Pocahontas Bondage
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Pocahontas Bondage
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1995 1995 Not Rated Not Rated 1 h 42 m
Englishmen come to explore and settle the new world. There they find natives who are curious about their "firesticks" and strange customs. One Englishman, John Smith, is captured by the nati... Read all Englishmen come to explore and settle the new world. There they find natives who are curious about their "firesticks" and strange customs. One Englishman, John Smith, is captured by the natives, and begins to learn their customs and beliefs. As Smith spends more time with them, s... Read all Englishmen come to explore and settle the new world. There they find natives who are curious about their "firesticks" and strange customs. One Englishman, John Smith, is captured by the natives, and begins to learn their customs and beliefs. As Smith spends more time with them, specifically Pocahontas, he realizes that the white man may not be meant for the new world.
Jeremy as Jeremy (as Mark Richardson)
Englishmen come to explore and settle the new world. There they find natives who are curious about their "firesticks" and strange customs. One Englishman, John Smith, is captured by the natives, and begins to learn their customs and beliefs. As Smith spends more time with them, specifically Pocahontas, he realizes that the white man may not be meant for the new world. — Jason Parker and Sean Kilby
It was released in the same month as another film based off Pocahontas simply of the same title from Walt Disney Animation Studios, additionally both film adaptions feature Gordon Tootoosis respectively.
Adagio from 'Concerto in D Minor' by Alessandro Marcello (as Allessandro Marcello)
This movie is very pretty to look at, with beautiful sets and costumes and Sandrine Holt is absolutely gorgeous. The Scenery was fantastic - beautiful landscapes. Myles O'Keefe as John Smith has great bone structure but thickening around the middle... Anyway enough of esthetics. The music was lovely, however the movie is not what you'd call rock-solid, the script is fairly weak in parts as is the plot. But for entertainment value it's not bad at all. Just suspend your disbelief when you hit an obvious flaw in the logic and you'll be ok. Tony Goldwyn did a good job, as did most of the 'white-men', actually fairly much all the actors were pretty good. As in many movies, it was only the script that let them down a bit.
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What is the English language plot outline for Pocahontas: The Legend (1995)?
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Good guys: "How do YOU like it, villains?! Ha ha! Vengence is sweet!"
When a Snooping Little Kid , Distressed Damsel , or Faux Action Girl (or the occasional unlucky guy ) is captured by the villain, they're usually restrained in some fashion, and to keep them from crying out for The Hero , they're usually silenced as well. In the olden days, this was usually accompanied by some form of fantastical Death Trap to add to the suspense.
Nowadays, the victim's cell phone will invariably ring and the villain will pick it up and answer, "Sorry, she can't come to the phone right now ... she's all tied up at the moment." (Villains never get tired of this Pun . Never. )
To the captives themselves, they're likely to say " I Have You Now, My Pretty " or " You Got Spunk " or some variation/combination of the two.
Sometimes this is done for humor instead. For example, a character who is considered annoying might be tied up by the group simply to get that person out of the way. Of course, if that character is really cute , the intended humor might be lost a bit on some audiences. Other times, someone might be tied up humorously as the result of some mishap. For example, the US Dennis The Menace cartoon once had a scene where a seal is running amok, and at one point grabs toilet paper in its mouth and runs around the kids, wrapping them up in toilet paper. They even get gagged by apples that get knocked off a table and fly into their open mouths.
When this trope is played for dead serious drama, you can expect, in many cases, very dark lighting and only glimpses of the bonds. It generally tends to be more light-hearted adventures that actually show a lot of rope. In those cases, part of the fun is often seeing the hero escape, or try to escape, the bonds, so there's a lot of emphasis on actually showing the bonds, the struggling, and the escape or rescue. When it's played for drama, the emphasis is on how terrible the captive feels, so there's more focus on facial expressions and less on the bonds.
"I'd like to see you escape now you've got tape on your mouth Miss Lee!
Max Payne: He had a baseball bat and I was tied to a chair. Pissing him off was the smart thing to do.
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