Pink Floyd Solo

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Pink Floyd Solo
David Gilmore is definitely one of the best soloists if not the best. 
He does so much with so little... a true genius.
He manages somehow not to minute too many notes, not too little notes, but JUST the right amount of note to make an almost perfect solo.
The lack of love for the solo from young lust is incredible.Its never mentioned.
The one form Pigs (Three Different Ones) is also very good...
Another Brick In The Wall Part 2???
This is the one that when I try to replicate on guitar I just wind up putting my guitar down and shaking my head.
Fat Old Sun. One of the most overlooked solos in PF history.
Dogs is my all time favorite. Gilmours solo work has some insane solo's too. Very much underrated. 
Don't forget Marooned and Sorrow. I like the slide work on One of These Days too. 
High Hopes is my personal favorite. I had the chance to see Gilmour in 2015, and I could feel d'hivers down my spine like never before when he played it. Definitely a top moment of all the concerts I've been to !
Of course, this comment is not meant to disregard bis other fabulous work
All great solos. Seems everyone overlooks "The Final Cut" but it's one of my fave PF albums. Dave's short solo on "Your Possible Pasts" and his long ripping solo on "Not Now John" are both in my top 10 
Yes, so true, the title track, Fletcher Memorial Home, all of the solos are beautiful, it works so well with the beautiful lyrics by Roger Waters. 
In my opinion Gilmore has the most essential and meaningful solo's in rock. There is not one solo where i feel he/they "just added it in for structure", all his solo's feel as if they must be in the song and are crucial to the over all feel of the song.
Oh yes you are correct, i was thinking faster than i was checking my typing
The Fletcher Memorial Home. When the drums come in and David hits those notes!! Awww goosebumps every time!!!
I was scrolling down through to see if someone mentioned this. It is in my top 7.
I love the solo in Money also. Proper rock solo that
Unpopular opinion: I like the first solo in Comfortably Numb a lot better than the second one. 
The first one is like getting a hand job from outside your pants. The 2nd one is the climax inside of Kate Upton. 
Interesting analogy. I'll allow it.
I think it is considered an 'instrumental' whereas they were probably looking for solos in the traditional song format imo.
I think you should flip-flop 1 and 2.
Come on man, you can't have a Pink Floyd avatar and spell Gilmour wrong!
I think we all knew the result of this one...
Can we take a moment to appreciate not only his skills but his actual tone? In my opinion THE lead strat tone.
tbh, i dont find blackmore tone amusing at all =/
Get rid of High Hopes, Pigs needs to be on here.
I believe Gilmour wasn’t 100% responsible for the guitar work on the wall album, didn’t waters and gilmour fall out around this time ? I’m sure I’ve read somewhere that snowy white played / co wrote some of the lead guitar parts ?
One of my favorites has been Money for a long time. Love when he cuts the OD and then builds back up.
Personally a mention for 'The Final Cut', 'Louder Than Words' and 'In Any Tongue'
I must have listened to too much Pink Floyd in the past. I can hear nearly all of these solos in my mind, without having to watch the videos. Can't play them though.
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Songs with the best solos from the legendary prog rock band.
Even though the guitar solo is only 30 seconds it's powerful like the bombs they're singing about. 
One of the most famous acoustic guitar solos, the solo in 'Wish You Were Here' perfectly conveys the emotions of the song.
While solo in 'Hey You' is often overlooked, it is certainly one of Gilmour's best works.  
 "Us and Them" was rejected by Pink Floyd's recording company to be released. They recognized song as too much depressing... and solo surely didn't make it sound any happier.
"Have a Cigar" concludes with a guitar solo, which is interrupted by a synthesizer filter-sweep sound effect as the music reduces in volume to tinny, AM radio-like levels.
A great solo that sounds even better on 'Live in Gdansk' album.
 “Dogs” marks the career high-water mark for David Gilmour’s lead playing and the amazing solo is is a clear proof for that.
A simple, but nevertheless epic solo. Only David Gilmour could make something simple sound so good.
You probably saw this one coming. The second solo in Comfortably Numb is often called one of the best guitar solos in history and certainly is a gem in Pink Floyd's crown.

