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The James Bond film series from Eon Productions features numerous musical compositions since its inception in 1962, many of which are now considered classic pieces of British film music. The best known of these pieces is the ubiquitous "James Bond Theme". Other instrumentals, such as the "007 Theme" or "On Her Majesty's Secret Service", and various songs, such as Shirley Bassey's "Goldfinger", Paul McCartney's "Live and Let Die", Carly Simon's "Nobody Does It Better", Sheena Easton's "For Your Eyes Only", Duran Duran's "A View to a Kill" (the first and only James Bond song to have reached number one on the US Billboard Hot 100) and Tina Turner's "Goldeneye" also become identified with the series. Two Bond songs have won the Academy Award for Best Original Song: "Skyfall" by Adele and "Writing's on the Wall" by Sam Smith, with the latter also becoming the first Bond theme to reach number one on the UK music charts.
The "James Bond Theme" is the main signature theme of the James Bond films and has featured in every Eon Productions Bond film since Dr. No, released in 1962. The piece has been used as an accompanying fanfare to the gun barrel sequence in every Eon Bond film.
The briefest of "James Bond themes", this composition started off the "Opening Titles" music of From Russia with Love. It was heard in the On Her Majesty's Secret Service film trailer. WLS (AM) used the theme in the mid-1960s for their secret agent radio serial "The Wild Adventures of Peter Fugitive" that appeared on "The Art Roberts Show".[1]
"007 Theme", not to be confused with the "James Bond Theme", is an adventure theme composed by John Barry in 1963 for the Bond film, From Russia with Love.[2] "The John Barry Seven" had pop chart hit with a cover version of Elmer Bernstein's theme to The Magnificent Seven that included seven beats repeated throughout the theme. Barry used seven beats throughout the "007 Theme".
It became a secondary theme for the Bond films, being used throughout the series, primarily during action scenes. Its most notable appearances are:
The theme has not been used in its entirety in a Bond film since its use in Moonraker.
This piece of music was also used by Al Primo, the news director at KYW-TV in Philadelphia for its long-time theme to Eyewitness News, and was adopted by other Group W stations in Baltimore, Pittsburgh, Boston and San Francisco as well as other non-Group W stations, including WLS-TV in Chicago. The theme was also sampled by Big Audio Dynamite for the 1986 song "Sightsee M.C!"
Like John Barry, David Arnold has left his own mark in the music of James Bond. In this case, he has established what can be called the "suspense motif", which is a descending, often repetitive four-note motif that can be heard in all of the Bond films he has scored. This motif can be heard in:
The largest contributions to the Bond films, save for the "James Bond Theme", are works from John Barry. In addition to his uncredited contribution to Dr. No, Barry composed eleven Bond soundtracks and is credited with the creation of "007" (dominated by brass and percussion) and the popular orchestral theme from On Her Majesty's Secret Service.
Next to Barry, David Arnold is the series' most regular composer. He composed the scores for five Bond films: Tomorrow Never Dies through Quantum of Solace. His Barry-esque orchestrations combined with electronic rhythm elements gave the Pierce Brosnan era its musical identity. Arnold was essentially Barry's anointed successor, Barry having recommended Arnold to Barbara Broccoli when she took over the Bond films from her father Albert R. Broccoli.
Other major composers and record-producers include George Martin, Bill Conti, Michael Kamen, Marvin Hamlisch, Éric Serra, Thomas Newman and Hans Zimmer. Each of these composed for only one Bond film, with the exception of Newman. The departures from John Barry had various causes; sometimes Barry declined in order to avoid paying double income tax—US and UK. Barry died in 2011. Sometimes the director of a Bond film had worked with the composer of his choice on other films — the latter happened to David Arnold with Skyfall and Spectre.
