Pussy Riot 18

Pussy Riot 18




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Pussy Riot is a Russian feminist protest punk rock and performance art group based in Moscow. Founded in August 2011, it has had a variable membership of approximately 11 women [1] ranging in age from about 20 to 33 (as of 2012).[2] The group staged unauthorized provocative guerrilla performances in public places, performances that were filmed as music videos and posted on the Internet.[3] The group's lyrical themes included feminism, LGBT rights, opposition to Russian President Vladimir Putin and his policies,[2] and Putin's links to the leadership of the Russian Orthodox Church.[4]
Members of the band in January 2012
The group gained global notoriety when five members of the group staged a performance inside Moscow's Cathedral of Christ the Saviour on February 21, 2012.[5][6] The group's actions were condemned as sacrilegious by the Orthodox clergy and eventually stopped by church security officials. The women said their protest was directed at the Orthodox Church leaders' support for Putin during his election campaign. On March 3, 2012, two of the group's members, Nadezhda Tolokonnikova and Maria Alyokhina, were arrested and charged with hooliganism. A third member, Yekaterina Samutsevich, was arrested on March 16. Denied bail, they were held in custody until their trial began in late July. On August 17, 2012, the three members were convicted of "hooliganism motivated by religious hatred", and each was sentenced to two years' imprisonment.[7][8] On October 10, following an appeal, Samutsevich was freed on probation and her sentence suspended. The sentences of the other two women were upheld.[9]
The trial and sentence attracted considerable attention and criticism,[10] particularly in the West. The case was adopted by human-rights groups, including Amnesty International, which designated the women as prisoners of conscience,[11] and by a number of prominent entertainers.[12] Public opinion in Russia was generally less sympathetic towards them.[13][14] Having served 21 months, Tolokonnikova and Alyokhina were released on December 23, 2013, after the State Duma approved an amnesty.[15]
In February 2014, a statement was made anonymously on behalf of some Pussy Riot members that both Alyokhina and Tolokonnikova were no longer members.[16] However, both were among the group that performed as Pussy Riot during the Winter Olympics in Sochi, where group members were attacked with whips and pepper spray by Cossacks who were employed as security guards.[17] On March 6, 2014, Tolokonnikova and Alyokhina were assaulted and sprayed with green dye by local youths in Nizhny Novgorod.[18]
Speaking as much to western European and North American audiences as to Russian audiences, in 2016 Pussy Riot anticipated Donald Trump's victory two weeks before the outcome of the 2016 United States presidential election was declared and released "Make America Great Again", depicting a dystopian world where President Trump enforces his values through beatings, shaming, and branding by stormtroopers. In describing the video, Rolling Stone magazine noted that "jaunty, carefree music contrasts with the brutal events depicted on screen."[19]
Pussy Riot is a collective formed in late 2011, in response to national politics in Russia.[20] Their name being two English-language words[21] written in the Latin rather than Cyrillic script. The title usually appeared thus in the Russian press, but sometimes the name was transliterated as "Пусси Райот". The group consisted of around a dozen performers and about 15 people who handled the technical work of shooting and editing videos that were posted on the Internet.
