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A man goes for a walk through the countryside with his dying mother.
A slow and poignant story of love and patience told via a dying mother nursed by her devoted son. The simple narrative is a thread woven among the deeply spiritual images of the countryside and cottage.—Archie Moore
In "Mother and Son" Sokurov used special lenses, distorting mirrors placed on the sides of the camera, and painted glass set directly in front of the lens to create his unique dreamlike world.
Son: Don't die then. Who is forcing you?
After opening with a distorted tableau, Sokurov moves slowly into images of stones, grass; he's a naturalist who's addicted to nature; a humanist who's dedicated to the intimate. (The mother and son in his film are not characters or types or ciphers or "performances.") The camera movements are so beautifully slow that they're hard to describe -- imagine the precision of "Ordet" had it been made in color, those images still and hazy, like pastoral paintings with glowing hues of light. They're some of the purest images I've ever seen, comparable to "Barry Lyndon" and "McCabe & Mrs. Miller." What is so startling is that the color makes the film seem modern -- and such a hazy yet lucid color, Maddin-like in its Expressionism and schemes: fable-like and emotionally incestuous. It exists outside time, its only indicator a train within the film; existential emptiness represented visually. The film passes by quickly, with the perpetual wind that sounds like the ocean. It's as if the film is a progression of the most beautiful visions imaginable, the various images of death.

It is something different -- art should be unique, if we're talking about art in the vein of Picasso, Shakespeare, and Bach, shouldn't it be an experience like no other? In fact, this could easily be compared to Tarkovsky, the most obvious comparison. But for me it feels more like Dreyer without the self-conscious dialogue. It couldn't be said to be complex -- it's two characters talking rather simply. But what it lacks in complexity it makes up for in singularity. (The images are at times so rich that it's almost comical -- is this a film set or not?) It's the kind of film that's easy to make fun of, intruding on the most personal moments of this pathetic-looking mother and her son who constantly speaks in a hushed tone -- you imagine one of those "Seinfeld" Village Voice parodies. It isn't emotional or intellectual; I don't even know if it's profound. But it's a masterpiece, plain and simple. 10/10
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The story of Maggie Beare, an elderly woman suffering from dementia (or so she says), and her faithful, yet long suffering son, Arthur. Despite all of Maggies manipulative ways, he is her ca... Read all
Fancy Arthur putting his trust in Robert, particularly in something as important as this. Still, it just might have worked out if Maggie hadn't lost her wedding ring. She'd have been at Robert's when Deirdre arrived.
Everyone knows you can't buy friendship, but Arthur's going to give it a go anyway. Maggie obviously needs someone, and maybe Wilma will do the ironing as well. Anything's better than living with the friend Maggie found for herself.
6 years
1994
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1984
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Arthur Beare is a 40 something son still living at home taking care of his senile mother Maggie. However no matter what he does he cannot seem to get ahead and is always coming unstuck, where Robert cannot put a foot wrong in his mothers eyes, where all he is after is his mothers hidden money.—Graham Wilson Jr
The show was canceled due to budget cutbacks for the ABC from the Australian Government.
Losing your mind was never meant to be this funny. A tribute to Ruth Cracknell!
As frustrating as old people can be, Mother and Son gives a very funny look at what it is like to ‘lose your memory' as Maggie Beare says. I can only imagine what is like to grow old, yet with a grandma like Maggie, I think she would put me in the grave for how frustrating she really can be. This would have to be one Australian TV's funniest comedies, with Ruth Cracknell at her brilliant best.

Arthur Beare is a 40 something son still living at home after getting a divorce from his first wife, but in the bargain gets to take care of his senile mother Maggie, who suffers from Alzheimer's disease. However no matter what Arthur does, he cannot seem to get ahead and is always coming unstuck. Robert on the other hand cannot put a foot wrong in his mother's eyes, where all he is after is his mother's hidden money and assets.

This TV series was a very simple set up, but boy was it funny. Having a 40 something son taking care of his mother would in most cases not seem to most people to be that funny. Yet with the very funny Ruth Cracknell anything and everything is going to be hilarious. With the catch cry of "Oh Arthur", you knew that something totally crazy was about to happen. I mean in some of the episodes of this show, we get to see Maggie play with her late husband's ashes in the garden, buying oranges going on the way to a funeral, washing strawberries with detergent and blowing up the kitchen. Look there is probably more things, but I can not remember them. In fact this review is making me want to watch the whole series all over again.

This show also had some great male actors. Garry McDonald is another Australian icon, who is probably well known as the funny Norman Gunston. Yet as Arthur Beare audiences must have felt sorry for him. Looking after his mother, who does not appreciate him, ruining his social and working life. All this in addition to the worry she causes at home between Arthur and herself. McDonald is a great actor, with a minor role in the big movie, Moulin Rouge as the eccentric doctor. The devious brother Robert in Mother and Son, was played by Henri Szeps. He makes out on the outside that he has his mother's best intentions at heart, yet deep down he is waiting for his mother to pass away, so he can reap all the rewards of her will. Henri was perfect in this role. Judy Morris also brings another interesting character to this show. Judy plays Robert's wife Liz, and with her sarcasm and cynical outlook on both her husband and her mother-in-law making the show even funnier at times, as she knows what her husband is truly up to.

The writer of this show, Geoffrey Atherdon, had a wonderful story, with Mother and Son. I really felt that he was original in what he wrote in his scripts, making it all the funnier show. Throw in director Geoff Portman who must have had one of the best jobs in Australian TV for 11 years, also put some very funny touches to this classic Australian comedy.

This review is a tribute to a brilliant actress, who had a wonderful career. Sure most people we only remember her in this very funny TV comedy, yet Ruth Cracknell is so much more. I am disappointed that I did not see her in more acting roles, whether it was on stage, TV or cinema. In a funny way she is the reason we love Australian TV today. This a big loss for the Australian TV industry, but I am sure that it will recover from it. I believe we were blessed to have a ‘silly old dot' like Ruth Cracknell for all those years on TV screens as the annoying Maggie Beare. I am sure Ruth would rather us celebrate her life, than mourn it. This review is for you RUTH!!!

Ruth Cracknell (1925-2002)

Rest In Peace RUTH!!
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