Private Gold 62
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Private Gold 62
Tensei Kizoku no Isekai Boukenroku ~Jichou wo Shiranai Kamigami no Shito~
Ch.31
Ichioku-nen Button o Renda Shita Ore wa, Kizuitara Saikyou ni Natteita
Ch.10.2
Rebirth Of the Urban Immortal Cultivator
Ch.575
Shi ni Modori, Subete wo Sukuu Tame ni Saikyou He to Itaru
Ch.31
Isekai de Cheat Skill wo te ni Shita ore wa, Genjitsu Sekai wo mo Musou Suru ~Level Up wa Jinsei wo Kaeta~
Ch.9
Divine Hero's Skyfall System
Ch.249
S Rank Boukensha de aru Ore no Musume-tachi wa Juudo no Father Con deshita
Ch.10
Kaifuku Jutsushi no Yarinaoshi
Ch.34.2
Immortal Swordsman in The Reverse World
Ch.193
Nidome no Jinsei wo Isekai de
Ch.46
Honzuki no Gekokujou ~Shisho ni Naru Tame ni wa Shudan wo Erandeiraremasen~ Dai 2-bu γHon no Tamenara Miko ni Naru!γ
Ch.28.1
Arifureta Shokugyou de Sekai Saikyou
Ch.49
Jishou Akuyaku Reijou na Konyakusha no Kansatsu Kiroku
Ch.30
I Am Carrying Gold From the Post-Apocalyptic World
Ch.148.2
Potion Danomi de Ikinobimasu!
Ch.43.1
It's Time for "Interrogation," Princess!
Ch.92
Starting From Today I'll Work As A City Lord
Ch.289
Immortal Swordsman in The Reverse World
Ch.193
Rebirth Of the Urban Immortal Cultivator
Ch.575
Divine Hero's Skyfall System
Ch.249
Emiya-san Chi no Kyou no Gohan
Ch.47
Hirasaka Hinako ga Ero Kawaii koto wo Ore dake ga Shitteiru
Ch.23.1
Honzuki no Gekokujou ~Shisho ni Naru Tame ni wa Shudan wo Erandeiraremasen~ Dai 2-bu γHon no Tamenara Miko ni Naru!γ
Ch.28.1
Tensei Kizoku no Isekai Boukenroku ~Jichou wo Shiranai Kamigami no Shito~
Ch.31
The Boy in the All-Girls School
Ch.443
I Have Nine Female Disciples
Ch.139
Isekai no Meikyuu Toshi de Chiyu Mahoutsukai Yattemasu
Ch.22.3
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Donna Marie Private Gold 62 The House Of Games
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House of Games is David Mamet 's 1987 film directorial debut. Mamet wrote the screenplay himself, from a story he devised with Jonathan Katz . The film's cast includes Lindsay Crouse , Joe Mantegna , Ricky Jay , and J. T. Walsh .
Margaret Ford (Crouse) is a psychiatrist . She has published a book, Driven: Compulsion and Obsession in Everyday Life, which has made her financially well off. One day, she's in a session with Billy, a compulsive gambler who informs her that his life is in danger. He owes $25,000 to a criminal figure β money he doesn't have β and if he doesn't pay, he will be killed.
Margaret visits a pool hall and bar called the House of Games and confronts the man Billy owes, Mike (Mantegna). After a brief conversation, Margaret sizes Mike up as a tough talker, but not a violent gangster . Mike reveals that Billy's debt is only eight hundred dollars and agrees to forgive the debt if Margaret accompanies him to a high-stakes poker game as his girlfriend, using her to help spot the tell of another gambler (Jay).
Exhilarated at the chance to take part, Margaret even volunteers $6,000 of her own money to back up Mike's bet because sheβs spotted the tell that Mikeβs opponent is bluffing. Things go wrong. Not only does the player have a winning hand, he also brandishes a gun, demanding the $6,000 she promised as collateral. It is only when Margaret sees a drop of water fall from the pistol barrel that she realizes the whole setup is a con β designed strictly to take her money. Mike and his men see that the jig is up, and nonchalantly pack up the con. Mike apologizes, saying it was βonly business β¦ nothing personal.β
Back in her normal routine, Margaret continues to think about her night at the House of Games. She returns, proposing to Mike that she follow him around, learn the ins and outs of his world, perhaps write a book on the experience. Mike is skeptical but agrees. He shows her first-hand how a con game works. Her fascination grows. The pair end up going to a hotel room and making love.
