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A sick mum has been jailed for having sex with her 12-year-old son - while her depraved partner watched from abroad on a webcam.
The 39-year-old mum wore headphones so her controlling lover could direct her as she abused the boy in their bedroom.
The traumatised victim told police he could hear his mum being told what to do as she gave him a "sex lesson".
The sickening offence came to light when the mum made a complaint about her partner to a domestic abuse charity - and "blurted out" that she had abused the eldest of her two sons.
The court heard her "highly destructive" partner had so far escaped justice.
The mum, who cannot be named to protect her son, was jailed for three years and three months at Bristol Crown Court.
Passing sentence, judge Michael Longman told her: "Your behaviour towards your son was contrary to human instincts and basic decency.
"It occurred after you met a man who clearly was controlling and over-bearing - a man who, it is also clear, should be prosecuted himself but is outside the jurisdiction and beyond the reach of this investigation.
"Even though he was at a distance from you, he continued to exert that influence.
"But you continued to behave towards your son in a way which, despite that pressure, your own instincts should have prevented."
The court heard the boy was just 11 or 12 when the sordid incident took place at the family home in Bristol.
It came to light when the mum made a complaint about her partner to Next Link Domestic Abuse Services in the city.
Police were called to quiz the mum and interview her son.
Prosecutor Mark Hollier told Monday's hearing: "In a very ordinary voice, he described an incident to the police officers about how his mother had given him a sex lesson in the main bedroom of the family home and this was observed by [the partner] via a webcam and computer link."
The mum - who cried through much of the hearing - denied "volunteering" to have sex with her son.
But she admitted a charge of engaging in penetrative sexual activity with a boy under 13.
Her two sons have since been taken into care by social services and are now living with a foster family.
The court heard the mum's abusive partner is still abroad but police are liaising with officials overseas to bring him to justice.
Defence lawyer Fiona Elder said it was an "extremely unusual" case and the mum was acting on instructions from her "highly destructive" partner.
She added: "She's absolutely devastated by the loss of the children and what she has done."
A psychiatric report found the mum had a personality disorder which made her susceptible to being in abusive relationships and becoming dependent on abusive partners.
Subscribe to our newsletter and stay updated on the latest developments and special offers!
The Standard Group Plc is a multi-media organization with investments in media platforms spanning newspaper print
operations, television, radio broadcasting, digital and online services. The Standard Group is recognized as a
leading multi-media house in Kenya with a key influence in matters of national and international interest.
Standard Group Plc HQ Office,
The Standard Group Center,Mombasa Road.
P.O Box 30080-00100,Nairobi, Kenya.
Telephone number: 0203222111, 0719012111
Email: corporate@standardmedia.co.ke
More stories to check out before you go
A sick mum has been jailed for having sex with her 12-year-old son - while her depraved partner watched from abroad on a webcam.
The 39-year-old mum wore headphones so her controlling lover could direct her as she abused the boy in their bedroom.
The traumatised victim told police he could hear his mum being told what to do as she gave him a "sex lesson".
The sickening offence came to light when the mum made a complaint about her partner to a domestic abuse charity - and "blurted out" that she had abused the eldest of her two sons.
The court heard her "highly destructive" partner had so far escaped justice.
The mum, who cannot be named to protect her son, was jailed for three years and three months at Bristol Crown Court.
Passing sentence, judge Michael Longman told her: "Your behaviour towards your son was contrary to human instincts and basic decency.
"It occurred after you met a man who clearly was controlling and over-bearing - a man who, it is also clear, should be prosecuted himself but is outside the jurisdiction and beyond the reach of this investigation.
"Even though he was at a distance from you, he continued to exert that influence.
"But you continued to behave towards your son in a way which, despite that pressure, your own instincts should have prevented."
The court heard the boy was just 11 or 12 when the sordid incident took place at the family home in Bristol.
It came to light when the mum made a complaint about her partner to Next Link Domestic Abuse Services in the city.
Police were called to quiz the mum and interview her son.
Prosecutor Mark Hollier told Monday's hearing: "In a very ordinary voice, he described an incident to the police officers about how his mother had given him a sex lesson in the main bedroom of the family home and this was observed by [the partner] via a webcam and computer link."
The mum - who cried through much of the hearing - denied "volunteering" to have sex with her son.
But she admitted a charge of engaging in penetrative sexual activity with a boy under 13.
Her two sons have since been taken into care by social services and are now living with a foster family.
The court heard the mum's abusive partner is still abroad but police are liaising with officials overseas to bring him to justice.
Defence lawyer Fiona Elder said it was an "extremely unusual" case and the mum was acting on instructions from her "highly destructive" partner.
She added: "She's absolutely devastated by the loss of the children and what she has done."
A psychiatric report found the mum had a personality disorder which made her susceptible to being in abusive relationships and becoming dependent on abusive partners.
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What makes for a great sex film? We reveal the best sex scenes ever committed to celluloid, from lesbian dramas to gritty portrayals of sex addiction
Welcome to a countdown of the greatest sex films ever made about the small but preoccupying part of the human experience known as sex - from coming-of-age lesbian dramas to gritty portrayals of sex addiction to, erm, loincloths.
Put simply: these are the sex movies with the most to say about doing it, charting a history of how our attitudes towards sex and nudity on the big screen have shifted through the decades.
So get comfy - well, not too comfy - and enjoy.
