Pipe image par image
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Pipe image par image
Reference #18.e651002.1660964636.5242500
Double Pipe Heat Exchangers Equipment and Piping Layout
NPD:
1/2 Inch 3/4 Inch 1 Inch 1.5 Inch 2 Inch 3 Inch 4 Inch 6 Inch 8 Inch 10 Inch 12 Inch 14 Inch 16 Inch 18 Inch 20 Inch 24 Inch 26 Inch 28 Inch 30 Inch 32 Inch 34 Inch 36 Inch 38 Inch 40 Inch 42 Inch 44 Inch 46 Inch 48 Inch 50 Inch 52 Inch 54 Inch 56 Inch 58 Inch 60 Inch
NPD:
1/2 Inch 3/4 Inch 1 Inch 1.5 Inch 2 Inch 3 Inch 4 Inch 6 Inch 8 Inch 10 Inch 12 Inch 14 Inch 16 Inch 18 Inch 20 Inch 24 Inch 26 Inch 28 Inch 30 Inch 32 Inch 34 Inch 36 Inch 38 Inch 40 Inch 42 Inch 44 Inch 46 Inch 48 Inch 50 Inch 52 Inch 54 Inch 56 Inch 58 Inch 60 Inch
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The double pipe or fin-tube exchangers are commonly used in process industry when one liquid has a greater resistance to heat flow than another or when the surface area is small. In these cases, addition of fins to the inner pipe evens out the resistance to heat flow of the two fluids.
As shown below, the double pipe heat exchanger consists of a pipe within a pipe. Both pipes have a return bend at one end.
Double Pipe Heat Exchanger Construction
The inner pipe is fitted with fins. The outer pipe acts as shell.
The shell nozzles are mounted vertically from the outer pipe, and the tube nozzles are directly welded to the inner pipe ends.
The units are generally supported horizontally by brackets attached to a foundation or to the side of other equipment supports.
From Wikipedia, the free encyclopedia
^ Jump up to: a b La Trahison des images (Ceci n'est pas une pipe) , Los Angeles County Museum of Art
^ Foucault, Michel (2008). This is Not a Pipe (PDF) . James Harkness (Editor, Translator), René Magritte (Illustrator) (2nd ed.). Berkeley: University of California Press. ISBN 9780520236943 .
^ Bowman, Russell (2014). "Words and Images: A Persistent Paradox". Art Journal . 45 (4): 335–343. doi : 10.1080/00043249.1985.10792322 . JSTOR 776809 .
^ Torczyner, Harry (1977). Magritte: Ideas and Images . p. 71. ISBN 9780810913004 .
^ "René Magritte - Les mots et les images" . The Ideophone . Retrieved 25 July 2017 .
^ "René Magritte - La Clé des Songes" . Artnet . Retrieved 25 July 2017 .
^ "René Magritte - Ceci n'est pas une pipe (L'air et le chanson)" . Artnet . Retrieved 25 July 2017 .
^ "René Magritte - L'air et le chanson" . Art Institute Chicago . 1964 . Retrieved 25 July 2017 .
^ "René Magritte - Ceci n'est pas une pomme" (PDF) . Retrieved 25 July 2017 .
^ "René Magritte - The Two Mysteries" . abcgallery.com . Retrieved 3 October 2010 .
^ Haiman, John (2004). "Review of "Languages within language: An evolutive approach" by Ivan Fonagy". Studies in Language . 28 : 246. doi : 10.1075/sl.28.1.14hai .
^ "La revolution surrealiste" (PDF) .
^ Zanchetti, Giorgio (2007). "Esploratori di parole". Esploratori di parole, in La parola nell'arte (in Italian). Milan: Skira. p. 26. doi : 10.5281/zenodo.3597936 . ISBN 978-88-613-0460-4 .
The Treachery of Images (French: La Trahison des Images ) is a 1929 painting by Belgian surrealist painter René Magritte . It is also known as This Is Not a Pipe [2] and The Wind and the Song . [3] Magritte painted it when he was 30 years old. It is on display at the Los Angeles County Museum of Art . [1]
The painting shows an image of a pipe . Below it, Magritte painted, " Ceci n'est pas une pipe ", French for "This is not a pipe".
The famous pipe. How people reproached me for it! And yet, could you stuff my pipe? No, it's just a representation, is it not? So if I had written on my picture "This is a pipe", I'd have been lying!
The theme of pipes with the text "Ceci n'est pas une pipe" is extended in Les Mots et Les Images , [5] La Clé des Songes , [6] Ceci n'est pas une pipe (L'air et la chanson) , [7] The Tune and Also the Words , [8] Ceci n’est pas une pomme , [9] and Les Deux Mystères . [10]
The painting is sometimes given as an example of meta message conveyed by paralanguage , [11] like Alfred Korzybski 's "The word is not the thing" and " The map is not the territory ", as well as Denis Diderot 's This is not a story . One interpretation is that the pipe in the painting is not a pipe, but rather a drawing of a pipe.
On December 15, 1929, Paul Éluard and André Breton published an essay about poetry in La Révolution surréaliste (The Surrealist Revolution) as a reaction to the publication by poet Paul Valéry "Notes sur la poésie" in Les Nouvelles littéraires of September 28, 1929. When Valéry wrote "Poetry is a survival", Breton and Éluard made fun of it and wrote "Poetry is a pipe", as a reference to Magritte's painting. [12] [13]
In the same edition of La Révolution surréaliste , Magritte published " Les mots et les images " (his founding text which illustrated where words play with images), his answer to the survey on love, and Je ne vois pas la [femme] cachée dans la forêt , a painting tableau surrounded by photos of sixteen surrealists with their eyes closed, including Magritte himself.
60.33 cm × 81.12 cm (23.75 in × 31.94 in)
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