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Ex-Google employees created BoodiGo to fight porn piracy.
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Move over, Google. There's a new search engine in town, and it's most definitely not safe for work. BoodiGo allows you to anonymously "search [for] what you're really looking for" -- a.k.a. porn.
BoodiGo is the brainchild of porn producer and director Colin Rowntree, who is fed up with current search engine algorithms. According to Rowntree, sites like Google and Bing bury legitimate -- as in, not pirated -- porn websites in their search results.
Just like piracy is a huge issue for Hollywood, it's also a problem for the adult entertainment industry. When people don't pay for the content they're viewing, it's detrimental to everyone who put work into that content -- regardless of whether it's PG or X-rated.
BoodiGo blocks pirated porn from its results, so users can rest easy knowing that the stuff they're viewing is legal and virus-free. (No, not that kind of virus. Computer viruses, duh!)
The search engine helps people “find legitimate, legal, non-scary, non-damaging content for their adult entertainment needs,” Rowntree told Betabeat .
Interestingly, five of BoodiGo's programmers are ex-Google employees who left the company to help Rowntree build the site. They coded everything from scratch and even added a few perks that most current search engines don't have -- like the fact that BoodiGo won't sell your info to advertisers. This means that your dirty search history won't later creep up in sidebar ads across the Internet.
And as for the site's future possibilities, “We might end up experimenting with some kind of anonymous instant messaging service as an alternative to Skype or Google Chat,” Rowntree told Betabeat . “The obvious name for that will be Boodicall.”
We'll leave you with this classic scene from "30 Rock." Maybe one day, Tracy Jordan will ask Liz Lemon if he can BoodiGo himself in her office.
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FBI ran website sharing thousands of child porn images
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WASHINGTON — For nearly two weeks last year, the FBI operated what it described as one of the Internet’s largest child pornography websites, allowing users to download thousands of illicit images and videos from a government site in the Washington suburbs.
The operation — whose details remain largely secret — was at least the third time in recent years that FBI agents took control of a child pornography site but left it online in an attempt to catch users who officials said would otherwise remain hidden behind an encrypted and anonymous computer network. In each case, the FBI infected the sites with software that punctured that security, allowing agents to identify hundreds of users.
The Justice Department acknowledged in court filings that the FBI operated the site, known as Playpen, from Feb. 20 to March 4, 2015. At the time, the site had more than 215,000 registered users and included links to more than 23,000 sexually explicit images and videos of children, including more than 9,000 files that users could download directly from the FBI. Some of the images described in court filings involved children barely old enough for kindergarten.
That approach is a significant departure from the government’s past tactics for battling online child porn, in which agents were instructed that they should not allow images of children being sexually assaulted to become public. The Justice Department has said that children depicted in such images are harmed each time they are viewed, and once those images leave the government’s control, agents have no way to prevent them from being copied and re-copied to other parts of the internet.
Officials acknowledged those risks, but said they had no other way to identify the people accessing the sites.
“We had a window of opportunity to get into one of the darkest places on Earth, and not a lot of other options except to not do it,” said Ron Hosko, a former senior FBI official who was involved in planning one of the agency’s first efforts to take over a child porn site. “There was no other way we could identify as many players.”
Lawyers for child pornography victims expressed surprise that the FBI would agree to such tactics – in part because agents had rejected them in the past – but nonetheless said they approved. “These are places where people know exactly what they’re getting when they arrive,” said James Marsh, who represents some of the children depicted in some of the most widely-circulated images. “It’s not like they’re blasting it out to the world.”
The FBI hacks have drawn repeated – though so far unsuccessful – legal challenges, largely centered on the search warrants agents obtained before agents cracked the computer network.
But they have also prompted a backlash of a different kind. In a court filing, a lawyer for one of the men arrested after the FBI sting charged that “what the government did in this case is comparable to flooding a neighborhood with heroin in the hope of snatching an assortment of low-level drug users.” The defense lawyer, Colin Fieman, asked a federal judge to throw out child pornography charges against his client, former middle school teacher Jay Michaud. A federal judge is scheduled to hear arguments on that request Friday.
Federal agents first noticed Playpen not long after it went online in August, 2014. The site was buried in what is often called the “dark web,” a part of the internet that is accessible to the public only through Tor, network software that bounces users’ internet traffic from one computer to another to make it largely untraceable.