The "James Bond Theme" is the main theme for Dr. No, and has featured in all the Eon Productions Bond films in different versions. The theme has also featured on the gun barrel sequences at the beginning of the films. The original theme was written by Monty Norman, and was performed by John Barry and his orchestra in 1962. In the opening credits of Dr. No, two other pieces were played: an untitled bongo interlude and a Calypso-flavored rendition of "Three Blind Mice", titled "Kingston Calypso". Due to this, Dr. No is the only film to have more than one opening theme. The "James Bond Theme" reached No. 13 in the UK Singles Chart, and remained in the charts for 13 weeks.[3]
The opening credits of From Russia with Love were accompanied by an instrumental version of the main theme, arranged by John Barry and written by Lionel Bart. A single by The John Barry Orchestra reached No. 39 in the U.K. At the film's end, a vocal version by English singer Matt Monro is heard. This song spent 13 weeks in the U.K. charts, peaking at No. 20.[3]
Goldfinger was the third soundtrack composed by John Barry, and this time the theme song had lyrics written by Anthony Newley and Leslie Bricusse. The soundtrack reached No. 1 on the Billboard 200 and spent 70 weeks on the charts.[4] It also peaked at No. 14 on the UK Albums Chart,[3] and received the Bond series first Grammy Award nomination, Best Original Score from a Motion Picture or Television Show.[5]
Welsh singer Shirley Bassey is the only singer to perform more than one Bond theme – she recorded the themes to Goldfinger, Diamonds Are Forever, and Moonraker. Bassey also recorded her own versions of "Mr. Kiss Kiss Bang Bang" for Thunderball and it was rumoured that "No Good About Goodbye" was intended for Quantum of Solace, however David Arnold said 'No Good About Goodbye' was never intended as a Bond song.[6]
Paul McCartney's performance of "Live and Let Die" was the first Bond theme song to be nominated for an Academy Award for Best Original Song; it reached No. 2 as a U.S. single, and No. 9 on the U.K. charts.[3][4] George Martin's work in the song won the Grammy for Best Arrangement Accompanying Vocalists.[7] Marvin Hamlisch's (music) and Carole Bayer Sager's (lyrics) "Nobody Does It Better" (performed by Carly Simon) received a nomination for the Academy Award for Best Original Song, as did Bill Conti's "For Your Eyes Only", which was performed by Sheena Easton. It was not until the 2013 Oscars that a Bond theme song finally won the Academy Award for Best Original Song, the theme song from Skyfall by Adele. Thomas Newman's score also got the first nomination for Academy Award for Best Original Score in the series since Hamlisch's own for The Spy Who Loved Me, while winning the Grammy for Best Score Soundtrack for Visual Media. Adele's song also won the Grammy Award for Best Song Written for Visual Media.[8] Sam Smith's "Writing's on the Wall" from Spectre would also win the Oscar for Best Original Song.
Duran Duran and John Barry's "A View To A Kill" topped the singles charts in the U.S. Billboard Hot 100, the only Bond theme to hit No. 1 in the United States.[4] No James Bond theme had topped the charts in the UK until Sam Smith's "Writing's on the Wall" entered the charts at number one on 2 October 2015.[9]
Several of the later films have alternative theme songs, often during the closing credits. The Living Daylights featured The Pretenders performing "If There Was a Man," composed by John Barry with Chrissie Hynde. Licence to Kill has "If You Asked Me To" sung by Patti Labelle. GoldenEye featured Éric Serra's "The Experience of Love". Tomorrow Never Dies included k.d. lang's "Surrender" during the closing credits, a song which was originally proposed by composer David Arnold to be the title sequence theme instead of the Sheryl Crow title song. The "Surrender" theme is heard throughout the score while the melody of Sheryl Crow's song is not used again during the film. This hearkens back to the Thunderball soundtrack, where Mr. Kiss Kiss Bang Bang was originally proposed as the opening credits music, only to be replaced by the eponymous title track as sung by Tom Jones.[10]
On Her Majesty's Secret Service featured an instrumental theme tune, something which remains unique amongst the post-From Russia with Love films, and included a vocal theme in the form of Louis Armstrong's performance of "We Have All the Time in the World", written by John Barry and Hal David.
1. The 'Kingston Calypso' is a.k.a. 'Three Blind Mice'
"Opening Titles: James Bond Is Back/From Russia with Love/James Bond Theme"
John Barry (title sequence)
Matt Monro (vocal version heard in film first as source music over a radio and then during closing credits)
Nancy Sinatra (charted single is produced by Lee Hazlewood and arranged by Billy Strange and in marked contrast to soundtrack version)
A number of Bond films include one (or more) additional songs in the soundtrack. Some of these pieces of music, such as "We Have All the Time in the World" by Louis Armstrong, have gone on to become as well known as the main themes, while other songs remain exclusively linked to the film in which they appear.
1 'Three Blind Mice' is a.k.a. the 'Kingston Calypso'
"From Russia with Love" (End Credits)
Dionne Warwick
and another version by Shirley Bassey
(not on soundtrack, only instrumental version appears in film)
"We Have All the Time in the World"
"Do You Know How Christmas Trees Are Grown?"
"California Girls" (not on soundtrack)
"If You Asked Me To"
"Wedding Party"
"Dirty Love"
"The Experience of Love"
"James Bond Theme" (GoldenEye trailer version)
Éric Serra
Starr Parodi and Jeff Fair (used in teasers, not in film)
"Only Myself to Blame"
"James Bond Theme" (End Title)
"Sweetest Coma Again" (Japanese End Title)
Scott Walker (original end credits song, not in film)
David Arnold (not on soundtrack)
Luna Sea (only on Japanese soundtrack)
"London Calling"
"James Bond Theme (Bond vs. Oakenfold)"
The Clash (not on soundtrack)
Paul Oakenfold (trailer music)
Some songs have been dubbed for the foreign versions of the films.
"Bons baisers de Russie"
"Die Wolga ist weit" (not on DVD releases)
"Do You Know How Christmas Trees Are Grown?"
"Savez-vous ce qu'il faut au sapin de Noël?"
"Wovon träumt ein Weihnachtsbaum im Mai?" (on German DVD releases)
"Lawrence of Arabia Theme"
"Doctor Zhivago Theme" (Music box)
"Concerto for Piano N°21" (Elvira Madigan) – Andante
"Air on the G String"
"40th Symphony in G minor" (1st movement)
"Finale-Act II-Le Nozze di Figaro"
"String Quartet in D major"
"Variations on a Rococo Theme"
A number of songs have been recorded for Bond films but not used.
