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Bryce Wagoner’s documentary ”After Porn Ends 2“ looks at the troubles and successes of people who have left the industry. (Yes, it’s safe to click through this at work)
What do porn stars do when their lives in the adult film industry end? That's the question at the heart of documentary filmmaker Bryce Wagoner's 2012 film "After Porn Ends," its two sequels. The film looks at the tragedies and successes of people who left an industry that famously uses up young talent. Some have no regrets about their years in the industry. For others, a career in the adult industry has proven to be a conduit to certain despair.
Here are their stories, as told to TheWrap by Wagoner.
He wasn't the first black adult performer, but he was the first black porn star. Coming from poverty, he enlisted in the Army and became a champion boxer, then used the G.I. Bill to get a drama degree and star in musicals. After a chance casting in the iconic 1972 adult film "Behind the Green Door," he found himself on the shores of Cannes and a cultural icon. Eventually retiring to raise his family, Johnnie is now an accomplished jazz singer and runs a youth outreach basketball camp with his son in Seattle.
Starting as a stripper in Pennsylvania, Lisa used porn to further her dancing career and was a well-known performer for 15 years before the opportunity of a lifetime: appearing in a parody of Vice Presidential candidate Sarah Palin that catapulted her to porn superstardom. She parlayed her media appearances into hosting her own fantasy sports radio show on Sirius XM.
Her "girl next door" look made her the face of XXX films in the 80s and early 90s. Starting in bikini contests and taking the advice of famed photographer Suze Randall, she played the adult business by her rules, commanded the largest salary in porn, and got out exactly when she wanted to. After studying acting at the Beverly Hills Playhouse, she earned roles in "Wing Commander," "American Pie: Band Camp," "The Devil's Rejects," and "31." She has become as much an icon in the Comic-Con world as she is in the adult industry.
A one-time softball star with college scholarship offers, Janine found her way into adult through a modeling ad. Her porn career led to a wildly success career as an exotic dancer. She retired to marry and have a daughter with Orange County Choppers star Jesse James -- but after a brutal custody battle, she went to prison for owing hundreds of thousands of dollars in unpaid taxes. After getting out, she moved to the Oregon Coast to get her life back on track.
One scene kicked off an entire 20-year career for the former Vegas dancer, who holds the record for most porn star appearances on "Howard Stern." She also became a regular on "Doctor 90210." She and her husband run a fine-art photography gallery in Utah.
She knew that she wanted to do porn to further her own business interests, and made her own line of videos and distributed them herself. After getting some mainstream cred by posing in Playboy Magazine, she learned to be a DJ and now plays all over the world, booked by the DJ agency Skam Artists.
James began his path to XXX films as a Navy veteran from the streets of Detroit. He tried to join the LAPD but was waitlisted due to budget cuts. Not knowing where his next job was coming from, he tried porn and became a prolific performer. But after taking a big contract in Brazil, he wound up infected with HIV. He is now a public speaker who advocates for those living with the disease.
Lain began as a dancer and became one of the highest-paid performers in XXX. But after struggling with the changing economics and structure of the adult business, she turned to working as an escort at the world-famous Bunny Ranch. She's now saving money to go back to school and start her life over.
She began as a Broadway dancer and actress. When the work dried up, she got a job on an adult film as a caterer -- and then starred in the director's next film, 1973's "The Devil in Miss Jones." which would go on to be one of the most successful XXX movies of all time and would come to be considered an adult classic. She eventually took an office job and retired with her pension (and love of her life) 20 years later in Hollywood.
"After Porn Ends 2" delves deeper into social stigma, race, misogyny, and the reality of decreasing opportunities for former adult film stars. And the third film, directed by Brittany Andrews, came out in 2018.
”The gains we achieved in this contract are historic,“ guild President Fran Drescher says in statement
By an overwhelming 89.03%, SAG-AFTRA members have ratified its new 2022 contract with Netflix, guild leaders announced Wednesday.