By March of last year, the FBI said, Playpen had grown to become “the largest remaining known child pornography hidden service in the world,” the Justice Department said in a court filing. FBI agents tracked the site to computer servers in North Carolina, and in February seized the site and quietly moved it to its own facility in Newington, Va.
The FBI kept Playpen online for 13 days. During that time, federal prosecutors told defense lawyers that the site included more than 23,000 sexually explicit images and videos of children. Some of those could be downloaded directly from the government’s computers; others were available through links to other hard-to-find locations on the web, Fieman said.
One section of the site was labeled “toddlers,” according to court records. And prosecutors said that some of the images users accessed during the time Playpen was under the government’s control included “prepubescent female” having sexual intercourse with adults.
Fieman said more than 100,000 Playpen registered users visited the site while it was under the FBI’s control. The Justice Department said in court filings that agents had found “true” computer addresses for more than 1,300 of them, and has told defense lawyers that 137 have been charged with a crime, though it has so far declined to publicly identify those cases.
Law enforcement has long complained that online services like Tor create a type of safe haven for criminals because they hide the unique network addresses from which people connect to sites on the internet. Officials said the only way for the government to crack that network was to take over the site and infect it with malware that would trick users’ web browsers into revealing their real internet addresses, which agents could then trace back to the people who were using them.
“The government always considers seizing an illegal child pornography site and removing it from existence immediately and permanently,” Justice Department spokesman Peter Carr said. “While doing so would end the trafficking of child pornography taking place on that one website, it would do nothing to prevent those same users from disseminating child pornography through other means.”
Still, he said, “The decision whether to simply shut down a website or to allow it to continue operating for a brief period for a law enforcement purpose is a difficult one.”
Justice officials said they were unable to discuss details of the investigation because much of it remains under seal, at their request.
The Justice Department said in court filings that agents did not post any child pornography to the site themselves. But it did not dispute that the agents allowed images that were already on the site to remain there, and that it did not block the site’s users from uploading new ones while it was under the government’s control. And the FBI has not said it had any ability to prevent users from circulating the material they downloaded onto other sites.
“At some point, the government investigation becomes indistinguishable from the crime, and we should ask whether that’s OK,” said Elizabeth Joh, a University of California Davis law professor who has studied undercover investigations. “What’s crazy about it is who’s making the cost/benefit analysis on this? Who decides that this is the best method of identifying these people?”
The FBI was first known to have operated a child porn site in 2012, when agents seized control of three sites from their operator in Nebraska. FBI Special Agent Jeff Tarpinian testified that the government “relocated two servers to an FBI facility here in Omaha and we continued to let those child pornography run – websites operate for a short period of time."
That case led to federal child pornography charges against at least 25 people. But in an illustration of how difficult the cases can be, at least nine of the people charged in those cases are still identified in court records only as “John Doe,” suggesting the FBI has so far been unable to link specific people to the network addresses it logged.
The next year, the FBI took control of a dark web site known as Freedom Hosting. The man prosecutors have accused of operating that site, Eric Marques, is due to be extradited to the United States; the charges against him remain sealed. The FBI revealed its role in an Irish court hearing covered by local media.
In each case, the FBI injected the site with malware to crack Tor’s anonymity.
Those hacks, developed with the help of outside contractors, were a technical milestone. When the FBI first realized it could break through Tor, Hosko said the agency gathered counterterrorism investigators and intelligence agencies to see if any of them had a more pressing need for the software. “It was this, exponentially,” Hosko said.


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The documentary After Porn Ends is more about work than sex.
The most heartbreaking scene in the documentary After Porn Ends , about the post-porn lives of 12 adult stars, may be when Asia Carrera talks about her membership in the high-IQ society Mensa. She explains that Mensa links to all its members' websites, but that they wouldn't link to hers because... well, because it was a porn site. Eventually, though, the society did feature her in an issue of its magazine devoted to Mensa celebrities—a big moment for her, she says.
Which, to me, just seems incredibly sad. This after all, is Asia Carrera, a woman who ran away from home at 17 and pulled herself together to become a successful businesswoman and a world-famous name and face. Yet, despite all of that, what she wants is validation from some random group of self-declared smart people. For someone like her to need the approval of someone like them is an apocalyptic admission of neediness that's depressing to think about.
The natural conclusion to leap to, of course, is that the neediness and the porn career are inextricably intertwined: that Carrera entered porn because she needed to be loved, and/or is so unsure of herself because she's ashamed of her porn career.
