Private Lives 2001
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Alan Rickman & Lindsay Duncan: Private Lives (2001-2002)
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Vidas privadas - Tráiler / Private lives - Trailer - Fito Páez (Director)
02.11.2001 · Privates Lives: Directed by Fito Páez. With Cecilia Roth, Gael García Bernal, Luis Ziembrowski, Chunchuna Villafañe. Carmen Uranga is a middle-aged Argentine woman who after living …
https://m.youtube.com/watch?v=97mZnmsGT_I
01.08.2010 · Алан Рикман и Линдси Дункан в Спектакле «Частные жизни». Перевод Вера Серхо (Elvigun). …
https://www.cinafilm.com/movies/private-lives-2001
26.11.2009 · Private Lives (2001) Reviews on Cinafilm.com - Carmen Uranga is a 42 year-old woman who after 20 years jurisdiction of her native country (Argentina), she returns to solve a family…
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Privates Lives (2001) Plot. Showing all 1 items Jump to: Summaries (1) Summaries. Carmen Uranga is a middle-aged Argentine woman who after living many years in Madrid returns to Buenos Aires to assist …
https://www.londontheatre.co.uk/reviews/private-lives
Nov 2001. Sitting in the Albery Theatre on a Sunday afternoon watching Noël Coward’s Private Lives, it was hard to believe that West End theatre is currently suffering a potentially bankrupting downturn in …
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https://en.m.wikipedia.org/wiki/Private_Lives
Cited by: 119
Place premiered: King's Theatre, Edinburgh
Author: Noël Coward
Publish Year: 1930
1. ^ Lahr, p. 59
2. ^ Coward (1937), p. 299
3. ^ Coward (1937), p. 307.
4. ^ Coward (1937), p. 308
5. ^ Coward (2007), p. 181
6. ^ Lesley, p. 136
7. ^ Lesley, p. 137
8. ^ Morley, p. 196.
9. ^ Kaplan, p. 113
10. ^ "Appendix 3 (The Relative Popularity of Coward's …
1. ^ Lahr, p. 59
2. ^ Coward (1937), p. 299
3. ^ Coward (1937), p. 307.
4. ^ Coward (1937), p. 308
5. ^ Coward (2007), p. 181
6. ^ Lesley, p. 136
7. ^ Lesley, p. 137
8. ^ Morley, p. 196.
9. ^ Kaplan, p. 113
10. ^ "Appendix 3 (The Relative Popularity of Coward's Works)" Archived 5 January 2009 at the Wayback Machine, Noël Coward Music Index, accessed 9 March 2009
11. ^ Coward's opening directions in the text specify merely "a hotel in France", but in Act III (p. 87) Sibyl makes it clear that the hotel is in Deauville
12. ^ "Gladys Calthrop", Who's Who in the Theatre, 14th edition 1967, Pitman
13. ^ "His Master's Voice", The Times, 8 October 1930, p. 19. The original recordings (catalogue number C2043) have been reissued on compact disc on several labels, such as Pavilion, PASTCD9715
14. ^ Coward (1937), p. 312; and "Theatres", The Times, 18 December 1930, p. 12
15. ^ Adrianne Allen was pregnant and unable to travel to New York. The child to whom she gave birth was Daniel Massey, to whom Coward was godfather. See Castle, p. 115
16. ^ Morley, p. 202.
17. ^ "Private Lives", Globe Theatre Study Guide, 2004, accessed 17 March 2009
18. ^ Coward (2007), p. 219
19. ^ Morley, pp. 203–05.