The contract was tentatively approved by the SAG-AFTRA board on Aug. 8; voting by general membership began Aug. 10.
The first new Background Actor Zone in 30 years has been established in Albuquerque, New Mexico, in a 30-mile radius around city hall.
Stunt coordinators will receive “a fixed residual for the continued exhibition on Netflix of a high-budget streaming program produced under the Netflix Agreement,” for the first time under any SAG-AFTRA agreement.
The Netflix Dubbing Agreement now includes Spanish dubbing, with terms matching those that apply to English dubbing.
In addition, the deal “includes major improvements in options and exclusivity rules for series regulars below the new money breaks which have substantially increased. It creates a new “conflict-free window” of at least three months during each season, in which performers may accept a permitted appearance on another show or network without first confirming availability and potential scheduling with Netflix,” according to the guild.
“The gains we achieved in this contract are historic. A convergence of opportunities to leverage presented themselves. Now was the time to strike while the iron was hot or forever be chasing contract reconstruction always outside our grasp. The advances in reducing exclusivity are seminal. The journeyman actor now has the freedom to work multiple jobs and make a living with less restrictions. Our negotiating committee, staff, board and member body all came together in perfect harmony. We now enter into a new chapter that levels the playing field, giving actors the respect and dignity they so rightfully deserve!” SAG-AFTRA President Fran Drescher said in a statement.
“SAG-AFTRA has capitalized on Netflix’s willingness to negotiate for innovative change to achieve groundbreaking improvements for members ranging from background performers to series regulars. Real gains will better the lives of many SAG-AFTRA members, including new union jobs for background performers and Spanish language dubbing performers; new residuals for stunt coordinators; and huge improvements to options and exclusivity for series regulars,” SAG-AFTRA National Executive Director Duncan Crabtree-Ireland said in a separate statement.
Fox News Channel’s talk show had an average of 2.19 million viewers compared to CBS’ ”The Late Show With Stephen Colbert’s“ 2.16 million
Fox News Channel’s “Gutfeld!” has overtaken the mainstays of late-night network television — including “The Late Show With Stephen Colbert,” “The Tonight Show Starring Jimmy Fallon” and “Jimmy Kimmel Live!” — in average total viewers for August, the first time a cable late-night show has sustained a total-viewership win across an entire month.
“Gutfeld!” averaged 2.19 million viewers for August, beating CBS’ “The Late Show With Stephen Colbert” at 2.16 million, according to Nielsen Media Research. Trailing in total average viewers were NBC’s “The Tonight Show Starring Jimmy Fallon” at 1.34 million; ABC’s “Jimmy Kimmel Live!” (on hiatus for part of August) at 1.14 million and Comedy Central’s “The Daily Show” with 383,000.
“Gutfeld!” has topped individual days and weeks before, but August was a first for any cable show.
“We believe we’ve found something unique in the way we are approaching comedy and I think the audience recognizes that,” “Gutfeld!” executive producer Tom O’Connor told TheWrap. “The success isn’t only a testament to Greg and his signature monologues, but also to the guests we have in addition to our regular panelists Kat Timpf and Tyrus.”
But comparisons between “Gutfeld!” and the broadcast network lineups are not apples-to-apples, with notable key differences. While “Gutfeld” gets the most eyeballs of any late-night show on TV right now — the old standard for the informal “King of Late Night” title held by names like Johnny Carson, Jay Leno and lately Colbert — the Fox News show is still middling among its broadcast counterparts in key demographics.
In the advertiser-coveted 25-54 cable demo, “Gutfeld!” came in third place for August (358,000); the Fox News show drops to fourth overall (222,000) in 18-49, the age group most important to broadcast networks and their advertisers. In the younger categories, the big winner for August was “The Tonight Show Starring Jimmy Fallon,” which led both 25-54 and 18-49 with 382,000 and 270,000 viewers, respectively.
