Porno Asia Ru Com

Porno Asia Ru Com




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Porno Asia Ru Com

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Four repressed, religious teens and a straight-edge projectionist working at a small-town movie theater in the 1990s discover a secret screening room filled with vintage X-rated exploitation films. Playing one of the old film reels unleashes a succubus named Lilith, who attempts to seduce each of them to steal their souls.



Comedy,

Horror





Chris Cole ,



Sarah Seulki Oh






Laurence Vannicelli ,



Matt Black








Evan Daves








Abe















Keola Racela










Director










Laurence Vannicelli










Screenwriter








Chris Cole








Producer










Sarah Seulki Oh










Producer










Laurence Vannicelli










Executive Producer










John Wakayama Carey










Cinematographer










Carla Patullo










Original Music










Heather Yancey










Production Design










Zack Alliger










Art Director










Kima Baffour










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Matt Black










Screenwriter










Christopher H. Cole










Executive Producer










Matt Black










Executive Producer







All Critics (52)
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Porno mines sexual repression to produce a laughably lurid -- and genuinely scary -- outing that should delight genre fans in search of a good time.
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Fully supported English (United States) Partially supported Français (Canada) Français (France) Deutsch (Deutschland) हिंदी (भारत) Italiano (Italia) Português (Brasil) Español (España) Español (México)
2003 2003 Not Rated Not Rated 1 h 57 m
Two intellectuals, a writer and a director, begin to play a mysterious psychological game in a peaceful countryside manor house during the Nazi occupation. Two intellectuals, a writer and a director, begin to play a mysterious psychological game in a peaceful countryside manor house during the Nazi occupation. Two intellectuals, a writer and a director, begin to play a mysterious psychological game in a peaceful countryside manor house during the Nazi occupation.
What on earth could have possessed the NY Film Festival selection committee to inflict this pretentious, boring, derivative, ugly and silly piece of third-rate filmmaking on its audience? Because it's Polish and we haven't had a lot of worthwhile Polish movies since Kieslowski? Has it come to that? The film takes Witold Gombrowicz's long-winded but intermittently fascinating classic novel and superimposes a gratuitous (and fatuous) Spielbergesque holocaust plot line, to make it all, I guess, more compelling. The effect is glaringly contrived and (as with the far better Spielberg original) offensively trivializing. In case anyone misses the point, the holocaust plot overlay involves a doomed little girl and, at the dénouement, a shift to a black-and-white background against which is displayed, in color, a talismanic link to her. Sound familiar? Spielberg should sue. The sad thing is that there is some talent at work here. Though the plot is gratuitously confusing, meandering, and contrived, the use of a country house around which a low-intensity conflict between Germans and Polish partisans swirls obliquely is effective, with the fighting intruding suddenly into and then just as suddenly vanishing from the playing out of the protagonists' humdrum idleness and self-absorption. Grayzna Blecka-Kolska gives a performance that almost transcends the clichés written into her role as the quietly tipsy châtelaine, and the two young people who are the objects of the middle-aged protagonists' dirty-old-man obsessions (Gombrowicz's central plot line, if no longer Kolski's) look as if they might have been far more effectively used in some other movie, one in which they were given something to do beyond standing around and looking beautiful (which they are, it should be said). But on the whole, this is an over-the-top, pretentious dud, the sort of thing that should be seen only by the paid critics who then have a professional obligation and civic duty to spare all the rest of us such an irritating waste of our time.
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