Bond music has inspired a number of cover albums in a variety of genres, including the 2007 album Mister Bond – A Jazzy Cocktail of Ice Cold Themes (lounge), Shaken and Stirred: The David Arnold James Bond Project featuring David Arnold collaborating with several contemporary artists. The City of Prague Philharmonic Orchestra recorded several albums with Bond music and performs in premieres and special events of Bond films. Britain's Royal Philharmonic Orchestra released an album of several Bond songs performances called Best Of James Bond, some of which were used on the "Ultimate Edition" DVD releases menus. Billy Strange released "Secret Agent File" in 1965. In 2004, The Cavaliers play a show titled "007" using Bond music, such as "GoldenEye", "For Your Eyes Only", "Live and Let Die", "Hovercraft Chase", "Welcome to Cuba" and "Paris and Bond". Some of them are Italo disco-like rhythms and soundtrack albums promote hits that matches the film's theme. In 2000 'An Electronika Tribute to James Bond' album was released adding yet another genre to the Bond fandom.
"We Have All The Time in the World"
With the increase in audio quality for video game consoles and personal computers, in addition to the continued popularity of computer and video games, publisher Electronic Arts as well as Activision (since 2008) has included opening themes and film-style credit sequences to some of its more recent Bond video game spin offs.
The World Is Not Enough (Nintendo 64 and PlayStation)
Steve Duckworth, Ed Lima, Jeff Tymoschuk
"From Russia with Love" (instrumental remix)
The 2008 continuation novel Devil May Care by Sebastian Faulks was the first James Bond novel to receive its own theme song. Also called "Devil May Care", the song was written and recorded by Cardiff band SAL and was available on the UK audiobook release of the novel.[22]
^ Childers, Scott (2008). Chicago's WLS Radio – Google Books. ISBN 9780738561943. Retrieved 11 December 2014.
^ "MI6 :: From Russia With Love (1963) :: James Bond 007". Archived from the original on 3 February 2010. Retrieved 11 March 2008.
^ a b c d Roberts, David (2006). British Hit Singles & Albums. London: Guinness World Records Limited
^ a b c Whitburn, Joel (2006). The Billboard Book of Top 40 Hits. Billboard Books
^ "Bond and The Grammy Awards –". Commanderbond.net. Retrieved 11 December 2014.
^ link to MI6 article
^ Burlingame, Jon (2012). The Music of James Bond. Oxford University Press. p. 113. ISBN 978-0199986767.
^ 28 January 2014 by AI & filed under SKYFALL. (28 January 2014). "The Official James Bond 007 Website | ADELE WINS GRAMMY FOR SKYFALL". 007.com. Retrieved 11 December 2014.
^ "BBC Website; Sam Smith's James Bond theme makes UK chart history". www.bbc.co.uk. 2 October 2015. Retrieved 2 October 2015.
^ "Thunderball – alternate title seq. – Shirley Bassey – HD STEREO". YouTube. 11 June 2011. Retrieved 6 June 2014.
^ "The Billboard Bubbling Under Hot 100: Week of December 9, 1995". Billboard. Nielsen Company. 9 December 1995. Retrieved 2 December 2014.
^ a b Bond, James (14 January 2020). "The #NoTimeToDie title song will be performed by @billieeilish. Billie has written the song with her brother @finneas and is the youngest artist in history to write and record a James Bond theme song.pic.twitter.com/Qd5cYIRlmg". @007. Retrieved 14 February 2020.
^ The Making of Thunderball (DVD). Thunderball Ultimate Edition, Region 2, Disc 2: MGM/UA Home Entertainment. 1995.CS1 maint: location (link)
^ "Nobody Does it Better: Fifty Years of James Bond Music". Cult Britannia. Archived from the original on 26 December 2014. Retrieved 11 December 2014.
^ Caulfield, Keith (16 November 2012). "'Skyfall' Soundtrack: Highest-Charting Bond Album in 27 Years". Billboard. Prometheus Global Media. Retrieved 29 March 2013.
^ a b c d e f g "Licence Denied: The Bond Themes You Didn't Get To Hear". Empire. 9 September 2015. Retrieved 19 August 2019.
^ "James Bond: 9 themes that could have been". The Telegraph. 9 September 2015. ISSN 0307-1235. Retrieved 19 August 2019.
^ Jude Rogers (30 October 2008). "For your ears only | Music | The". Guardian. Retrieved 11 December 2014.
^ "Radiohead share video for previously unreleased song "Man of War" — watch". Consequence of Sound. 22 June 2017. Retrieved 29 July 2017.
^ "Sam Mendes, Sound and Vision - BBC Radio 6 Music". BBC. 5 November 2017. Retrieved 6 November 2017.
^ "Radiohead reveal rejected theme for James Bond film Spectre". BBC News. 25 December 2015. Retrieved 25 December 2015.
^ "SAL Wins 'Devil May Care' Theme Song Contest". CommanderBond.net. Retrieved 3 May 2016.
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