Though the numbers point to an aging audience for the Fox late-night entrant, that race is tightening, too. “Gutfeld!” has been surging in viewership since it was relaunched in April 2021, and has shown signs of life in younger demographics in the past.
For instance, on Aug. 18, a Tuesday, “Gutfeld!” won the night in total average viewers for the first time, with 2.1 million to Colbert’s 1.9 million on CBS. The Fox News late-night show also beat Colbert in the 25-54 demo with 434,000, besting the CBS show’s 423,000. Just four months after launching, Gutfeld also showed some strength with a younger audience that night: While Colbert won in the 18-49 demo, averaging 322,000 viewers, Gutfeld’s 281,000 reigned over Fallon’s 255,000.
But TV network insiders caution that the viewership comparison doesn’t completely square for scheduling reasons. “Gutfeld!” gets off to a 30-minute head start on the East Coast at 11 p.m., and is shown live from coast-to-coast, hitting much of primetime in some markets. Meanwhile the networks delay Colbert, Fallon and Kimmel for 11:35 p.m. starts in Western time zones, when fewer people are awake and watching TV.
But in some ways, the fact that “Gutfeld!” is on cable, with a smaller audience to draw from, makes the network-beating viewership numbers all the more impressive. And in August, “Gutfeld!” got nearly six times the average viewership of Comedy Central’s “The Daily Show” (which airs in most markets at 11 p.m., to be fair).
“Gutfeld!” also doesn’t share all the traditional characteristics of a late-night variety show, with no regular musical guest, an in-the-round style and unabashedly right-leaning points of view from its hosts and guests. Though the apolitical late-night traditions of Carson and Leno are a relic of TV past, “Gutfeld!” spends more time talking about politics than the network shows — which plays right to the interests of the Fox News audience.
“We aren’t having celebrities on promoting some movie — we have comics and guests that are interesting to the audience, people they connect with,” O’Connor said. “When you tune in, it feels relaxed, comfortable and like you’re watching a group of friends — that’s what has made it successful. It reminds our audience of how they joke around with their family and friends. It doesn’t seem like this forced thing, and that’s how traditional late-night can feel at times.”
One thing about the instant and growing success of “Gutfeld!” is certain — right-leaning comedy can, in fact, work. And while the question of whether Gutfeld is “The King of Late Night” may depend on your point of view, he’s being recognized as such in unexpected places.
Newsweek , Mediaite and scores of conservative news sites have placed that crown on Gutfeld already. “Real Time” host Bill Maher joined the chorus this week, saying to the HBO show’s panel: “There’s a new king of late night and his name is Greg Gutfeld.”
Last year, Maher suggested that liberal “craziness” has created an opening for “Gutfeld!” and sites like the Babylon Bee.
“I keep saying to the liberals, ‘If what you’re saying sounds like an Onion headline, stop,'” he said. “And that’s why — this is why there’s an opening for conservative comedy. Because when you tear down statues of Abraham Lincoln in the Land of Lincoln, ‘Land of Lincoln cancels Lincoln,’ it’s an Onion headline.”
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”I knew about jewelry, shopping sprees, and plastic surgery but this really threw me for a loop,“ she wrote
“Real Housewives of Beverly Hills” star Erika Jayne reacted to the recent allegation of her estranged husband Tom Girardi’s misused lawsuit settlement funds — including $300,000 used to purchase a Santa Monica ocean-front condominium — in an Instagram post Wednesday.
“Wow. I knew about jewelry, shopping sprees, and plastic surgery but this really threw me for a loop,” Jayne posted on Instagram alongside a screenshot of a Los Angeles Times article on her husband’s use of funds from his law firm, Girardi Keese.
The LA Times article, published Wednesday, detailed that Girardi wired $300,000 from an account containing settlement money for clients of his law firm to judge Tricia Bigelow, with whom Tom was having an affair, to purchase a condominium in a prime area of Santa Monica.
According to the LA Times, this hefty wire transfer surprised Jayne when it was revealed in an Aug. 4 deposition. “F— me,” she reportedly said. After she was asked whether Girardi had ever mentioned the transfer to her, she replied: “No way. No way.”