Tolokonnikova, her husband, Pyotr Verzilov, and Samutsevich were members of the anarchist art collective "Voina" from the group's early days in 2007, until an acrimonious split in 2009.[22] Following the split, they formed a separate Moscow-based group, also named "Voina", saying that they had as much right to use this name as Voina founder Oleg Vorotnikov.[23]
The group was started by 15 women, several who were previously involved in Voina.[20] While there is no official line-up and the band says anyone can join, it usually has between 10 and 20 members.[24] The members prefer anonymity, known for wearing brightly coloured balaclavas when performing and using aliases when giving interviews.[25] At the start the group was relatively unknown, but this changed following a February 2012 performance in Moscow's Cathedral of Christ the Saviour.[26] Following this three women, Maria Alyokhina, Yekaterina Samutsevich and Nadezhda Tolokonnikova, were publicly identified and eventually convicted of hooliganism motivated by religious hatred.[27] Two other women involved fled the country and have never been named.[28]
Tolokonnikova is seen as the face of the group. She was born in Norilsk and studied at Moscow State University. Tolokonnikova and her then husband Pyotr Verzilov were members of Voina from 2007.[29] They were involved in provocative art performances that included drawing a 65 m (210 foot) penis on a bridge and having public sex in a Moscow biological museum.[30] Ailyokhina is a single mother, poet[29] and was an environmental activist.[30] She was a student at the Institute of Journalism and Creative Writing in Moscow.[31]
Samutsevich joined Voina in 2008, the same time as Ailyokhina.[32] She is a computer programmer and was a member of Moscow's Rodchenko School of Photography and Multimedia.[33] Samutsevich sentence was commuted and following release she disappeared from the public eye.[32] During the trial Verzilov lobbied on their behalf, but was later fired after it was reported that he was the bands producer. The prisoners wrote a letter saying “The only person who has the right to represent the group is a woman with a balaclava.”[32]
Following release Tolokonnikova and Alyokhina said they were no longer members of the group, although they appeared at various events around the world using the name Pussy Riot. Other members tried to distance themselves from the two saying that although they were glad for their release they were anti-capitalistic and did not support them using Pussy Riot to make money from songs and tours. After failing to prevent them using the Pussy Riot name they declared the group dead.[32]
In 2015 Tolokonnikova and Alyokhina went their own ways and although they still follow similar paths and keep in touch, Pussy Riot is seen by some more as Tolokonnikova's project than the collective it started out as.[32] Ailyokhinasai has created her own show Pussy Riot: Riot Days, which recounts her life as a Russian activist, and tours various Fringe Festivals.[34] At the 2018 FIFA World Cup final four members identifying with the group invaded the pitch wearing police uniforms to protest wrongful arrests. They were Verzilov, economics student Veronika Nikulshina, journalist Olga Kurachyova and Olga Pakhtusova.[29]
In an interview with Gazeta.ru, a band member described their two-minute concerts as performance art, creating images of "pure protest, saying: super heroes in balaclavas and acid bright tights seize public space in Moscow." Another band member, who went by the pseudonym Garadzha, told the Moskovskiye Novosti newspaper that the group was open to women recruits with limited musical talents. She said: "You don't have to sing very well. It's punk. You just scream a lot."[35]
The group cited British punk rock and oi! bands Angelic Upstarts, Cockney Rejects, Sham 69 and The 4-Skins as their main musical influences.[3][36] The band also cited American punk rock band Bikini Kill, performance artist Karen Finley and the riot grrrl movement of the 1990s as inspirations. They stated:[37]
What we have in common is impudence, politically loaded lyrics, the importance of feminist discourse and a non-standard female image. The difference is that Bikini Kill performed at specific music venues, while we hold unsanctioned concerts. On the whole, Riot Grrrl was closely linked to Western cultural institutions, whose equivalents don't exist in Russia.
Pussy Riot used situationist-style guerrilla performances.[38] Tolokonnikova stated:
Pussy Riot's performances can either be called dissident art or political action that engages art forms. Either way, our performances are a kind of civic activity amidst the repressions of a corporate political system that directs its power against basic human rights and civil and political liberties.[39]
Costumes were usually brightly colored dresses and tights, even in bitterly cold weather, with faces masked by balaclavas. During interviews they used nicknames such as "Balaclava", "Cat", "Seraph", "Terminator", and "Blondie".[40]
