Private Life 2021
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Private Life uses one couple's bumpy journey to take an affecting look at an easily identifiable - and too rarely dramatized - rite of adult passage. Read critic reviews
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A couple coping with infertility struggle to keep their marriage going as they navigate through the world of adoption and assisted reproduction.
R (Language|Strong Sexual Content|Some Graphic Nudity)
Private Life [is] such an affecting-and ultimately devastating-work.
October 26, 2018 | Rating: 4/4 | Full Review…
Kayli Carter bridges the ache and absurdity and becomes the movie's salvation, just as her character, Sadie, tries to be.
October 26, 2018 | Rating: 3/5 | Full Review…
This lived-in and often-hilarious drama is a richly rewarding experience -and features a whopper of a closing shot.
Everything works about this film except for a dubious ending that makes the couple look less sympathetic. A crowd-pleaser.
October 15, 2018 | Rating: 3/4 | Full Review…
Private Life is an intimate drama we've seen before, but it leads to so many provocative questions about the individual versus the family.
Jenkins has produced a small gem - an unassuming and surprisingly profound motion picture that touches on primal motivations and instincts.
October 11, 2018 | Rating: 3.5/4 | Full Review…
This movie gives us a taste of everything, though thankfully resisting the urge to be too tragic and lament the woe that is womanhood.
March 7, 2021 | Rating: A- | Full Review…
Jenkins ... is obviously capable and sensitive. Is there nothing she finds more pressing, perhaps more tragic and profound than the stories she has recounted so far?
The film is filled with dark humor and rich emotion.
In her third feature film, Jenkins crafted a story filled with drama and warm humor. [Full review in Spanish]
July 17, 2020 | Rating: 7/10 | Full Review…
Jenkins' writing and directing feels more fruitful when it veers more toward the dramatic and avoids the contrived, screwball machinations.
May 18, 2020 | Rating: 3/5 | Full Review…
With the masterful Private Life, Tamara Jenkins excavates without puncture, but small cuts can cause the most acute pain.
Private Life [is] such an affecting-and ultimately devastating-work.
October 26, 2018 | Rating: 4/4 | Full Review…
Kayli Carter bridges the ache and absurdity and becomes the movie's salvation, just as her character, Sadie, tries to be.
October 26, 2018 | Rating: 3/5 | Full Review…
This lived-in and often-hilarious drama is a richly rewarding experience -and features a whopper of a closing shot.
Everything works about this film except for a dubious ending that makes the couple look less sympathetic. A crowd-pleaser.
October 15, 2018 | Rating: 3/4 | Full Review…
This movie gives us a taste of everything, though thankfully resisting the urge to be too tragic and lament the woe that is womanhood.
March 7, 2021 | Rating: A- | Full Review…
Jenkins ... is obviously capable and sensitive. Is there nothing she finds more pressing, perhaps more tragic and profound than the stories she has recounted so far?
The film is filled with dark humor and rich emotion.
In her third feature film, Jenkins crafted a story filled with drama and warm humor. [Full review in Spanish]
July 17, 2020 | Rating: 7/10 | Full Review…
Jenkins' writing and directing feels more fruitful when it veers more toward the dramatic and avoids the contrived, screwball machinations.
May 18, 2020 | Rating: 3/5 | Full Review…
With the masterful Private Life, Tamara Jenkins excavates without puncture, but small cuts can cause the most acute pain.
Paul Giamatti and Kathryn Hahn break out all the acting stops to play a hipster Lower East Side couple who put off getting pregnant until it's too late.
January 29, 2020 | Rating: 4/5 | Full Review…
A wry, very humanistic drama that's full of the laughter of life, embodied by a wonderful ensemble who intersect across different stages of New York life in unexpected ways.
January 1, 2020 | Rating: 8/10 | Full Review…
Very sad and very funny with great performances by Giamatti, Hahn and especially Carter. Jenkins hits all the right notes in a one couple's search for validation of their own lives...a baby. The ending is killer. (12-23-18 NF)
My wife and I watched this on Saturday night. That morning we'd virtually been in the same kind of waiting room Kathryn Hahn and Paul Giamatti's characters are sitting in during one of the film's opening scenes. Moments before turning this on we'd been in the exact same situation these characters are in in the film's first shot which is to say I was giving her two shots on what was our tenth day of "stims" or ovarian stimulation as triggered by medications. As I write this we've just come home from what is referred to as "retrieval" which is technically defined as the doctor guiding a needle through the vaginal wall and, one by one, drawing out the eggs. While this may sound simple enough there is so much riding on the number of eggs retrieved, the size and number of the follicles, and over the course of the next five days-whether those eggs will mature and fertilize with the sperm-that it's a suspense thriller in its own right. Writer/director Tamara Jenkins (Savages) understands this (whether through personal experience or not I'm unsure, but she definitely has dealt with or been close to someone who's dealt with infertility) and she understands the inherent drama not only in the procedures themselves, but how they seep over into everyday life; how being an individual or couple dealing with infertility dominates and influences every thought, every plan, and every reaction to a mostly oblivious world outside of your own little infertility circles. It is in these elements that Private Life really hones in on the repercussions of such circumstances and the interpersonal dealings between two people who are without question there for one another, but who both run out of solutions and words of comfort eventually. There's only so many ways to stay optimistic when every path you take continues to disappoint. While Jenkins' film gets the trials and tribulations of infertility treatment absolutely right she doesn't always go far enough into the mind of Hahn's Rachel or Giamatti's Richard to articulate their inner concerns or how one of them might get too into their own head about everything they're doing as opposed to a different stance counteracting this train of thought from the other. Maybe I'm just projecting here, but rather than choose the somewhat convoluted and slightly touchy narrative Jenkins does in order to carry out full, feature-length it might have been better and ultimately more affecting if Private Life steered clear of the manufactured drama and simply embraced all the built-in concerns, debates, theorizing, doubts, and countless other factors that play into going through an IUI or IVF or embryo adoption or whatever path this journey decided to take our characters down. That said, the film hits too close to home and speaks so many truths that it's almost a therapy session of sorts though I do wonder how those who haven't had to deal with infertility and who happen to come across this on Netflix might react if they decide to give it a look. Anyway, if you do decide to watch Private Life whether dealing, having dealt with, or even if you have no idea what "ovulation" means and then follow that viewing up by checking out Letterboxd reviews which leads you to my account I'll accept any number of prayers, good vibes, or whatever your style is in hopes that the infertility tension that's about to play out in my wife and I's lives comes with a happy ending.
