Princess Jasmine

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"Princess Jasmine" redirects here. For the professional wrestler known as Princess Jasmine, see Cynthia Peretti.
Princess Jasmine[1][2] is a fictional character who appears in Walt Disney Pictures' 31st animated feature film Aladdin (1992). Voiced by American actress Linda Larkin – with a singing voice provided by Filipina singer Lea Salonga – Jasmine is the spirited daughter of the Sultan, who has grown weary of her life of palace confinement. Despite an age-old law stipulating that the princess must marry a prince in time for her upcoming birthday, Jasmine is instead determined to marry someone she loves for who he is as opposed to what he owns. Created by directors Ron Clements and John Musker with screenwriters Ted Elliott and Terry Rossio, Jasmine is based on Badroulbadour, a princess who appears in the One Thousand and One Nights folktale "Aladdin and the Magical Lamp."
Jasmine as she appears in Aladdin (1992).
The Sultan (father)
Sultana (mother)
Cassim (father-in-law)
Sharma (cousin)
Originally conceived as a spoiled, materialistic princess, the writers eventually rewrote Jasmine into a stronger and more prominent heroine following the elimination of Aladdin's mother from the script, while borrowing story elements from the romantic comedy Roman Holiday (1953). Several months after securing the role, Larkin was nearly fired from the project because Disney executive Jeffrey Katzenberg felt that her voice was not suitable for a princess, but Clements and Musker managed to convince him otherwise. Discovered by casting director Albert Tavares, Lea Salonga was cast as Jasmine's singing voice based on her performance in the musical Miss Saigon; this unprecedented casting decision made Jasmine the first Disney Princess to have her speaking and singing voices provided by two different actresses. Animated by Mark Henn, Jasmine's design is an eclectic combination of unique sources, including an anonymous theme park guest, Henn's own sister, and actress Jennifer Connelly.
Unlike most of Disney's princesses, Jasmine is a supporting character in her own film, taking the secondary role of the love interest. The character has garnered mixed to positive reviews, with much of her character arc compared unfavorably to her predecessors Ariel from The Little Mermaid (1989) and Belle from Beauty and the Beast (1991), but has been praised for her personality and her chemistry with Aladdin. She is the sixth Disney Princess and the franchise's first non-European member, as well as its first West Asian princess.[3] Due to this, the character is credited with introducing racial diversity to Disney's princess genre. Jasmine has made subsequent appearances in Aladdin's sequels The Return of Jafar (1994) and Aladdin and the King of Thieves (1996), as well as its television series and a Broadway musical adaption of the film. Both Larkin and Salonga have been awarded Disney Legends for their contributions to the role. Naomi Scott played the character in the 2019 live-action adaptation of the original 1992 film.
Jasmine is based on the princess who appears in the Middle Eastern folk tale collection One Thousand and One Nights,[4] specifically the story "Aladdin and the Magical Lamp."[5] Lyricist Howard Ashman and composer Alan Menken had first begun to develop Aladdin while they were still writing songs for The Little Mermaid (1989), but further development was abandoned in favor of working on Beauty and the Beast (1991) instead.[6] However, Aladdin was finally resurrected as Beauty and the Beast neared completion.[6] While the princess in the original tale is named Badroulbadour, the studio decided to rename the character the more familiar "Jasmine" after actress Jasmine Guy.[7] Additionally, the name was also among the decade's most popular at the time.[7] In Ashman's original treatment of the film, Aladdin had two potential love interests: both Jasmine and a "Judy Garland-y tomboy," whose romantic feelings for Aladdin were not reciprocated by the hero.[8] Screenwriter Linda Woolverton eventually drafted a screenplay based on the film The Thief of Baghdad (1940), a revision that included a handmaiden for Jasmine (an idea resurfaced in the 2019 live-action film), who was ultimately replaced by a pet tiger.[8]
