Private Penetration Palace 2

Private Penetration Palace 2
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Jordan Black was born on April 20, 1986 in Romania. She is an actress.
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Born:

April 20 ,

1986

in
Romania

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- Ride It Like A Slut
(2019)
... (as Mela)

2013

Sperm Swap in Europe 3
(Video)
(as Mela)

2012

Fucking Filthy Fantasies 2
(Video)
(as Mela)

2012

Penetration Palace 2
(Video)
(as Mela)

2012

5 DP's: Studs on Demand
(Video)
(as Mela)

2012

AssBreak Hotel: Part 2
(Video)
(as Mela)

2012

A Voyeur's Dream Cums True
(Video)
(as Mela)

2012

Love Potion 69
(Video)
(as Mela)

2012

A Double Penetration Celebration
(Video)
(as Mela)

2012

Ass Trapped Undercover
(Video)
(as Mela)

2012

Serial Fucker
(Video)
(as Mela)

2011

6 Best Orgies, Vol. 1
(Video)
(as Mela)

2011

Sex Slaves and Fairy Tails
(Video)
(as Mela)

2011

Smuggling Sexpedition
(Video)

Mela (as Mela)

2011

The Nightmare of...
(Video)
(as Mela)

2011

Fatal Beauty
(Video)
(as Mela)

- A European Spit Roast
(2011)
... (as Mela)

- Anal Delight 1
(2010)
... (as Mela A)

2010

All Internal 12
(Video)
(as Mela)

2009

Sweet Seductions 2
(Video)
(as Mela)

2009

Private Gold 102: Legs Wide Open
(Video)
(as Mela)

2008

The Perfectionist 2
(Video)

Nadine, hooker with Marc and The Dealer (as Mela)

2008

Anal Delight
(Video)
(as Mela)

2008

Rocco: Animal Trainer 24
(Video)
(as Mela)

2007

Drunk Sex Orgy: Spring Break!
(Video)
(as Mela)

2007

Grosse inculate
(Video)
(as Mela Bondi)

- Tracy & Melody
(2007)
... (as Melanie)

2006

Cream My Pie 3
(Video)
(as Mela)

Hide
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Archive footage (1 credit)

2008

The Perfectionist 3
(Video)

Nadine - Hooker with Marc and The Dealer (as Mela)

Alternate Names:
Mela A | Mela Bondi | Melanie | Mela

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Penetration Palace 2
(2012 Video)

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Part of HuffPost Entertainment. ©2022 BuzzFeed, Inc. All rights reserved.
The drawings William Crawford left behind are an exploration in being cut off from physical intimacy.
Oct 23, 2015, 02:32 PM EDT | Updated Oct 26, 2015
William Crawford Untitled, Circa 1997 Graphite on paper 11x 81/2in
William Crawford Untitled, Circa 1997 Graphite on paper
William Crawford Untitled, Circa 1997 Graphite on paper
William Crawford Untitled, Circa 1997 Graphite on paper 11x 81/2in
William Crawford Untitled, Circa 1997 Graphite on paper
William Crawford Untitled, Circa 1997 Graphite on paper
William Crawford Untitled, Circa 1997 Graphite on paper
William Crawford Untitled, Circa 1997 Graphite on paper
William Crawford Untitled, Circa 1997 Graphite on paper 81/2x 11in
William Crawford Untitled, Circa 1997 Graphite on paper
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Part of HuffPost Entertainment. ©2022 BuzzFeed, Inc. All rights reserved.
Arts and Culture Reporter, HuffPost
Warning: This post contains graphic nudity and may not be suitable for work environments.
Everything we know about artist William Crawford we've gleaned from the works he left behind -- approximately 950 graphite on paper drawings, which were discovered in an abandoned house in Oakland, California.
Just a few of the drawings are signed William Crawford, occasionally W.M. Crawford or Bill. Many of the delicately rendered depictions appear on the backsides of ambiguous prison rosters dated 1997. It's generally acknowledged, then, that whoever this Crawford was, he spent time in a California state prison in the 1990s, and, seized with desires that couldn't be consummated, he drew.
And boy, did he draw. Buxom bombshells in leather bodices mid-rip, mustachioed gentlemen right out of a '70s porno, groups of two, three, four, and sometimes more, engaging in playful, even violent, sexual play. Captured from a variety of angles and perspectives, Crawford creates jungle gyms of erotic exploration, each frame featuring a melange of licks, sucks, kisses and penetration, often complete with an eager onlooker. Some of the drawings contain dialogue, and some seem but a fragment of a larger, complex story. But due to the lack of information about the artist and his world, we're left to individually make sense of the rogue parts and positions.
Crawford's drawings, reminiscent of early fetish comics by Eric Stanton and Tom of Finland , incorporate trends dating back to the '70s and '80s -- the leopard miniskirts, hoop earrings, those damned mustaches. And yet they were made, most likely, around 1997, leading many to believe Crawford had been locked up for years, removed from the pop cultural landscape that was flourishing around him. It had probably been just as long since he'd had a sexual partner.
The drawings can be disturbing. In one double-penetration scene, featuring three bodies smushed parallel like a sandwich, a man can be seen filming the sex act from the doorway.
The kind of sex brought to life in Crawford's work, as you most certainly have ascertained by now, is not the kind of sweet love-making you do with your longterm honey on anniversary night. No, this is raw erotica , removed from the actual arena of bodily touching, focused on the shadowy wilderness of the imagination. In the words of French cultural theorist Georges Bataille: "Eroticism, unlike sexual activity, is a psychological quest independent of the natural goal: reproduction."
Bataille's thorough grasp of eroticism can also help make sense of the violence and aggression featured in some of Crawford's drawings. "Eroticism always entails a breaking down of established patterns, the patterns, I repeat, of the regulated social order basic to our discontinuous mode of existence as defined and separate individuals," he writes in 1957's Eroticism.
"In essence, the domain of eroticism is the domain of violence, of violation ... The most violent thing of all for us is death, which jerks us out of a tenacious obsession with the lastingness of our discontinuous being ... The whole business of eroticism is to destroy the self-contained character of the participators as they are in their normal lives."
So, according to Bataille, death and eroticism are never too far apart. Eroticism, not necessarily sex, is about indulging taboos, dissolving boundaries, violating norms, thus in a way preparing us for the inevitable transgression of everyday life so heavy it's impossible to imagine: death.
There is one clue amidst these strange details that might help us make sense of Crawford's X-rated oeuvre, and that's the recurring character in his drawings: the man filming the sex act. Thought to be Crawford himself, this character often looms on the periphery of sex acts, perhaps alluding to the artist's real distance from physical encounters in the flesh.
Crawford's fantastical visions could never occur in real life. They're rendered from too bizarre of angles, with certain elements meticulously obscured and others left naked and ghostly. A human body switches from realistic to cartoonish before disappearing before your eyes. Like with so many artists isolated from physical and sexual interaction, the act of creation becomes the climax.
William Crawford's "More Worried Than a Worm in a Bird’s Nest" runs from Oct. 30 to Dec. 5, 2015, at Farago in Los Angeles.
Note: As many readers have kindly pointed out to me, what I initially recognized (and feared) was a toe tag in the image above is most likely another camera. Thanks for your diligent attention to detail!
Arts and Culture Reporter, HuffPost

