Porn Song Young Felix
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Porn Song Young Felix
Felix is considered one of Stray Kids’ main rappers and dancers.
Born to Korean immigrant parents in Sydney, Australia, Felix Lee grew up loving singing and dancing, with G-Dragon of BigBang his role model
His ultra-bassy low tone can easily be heard in any of the band’s songs and is loved by Stray Kids’ growing fan base
Felix is considered one of Stray Kids’ main rappers and dancers.
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The porn industry, like the rest of Hollywood, has been buffeted by the economic downturn, the falloff in DVD sales and a cornucopia of free content on the Internet.
Still, for better or worse, the adult entertainment business remains alive and well in the San Fernando Valley, where thousands of films are shot every year in warehouses and private homes.
One of the 10 busiest sites for on-location filming in Los Angeles last year was a two-story industrial building in Chatsworth operated by Penthouse Studios, a spinoff of the adult magazine.
The 35,000-square-foot studio was used for 17 untitled projects and generated 101 production days in 2010. That’s nearly one-third the total production days hosted last year at Griffith Park, the most popular spot for on-location filming, according to the survey from FilmL.A. Inc., the nonprofit group that handles film permits for the city and much of the county.
‘It’s a good spot because they have three big hangars over there and they are constantly changing their sets,’' said a location manager who has frequently worked at the studio and who also asked not be named because of the potential effect on his career working on mainstream films.
Most of the films shot in Chatsworth were produced by Penthouse-owned studio Video Bliss. Kelly Holland, president of Penthouse Studios, declined to comment, saying the company is in a quiet period pending a planned stock offering by its owner, FriendFinder Networks, a Boca Raton, Fla., company that operates various adult social networking and dating sites.
About 6,000 adult films are shot each year, with the majority of them in the San Fernando Valley, according to industry estimates. The films mostly fly under the radar, but occasionally they stir controversy. In 2006, residents in an Encino neighborhood bitterly complained to city officials about an onslaught of porn filming in their enclave, including one during the Easter holiday.
Adult entertainment boomed after the advent of home video in the 1980s. But declining DVD sales and the availability of free porn on the Internet has battered the local industry : The number of major porn producers in L.A. has fallen to about 30, down from approximately 50 three years ago, said Alec Helmy, president and publisher of XBiz, which bills itself as the Variety of the adult entertainment industry.
“The industry is struggling in a big way, but as far as the local market goes, we still get tons of DVDs dropped off at our office every day,” Helmy said.
Porn production accounts for less than 5% of all film permits, but FilmL.A. does not track the industry’s overall activity. A decade ago, local economists estimated that the porn industry in the San Fernando Valley generated 10,000 to 20,000 jobs annually and had $4 billion in annual sales. More recent figures, however, aren’t available, perhaps because civic leaders aren’t eager to tout an industry many in the public consider unsavory.
‘A lot of people are uncomfortable with the subject, even though it appears they have lots of customers,” said Nancy Sidhu, chief economist with the Los Angeles County Economic Development Corp.
Richard Verrier is investigations editor for Arts and Entertainment at the Los Angeles Times. He has been with The Times since 2001 and has run our Company Town since 2016. After stints at the St. Petersburg Times and the Orlando Sentinel in Florida, Verrier joined the paper as a reporter, and for many years covered all aspects of the entertainment industry before turning to editing. He oversees the Company Town coverage while working to guide and edit investigative and enterprise reporting across the entertainment team, collaborating with writers and editors from all departments. He is a native of Montreal and a graduate from the University of Toronto and Columbia University’s Graduate School of Journalism.
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Over four seasons and more than 100 songs, Crazy Ex-Girlfriend has parodied nearly every possible topic and musical genre. It’s fearlessly mocked all the major pop stars of the modern era, riffed on styles ranging from hip-hop to punk-pop, and explored concepts both highbrow (the stigma of mental illness) and low (period sex, period sex).
As Vulture’s CXG recapper, I’ve frequently been astonished at what the songwriting team of Rachel Bloom, Adam Schlesinger, and Jack Dolgen has been able to achieve on a very tight budget. Even their middling entries would still be the envy of the YouTube parody culture from which Bloom emerged.
Nonetheless, here’s my attempt to rank every song Crazy Ex-Girlfriend has done, from worst to first. A few ground rules: Because they would inherently rank low, songs under 30 seconds don’t count (which knocks out a lot of the reprises and a few mini-tunes like “George’s Turn”); the four theme songs do count; and in a few places, I’ve combined song cycles or duos into one entry for easier ranking.
I’m also taking into account the visual component of each song and the quality of the actors’ performances — if you’ve listened to the show’s soundtracks, you’ve surely noticed that a few of these tunes are sonic dead air without seeing what’s onscreen.
But even if I ranked your favorite tunes a bit lower than expected, this list is intended as a testament to the quality and care that Crazy Ex-Girlfriend puts into every last one of its songs, many of which will continue to resonate with viewers long after it’s off the air.
Over four seasons and more than 100 songs, Crazy Ex-Girlfriend has parodied nearly every possible topic and musical genre. It’s fearlessly mocked all the major pop stars of the modern era, riffed on styles ranging from hip-hop to punk-pop, and explored concepts both highbrow (the stigma of mental illness) and low (period sex, period sex).
Best line : Honestly, it doesn’t really have one.
The season-one subplot about Greg overseeing romantic intrigue at the grocery store was a bit of a space filler as it is, and though it only clocks in about 45 seconds, this grocery-themed acoustic tune still feels agonizingly long. I agree with the rest of the store that Grocery Clerk With Half an Eyelid’s cartwheels are far more enjoyable.