Directors and writers Ron Clements and John Musker eventually disregarded Woolverton's script in favor of developing something more similar to Ashman's version, albeit making several changes to his treatment, among them approaching the character of Jasmine "a little differently,"[6] while maintaining Woolverton's vision of "a princess that Aladdin could woo."[8] Following the elimination of Aladdin's mother from the script, Jasmine and Aladdin's relationship was expanded upon to the point of which it became a focal point of the film,[6] ultimately allowing more screen time for the princess.[9] Thus, Jasmine was developed into a more prominent character.[10] Unlike Disney's previous adaptations of fairy tales, the princess is not the film's main character, and therefore the story does not revolve around her.[7] Despite the presence of a prominent princess character, the directors decided to treat Aladdin more-so like "an Arabian adventure" as opposed to a traditional Disney fairy tale or princess film in the vein of Snow White and the Seven Dwarfs (1937) or Beauty and the Beast.[11] The decision to make Aladdin a high comedy ultimately eliminated the need to explore some of Jasmine's deeper storylines.[12]
Although several details of the original folk tale were altered for the film adaptation, Jasmine's main storyline – being pressured into marriage – remained mostly untouched.[7] However, while Badroulbadour initially resents Aladdin, Jasmine on the other hand is almost immediately charmed by him.[5] Screenwriters Ted Elliott and Terry Rossio rewrote Jasmine into a "stronger" character who actively longs for freedom from her "regal confinement."[13] According to Dave Smith of the Disney Archives, the "liberated" Jasmine primarily "seeks to escape her present lifestyle."[14] The idea of a disguised Jasmine stowing away from her palace in the middle of the night was inspired by the romantic comedy film Roman Holiday (1953), in which Princess Ann, portrayed by actress Audrey Hepburn,[15] similarly escapes the royal embassy in disguise in order to spend one day exploring Rome on her own.[7]
The casting of American actor and comedian Robin Williams as the Genie inspired the studio to recruit similarly talented voice actors capable of matching his pace.[16] The filmmakers had originally envisioned Jasmine's voice as similar to that of actress Lauren Bacall.[17] Jasmine's speaking voice is provided by American actress Linda Larkin.[18] The role was only one of several auditions Larkin had scheduled during the same week in which she auditioned for Aladdin, and she originally underestimated the scope of the project, joking, "I thought it was going to be something like DuckTales (sic)."[17] Initially presented with only a few pages of the screenplay,[17] Larkin found that she was particularly drawn to Jasmine's "spirit of activism," in addition to the ways in which character was both similar to and different from previous Disney heroines.[19] Princesses Snow White, Cinderella, and Aurora had been childhood favorites of the actress.[18][20] Larkin's first audition was held in a Burbank, California recording studio, in which she performed solely for the film's casting director.[19] The side used for Larkin's first audition was the scene in which Jasmine meets Aladdin in the marketplace – their first encounter.[10] Jasmine's line 'It's all so magical' helped convince Larkin that she was "meant" to voice the character.[18] Although Larkin's voice was significantly different from what the filmmakers had originally envisioned for the character, her interpretation gradually changed their minds.[17]
In the form of an extensive series of callbacks, Larkin returned to the studio on several different occasions over the next few months.[19] While the audience of studio executives and filmmakers continued to increase, the amount of actresses competing for the role gradually decreased accordingly as the audition process neared completion.[19] Larkin's final audition lasted a total of four hours, during which she read through the entire script for the first time.[17] The animators were also provided with an opportunity to animate to Larkin's voice for the first time.[17] The actress was finally cast several months later, by which time she had nearly forgotten she had ever auditioned.[19] Six months into recording, however,[21] Larkin was forced to re-audition for the role by Disney executive Jeffrey Katzenberg,[22] who felt that the actress' voice lacked the authority required to voice a princess.[21][23] However, Clements and Musker disagreed with him, and managed to trick Katzenberg into not firing Larkin by staging a fake recording session during which they had the actress speak lower and slower in Katzenberg's presence, only to have her return to her natural voice thereafter.[21] Larkin recorded only one scene alongside her co-stars Williams and Scott Weinger, the voice of Aladdin.[24][25] Apart from some rough, unfinished storyboards and drawings, Larkin did not see much of her character until the film was finally screened at the Museum of Modern Art.[10]