Art house movies. We get it. They do sex. That's their thing. From Swedish nudes in 1953 ( Summer with Monika ) to the butter-based penetration of 1972 ( Last Tango in Paris ) to crazy irascible beach-side sessions in 1986 ( Betty Blue ), nothing screams "art house" more than a smartly directed and gamely acted sex scene. Then came Blue is the Warmest Colour .
The film, which won the Palme d'Or at the Cannes Film Festival in 2013, wiped away everything that had gone before it. The hideous rape of Monica Bellucci in Irreversible (2002)? The grimly determined humping from Japanese 1976 classic In the Realm of the Senses ? All gone. Faded in comparison. Plus, it was gay sex. So it made the cutesy girl-on-girl action in Bound (2006) and Mulholland Drive (2001) seem dubious and cheap.
Instead, what it gave us was two young and relatively untested actresses, Léa Seydoux and Adèle Exarchopoulos, deftly describing, in the grim northern French town of Lille, the heady emotional rushes and sudden power shifts of an emerging relationship. Looks are exchanged, picnics are arranged, kisses are traded and then everything grinds to a halt at approximately one hour and 11 minutes into the movie, when director Kechiche and his two lead actresses deliver the type of jaw-to-the-floor sex scene that has subsequently raised the movie-sex bar to insane heights of verisimilitude and has pushed the literal definition of "simulated" to breaking point.
For here, over seven long breathy, sweaty, brightly-lit minutes, we run the unapologetic gamut of licking, sucking, squeezing, fingering, rimming, ramming, slamming, and general slithery, grindy, intercrural mayhem.
The scene has many detractors including the actresses themselves, who famously rounded on their director: Seydoux said making it was "horrible" and she would "never" work with Kechiche again. Once the film began sweeping up during the 2013 awards season, however, they recanted and said that they were "happy" with it. And yet, look at the scene now, within the movie, and away from the hype, and it doesn't play too well. It's crudely lit. It's brazen, and yet also crass. And what it says, in its many nipple shots, arse close-ups, and vaginal teases, is that perhaps all sex scenes, no matter how well-intended, or how groundbreaking and profound, are inherently, well, kind of sleazy.
When it comes to the millennial generation’s defining coming-of-age movies, Clueless has a lot to answer for. The success of the teen-centred Emma adaption inspired a frenzied craze for remaking celebrated centuries-old classics as cheeky modern high-school romps. Twelfth Night became She’s the Man , A Midsummer Night’s Dream became Get Over It , Pygmalion became She’s All That and The Taming of the Shrew became 10 Things I Hate About You . And Dangerous Liaisons became the most excitedly whispered-about pulpy teen sex drama of the decade – the one where Buffy the Vampire Slayer seduces her step-brother with the never-to-be-forgotten offer: “You can put it anywhere”.
If the template’s central attraction lay in the playful contrast between the teen-movie genre and the scholarly source material, then Cruel Intentions mined this for all it was worth: lowering the tone, upping the vulgarity, and telling its steamy story with gleefully frivolous tone. Depending on your age, it appealed as either thrillingly grown-up drama or hilariously guilty-pleasure trash.
But while the film’s promotional material featured its stars in skimpy outfits and the picnic-scene kiss between Sarah Michelle Gellar and Selma Blair became an early (and much-parodied) viral sensation, the film’s raunchiest moments were all verbal ones. It’s real turn-on was a screenplay that ran the full gamut from suggestive to risqué to laugh-out-loud outrageous.
For the army of enraptured 12-year-olds who got their hands on a VHS copy, this bawdy verboseness lent the film a sophisticated, adult sensibility. Looking back now, of course, Cruel Intentions is about as openly adolescent as they come (“How are things down under?” our pervy protagonist asks Blair on her return from Australia). The screenplay’s trump card, though, was less its racy content than its sheer unrepentant spirit: it was appealing to randy teenagers via cheap means, and it didn’t mind admitting it.
In many ways this unashamed juvenilia made it an infinitely more mature film than something like Closer, which five years later lured in the same generation of kids via the same brand of smut-tastic dialogue, but this time did so while masquerading as Serious Grown-Up Drama.
"You know what your problem is?" Reece Witherspoon tells a chastened Ryan Philippe in Cruel Intentions . "You take yourself way too seriously." Nothing could be less true of the film itself – and therein lay its brilliance.
A longing romance between human and non-human has been a surprisingly frequent feature of Hollywood cinema since King Kong turned on the charm with Fay Wray back in 1933. Since then we've had romances between human and amphibian ( The Shape of Water ), human and shop-window dummy ( Mannequin ), and human and inflatable sex doll ( Lars and the Real Girl ). And when it comes to human and computer programme, well, Weird Science , Electric Dreams and S1m0ne have all tackled that from one angle or other.
But while all those movie all tended towards the fantastical or comedic, Spike Jonze's 2013 film is notable for playing its central romance – between a depressed divorcee and his Alexa-like virtual assistant – almost totally straight.
Despite sounding like the plot of an unbearably quirky absurdist comedy, Her comes about as close to a genuine romantic drama as its premise permits. The relationship between Joaquin Phoenix’s miserable Theodore and his husky-voiced operating system (Scarlett Johansson, obviously) is sincere and candid – on the part of both parties – and is played for neither easy laughs nor clever-clogs social satire. And while its central relationship may turn out to be even more prescient than we thought, the way the film draws a contrast between Theodore's readiness for a digital relationship and his complete incompetence when it comes to human intimacy has only become more timely in the near-decade
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