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David Gilmour is often regarded as one of the finest guitarists Britain has ever produced. Considering the company he rose to pop music prominence in; this is a serious title to take. The mercurial musician made his name on the extra-terrestrial skills imbued Pink Floyd with its cosmic swirl and solo-heavy core. The guitarist may have been a late joiner to the band, arriving to replace the missing talents of Syd Barrett, but there’s no denying his impact when joining up with the group in 1968.
Gilmour arrived as a guitarist and vocalist for the group shortly before Syd Barrett departed the band and has had a hand in shaping not only Pink Floyd but, in turn, the entire concept of rock and roll as we know it today. His use of performance, precision studio engineering and unstoppable pursuit of perfection have often seen him qualified as one of the hardest-working players around. Much of the work to cultivate a unique sound was done with his guitar, and below we’ve picked ten of his best songs to showcase that searing talent.
Beginning with the band in ’68 meant that Gilmour’s contributions to their pioneering acid rock sound of the mid-60s were relatively minimal, but that didn’t stop the magnetic player from pursuing the mind-expanding performances and records that made Pink Floyd a stoner’s dream and a muso’s preferred destination. A meticulous player, Gilmour has always managed to create guitar tones and solos that feel transportive and transcendent in equal measure.
It’s a huge chunk of what makes Pink Floyd so impressive. As well as Roger Waters’ impeccable songwriting and the powerful playing of Nick Mason and Richard Wright, Gilmour was able to be a part of one of the most progressive rock bands of all time. A high-concept and high-art selection of records and performances that point to the Floyd as one of the best.
It may be high brow stuff but that doesn’t mean that Gilmour’s playing is anything but primal at points and at others, ethereal and unattainable. Below, we’ve got ten of David Gilmour’s best moments.
One of the band’s most famous songs doesn’t spend a lot of time at the bottom of ‘best of’ lists. But thanks to the plethora of searing solos Gilmour’s provided, it falls to the bottom of the pile.
Taken from the band’s most beloved album, The Wall , another concept record built on the foundations of rock opera, ‘Another Brick in the Wall part 2’ is a classic and deserves revisiting whenever one can bring themselves to drop the needle.
The protest anthem has since become a massive song across the global introducing millions of people to Pink Floyd. While the entire record is the stuff of legend, the song hangs on Gilmour’s imperious solo, and it’s one we could listen to over and over again.
The earliest moment of Gilmour’s soloing on a Pink Floyd record in our list is the very first recorded song with Pink Floyd once he joined the band. The opening track from 1968 effort A Saucerful of Secrets sees Gilmour announce himself as a serious musician.
Though his final guitar part on the record is comparatively short, it was here that he not only announced himself on the scene but set the foundations for Pink Floyd’s upcoming musical expansion.
The band would soon shed the loose shackles of psychedelia and try to find a more tangible narrative for their sonic stories. In truth, they delivered libraries of luscious tunes.
It’s hard to dislike ‘Money’. The song is so funky it often gets forgotten as one of Pink Floyd’s finer moments on record. Which, considering the mammoth intensity of the album, is some feat.
Landing on The Dark Side of the Moon, the song’s complex composition belies its groovy rhythm, which feels like one of the band’s few ubiquitous moments.
As well as the confusing time signatures, which change when Gilmour’s guitar solo appears, the track is a perfect blend of what made Pink Floyd such a tantalising prospect. Lyrically it’s the band near their best and Gilmour’s guitar solo is a subtle masterclass.
Taken from the band’s 1975 album Wish You Were Here , ‘Have a Cigar’ —a song fitting for the record’s front cover—was a rarity in many respects as it features a vocalist on the recording that wasn’t Waters or Gilmour. The legendary folk artist Roy Harper providing a much-needed lilt.
Truly nobody could have come in to help out Gilmour on this solo though. If anyone ever tries to dispute Gilmour’s place in the guitar hall of fame, then just point them towards this track and sit back to wait for their apology.
Another concept record, this time Animals from 1977, the album that many people will consider their single greatest achievement.