Mike mentions that he has a role in another con that night. Margaret begs to tag along. Mike, his associate Joey ( Mike Nussbaum ), and their mark (Walsh) come upon a briefcase of money that someone seems to have accidentally left on the street before getting into a cab. The three men go to the mark's hotel room to keep an eye on each other and discuss what to do with the cash.
Mike confides to Margaret that the $80,000 in cash is real, borrowed from the mob and due back the next day. The plan is to have the mark propose paying Mike and Joey a percentage in exchange for taking the briefcase, but then they will switch the case at the last minute.
The mark does as planned, but Margaret sees and hears what no one else does: that he has a gun on his belt, and that he is planning with others over a two-way radio to arrest the trio. Margaret warns Mike and Joey that the mark is a cop and it's a trap, and she is desperate not to get caught herself. A scuffle develops and the cop/mark is killed when his gun discharges. Mike makes a run for it with Joey and Margaret. They steal a car and escape. But the briefcase is nowhere to be found: it's been left behind in the commotion. Mike blurts out that the mob will turn them all in for the cop's murder if they fail to return the mob's money. Margaret, who has now fallen for Mike and fears for his safety, as well as her own, offers to replace the $80,000.
Overwhelmed by the experience, Margaret is visited by Billy, her patient, but is too distressed to have a session with him. By sheer chance, she spots Billy leaving her place and sees that his car is the very escape vehicle she was pressed into using during the hotel getaway. Margaret puts the pieces together. She spies on the con men--among whom is the "dead" cop/mark--and sees for herself that everything was a ruse to swindle her out of $80,000; making love to her, she overhears Mike say, was "a small price to pay."
Margaret has a gun (the gun she, ironically, took from Billy in their earlier session). She has overheard when Mike is leaving town and lies in wait for him at the airport. At first she puts on an act, pleading to travel with him with the additional $250,000 she says she has brought. Mike coaxes her into a deserted dock of the airport where they can be alone. When she misspeaks, Mike realizes that Margaret knows the score. He tells her there's nothing she can do about it and turns to leave. Margaret pulls out her gun and demands that Mike beg her for his life. He refuses and she shoots him to death.
Later, we see that Margaret has gone on with her life, a changed woman, now able to "forgive herself," as her mentor had urged her to do. She shows no sign of guilt or remorse for murdering Mike. She steals a gold lighter out of the purse of another woman in a restaurant and relishes the acquisition.
In August 2007, the Criterion Collection released a special edition of Mamet's film on DVD . Among the supplemental material included are an audio commentary with Mamet and Ricky Jay, new interviews with actors Lindsay Crouse and Joe Mantegna, and a short documentary shot on location during the film's production. [ 1 ]
Playwright Richard Bean adapted Mamet's script for a production at the Almeida Theatre , London, in September 2010. To meet the confines of the medium the stage version is set in just two locations, and the final resolution between Mike and Margaret is softened. Critical reaction to Bean's version was mixed: Michael Billington found only a "pointless exercise", but Charles Spencer thought that the stage version delivered "far better value than the original picture". [ 2 ] [ 3 ]
You know the house down the street Where the kids are and every day They seem to have a new scar Something strange is going on and everybody knows Doors always shut and windows always closed The little girl had a burn The boy was black and blue They said it came from play You know that shit ain't true The boy's arm's broke girl is scared to speak Their parents drink all day Couple of dead beats Some days they go to school, and other days they might It's hard to stay awake after you cry all night You see 'em every day Tear tracks on their cheeks But they will never tell It goes on weeks and weeks (But what can they do? They're only children man!) You ain't no fuckin' kid Acting like you give a damn! Won't someone save these kids Do something, call a cop
