Rape Abuse Viol Porn Video
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Rape Abuse Viol Porn Video
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Blood, violence and depravity are themes that’ve shown up in our artwork for thousands of years. The thrill of watching gladiators torn apart in battle was once a popular form of recreation. Indeed, during the times of barbarism and cavemen, the law of the land was kill or be killed. Mankind’s bloodlust, it would seem, is old as mankind itself. Our methods for pandering to it may have changed, but our repressed, savage desires have not. There’s no denying that the survival instincts of our ancestors remain with us to this day. So, how is one to satisfy their twisted cravings? What outlets exist? The answer: simulation.Before the rise of disturbing artistry in film, audiences got their fix in the form of live theater. One such theater, the Grand Guignol, was among the first of its kind to depict acts of rape, torture and dismemberment before a voyeuristic live audience. The Grand Guignol shocked and horrified a generation of Europeans in the heart of Paris, from 1897 until its closing in 1962. By then, the advent of cinema was in full swing. Live theater had taken a backseat to the incredible, booming popularity of the big screen. It wouldn’t be long before underground films began surfacing in video collections. These films defied the conventions and boundaries set by such milestone pictures as Alfred Hitchcock’s Psycho and George A. Romero’s Night of the Living Dead. Foreign directors like Ruggero Deodato and Hideshi Hino would produce “senseless and depraved” motion pictures, a few of which would go on to become cult hits. In response, the movie-going public turned the other cheek, and Hollywood studios continued to play it safe. The market for cinema’s dark underbelly was still finding its feet. By the early 1970s, the envelope was pushed much further. The enormous gap between Hollywood studios and underground filmmakers was bridged by the controversial works of directors like Stanley Kubrick. During this time, the public eye began to shift from disgust to marginal acceptance. Fearing the economic threat posed by taboo subject matter, the industry resisted. Kubrick’s 1971 film
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