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Private Life is a 2018 American comedy-drama[2] film written and directed by Tamara Jenkins, and starring, Paul Giamatti and Kathryn Hahn, with Kayli Carter, Molly Shannon, John Carroll Lynch, Desmin Borges, and Denis O'Hare in supporting roles. The film focuses on Richard and Rachel, a middle-aged married couple of New York City creatives, who are desperately trying to have a child by any means possible.
Official release poster by Chris Ware[1]
Anthony Bregman
Stefanie Azpiazu
Tamara Jenkins
January 18, 2018 (Sundance)
October 5, 2018 (United States)
The film had its world premiere on January 18 at the Sundance Film Festival. It was released on October 5, 2018, by Netflix.
Richard (Paul Giamatti) and Rachel (Kathryn Hahn) are a middle-aged couple desperately trying to have a child. After multiple failed attempts at artificial insemination, they attempt in vitro fertilisation. The couple learn that Richard has a blockage that is not letting him produce sperm, forcing him to undergo a surgery that puts him $10,000 in debt to his brother Charlie and his wife Cynthia. At the same time they are also attempting to adopt a child after connecting with a supposedly pregnant teenager from Arkansas looking to give up her child but then stopped contact.
After the IVF fails, their doctor floats the idea of using a donor egg to implant in Rachel, raising their chances of success from 4 to 65 percent. Rachel is initially against it, but slowly begins to consider it with Richard's encouragement.
Meanwhile, their 25-year-old niece, Sadie, decides to leave her college writing program to finish in absentia and go live in NYC with Richard and Rachel, with whom she is already very close. Rachel, who struggled with the idea of an unknown egg donor, decides to ask Sadie for her eggs. To their surprise, Sadie quickly agrees, both because she loves Richard and Rachel and because she thinks the egg donation will bring meaning to her life.
At Thanksgiving dinner, Sadie informs her family that she will be donating her egg to Richard and Rachel, much to her mother's chagrin. Despite the fact that Richard and Rachel tell Cynthia they will not go through with the donation without her consent, they decide to go through with pre-screening.
Richard, Rachel and Sadie happily go through the egg donor treatments together, but Sadie is told at an appointment that she is not developing eggs quickly enough. Determined not to let Richard and Rachel down, she increases her drug dosage on her own. The egg retrieval is a success, but Sadie becomes ill. Richard and Rachel take her to the hospital, where they learn of the increased dosage. Sadie moves out of their apartment.
Richard and Rachel go through with the implantation, but it is a failure. While Rachel is devastated, Richard admits to being relieved that they are finally done with trying as their marriage and intimacy have suffered.
Sometime later, they drop Sadie off at the Yaddo colony, where she will take up a residency as a writer. She thanks Rachel for her help getting in, but Rachel informs her she did nothing to aid her application and that Sadie did it all on her own.
Nine months later, Richard and Rachel are celebrating Halloween when they receive a call from another woman looking at them as potential parents to adopt her child. They drive to a restaurant, where they wait to meet the woman. Richard moves from his usual opposite seat and sits next to Rachel to hold her hand.
On January 4, 2017, it was reported that Kathryn Hahn would star in the Netflix film, Private Life, written and directed by Tamara Jenkins.[3] On January 31, 2017, Paul Giamatti joined the cast.[4] On March 16, 2017, it was reported that Molly Shannon, Emily Robinson, John Carroll Lynch, Kayli Carter, and Francesca Root-Dodson would also play roles in the film.[5] As of March 17, 2017, principal photography had begun in White Plains, New York.[6] Denis O'Hare[7] and Desmin Borges[8] subsequently joined the film as well.
The film had its world premiere at the Sundance Film Festival on January 18.[9][10] It also screened at the New York Film Festival on October 1, 2018.[11][12] Netflix released Private Life on October 5, 2018, both in a limited theatrical bow and on its service.[13]
On review aggregator website Rotten Tomatoes, the film holds an approval rating of 94% based on 102 reviews, with an average rating of 7.62/10. The site's critics consensus reads, "Private Life uses one couple's bumpy journey to take an affecting look at an easily identifiable – and too rarely dramatized – rite of adult passage."[14] On Metacritic, the film holds a rating of 83 out of 100, based on 32 critics, indicating "universal acclaim."[15]
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