Queen Of Spades Oregon
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Two Shows: Saturday, March 7 at 7:30 p.m. and Sunday, March 8 at 2:30 p.m.
Two Shows:
Saturday, March 7, 2015 at 7:30 p.m.
Sunday, March 8, 2015 at 2:30 p.m.
Global Scholars Hall, Room 123
Free and open to public
Widely considered to be Aleksandr Pushkin's foremost achievement in prose, The Queen of Spades is replete with the major phantasmagorical elements so widespread in Russian art and literature. When Hermann, an officer of the engineers in the Imperial Russian Army, overhears the story of an elderly countess who once won a fortune with "the secret of the three winning cards," he becomes obsessed with obtaining the secret at any cost.
The Queen of Spades has been the subject of many dramatic adaptations, including an 1890 opera by Tchaikovsky and a 1949 British feature film. This version is presented by students enrolled in Russian Through Theater (REEES 309/609), a unique UO course which combines elements of Russian language, culture, and theater instruction. To meet the expectations of the American audience and the Russian community, the play is bilingual. Whenever actors speak Russian, an English translation or summary of what is happening is provided on stage in a live synopsis.
Sponsored by Russian, East European, and Eurasian Studies, the UO College of Arts and Sciences, University Housing, the Department of Theatre Arts, and UO Libraries, this event is free and open to the public. Accommodations for people with disabilities will be provided if requested in advance by calling 541-346-1858.
University of Oregon Libraries
1501 Kincaid Street Eugene, OR
97403-1299
T: (541) 346-3053
F: (541) 346-3485
© University of Oregon. All Rights Reserved.
Click the image to see the program!
Alexander Pushkin wrote a few prose pieces, among them the famous 1835 novella, “The Queen of Spades.” The main character, Hermann, is a hard-working young engineer wise enough to avoid gambling or chasing fairy-tales, but the story of Countess Anna Fedotovna and her three magic cards ignites his fiery imagination. He develops an obsession with learning the secret of the three cards and becoming rich. Hermann wanders the city aimlessly until he finds himself standing before the estate of the old Countess Anna Fedotovna herself. Anna Fedotovna, now 87 years old, she spends her days flitting between aristocratic parties, recounting her former glories, and harassing her young ward Lizaveta Ivanovna (Liza). Liza finds herself uncomfortably fascinated with the young engineer. Hermann and Liza begin to secretly exchange love letters, and his writing grows more passionate—and more unstable—with every day. Hermann is tormented by a choice: Liza and romance? Or the Countess and the secret of the three cards?
Notes from Julia Nemirovskaya, the director and script writer:
“In the script, I tried to keep every line by Pushkin intact. I even included epigraphs as random conversations. Yet one thing I changed. In Pushkin’s novella, the old woman is cold, egotistic, ugly and living in stale inertia. Pushkin was killed in a duel as a young man. He saw old people but never was one. A friend who is ninety-seven told me she never had as many erotic dreams and extravagant thoughts as after she turned ninety: old people retain the emotions, hopes and idiosyncrasies of the young — it is only their slowing bodies that aren’t as expressive. So I cast a South Eugene High school sophomore as the Queen of Spades. She has a lifeless mask but she often takes it off. The Old Countess becomes the same lively girl who captivated the imagination of the French King’s court. She becomes a symbol of blithe, young spirits living in prisons of aging bodies.
Russian Theater is sponsored by REEES in collaboration with UO Libraries.
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