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From Wikipedia, the free encyclopedia
For other uses, see POV (disambiguation) .

^ "About POV At a Glance" . PBS . Retrieved August 12, 2020 .

^ Jump up to: a b "American Documentary, Inc. About Us" . Retrieved January 20, 2008 .

^ "POV Awards" . PBS . Retrieved October 17, 2018 .

^ Peabody Awards for POV , accessed October 17, 2018.

^ Roeper, Richard (June 28, 2020). " 'And She Could Be Next' review: Vital PBS doc profiles heroines of politics" . Chicago Sun-Times . Retrieved June 12, 2022 .



Independent Lens ( episodes ) (since August 9, 1999)
POV ( episodes ) (since July 5, 1988)


Masterpiece (since January 10, 1971)


Art:21 (since 2001)
Austin City Limits (since January 3, 1976)
Bluegrass Underground (since 2011)
American Masters (since June 22, 1986)
Great Performances ( episodes ) (since November 4, 1972)
Live from Lincoln Center (since January 30, 1976)


American Experience ( episodes ) (since October 4, 1988)
Antiques Roadshow (since January 9, 1997)
Finding Your Roots (since March 25, 2012)
Secrets of the Dead (since May 15, 2000)


Amanpour & Company (since September 10, 2018)
BBC OS (since January 1, 2020)
BBC World News America (since June 3, 2019 from American Public Television )
Firing Line ( episodes ) (April 4, 1966 – December 26, 1999; since June 22, 2018)
Frontline ( episodes ) (since January 17, 1983)
PBS NewsHour (since October 20, 1975)
To the Contrary (since April 3, 1992)
Washington Week (since February 23, 1967)


MotorWeek (since October 15, 1981)
This Old House ( episodes ) (since January 1, 1979)


Nature ( episodes ) (since October 10, 1982)
Nova ( episodes ) (since March 3, 1974)


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A Chef's Life (September 7, 2013 – October 22, 2018)
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History Detectives (July 14, 2003 – July 22, 2014)
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Mystery! (February 5, 1980 – 2006; absorbed into Masterpiece )
Nova ScienceNow (January 25, 2005 – November 14, 2012)
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Wall Street Week (November 20, 1970 – June 24, 2005; moved to Bloomberg Television )
We'll Meet Again with Ann Curry (January 23, 2018 – January 8, 2019)
The Woodwright's Shop (1979 – 2017)


1 Defunct network
2 Distributed by American Public Television (APT).

POV (also written P.O.V. ) is a Public Broadcasting Service (PBS) public television series which features independent nonfiction films. POV is an initialism for point of view .

POV is the longest-running showcase on television for independent documentary films . [1] PBS presents 14–16 POV programs each year, and the series has premiered over 400 films to U.S. television audiences since 1988. [2] POV ' s films have a strong first-person, social-issue focus. Many established directors, including Michael Moore , Jonathan Demme , Terry Zwigoff , Errol Morris , Albert and David Maysles , Michael Apted , Frederick Wiseman , Marlon Riggs , and Ross McElwee have had work screened as part of the POV series.

The series has garnered both critical and industry acclaim over its 30+ years on television. POV films have won every major film and broadcasting award including [3] 45 Emmys , 26 George Foster Peabody Awards , [4] 15 duPont-Columbia Awards , three Academy Awards , three George Polk Documentary Film Awards and the Prix Italia . POV and America ReFramed are projects of the independent non-profit, American Documentary, Inc . [2]

Richard Roeper of Chicago Sun-Times wrote for the episode, 'And She Could Be Next', "Powerful and absolutely vital." [5]

July 5, 1988 ( 1988-07-05 ) – present



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Courtesy of POV/ American Documentary
Your browser does not support this object. Content can be viewed at actual source page: https://video.kpbs.org/video/trailer-la-casa-de-mama-icha/