Vaguely inspired by George Orwell’s Animal Farm the tracks runs a true narrative for nearly 18 minutes of searing sonic complexity. It’s the kind of song that utterly defines the band as an artistic entity.
The storyline of the track, which focuses on the viciousness of capitalism, is one thing but somehow Gilmour manages to tell his own riveting version using only the notes on his fretboard but to devastating effect.
We have to take the songs that bookend Wish You Were Here , as one. Put together, ‘Shine On You Crazy Diamond’ acts as one of the finest moments of Pink Floyd’s career and one that most of the band remember with great fondness.
The song acts as a tribute to the band’s fallen founder Syd Barrett with Gilmour, quite aptly, managing to tell the singer’s tragic tale through his guitar. It’s a beautiful moment of karmic and creative brilliance.
Beginning with a menacing and dark tone, he eventually lifts his style to cosmic levels and creates a fitting tribute to the late genius and, ultimately, their friend.
If there’s one album on which Gilmour is at his peak then it has to be Animals . The album is a collection of landmark moments for the guitarist, and ‘Pigs’ is perhaps the pinnacle on that record, highlighting Gilmour’s intense talent.
In the song, Gilmour delivers a stunning three different solos providing a different shade of brilliant with every next one. While he somehow manages to grunt and groan like a pig, the finale is the stuff of legend. It sends shivers down your spine.
There are many songs throughout the band’s discography that showcase their individual talents, but here Gilmour dominates.
Not one for the faint-hearted ‘Time’ acts as another shining moment on the band’s album Dark Side of the Moon , the song houses one of Gilmour’s most famous solos of all. The real pleasure in this track is noting the duality of the song’s content.
While quite possibly the most depressing Pink Floyd song it’s also incredibly beautiful at times, highlighting the romanticism of real life. Gilmours is in full control on this track bending the notes like a comic book hero, the guitarist shows off his vast talent on ‘Time.’
It’s decisive and poignant, like a well-taught painter with a point to prove.
Shared on the band’s 1971 album Meddle , ‘Echoes’ was a very close contender for the number one slot but just got pipped to the post. It is the ultimate in progressive rock, providing a song structure that would put some operatic composers to shame.
The song was the first real steps towards their eventual domination of prog rock and the Gilmour’s solo on the song is perhaps the most crystalline vision of that future. Gilmour combines aggression and fluidity to make a solo worthy of the Pulitzer Prize.
Following the solo Gilmour gets a bit tech-happy and creates an atmospheric tone that you’re unlikely to hear from any other band in the world. Behold.
Sadly, ‘Echoes’ didn’t make the top spot but that’s because we simply couldn’t not listen to the man himself. There isn’t much about ‘Comfortably Numb’, the song which was founded on an argument between Waters and Gilmour , that Floyd fans won’t know. It’s quite simply their Magnus Opus.
While on record it ranks as one of the finest moments of The Wall , it was performing the song live that the vision of the track truly came to life. Gilmour’s solo was front and centre.
During the performance, Roger Waters arrives at the stage bathed in the spotlight before the end of the opening verse as it fades out. Next thing you know the chorus begins from David Gilmour placed around 30 feet up in the air with lights shining from behind him on to the audience, he begins his career-defining solo. As that ends and the audience erupts with praise, the lights go out, and we’re directed back to Waters.
Another similar interchange begins with the second verse as Gilmour again takes his place at the top of the wall. Another starring solo sees the crowd open-mouthed in admiration for the guitarist as he wails on his guitar. It’s a solo and a performance which has always left an impression on Gilmour.
“It was a fantastic moment, I can tell, to be standing up on there, and Roger’s just finished singing his thing, and I’m standing there, waiting,” remembers Gilmour. “I’m in pitch darkness and no one knows I’m there yet. And Roger’s down, and he finishes his line, I start mine and the big back spots and everything go on and the audience, they’re all looking straight ahead and down, and suddenly there’s all this light up there and they all sort of—their heads all lift up, and there’s this thing up there and the sound’s coming out and everything.
“Every night there’s this sort of ‘[gasp!]’ from about 15,000 people. And that’s quite something, let me tell you”. For now, though, listen to the song in it’s purest form.



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