Before discovering Larkin, Disney had been insisting on auditioning exclusively performers who were capable of singing as well as they could act.[17] However, after Williams' recruitment, the studio relented in favor of casting "strong actors" instead.[17] When Larkin first auditioned for the role, "A Whole New World," Jasmine's only surviving song, had not yet been written;[17] she admitted, "there's no way I would have even auditioned ... if there had been a song from the beginning."[19] After writing Jasmine's first song, the filmmakers asked Larkin if she would be interested in recording it and providing the character's singing voice.[19] Larkin immediately declined,[19] joking, "I do [sing] ... but not like a princess!"[16] Thus, Disney decided to recruit a singer who could mimic Larkin's speaking voice instead,[16] despite the actress' fear that the studio would completely replace her with a professional singer altogether.[19]
Jasmine's singing voice is provided by Filipina singer and actress Lea Salonga.[26] Salonga's Tony Award-winning performance in the musical Miss Saigon helped her garner the interest of casting director Albert Tavares,[27][28] who proceeded to leave a note for the singer on the stage door before leaving a show he had attended.[28][29] Salonga's agent then scheduled her audition, at which she performed "Part of Your World" from The Little Mermaid.[29] Salonga finally began recording a demo of "A Whole New World" a few days later.[29] With the casting of Salonga, Larkin became one of Disney's first voice actors to not provide the singing voice of the character she voices,[16] and thus Jasmine marked the first time Disney decided to separate a Princess's speaking and singing voices.[17] Describing Salonga as "an incredible singer," Larkin herself was pleasantly surprised by how much Salonga's voice resembled her own when she first heard "A Whole New World," joking, "the filmmakers almost had me convinced that I sang it."[25]
The character's blurb on the official Disney website reads, "Jasmine is an independent, fiery beauty capable of taking care of herself" who "longs to experience life outside the palace."[30] The writers had originally conceived Jasmine as a spoiled and materialistic princess whose interests were limited to clothing and jewelry, but eventually developed her into a stronger, more mature character.[23] Larkin described Jasmine as "a very strong, well defined character from the very beginning."[17] Mark Henn served as Jasmine's supervising animator. Having originally been hired to animate Aladdin's mother, the removal of the character from the film ultimately provided Henn with the opportunity to animate Jasmine instead.[10] Throughout Disney's previous animated film Beauty and the Beast, the design of the heroine Belle – whom Henn had also helped animate – suffered from various inconsistencies due to the character having been animated at two completely separate studio locations.[12] To avoid experiencing a similar dilemma with Jasmine, the filmmakers ultimately decided to have the princess animated entirely at one studio.[12] Because Jasmine is the film's love interest as opposed to its main character, the princess was animated at the company's secondary studio in Florida, while Aladdin was animated in California.[12] However, the more intimate love scenes between the two leads forced Henn to frequently communicate with Aladdin's lead animator Glen Keane through phone and fax, and the animators also sent designs and discs to each other.[31] Out of his desire to introduce Indian architecture into the film, art director Bill Perkins based Jasmine's design on the famous mausoleum, the Taj Mahal, which itself incorporates and expands on Indian design, particularly the curves demonstrated in the character's hair, clothes and jewelry.[7]
Having just recently animated two previous Disney heroines – Ariel from The Little Mermaid and Belle from Beauty and the Beast, respectively –[32] Henn initially suffered from a severe case of "artist's block" while attempting to design his third heroine, Jasmine.[9] While working on the character at Disney-MGM Studios in Florida, Henn noticed a young female amusement park guest with long black hair, and ultimately decided to use her as his initial inspiration for Jasmine; the guest's identity remains anonymous to date.[33] Earliest sketches of Jasmine were based on various exotic-looking supermodels in addition to her namesake Jasmine Guy, but the actress' facial features were ultimately considered to be too "severe" for an animated character.[7] In search of "something fresh to help with the physical look of her," Henn was eventually inspired by a high school graduation photograph of his younger sister Beth Allen,[34] who wore her hair in a style similar to what would ultimately become Jasmine's.[9] Henn credits his sister with helping him overcome his artist's block,[35] and the directors ultimately approved of Henn's concept design.[7] The character's facial features were further inspired by actress Jennifer Connelly, specifically her eyebrows.[36] Additionally, some of Larkin's own mannerisms and physical traits were incorporated into the character.[9] Henn credits one particular dinner conversation he had shared with Larkin with proving very inspirational in terms of helping him discover Jasmine's emotional side. Model Robina Ritchie served as an on-location reference for the animation, pantomiming actions to the recording of Larkin's voiceovers so, in Henn's words, "the animator gets the feeling of what the real human movement would be."[31]