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Premieres Monday, Oct. 18, 2021 at 11 p.m. on KPBS TV / On Demand
“La Casa de Mama Icha” is the debut feature documentary from Colombian director and cinematographer Óscar Molina . Debuting as part of POV’s 34th season, the documentary will premiere Monday, Oct. 18, 2021. An honorable mention at the Philadelphia Latino Film Festival and an official selection at the Cartagena International Film Festival, “La Casa de Mama Icha” offers a profound meditation on notions of home and the inescapable pull of one’s motherland.
The documentary follows María Dionisia Navarro, otherwise known as Mama Icha, on a physical and spiritual journey that draws on the complexities inherent to many migrant experiences: distance, the loved ones left behind, and the problem of aging in a country that doesn’t feel like your own.
At ninety-three, Mama Icha feels that the end of her life is near. Despite protestations from her family, she spends her days focusing on just one thing: returning to her native village of Mompox in northern Colombia.
Mama Icha dreams of passing her final years taking comfort in the landscapes of her youth, walking along the Magdalena River at dusk, surrounded by her relatives and neighbors in the courtyard of the house that she painstakingly had built during her years of absence, with the money she sent from abroad.
Thirty years prior, Mama Icha had emigrated to the United States to help her daughter with the care of her children, Mama Icha’s grandchildren, and remained ever since. Now, against the best wishes of her family in the U.S. who feel that she’s built an admirable life in Philadelphia complete with Social Security, a community that supports her, and access to important senior resources, Mama Icha boards a plane and flies back to Colombia where she meets her sons, Gustavo and Alberto, who have been in charge of her house while she’s been gone.
But upon returning, the idyllic world of her memories is put up against a harsh reality of deteriorating family relationships and broken expectations. The confrontation is disappointing and forces Mama Icha to consider exactly how much she’s willing to sacrifice for the notion of home that she’s longed for so long.
Shot with intimacy and proximity to its subjects, "La Casa de Mama Icha" is an observational documentary that portrays the heroic return of María Dionisia Navarro to Colombia after three long decades abroad.
It is also an important reconfiguration of the standard immigrant narrative, reversing the direction and chronicling the cross-generational pain that often comes with years of family separation. At the same time, the documentary records the injustices that many elderly people face once they come to depend on others for their own care.
But perhaps more than anything, "La Casa de Mama Icha" points to the fact that sometimes the idea of “home” is more of a process of homecoming than the return to any one physical place. In this way, Mama Icha’s house becomes a symbol for her ultimate desire, to spend her final years with the knowledge that, in the end, she made her pilgrimage back to her place of origin.
“'La Casa de Mama Icha' is a declaration of love to one's own land,” said director Óscar Molina . “In a time of great displacements, of fragmentation of the bonds of belongingness, of the preponderance of certain hegemonic cultural values, Mama Icha’s story reinforces the relevance of a sense of rootedness. She, heroically and with the strength of ancestral thought, faces great obstacles to meet the goal of living her last days and dying in the land of her origin. 'La casa de Mama Icha' also mirrors family conflicts and how difficult they are, especially when elders start depending on the care of others. Altogether, this story invites us to think about the multiple meanings of the experience of ‘home’.”
"This is a story of a woman’s dignity and unwillingness to negotiate her values and fulfill her last wish even if she has to leave a comfortable life behind. Mama Icha embodies the dream of many migrants who long to return home. As for many migrants, home is a complex experience and also the point of departure for most of the other experiences that shape our identity. Mama Icha is returning to a house built from a distance and with remittances sent back to Colombia from the United States due to the financial dependency of the income obtained in their host countries. Her story is also of a woman who, even in old age, plans to repair the family fabric that was damaged during her absence. Our invitation to viewers is always to see in Mama Icha’s story a mirror for our own relationships: towards ourselves, our families and our places of origin," said producer Brenda Steinecke Soto .
"In the lines of Mama Icha's face we see the contours of a lifetime. A life of joy but also struggle, laid bare by the distance between the places she calls home and the efforts it takes to remain rooted in culture and family. This is a beautiful and loving family portrait that will touch any viewer. Don't miss it!" said Chris White, Executive Producer of POV .
The film will be available for streaming concurrent with broadcast on all station-branded PBS platforms, including PBS.org and the PBS Video App , available on iOS, Android, Roku streaming devices, Apple TV, Android TV, Amazon Fire TV, Samsung Smart TV, Chromecast and VIZIO. It will be on demand for free at pov.org through Dec. 17, 2021.
A co-presentation of POV and Latino Public Broadcasting .

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