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Mother and Son (Russian: Мать и сын, romanized: Mat i syn) is a 1997 Russian film directed by Aleksandr Sokurov, depicting the relationship between an old, dying mother and her young son. It was Sokurov's first internationally acclaimed feature film, and is the first volume of a planned trilogy whose subject matter is the study of the drama in human relationships. It is followed by Father and Son (2003), and planned to be followed by Two Brothers and a Sister, the final installment, though as of 2019 this last has not been made; his Alexandra (2007) is sometimes considered part of this series, as another film on similar themes.[1] It was entered into the 20th Moscow International Film Festival where it won the Special Silver St. George.[2]
February 20, 1997 (Berlin International Film Festival)
September 27, 1997 (New York Film Festival)
February 6, 1998 (USA)
The film opens on two human forms, which soon reveal themselves to be that of a young man and a frail old woman. They recline in a silence broken only by whispers and indistinguishable noises. The young man is the son (Alexei Ananishnov) who is taking care of his exhausted sick mother (Gudrun Geyer). Her illness is undefined and from time to time causes her great pain as she gasps for air. Her son combs her hair, feeds her, covers her with a coat, and takes her in his arms. She is totally dependent on him as he himself was once totally dependent on her. As the film progresses, the son carries his mother on a long journey from her sickbed to her deathbed. It is a circular motion which travels a long walk through a dreamlike landscape in the countryside, along winding dirt roads. At each of their brief stops on the journey is a moment of contemplation, caresses, and tender murmurs. These soft murmurs tell of the mother's love for her son when she was nurturing him and of the son's love for his mother as he opens for her the mysterious path to her death. They progress under the leaden and luminous sky of the Baltic, in totally isolated landscapes. From time to time, there is a far away train or a sail on the sea, emphasizing further their isolation from the rest of the world.
They return to the house. The son tenderly lowers his mother into her bed that now seems to resemble a coffin. Although he tries to reassure her to the contrary they both know that the end is coming. He leaves her and goes for a long solitary walk. When he returns he weeps for his mother who's died.
"Mother and Son" (1997) is a love story, not of romantic love as in "Romeo and Juliette" or "Tristan and Isolde", but rather regarding the profound emotional and spiritual ties that exist between a mother and her son.
The theme of death and of a mother and son recalls the Christian Passion,[3] only here with the roles reversed – a dying mother, rather than a dying son – which has been called a "reverse pietà".[4][5]
The cinematography of the film featured images distorted by filming through painted glass panes, mirrors, and special lenses, together with sounds of "whispering wind, crashing waves, and sea-gull cries," creating an elegiac mood.[4] The dreamy landscapes have been compared to the work of Caspar David Friedrich.[3][5][6]
The painterly cinematography has been compared to the work of Peter Greenaway and Derek Jarman, and the distortions to Stan Brakhage.[5]
Mother and Son has an approval rating of 86% on review aggregator website Rotten Tomatoes, based on 14 reviews, and an average rating of 8.05/10.[7]
^ James Norton (2008). "Conflict Resolutions: Alexander Sokurov, Alexandra and the Survival of the Human". Vertigo. Archived from the original on 2016-04-10. “Alexandra is very close to the trilogy - which has not been finished yet - of Mother and Son and Father and Son but I would still like to make a film about two brothers and a sister in that trilogy, which means there’ll be four films, actually”. CS1 maint: discouraged parameter (link)
^ "20th Moscow International Film Festival (1997)". MIFF. Archived from the original on 2013-03-22. Retrieved 2013-03-22. CS1 maint: discouraged parameter (link)
^ a b (Cave 1998)
^ a b HFA
^ a b c (Morris 1998)
^ (Uhlich 2006)
^ https://www.rottentomatoes.com/m/mother_and_son_1998
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"In this day and age it's impossible to be a good mom." Amy (Kunis) is doing her best to juggle being a mom and having a career. Things begin to pile up and finally hits a breaking point when she is asked to be on a PTA board. Now, taking back control of her life her and her new friends stand up to Gwendolyn (Applegate) and the other perfect moms and let everyone know that it's OK not to be perfect. This is a movie I was was hoping would be funny, but being a guy I wasn't the target audience and wasn't sure if I would relate. I was wrong. This movie is hilarious regardless of what sex your are and being a single dad I can also relate to some of what was being said. At the risk of sounding chauvinistic (which is not my intention) this is a raunchy male sex comedy starring women. The thing this has going for it over most movies like this is that the message doesn't get lost in the comedy and really helps add to the overall enjoyment of this. Overall, one of the funniest movies of the year and one that men and women will both love. That is hard to do in a movie like this. I give this an A.
When Karla, Kiki, and Amy are having drinks in the bar, Karla starts a tirade about how difficult life can get, and she says, 'What the hell is this, Russia!' Mila Kunis, who plays Amy, is actually born in the Ukraine.

Amy: Oh, my God, are you...?
Mike: No, no, no, I was just checking my prostate.
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When Amy and Jane are looking at the soccer list to see if Jane made the team, it has her age listed as 9. Moments later when Jane says that making the team will look good on college applications, Amy reminds Jane that she's only 12.

In the beginning of the closing credits, the six lead actresses and their mothers discuss whether they or their mothers are/were bad moms.

The TV version of the film highly edits the nude woman on the laptop scene. The scene is re-framed in such a way that only the woman's face is seen.

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