20. ^ "Private Lives", The Times, 2 November 1944, p. 6
21. ^ Castle, p. 119
22. ^ Atkinson, Brooks. " "At the Theater". The New York Times (abstract), 5 October 1948, p. 30
23. ^ Private Lives, 1948". Internet Broadway Database listing, accessed 6 March 2011
24. ^ Hoare, p. 372
25. ^ Coward (2007), p. 534
26. ^ "Timeless Revival of Coward", The Times, 26 April 1963, p. 6
27. ^ Fay, Gerard. "Private Lives at the Duke of York's", The Guardian, 4 July 1963, p. 7
28. ^ Hoare, p. 480
29. ^ Coward (2007), p. 709
30. ^ Sullivan, Dan. "The Theater: 'Private Lives' Revived; Noel Coward's Farce Stars Elaine Stritch". The New York Times, 20 May 1968, p. 59
31. ^ Private Lives, 1968 Archived 5 April 2012 at the Wayback Machine. Internet Off-Broadway Database, accessed 6 March 2011
32. ^ Barnes, Clive. "Theater: Tammy Grimes Cavorts in Private Lives; Noel Coward Comedy of 1929 Revived Brian Bedford Plays Well-Bred Mate" The New York Times (abstract), 5 December 1969, p. 52
33. ^ Private Lives, 1969. Internet Broadway Database, accessed 6 March 2011
34. ^ Wardle, Irving. "Coward talk by moonlight ridicules without malice", The Times, 22 September 1972, p. 9
35. ^ Lewsen, Charles. "Private Lives", The Times, 19 April 1973, p. 15
36. ^ "Private Lives", The Times, 18 July 1973, p. 13
37. ^ Barnes, Clive. "Private Lives, Still Surprising, Returns". The New York Times (abstract), 7 February 1975, p. 14
38. ^ Private Lives, 1975". Internet Broadway Database, accessed 6 March 2011
39. ^ http://www.stage-door.com/Theatre/2001/Entries/2001/6/3_Private_Lives.html
40. ^ See Chaillet, Ned. "Still sparkling Coward: Private Lives, Greenwich", The Times, 8 March 1980, p. 8; and Wardle, Irving. "All the fun of the Master's fare: Private Lives, Duchess", The Times, 17 April 1980, p. 11
41. ^ Barnes, Martie. "Taylor and Burton Open in Noel Coward Play", The Associated Press, 8 April 1983, Domestic News. "Elizabeth Taylor and Richard Burton drew a packed house for their first joint appearance on stage in 17 years. ... The twice-married, twice-divorced couple portray a divorced couple ... at the Schubert [sic] Theater before a packed house of 1,688 people. ... The play is in previews here for two weeks before opening May 8 at the Lunt-Fontanne Theater".
42. ^ "Liz Taylor and Richard Burton Leave Boston With Private Lives", The Associated Press, 25 April 1983, Domestic News
43. ^ Rich, Frank. "Theater: Private Lives, Burton and Miss Taylor". The New York Times, 9 May 1983, p. C12
44. ^ Private Lives, 1983. Internet Broadway Database, accessed 6 March 2011
45. ^ Richards, David. "Private Lives: A Public Spectacle;Liz & Dick's Clumsy Coward at the Kennedy Center", The Washington Post, 22 August 1983, p.C1
46. ^ "The show finally went on as Elizabeth Taylor, whose illness had forced the cancellation of four performances of "Private Lives," opened the Chicago run of the Noel Coward classic." "People in the News", The Associated Press, 15 September 1983
47. ^ "People in the News", "Domestic News", The Associated Press, 13 October 1983
48. ^ "'Private Lives'". Dame Elizabeth Taylor.com, accessed 7 March 2011
49. ^ Billington, Michael. "A looker lost for laughs", The Guardian, 20 September 1990, p. 29
50. ^ "Olivier Winners, 1991" Archived 20 November 2012 at the Wayback Machine. Olivierawards.com, accessed 6 March 2011
51. ^ Rich, Frank. "Theater: Private Lives; For the Ardent Fans of Collins and Coward". The New York Times, 21 February 1992
52. ^ "Private Lives Closing Early". The New York Times, 17 March 2011
53. ^ Billington, Michael. "Love and Violence: Private Lives", The Guardian, 14 May 1999, p. 18
54. ^ "Private Lives, 1999" Archived 13 December 2010 at the Wayback Machine albemarle-london.com, accessed 6 March 2011
55. ^ Taylor, Paul. "Another masterly reunion: Private Lives", The Independent, 8 October 2001, p. 10
56. ^ "Olivier Winners, 2002" Archived 16 October 2013 at the Wayback Machine. Olivierawards.com, accessed 6 March 2011
57. ^ Brantley, Ben. "Theater Review; Take Hate, Add Love and Shake Tenderly for a Coward Cocktail". The New York Times, 29 April 2002
58. ^ "Private Lives, 2002" Internet Broadway Database, accessed 6 March 2011
59. ^ Pogrebin, Robin. "At Tonys, Millie Is Tops, but Its Book and Score Aren't; Winners Include Stritch and Albee, Private Lives and Urinetown". The New York Times, 3 June 2002
60. ^ Billington, Michael. "Cocktails and carping on Coward's trip to the dark side", The Guardian, 28 January 2009, p. 21
61. ^ Billington, Michael. "Cattrall proves irresistible in a funny, clever take on Coward", The Guardian, 5 March 2010
62. ^ "Theatre history", Vaudeville Theatre, accessed 7 March 2011.
