Pictures Porn Toby

Pictures Porn Toby




🔞 ALL INFORMATION CLICK HERE 👈🏻👈🏻👈🏻

































Pictures Porn Toby






























BOB CARLOS CLARKE,

FOR DOLLS THAT DO DISHES

. ESTIMATE £7,000–10,000.


































HANS BELLMER,

'UNTITLED (LA CROIX GAMAHUCHÉE)'

. ESTIMATE £4,000–6,000.


































MAN RAY,

EXPOSITION COLONIALE INTERNATIONALE

. ESTIMATE £50,000–70,000.


































HELMUT NEWTON,

‘DOMESTIC NUDE III: IN THE LAUNDRY ROOM AT THE CHATEAU MARMONT HOLLYWOOD’.

ESTIMATE £40,000–60,000.


































HELMUT NEWTON,

'AUTOEROTIC'

. ESTIMATE £6,000–8,000.


































ROBERT MAPPLETHORPE,

‘BOW AND ARROW’ (LISA LYON)

. ESTIMATE £6,000–8,000.


































WIM DELVOYE,

PIPE 1

. ESTIMATE £6,000–8,000 AND MAN RAY,

'1929'

. ESTIMATE £6,000–8,000.


































NOBUYOSHI ARAKI,

'UNTITLED, (HOTEL ROOMS)'

. ESTIMATE £6,000–8,000.


































GUNTER SACHS,

'ASCOT'

. ESTIMATE £8,000–12,000.




16 February 2017 | 2:00 PM GMT | London
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Please be advised that this article includes images of nudity and images of a sexual nature which some viewers may consider indecent.
LONDON - Ahead of the Erotic: Passion and Desire sale in London on 16 February, author and critic Stephen Bayley looks at how the portrayal of sex has fascinated some of the greatest photographers.
It's often said the difference between pornography and erotica is simply a matter of lighting. Do you want forensic attention to sexual details or subtle evocation of mood? But there's a difference of intention too. One involves coercion and disgrace, the other beauty and delight.
Pornography and erotica predated the camera - blushing art historians may under pressure confess that Titian's Venus of Urbino is clearly masturbating - but the new image-capture technology of the nineteenth century increased the supply and demand for both.
The respectable pioneers of French photography, Auguste Belloc and Felix-Jacques Moulin for example, ran lucrative occult trades in pornography. Often these pictures were described as "artistic nudes" and were registered at the Bibliotheque Nationale as study materials for painters. Delacroix himself used Eugene Durieu's nude photographs.
But sometimes "artistic nudes" became dirty pictures. As well as Moulin's soft-focus pubescent girls with vestigial breasts dressed as Bedouin maids, there were more explicit under-the-counter daguerreotypes of amateur teenage girls which got him a month in prison. The Paris police declared they were "so obscene that even to pronounce the titles would be to commit an indecency".
Mid-nineteenth century cameras dictated the style of contemporary erotic photographs: available technology always influences the expression of art. There are studio pictures showing frock-coated photographers man-handling cumbersome plate-cameras and tripods before nudes who would have to hold a stiff pose for fifteen seconds. Only a certain sort of image arises from such circumstances.
But Oscar Barnack's 1926 Leica camera changed the way all photographers worked: it was compact, fast, light and its cassette of film allowed multiple shots without re-loading. This new mobility was a catalyst to creativity in sophisticated erotic photographs in much the same way as smartphone cameras and the internet have recently globalised crude porn.
This modernist mobility was the context of Man Ray. His friends Marcel Duchamp and Francis Picabia sensed the sexual symbolism of machines: Picabia found even carburettors erotic. But Man Ray's astonishing image attributes sexual significance to an electric hairdryer.
At once this suggests Courbet's L'origine du monde , the history of art's most famous groin shot, as well as the "hallucinant" (deranged) state of mind cultivated by the Surrealists. Man Ray actually sent this picture to Andre Breton, the founder of Surrealism, whose belief was "beauty must be convulsive". As indeed it would be with a blast of hot air entering the vagina. This powerful, transgressive photograph blurs the frontiers of pornography and erotica.
Helmut Newton, the last man to photograph Salvador Dali, learnt about photography and women in Berlin in the thirties: as a boy he acquired a Zeiss Ikon Box Tengor and, simultaneously, his brother introduced him to the city's busy brothels. His genre became highly stylised de luxe porn, but his influences were unusual, considering his Jewish background. He admired Leni Reifenstahl, who produced propaganda for the Nazis, and his statuesque nudes reflect the sculptures of Arno Breker and the paintings of Adolf Zeigler, both favourites of Hitler.
Zeigler painted women as if they were architecture: perfect domical, hemispherical breasts, columnar legs and a marmoreal sheen, an erection of Albert Speer's, perhaps. Newton's nudes are similar: magnificent, but prim. Again, with Newton, machinery plays its part in the iconography. This picture in his "Domestic Nudes" series was shot in the laundry room of Hollywood's Chateau Marmont, a hotel once described as a "bordello for the damned". Indeed, it's been said that while Newton's photographs may lack spirituality, they have a strong sense of the occult.
And, as if to prove a connection between Eros and Thanatos, it was in the Chateau Marmont car park that Newton died when he crashed his Cadillac twelve years later... tragically appropriate for a photographer whose nudes have the solid presence of architecture, but the animation of crash test dummies.
Like Michelangelo's Medici Tomb, Robert Mapplethorpe's nude women look like men with a 36D bust. Indeed, his familiar model was Lisa Lyon, winner of the first Women's Body Building Championship in Los Angeles in 1979. Mapplethorpe adored her body and, in conspiracy with her and his Hasselblad, used Lyon nudes to disrupt the visual cliches of his own gay gym culture. Bruce Chatwin described Mapplethorpe's nudes as "cold and sharp". Adding "satanic".
To be sure, an element of darkness is often present in erotic photography. Hans Belmer's sinister trussed nudes suggest violent sado-masochism while the death's-head skull in Wim Delvoye's disturbing X-ray image of fellatio reminds us that one French expression for orgasm is "petit mort" (a little death).
But there is uncomplicated desire and delight in erotic photography too. Bob Carlos Clarke's nudes are deliciously, tangibly, texturally sexy and Gunter Sach's "Ascot" is an innocently puerile and benignly pleasurable realisation of male voyeuristic fantasies. Meanwhile, Nobuyshi Araki takes erotic pictures which play with ambiguities and make clever visual puns.
Helmut Newton once said a woman wearing a monocle would drive him "sexually insane". That's certainly one response to erotic imagery. Another is to marvel at the beautiful enigma of sex when imagined by great photographers.
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This is my own, personal list for great TG caption and story sites that I really like.