There's certainly a fair bit of evidence in After Porn Ends , available on iTunes now and on DVD later this month , to support such suspicions. A number of the former performers link their entry into the industry to child sexual abuse and/or to drug addiction. And nearly all of them talk about the bitter stigma of being in the adult industry. Houston lost her job selling real estate when a client recognized her. Randy West—who otherwise seems fairly happy with his career—talks bitterly about the fact that most charities won't allow adult stars to donate to them. Even more poignantly, he suggests that his career in the adult industry made it hard for him to form normal relationships, and thus may be responsible for the fact that he never married and has no children.
One expert talking head argues overdramatically that being an adult star cuts you off from all personal ties. Given the way many of the ex-stars talk about their families and spouses and kids, he's obviously making a gross generalization. But at the same time, it's clear that if you're a former adult performer a lot of people are going to judge you—and you can see how, living with that, having Mensa declare you worthy might pack a certain punch.
So it is possible to watch After Porn Ends and come away with the impression that being in porn is a traumatic psychic and social wound that will never heal. But I don't think that that's exactly a fair conclusion. Carrera herself says she has no regrets about doing porn, and talks emotionally about the outpouring of donations and support she received from fans after her husband was killed in a car accident just before the birth of their second child. Porn in this case didn't isolate her; quite the contrary. And even the Mensa thing—yes it strikes me as pitiful, but is it really any more ridiculous than me looking at my blog's statcounter? Everybody needs reassurance, not just porn stars.
Which is not to deny the particular awfulness or difficulties of porn. Asia Carrera talks about enjoying the chance to have sex with some good-looking guy and get paid for it, but Shelley Luben (now an anti-porn crusader) clearly experienced many of her scenes as rapes. Even Tiffany Millions, who is not especially negative about her time in the industry, describes the work in unintentionally disturbing terms. She says that during sex she would often feel like she was outside of herself looking down: a textbook description of dissociation from trauma.
Millions originally got into the porn industry because of her daughter; as a single mom, she had a choice between spending all her time working a minimum-wage gig—or being a porn star for a few hours a week, making more money, and spending most of her days with her kid. She chose the obvious option, treated it like a day job—no parties, no drugs, no alcohol—and quit when she inherited some money and didn't have to do it anymore. These days she has a great relationship with her husband and daughter (whose almost tearful "you're my hero mom" would make a stone verklempt) and works, quite happily, as a bounty hunter.
I say she works "quite happily," and she does in fact seem to like her job. But there are some downsides. The one anecdote she relates is about repossessing some old lady's car because her son was a deadbeat. She's philosophical about it, but obviously found it quite unpleasant, and who wouldn't?
Most jobs have some unpleasantness of course—and blue collar jobs have more unpleasantness than most. Millions's experience does make you wonder whether porn is truly, exceptionally horrible, or whether it's just a particularly visible examplar. Minimum-wage service jobs, or factory work, or police work, or military service—those things don't involve having sex onscreen, obviously, but they're all arguably degrading, depressing, and potentially dangerous or traumatizing. For that matter, I have friends who are teachers in the public school system, and they are often treated terribly by administrators, parents, kids—everybody basically. Many of them have issues with depression and something that sounds a lot like post-traumatic stress.
Several of the commentators note that most people don't get into porn unless things in their lives have already gone awry. Not all, but most of the porn workers (and especially the women) interviewed here were sexually abused, or had run out of money, or were addicts, or had no support network—they were people who had been pushed into a corner. The film might have done better in illuminating this corner if it had had the elementary courage to interview black or Latino performers, and to think about race as well as class. Even as it is, though, the film makes it clear that porn for many performers was a way out of a dilemma—or, for some, a way to compound it.
Either way, it wasn't porn that created the marginalization or the desperation. And I wonder if the focus on porn as porn distracts from the real issues at stake for many of the folks who make it their livelihood. Porn is sensational, more or less by definition, but it doesn't necessarily follow that it's distinctive or central. Really, based on this documentary, the problems porn workers encounter seem like problems lots of workers encounter: abusive working conditions, inadequate (or more often non-existent) pensions, and lack of options. The stories here—the financial disaster Houston faces when she is first fired and then diagnosed with cancer, for example—are ones that could confront any non-former-porn-star in the swelling ranks of the lower middle-class. The antipathy and contempt porn workers face is perhaps more intense. But it's not necessarily different in kind from the antipathy and contempt that workers in general face. If anything, it's remarkable how many of those interviewed look back on their time in porn with satisfaction, and seem to have liked their jobs. Would that more of us could say the same.

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