In an email interview with The St. Petersburg Times, the group explained their political positions further, saying that members' perspectives ranged from anarchist to liberal left, but that all were united by feminism, anti-authoritarianism and opposition to Putin, whom members regard as continuing the "aggressive imperial politics" of the Soviet Union. Group concerns include education, health care, and the centralization of power, and the group supports regional autonomy and grass-roots organizing. Members regard unsanctioned rallies as a core principle, saying that authorities do not see rallies that they have sanctioned as a threat and simply ignore them. For this reason, all of Pussy Riot's performances were illegal and used co-opted public space.[37] Interviewed by the BBC during rehearsals the day before the Cathedral of Christ the Savior performance, band members argued that only vivid, illegal actions brought media attention.[41] In an interview with Slate in the spring of 2018 during the band's first North American tour, Tolokonnikova stated that economic inequality "is a big issue for Pussy Riot", highlighting that such inequality was a notable feature of both Russian and American society, and that discussion of inequality was absent from mainstream political discourse in both the US and Europe.[42]
The group was organized in part due to anger over what members saw as government policies that discriminated against women, citing legislation that "placed restrictions on legal abortions".[40] According to Tolokonnikova, Pussy Riot was "part of the global anti-capitalist movement, which consists of anarchists, Trotskyists, feminists and autonomists."[43] In a February 2012 interview with Vice magazine, Pussy Riot member "Serafima" named her major feminist influences as Simone de Beauvoir, Andrea Dworkin, Emmeline Pankhurst, Shulamith Firestone, Kate Millett, Rosi Braidotti and Judith Butler.[3]
Pussy Riot saw themselves as feminist artists who were influenced by the riot grrrl movement and musical groups such as Bikini Kill, Oi!, Cockney Rejects and by writers, activists and artists like Alexandra Kollontai, Judith Butler, Karen Finley, Simone de Beauvoir and Vladimir Bukovsky.[44][45] The media tended to overlook the meaning behind Pussy Riot's feminism; the cultural context of it was vastly different from that of Western feminism. According to Elianna Kan in the American Reader, Pussy Riot's feminism focused on the repression of authoritarian regimes that created idealised ideas of sexism, sex and family life.[46] Pussy Riot strove to make it clear that feminism in Russia was still an issue and that post-feminism had not been achieved.[47] The Russian cultural context had to be acknowledged and its feminist notions had to be seen differently from those of Western feminism because in places such as the United States, feminism evolved to general "women's issues", whereas in Russia that was not the case.[46] In Russia feminism was seen as something "that could destroy Russia," as said by Kirill, the head of the Russian Orthodox Church.[48]
Pussy Riot members were outspoken in their support of LGBT rights, and in a 2012 interview confirmed that the group included at least one member of a sexual minority.[49] Both Tolokonnikova and Samutsevich participated in the banned 2011 Gay Pride rally in Moscow, and were briefly detained after the rally was broken up by police.[50] In a 2018 interview Tolokonnikova spoke about the importance of transgender rights to the band, explaining that she rejected gender essentialism and stating that "we believe you don't actually have to have a vagina or clitoris to be a woman, and having a clitoris doesn't necessarily make you a woman... We are always saying that anybody can be in Pussy Riot, and we really mean it".[42]
Pussy Riot released seven songs and five videos. An Associated Press reporter described them as "badly recorded, based on simple riffs and scream-like singing" and stated that critics had dismissed them as "amateur, provocative and obscene".[51] The A.V. Club described them as an "excellent band" with "fuzzed-out guitars and classic Riot Grrrl chants".[52] In an opinion piece for The New York Times, Pitchfork Media reviewer Michael Idov wrote, "judging [Pussy Riot] on artistic merit would be like chiding the Yippies because Pigasus the Immortal, the pig they ran for president in 1968, was not a viable candidate."[53]
Pussy Riot have not released any conventional albums. However, their songs are freely available for download on a number of Internet sites, collected together under the title Ubey seksista ("Kill the sexist").[54]
On January 31, 2018, Pussy Riot announced their first North American tour.[55]
The music video ''My Sex'' by Brooke Candy feat. Mykki Blanco, MNDR & Pussy Riot was nominated for Best Animation at the Berlin Music Video Awards 2019.[56]
In 2021, Pussy Riot's music video for ''Panic Attack'' received a nomination at the Berlin Music Video Awards for Best Experimental. The director behind this music video is Asad J. Malik.[57]
