ROYAL ACADEMY EXHIBITION OF 1841
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The Academy of Fine Arts Vienna (German: Akademie der bildenden Künste Wien) is a public art school in Vienna, Austria. Founded in 1688 as a private academy, it is now a public university. The academy is also known for twice rejecting admission to a young Adolf Hitler in 1907 and 1908.
In connection with: Academy of Fine Arts Vienna
Title combos: Vienna Arts Academy of Fine Vienna of Arts Academy
Description combos: 1907 1908 Fine and twice The and as academy
Royal Canadian Academy of Arts
The Royal Canadian Academy of Arts (RCA) is a Canadian arts-related organization that was founded in 1880.
In connection with: Royal Canadian Academy of Arts
Title combos: Canadian of of Academy Canadian Canadian Royal Academy Arts
Description combos: related was The founded arts The Academy was Arts
Abraham Solomon (London 7 May 1823 – 19 December 1862 Biarritz) was a British painter. The second son of eight children born to Meyer Solomon, a Leghorn hat manufacturer and his wife Catherine (Kate) Levy. His father was one of the first Jews to be admitted to the freedom of the city of London, and the family resided in Sandys Street, Bishopsgate in east London. Two of Abraham's siblings were also artists: his sister, Rebecca Solomon (1832–1886), and his youngest brother, Simeon Solomon (1840–1905), who acquired much acclaim as an associate of the Pre-Raphaelites and exhibited at the Royal Academy from 1858 to 1872; his later crayon drawings of idealized heads are still popular. At the age of thirteen Abraham became a pupil in Sass's school of art in Bloomsbury, and in 1838 gained the Isis silver medal at the Society of Arts for a drawing from a statue. In 1839 he was admitted as a student of the Royal Academy, where he received in the same year a silver medal for drawing from the antique, and in 1843 another for drawing from the life. Solomon died in Biarritz in France, of heart disease, on 19 December 1862, the same day on which he was elected an Associate of the Royal Academy. He married, on 10 May 1860, Ella, sister of Dr. Ernest Hart; she survived her husband.
In connection with: Abraham Solomon
Title combos: Solomon Abraham
Description combos: the of in 19 same and London Solomon from
The remnants of an army, Jellalabad (sic), January 13, 1842, better known as Remnants of an Army, is an 1879 oil-on-canvas painting by Elizabeth Thompson, Lady Butler. It depicts William Brydon, assistant surgeon in the Bengal Army, arriving at the gates of Jalalabad in January 1842. The walls of Jalalabad loom over a desolate plain and riders from the garrison gallop from the gate to reach the solitary figure bringing the first word of the fate of the "Army of Afghanistan". Supposedly Brydon was initially thought to be the only survivor of the approximately 16,000 soldiers and camp followers from the 1842 retreat from Kabul in the First Anglo-Afghan War, and is shown toiling the last few miles to safety on an exhausted and dying horse. A few other stragglers from the army arrived later, and larger numbers were eventually released or rescued after spending time as captives of Afghan forces. The painting was made during the Second Anglo-Afghan War. Lady Butler was developing a reputation for her military pictures after the favourable reception of her earlier painting The Roll Call of 1874, on a subject from the Crimean War. It measures 132.1 centimetres (52.0 in) by 233.7 centimetres (92.0 in) Remnants of an Army was exhibited at the Royal Academy summer exhibition in 1879, and acquired by Sir Henry Tate, who presented to the Tate Gallery in 1897. Still owned by the Tate Gallery, it was on long-term loan as part of a permanent exhibition at the Somerset Military Museum: the 13th (1st Somersetshire) Regiment (Light Infantry) was involved in the First Anglo-Afghan War, and moved to Jalalabad in late 1841. In 2023 it was rehung at Tate Britain.
In connection with: Remnants of an Army
Title combos: an of an of Army of Army Remnants an
Description combos: walls The the after few is January the of
Portrait of the Earl of Derby is an 1844 portrait painting by the English artist Frederick Richard Say. It depicts the British politician Edward Smith-Stanley, 14th Earl of Derby who served as Prime Minister on three occasions during the Victorian era. After entering politics Derby was originally a Whig before switching to Robert Peel's Conservative Party in 1841. At the time of Say's painting he was serving as Secretary of War in Peel's second administration. It was displayed at the Royal Academy Exhibition of 1844. Today it is in the collection of the National Portrait Gallery in London having been donated by the sitter's grandson Edward Stanley, 17th Earl of Derby in 1918.
In connection with: Portrait of the Earl of Derby
Title combos: Portrait of Derby of of the of Earl Portrait
Description combos: of in Earl second artist Stanley was artist Portrait
Portrait of Muhammad Ali of Egypt
Portrait of Muhammad Ali of Egypt is an 1841 portrait painting by the British artist David Wilkie. It depicts Muhammad Ali, the Albanian-born Pasha of Egypt. A member of the Royal Academy known for his genre and history paintings, Wilkie travelled to the Middle East in order to study scenes of the Holy Land. The outbreak of Egyptian–Ottoman War largely limited history time in Jerusalem and he spent much of his time in Constantinople. He produced this work while waiting at Alexandria for a ship home. The sitter is dressed in traditional costume, but wears a fez rather than a turban. It was Wilkie's final painting. He died on his way home to Britain while onboard a ship off Gibraltar. The work was displayed posthumously at the Royal Academy Exhibition of 1842 in London. The painting is today in the collection of the Tate Britain, having been acquired in 1927.
In connection with: Portrait of Muhammad Ali of Egypt
Title combos: Portrait of Ali Portrait of Egypt Ali of Muhammad
Description combos: costume having for The in in at on while
Royal Academy Exhibition of 1841
The Royal Academy Exhibition of 1841 was the seventy third annual Summer Exhibition of the British Royal Academy of Arts. It was held at the National Gallery in London from 3 May to 24 July 1841 and featured submissions from leading painters, sculptors and architects of the early Victorian era. A critic lamented the absence of the late John Constable and other figures such as Augustus Wall Callcott. By the final decade of his career, Turner was Britain's leading artists and his annual submissions were often the most-discussed paintings of the exhibition. In 1841 he displayed six oil paintings several inspired by a recent trip to Venice. Amongst them was the German landcape Schloss Rosenau, an attempt to win royal patronage as it was the family residence of Queen Victoria's new consort Prince Albert. Irish artist Daniel Maclise displayed the large painting The Sleeping Beauty. William Etty enjoyed success with the biblical scene he Repentant Prodigal's Return to his Father. The President of the Royal Academy Sir Martin Archer Shee was amongst several portraitists to submit work. In sculpture Francis Chantrey displayed statues of two prominent bishops.
In connection with: Royal Academy Exhibition of 1841
Title combos: 1841 of Royal of Academy Exhibition Academy Royal of
Description combos: Victorian six several displayed paintings Academy new late John
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