63. ^ Jones, Kenneth. "Prior to Broadway, Kim Cattrall and Paul Gross Play Private Lives' Balcony Scenes in Toronto Sept. 16-Oct. 30", Playbill, 16 September 2011
64. ^ Gans, Andrew (13 December 2011). "Broadway Revival of Private Lives, Featuring Kim Cattrall, Will Close Early". Playbill.com.
65. ^ Michael Billington (30 September 2012). "Private Lives – Minerva, Chichester". The Guardian.
66. ^ Bosanquet, Theo. "Calf & Plowman join Chancellor & Stephens in Chichester Private Lives", What's On Stage, 14 August 2012
67. ^ Louise Jury and Josh Pettitt (4 July 2013). "It's odd kissing Toby Stephens with his wife in the cast, says Private Lives actress Anna Chancellor". Evening Standard.CS1 maint: uses authors parameter (link)
68. ^ Paul Taylor (4 July 2013). "Theatre review: Private Lives". The Independent.
69. ^ "Digital Theatre and CinemaLive broadcast Private Lives". WhatsOnStage.com, Inc. Retrieved 11 December 2013.
70. ^ "Here's Five Shows Live you CAN Add to Your Diary!". londonboxoffice.co.uk, Inc. Retrieved 24 April 2020.
71. ^ Richards, p. 48
72. ^ "Phoenix Theatre", The Times, 25 September 1930, p. 10
73. ^ Morley, pp. 197–98.
74. ^ Brown, Ivor. "Private Lives", The Manchester Guardian, 25 September 1930, p. 17
75. ^ "The Week's Theatres", The Observer, 28 September 1930, p. 15. Both the Guardian and Observer reviews were by Ivor Brown, whose austere view in the former (a daily paper) had evidently mellowed by the time he wrote for the latter, a Sunday paper.
76. ^ Quoted in Ellis, Samantha. "Private Lives, London, September 1930", The Guardian, 17 September 2003, accessed 7 March 2011
77. ^ The Times classed Coward alongside dramatists from Ben Jonson to J. M. Barrie as better on the stage than on the page. See Edwards, Oliver, "On Reading Plays", The Times, 17 May 1956, p. 13
78. ^ Morgan, Charles. "A Group of Plays", The Times Literary Supplement, 23 October 1930, p. 858
79. ^ Lesley, p. 139
80. ^ Mackenzie, Compton, "Editorial" Archived 23 July 2011 at the Wayback Machine, The Gramophone, December 1930, p. 3
81. ^ Richards, p. 24
82. ^ Farfan, Penny. "Noel Coward and Sexual Modernism: Private Lives as Queer Comedy".Modern Drama, 48.4 (2005), pp. 677–88, Project Muse, accessed 6 March 2011. (subscription required) Archived 4 March 2016 at the Wayback Machine
83. ^ Coward (1937), p. 296
84. ^ Lahr, p. 66
85. ^ Sinfield, Alan. "Private Lives/Public Theater: Noel Coward and the Politics of Homosexual Representation", Representations, No. 36 (Autumn, 1991), pp. 43–63, accessed 6 March 2011 (subscription required)
86. ^ Loss, Archie K. "Waiting for Amanda: Noël Coward as Comedian of the Absurd," Journal of Modern Literature, Vol. 11, No. 2 (July 1984), pp. 299–306, accessed 6 March 2011.(subscription required)
87. ^ Chiothia, Jean. "Playing with the audience" in Kaplan, p. 111
88. ^ The Times, 8 February 1932, p. 10; Hall, Mordaunt. "Spatting Couples of Private Lives Meet With High Favor". The New York Times 19 December 1931, accessed 6 March 2011
89. ^ Coward (2007), p. 279
90. ^ "The Campbell Playhouse: Private Lives". Orson Welles on the Air, 1938–1946. Indiana University Bloomington. Retrieved 30 July 2018.
91. ^ "Private Lives on Television", The Times, 17 January 1959, p. 4; and Morley, Sheridan. "The darker side of Coward: Private Lives, BBC 1", The Times, 29 December 1976, p. 7.