Edited by Andy Kryza Thursday 30 June 2022
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We rank cinema’s best sex scenes, from steamy silent films to Hollywood’s lustiest comedies and beyond
When it comes to sex, the movie are currently going through a bit of a dry spell. It feels like it’s been a long while since we’ve seen a hot, steamy, taboo-shattering roll in the hay – or hot tub, or midsize sedan, or literal bay of hale – in a major studio film, at least not one that truly shocks the zeitgeist and gets audiences talking. Is it because of society’s general rightward shift recently? Or did filmmakers start listening to those misguided social media debates about the merits of the sex scene?
In any case, it’s far past time the movies got back to getting it on – and here are 101 examples why. Sure, in some cases, sex scenes can seem pointless. In the best examples of cinematic boffing, though, sex tells stories. It develops characters. Sometimes it’s a punchline, sometimes it’s terrifying. Sometimes, yes, it’s simply meant to arouse – but titillation has value, too.
Pour yourself some wine and slip into something a little more comfortable. Here are the 101 best sex scenes of all-time.
Written by Dave Calhoun, Joshua Rothkopf, Cath Clarke, David Ehrlich, Phil de Semlyen, Daniel Walber, Trevor Johnston, Andy Kryza, Daniel Walber and Matthew Singer
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Director: Nicolas Roeg Bedfellows: Julie Christie, Donald Sutherland
The film Working with a Daphne du Maurier short story, Roeg gives us Laura (Christie) and John (Sutherland), a married couple who travel from Britain to Venice for his job after losing their young daughter in a drowning accident.
The sex scene It’s a simple predinner sex scene in a hotel room, but the way Roeg shoots and edits it, and the manner in which the actors perform it, makes it extremely powerful.
Why is it so groundbreaking? It just feels so real. It’s also a rare sex scene that chimes in perfect harmony with the film around it. Their sex feels like both an expression of grief and a welcome respite from it. Most of all, the actors just look like they know what they’re doing. No wonder they’ve been denying the sex was real ever since.
Director: Ingmar Bergman Bedfellows: Bibi Andersson, Liv Ullmann
The film After the catatonic breakdown of stage star Elisabet (Ullmann), she and nurse Alma (Andersson) enter into a fluid, mesmerizing power struggle, also a meeting of the minds.
The sex scene In a semidarkened room, Alma relates a tale of sex on the beach with her girlfriend and a pair of underage boys, an incident with dire consequences.
Why is it so groundbreaking? A classic sex scene with no actual sex in it? That's expert-level, folks. It helps to be Ingmar Bergman, the master director who could wring a heartbreaking monologue out of a shoe. Andersson's matter-of-fact relation of graphic acts makes the scene unbearably hot. The moment was often cut from prints by c
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