On October 1, 2011, Tolokonnikova and Samutsevich gave a lecture on "punk feminism" as members of Voina. They played a recording of the song "Ubey seksista" ("Kill the Sexist"), billing the performers as "a new Russian punk band called Pussy Riot".[58] This track featured extensive sampling of the Cockney Rejects' 1979 recording "I'm Not a Fool".[54]
Their first public performance as members of Pussy Riot was in November 2011. Several masked women performed "Osvobodi Bruschatku" ("Release the Cobblestones") atop a scaffold in a Moscow subway and from the top of trolley cars, while tearing apart down feather pillows, showering feathers onto the train platform below. The song recommended that Russians protest upcoming parliamentary elections by throwing cobblestones during street clashes. "Your ballots will be used as toilet paper by the Presidential Administration", the group said on its blog. Their first video was uploaded to YouTube on November 6.[51][59] The musical track once again used extensive sampling, this time from the Angelic Upstarts' 1978 recording "Police Oppression".[60] The video of the performance quickly went viral and generated a flurry of interest from the Russian press.[61]
Later that month the group re-emerged, with several members playing "Kropotkin Vodka" on the roof of an automobile display unit in a luxury-store district and in the windows of fashion boutiques, while another member discharged a fire extinguisher into the air. The song took its title from Russian anarcho-communist Peter Kropotkin, and metaphorically concerned the assassination of "Kremlin bastards" by fatal poisoning.[51][62]
On December 14, 2011, the group performed atop a garage beside the Moscow Detention Center No. 1 prison, where opposition activists were being held among the prisoners. Political activists Alexey Navalny and Ilya Yashin had been arrested one week earlier at a mass protest against the results of the State Duma elections.[63] Pussy Riot played their song "Smert tyurme, svobodu protestu" ("Death To Prison, Freedom To Protests"), a pun on the Soviet World War II slogan Smert fasizmu, svobodu narodu ("Death to fascism, freedom to the people"), and were applauded by the prisoners watching from inside the bars of the jail cell windows.[51][64]
On January 20, 2012, in what the Associated Press described as their "breakthrough performance",[51] eight members of the group performed a song on the Lobnoye Mesto in Red Square, entitled "Putin Zassal". The title was variously translated by English language media as "Putin has Pissed Himself",[65] "Putin Chickened Out",[51] "Putin Got Scared"[40] and "Putin is Wetting Himself".[66] The song called for a popular revolt against the Russian government and an occupation of Red Square. According to a Pussy Riot member identified as "Shayba", the song was inspired by the events of December 24, 2011, during which approximately 100,000 people attended anti-Putin rallies in central Moscow. She told the Financial Times: "We saw how troops were moving around Moscow, there were helicopters in the sky, the military was put on alert. The regime just wet its pants on that day. And the symbol of the regime is Putin."[1][37][67] During the performance a member ignited a smoke bomb, which led to Pussy Riot members being arrested and briefly detained on administrative charges, a Russian legal term similar to a summary offence or misdemeanor.[40][51] A judge found two members of the group, Galkina and Schebleva, "guilty under article 20.2 of the Administrative Code (violation of the rules for conducting rallies and pickets) and imposed a fine of 500 rubles on each."[68]
On February 21, 2012, as part of a protest movement against the re-election of Vladimir Putin, five women from the group entered the Cathedral of Christ the Savior of the Russian Orthodox Church in Moscow. There was no church service in session at the time, and only a few people were in the cathedral.[69] Removing their winter clothes, they put on colorful balaclavas, walked up the steps leading to the altar, and began to jump around, punching the air.[70] After less than a minute, they were escorted outside the building by guards.[71] Film of the performance was later combined with footage shot at a different church,[72] identified by Russian Orthodox Church spokesman Vsevolod Chaplin as the Epiphany Cathedral in Yelokhovo,[73] to create a video clip for the song, which they entitled "Punk Prayer: Mother of God Drive Putin Away".[74]
The song, which they described as a punk moleben (supplicatory prayer), borrowed its opening melody and refrain from Sergei Rachmaninoff's "Bogoroditse Devo, Raduisya" (Ave Maria), from the All Night Vigil.[75] In the song, they invoked the name of the Virgin Mary, urging her to get rid of Russian Prime Minister Vladimir Putin and to "become a feminist", claiming that she would support them in their protests. They alluded to close ties between the church and the KGB ("Black robes, golden epaulettes"), criticized the subservience of many Russians to the church ("Parishioners crawl bowing") and attacked the church's traditionalist views on women ("So
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