The final appearance of Jasmine consequently inspired the studio to redesign Aladdin; accordingly, Katzenberg felt that the main character, who was originally depicted as a younger, "scrawny" underdog,[4] did not resemble a suitable leading man for Jasmine,[33] which they feared would result in unconvincing chemistry between the couple.[37] Thus, they ultimately decided to base Aladdin on actor Tom Cruise instead.[33] Henn's favorite sequence to animate was the scene in which Jasmine discovers Aladdin's true identity and gives him "a look."[10] The filmmakers decided to dress Jasmine in blue to symbolically represent water, which is "the most precious substance one can find in a desert."[7] The animators sat the character next to a fountain when she is first introduced in the film to further emphasize this motif and comparison.[7] With her appearance finalized, Jasmine became Disney's first non-white princess as opposed to being of European heritage.[34][38]
As a character, Jasmine is both similar to and different from Disney heroines who preceded her.[19] She possesses many qualities associated with traditional Disney Princesses,[39] grace and beauty among them.[40] However, marketed by Disney as "a heroine of the 1990s,"[41] Jasmine is "born-before-her-time," and thus her intelligence and ambitions tend to more-so resemble contemporary incarnations, namely Belle.[40] Brian Lowry of Variety likened Jasmine's strong-willed personality to that of Belle, describing her as an "anachronistically liberated" heroine.[42] Meanwhile, The Hollywood News' Rob Burch observed that the princess is very similar to Ariel, being "independent, beautiful, and desperate for the chance to live her own life," while at the same time concealing kindness beneath "a shield of anger."[43] Belonging to "a series of spunky heroines" inspired by both contemporary feminism and the girl power movement,[44][45][46] Jasmine was recognized by Hearing a Film, Seeing a Sermon: Preaching and Popular Movies author Timothy B. Cargal as a member of Disney's "continued efforts to reshape their heroines for a more feminist age,"[47] in addition to providing young girls with strong female role models with whom they can identify.[46] At only 15 years of age,[48] Jasmine is already more resourceful than her two immediate predecessors,[44] while sharing their same preference for assertiveness and empowerment over passiveness, traits echoed by several other Disney Princesses introduced throughout the decade.[39][49] At the same time, Jasmine is depicted as being feistier than Belle and less naïve than Ariel.[50]
Distinctively, Jasmine is not Aladdin's protagonist, a role held instead by title character Aladdin, while Jasmine herself occupies a secondary role as the film's love interest,[39][51] consequently lacking significant character development.[52] However, sometimes both characters are collectively referred to as protagonists,[53] while Jasmine is sometimes identified as the film's "female protagonist."[54] The First Novels Club observed that Jasmine essentially "ends up the same person as when she started."[55] Little is known about Jasmine's interests, hobbies, and goals.[52] The Art of the Princess and the Frog author Jeff Kurrti wrote that although "Jasmine is less prominent as a heroine ... she made decisions and was a little more strong-willed."[56] Samantha Rullo of Bustle agreed that, despite her secondary role, Jasmine remains "determined to live her life the way she wants to, rather than letting others make her decisions for her," and thus ranks among Disney's most rebellious princesses.[57] Jasmine's personality continues to rank among Disney's "strongest" heroines because she is not concerned about wealth or social class,[57] despite her opulent upbringing.[2] Similarly, Jasmine is not interested in marrying someone who is capable of only offering her everything she already owns
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Jasmine (Aladdin) - Wikipedia
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Princess Jasmine