Private Worlds

Private Worlds

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At the Brentwood Asylum for the mentally ill, psychiatrist partners Jane Everest (Claudette Colbert) and Alex MacGregor (Joel McCrea) are broken up by the new superintendent, Dr. Charles Monet (Charles Boyer), who has a low regard for women physicians. Jane and Charles clash on patient treatment, and Jane learns that Charles has a sister, Claire (Helen Vinson), with a mysterious past. Frustrated by the situation at work, Alex begins treating Claire, despite the concerns of his wife.

Helen Vinson

Claire Monet

Gregory La Cava

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For it's time it was probably quite enlightened but now it's woefully dated. Colbert was nominated for a Best Actress Oscar and while she's competent as usual they is nothing extraordinary about her work here.

jay n

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Preview — Private Worlds
by Sarah Gainham

Private Worlds completes Sarah Gainham's masterly trilogy of twentieth-century Austria. Having survived the Second World War and Vienna's lethal post-war political intrigues, Julia Homburg, Vienna's most brilliant actress, and her trusted friend Georg Kerenyi can now return to their private worlds, restore their shattered lives and reaffirm the values that enabled them to
Private Worlds completes Sarah Gainham's masterly trilogy of twentieth-century Austria. Having survived the Second World War and Vienna's lethal post-war political intrigues, Julia Homburg, Vienna's most brilliant actress, and her trusted friend Georg Kerenyi can now return to their private worlds, restore their shattered lives and reaffirm the values that enabled them to transcend the hate, injustice and crimes of those war-torn years. They are determined to seek out the consolation of work, the sweetness of love, the joy of friendship -- but memories of the destruction and suffering they witnessed are not always easily buried .
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Published
January 1st 1971
by Henry Holt & Company Inc.

0030850622
(ISBN13: 9780030850622 )

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34
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2
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Start your review of Private Worlds

Jun 11, 2020

Dave Allan

rated it
really liked it

Final part of trilogy. Pointless reading if you've not read the first two. Night Falls On the City is an epic book, the second book , A Place In the Country grew on me as I read it and by the end I loved it. It's possibly the only book I've read about the rebuilding of lives in an axis country straight after WWII. Private Worlds takes that story on a few more years. Times are less strained and the story is more concerned with the development of lives between characters and sewing up loose ends. I'
Final part of trilogy. Pointless reading if you've not read the first two. Night Falls On the City is an epic book, the second book , A Place In the Country grew on me as I read it and by the end I loved it. It's possibly the only book I've read about the rebuilding of lives in an axis country straight after WWII. Private Worlds takes that story on a few more years. Times are less strained and the story is more concerned with the development of lives between characters and sewing up loose ends. I'm really glad I've read it for completeness it but it wasn't the page turner of the previous two books. I think if you've loved the first two you'll enjoy this one, same writing style, same characters, just a quieter time of rebuilding in Austria.
...more

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Aug 05, 2022

S.P. Moss

rated it
liked it

“Private Worlds” is the last part of the Viennese trilogy about actress Julia Homburg and her circle of friends and colleagues, which chronicles the Anchluss, Second World War and its aftermath. As with the previous books, it is interesting to have the perspective of characters whose country was not on the right side of history. It’s now the early 1950s, and Julia and her new journalist husband (Georgy, a long-time friend) are back in Vienna, rebuilding lives damaged by war. However, the floodgat
“Private Worlds” is the last part of the Viennese trilogy about actress Julia Homburg and her circle of friends and colleagues, which chronicles the Anchluss, Second World War and its aftermath. As with the previous books, it is interesting to have the perspective of characters whose country was not on the right side of history. It’s now the early 1950s, and Julia and her new journalist husband (Georgy, a long-time friend) are back in Vienna, rebuilding lives damaged by war. However, the floodgates of the past and the Nazi time are opened by the reappearance of a former SS general, who played a role in both Julia and Georgy’s lives: “His survival was like an unsuspected, rusted and unexploded shell-case ...” The story gives excellent insight
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