Best line : “I’m the pimiento to your olive / I wanna be inside of you”
Cornelia Wigfield is right: This show isn’t about her, and this bossa nova tune was really just written to provide a brief, relaxing interlude in a very emotional episode. It’s cute, but nothing more — though at least they got their money’s worth on that swim-up bar.
Best line : “This reminds me to try the Brazilian place with the meat on the stick that they carve / Right at the table”
This lullaby isn’t complicated: Darryl isn’t singing to his actual baby, but his metaphorical baby, the ‘stache he lost to a barbecue-sauce incident. It’s a cute, funny little pre-credits tag, but there’s not much more to it than that.
Best line : “You caught my tears / And occasionally, corn”
This stalkery overintensification of “I Kissed a Girl” is impressively baroque — I’d never previously given thought to snorting up lines of dried sweat — but it’s so disgusting that it’s hard to listen to again. Still, I love the super-stealth shout-out to the similar themes of Behind the Candelabra , complete with Bloom in a blink-and-you’ll-miss-it Liberace costume.
Best line : “I wanna cut the silky hair right off your head / And slurp it up like spaghetti”
The perils of getting one-on-one time with someone you like in a “group hang” is a strong premise, but this song spends too much time bogged down in making fun of bad Mexican-fusion cuisine. Is this a much bigger issue in Southern California?
Best line : “And now the greatest peril of the group hang … EL CHEQUE ”
The idea of having the pretzels sing a song was a clever one, but by choosing Simon and Garfunkel’s “Sound of Silence” as its parody target, “Our Twisted Fate” has to play things a little too morose to get over any really good potshots at Rebecca. Some of its puns are pretty weak, too (“the yeast that she could do” is a real eye-roller). But the visuals are fun, especially the gag of the pretzel salt “raining” out the window, echoing the popcorn in “Love Kernels.”
Best line : “She could switch to pizza bagels / If it’s not too late”
I’ve never liked this song, largely because it offers a pretty major contrast with the show’s conviction that alcoholism isn’t always obvious. (After all, Greg was able to keep his drinking problem under the radar — well, from everyone but Paula — for quite some time.) Santino Fontana does his best to make it funny, but I just don’t buy Greg as the kind of drunk who tries to fly commercial airplanes or have sex with bushes. Nonetheless …
Best line : “ That’s where that scar came from! / From sexing a bush!”
A gentle parody of the over-the-top “love themes” in sappy movies, the subtle joke of this wedding song is how hyperbolic it is. It’s sweet, and Lea Salonga sings it well, but it’s meant to underscore a key romantic moment for Josh and Rebecca, not say anything much on its own. Same deal with the reprise, which is just window-dressing to the moment where Rebecca realizes that she has a special bond with her younger brother.
Best line : In the original, Josh telling Rebecca, “I feel you with me,” then pulling out her old letter from camp. Awww!
Vincent Rodriguez III is unquestionably the show’s best dancer, but Josh songs tend to be the show’s weakest. This Karate Kid –meets– Footloose bit is a prime example: no lyrical content, but killer moves.
Best line : Not really applicable, though those nunchucks and backflips are pretty cool.
Although the full version didn’t appear on the show ( blame network censors ), the buildup to “Period Sex” did get more than 30 seconds of combined airplay, so I’ll let it compete. Unfortunately, the complete song is a letdown after the enjoyable running joke — it’s mostly a clip compilation of various characters saying the words period and sex . It could have been so much more, but I can’t blame the songwriters for not wanting to waste more time on a YouTube-only number.
Best line : “Are those sheets expensive? / I’ll Venmo you back for your sheeeeeets”
The season-three opener suffers from a few issues: It clearly cost a ton, yet still looks way more low-budget than its season-one and season-two counterparts “West Covina” and “Love Kernels”; the premise of recasting every character as medieval villagers is cute, but it doesn’t really go beyond a Beauty and the Beast –esque gossipiness ; and Rebecca’s portion of the song, while nicely delivered by Bloom, doesn’t tie into the medieval theme at all. Season three has a high hit ratio for songs so far, but this one needed some more work to fix lame rhyme schemes: “Is she out to brunch?” is a prime offender.
Best line : “There’s gossip going on from Riverside to Encino / Of the Jewish chick who got dumped by the ripped Filipino”
“Let’s Have Intercourse” was such a brilliant piece of work that I understand the temptation to create another complicated Nathaniel-Rebecca dance routine, but this needed a better song concept to go with it. (Breakups often involve a lot of fighting and sex? You don’t say!) This is a does-what-it-says-on-the-tin tune, with only a single line (see below) that hints at the deeper level of understanding that usually marks the show’s explorations of pop-culture tropes.
Best line: “I cannot slap you back / Because you are a lady / That clearly is a double standard!”
Calling this drug-trip ballet a “song” is probably generous — it’s really more of an orchestral montage of other songs from the show — but it’s definitely a full-length music video, so I’m counting it. The clunky metaphors make it pretty silly and unmemorable, though Gabrielle Ruiz and Vincent Rodriguez do get to show off their impressive dancing skills. I’d have preferred a real drug-trip song with some actual lyrics and jokes.
Best line : “Did we just drink … drugs?”
Skylar Astin’s performance of this season-one classic can’t touch Santino Fontana’s — but it also doesn’t give Astin a prayer of topping him, cutting all of the song’s comedic buildup and just reprising the straight-faced final emotional push. Tonally, the reprise makes sense, as deciding to stay in his hometown is a big moment for Greg. But it would have been nice to see it get the full-length treatment that momentous decision deserves.
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