metal and Reagan, this throwback horror series takes place in the fictional Camp Stillwater, and in the clip above, the counselors abscond to the lake for a “Stillwater traidtion” — a late-night swim in their skivvies. What these kids don’t know, however, is that there’s apparently a long-dormant evil that’s been awakened amidst these cabins in the woods. Their only defense is camp director Deb Carpenter ( Once Upon a Time ‘s Elizabeth Mitchell), a former attendee who reopens the property after a long hiatus due to confidential reasons. 
Will Deb learn from the example of Janeane Garofalo in Wet Hot American Summer and protect her young charges from danger? Or is that Carpenter surname a dark omen? No telling until the premiere on June 28 at 9p.m. on Freeform. But hey, it’s not called Safe Fun Summer .

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Toys R Us, 1998 Kurland’s series of images of teenage American girls, taken between 1997 and 2002 are now featured in a 20th-anniversary book by published by Aperture. Justine Kurland: Girl Pictures – includes newly discovered and previously unpublished images. All photographs by Justine Kurland ; story by Rebecca Bengal
One Red, One Blue, 2000 As Bengal writes about the pictures: ‘The girls were rebelling. The girls were acting out. The girls had run away from home, that much was clear. They were trying on a version of themselves that the world had thus far shown them was “boy”’ …
Boy Torture: Two-Headed Monster,1999 … ‘Cowboys, sailors, pirates, hitchhikers, hobos, train hoppers, explorers, catchers in the rye, lords of the flies – you name it, all the dominion of boys. If you wanted a place in the narrative, you had to imagine yourself inside of it’
Shipwrecked, 2000 The series was described in the Observer as ‘the myth of the American west meets the energy of riot grrrl’
Snow Angels, 2000 The North American frontier is an enduring symbol of romance, rebellion, escape and freedom
Candy Toss, 2000 At the same time, it’s a profoundly masculine myth, from cowboys to beat poets
Poison Ivy, 1999 Girls swim in a sun-dappled watering hole – paying no mind to the camera
Golden Field, 1998 ‘I staged the girls as a standing army of teenaged runaways in resistance to patriarchal ideals,’ says Kurland
The Wall, 2000 Kurland portrays the girls as fearless and free, tender and fierce. They hunt and explore, braid each other’s hair and roam
Daisy Chain, 2000 Their world is at once lawless and utopian, a frontier Eden in the wild spaces just outside of suburban infrastructure and ideas








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Justine Kurland’s iconic five-year journey across the US captured young girls roaming fearless and free



Tue 12 May 2020 07.00 BST









Last modified on Thu 14 May 2020 17.13 BST






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