The funds transferred to Bigelow, who was a presiding justice of a state appeals court in Los Angeles before retiring last year, were “owed to cancer victims and other residents of a polluted Inland Empire community, who had sued cement manufacturers in Riverside Superior Court in 2008,” according to state court records. The LA Times notes that “many of the victims have not received their full settlements.”
Alan Jackson, Bigelow’s lawyer, said in emails that Girardi “never shared anything with her regarding the source of any gifts” and Bigelow had no reason to suspect the money came from Tom’s firm.
Girardi’s inappropriate allocation of his firm’s funds extended to millions of dollars, according to the LA Times’ story, and was used to accommodate a luxurious lifestyle, including dinners and parties shown on “RHOBH.”
Girardi, who was diagnosed with Alzheimer’s disease and is under a court-ordered conservatorship, currently resides in a 24-hour care facility.
Jayne filed for divorce from Tom in 2020 and still appears on “RHOBH.”
The two-hour special will examine the legacy of the former first couple through their National Portrait Gallery portraits
“Picturing the Obamas,” a documentary special about Barack and Michelle Obama and their likenesses in the National Portait Gallery, will premiere on the Smithsonian Channel in September.
The two-part film will trace the journey of the former president and first lady’s official portraits, from when they were unveiled in 2018 to their national museum tour in 2021. The first hour, titled “Portraits of Hope” will survey the legacy of the Obama presidency and the historic significance of the portraits themselves, as they go on display in Chicago and Los Angeles. Kehinde Wiley and Amy Sherald – the first Black presidential portrait artists in American history – will discuss the process of working with the Obamas in the second hour, “Portraits of Change.”
Curators, journalists and art critics will weigh in, but the film is said to focus on “the experiences of everyday people.” Interviewees include a Latina community organizer, a young artist from Southside Chicago, and multigenerational members of the country’s oldest Black sorority, who will reflect on the Obama presidency while visiting the portraits.
The special will premiere just a few days after President and First Lady Biden host a ceremony for the unveiling of the Obamas’ White House portraits.
“When we unveiled the Obamas’ portraits, everyone in the room knew we were witnessing a moment in history,” said Kim Sajet, Director of Smithsonian’s National Portrait Gallery. “But I don’t think anyone anticipated the emotional impact these artworks would ultimately have on so many Americans across the country. Through the power of documentary film, ‘Picturing the Obamas’ takes us out of the gallery and into communities, reminding us that art is powerful and portraiture can change the world.”
“Barack and Michelle Obama continue to inspire individuals and communities nationwide,” added Pamela Aguilar, VP of Content and Programming at the Smithsonian Channel. “We are honored to have the opportunity to premiere ‘Picturing the Obamas’ and explore the cultural impact of their portraits at the Smithsonian’s National Portrait Gallery and this historic presidency.”
“Picturing the Obamas” will air Saturday, Sept. 10 at 8/7c. It is executive produced by Hannah Ayers and Lance Warren of Field Studio. Tim Evans serves as executive producer for the Smithsonian Channel.
Ryan Condal is now the lone showrunner after sharing duties with the director for Season 1
Matt Smith as Prince Daemon Targaryen and Milly Alcock as Princess Rhaenyrs Targaryen in "House of the Dragon" Episode 1 (HBO)
HBO’s “Game of Thrones” prequel “House of the Dragon” has emerged as a certified blockbuster hit — but the epic fantasy series must do battle in Season 2 without co-showrunner, director and executive producer Miguel Sapochnik.
Sapochnik is stepping away from the series, but entering into a first-look deal with HBO to develop new projects and will remain listed as an executive producer for the remainder of the series. Fellow Season 1 co-showrunner and EP Ryan Condal will assume the top creative role and continue consulting with co-creator and author George R.R. Martin. “Game of Thrones” veteran director Alan Taylor will be br
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