92. ^ It was reissued as a part of the BBC Audio Collection under the title Noël Coward Double Bill: Private Lives & Hayfever. It is also found on a BBC America audio cassette, Private Lives/Present Laughter (1989) and was rereleased in CD format by BBC in February 2010."Private Lives". BBC. Retrieved 4 May 2010.
93. ^ "Private Lives". BBC. Retrieved 2 January 2010.
94. ^ Tony Awards and Nominations, Tammy Grimes, 1961 and 1970. Tonyawards.com, accessed 6 March 2011
95. ^ "'Private Lives' Awards at Internet Broadway Database". IBDB.com, accessed 6 March 2011
96. ^ Tony Awards and Nominations, 'Private Lives', 1975 and 2002. Tonyawards.com, accessed 6 March 2011
97. ^ Drama Desk Awards and Nominations, 1974–1975 Archived 4 July 2008 at archive.today. Dramadesk.com, accessed 6 March 2011
98. ^ Jones, Kenneth. "Millie Is Big 2002 Tony Award-Winner; The Goat Grabs Best Play". Playbill.com, 3 June 2002
99. ^ Drama Desk Awards and Nominations, 2001–2002 Archived 4 July 2008 at the Wayback Machine. Dramadesk.com, accessed 6 March 2011
https://m.youtube.com/watch?v=MErZPouNHpM
28.07.2013 · C РУССКИМИ СУБТИТРАМИ(съемка любительская)Alan Rickman, Lindsay Duncan2001
https://thestreamable.com/de/filme/private-lives-2001
Private Lives (2001) On-Demand . Miete/Kaufen . Über Private Lives. Carmen Uranga is a 42 year-old woman who after 20 years jurisdiction of her native country (Argentina), she returns to solve a family problem …
04.02.2017 · The.Private.Lives.Of.Pippa.Lee.2009.BluRay.720p.x264.SHAHID4U.COM
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Carmen Uranga is a middle-aged Argentine woman who after living many years in Madrid returns to Buenos Aires to assist her sick father (Héctor Alterio). His sister Ana is a lawyer in charge ... Read all
Carmen Uranga is a middle-aged Argentine woman who after living many years in Madrid returns to Buenos Aires to assist her sick father (Héctor Alterio). His sister Ana is a lawyer in charge of managing family inheritance. Once at home, she relives the trauma of when she was imprisoned because of her political ideas. During the ten months of prison she was raped and forced to give birth to a child who was later given up for adoption. Incapable since then to have a relationship with a man, she experiments a very particular method to satisfy her sexual impulses. Every night, he pays a boy named Gustavo to listen to his voice while reading erotic novels, on the only condition that neither can see each other. But when he falls in love with her and she yields to his attention, both their lives are distorted.
When Carmen accidentally burns herself on the thick green candle in the restaurant, the candle itself is completely missing from the next shot of the table. It then reappears, lying on its side, in the long shot through the window from Ana's point of view.
Pretentious, Unconvincing, and Boring
'Vidas privadas', by first-time director Fito Paez, is the most pretentious and boring movie I have ever seen. The movie suffers from an unconvincing plot and pseudo-intellectual banter that result in a very forced and ridiculous ending. The sex and the final revelation are only there for shock value, and nothing else.
The acting is really good, but I don't think it has anything to do with Paez's direction; he just hired some really good actors. Gael García Bernal's fake Argentinean accent is awful, but he still gives a good performance. But, why didn't they just cast an actor from Argentina for that role? Some Argentinean actors are really good. I guess Fito Paez just wanted to capitalize on the Mexican actor's increasing popularity. Cecilia Roth is always great, and the movie is not a complete fiasco only because of her performance.
Also, Fito Paez is one of Agentina's best singer/songwriters, and I was hoping that, at least, the movie score would be good. But it's not. It's awful. The movie reduces the music to lame background noise that doesn't take you anywhere. Also, (trying not to give anything away) where the hell did that gun at the end came from? Did Paez just forget to explain why would one of the characters be carrying a gun? It makes no sense. Paez should not quit his day job and stick to songwriting.
San Sebastian to honour Gael García Bernal by Amber Wilkinson - 2016-08-03 11:54:39
Gael García Bernal and Wife Dolores Fonzi Separate
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Private Lives 2001