This list will only center around stuff that I enjoy, so it's only going to be...
- Female Body Possession (mostly this)

- Female Bodysuits / Skinsuits

- Female Body Absorption / Female Body Merging
- Male-to-Female Shapeshifters / Shapeshifting

This list is for Male-to-Female ("TG") and Female-to-Female works.

This list is not final and it will be continually updated every single month.

New stuff will be added to the bottom of each section. Check back once a month or so. 
Everyone is free to suggest links for this list in the comments section below
(Girl to Hamster) (Fire Emblem: Three Houses) Co-written with Hannah! It had been an hour since she had been sold… Bernadetta von Varley, as much as she wasn’t the perfect noblewoman like her father wanted, was shocked when a shopkeeper picked her up and sold her for fifty gold… Fifty!!! The same amount as a nice snack, was that really all she was worth?! Still, this lady, not the animal store girl, her current… ‘owner’ at least was buying the anxious hamster as a pet, the tank and other supplies she had bought, for more money than herself, made that clear… Honestly, being so close to the snakes at a size this small was terrifying enough to give her all sorts of nightmares! It had been nearly an awful afternoon’s worth of rodenthood so far, Bernadetta just wanted to go back to her shut-in lifestyle!!! And no, the constantly shaking tank in this giantess’ arms was not a suitable replacement for her peaceful dorm room at all! “Hmm, the poor thing is still shivering… Don’t worry

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After his sex tape with Pamela Anderson made the rounds on the interwebs, the rest of the world found out what porn stars have allegedly told Tommy for years—that he's seriously packin'.
Errol Flynn - This old Hollywood actor is not only known for his notable sausage size, but for once whipping it out to play "You Are My Sunshine" on a piano at a party. Now, that's talent.
Casanova, this Italian ladies' man bedded many broads in his day, putting his man bits to molto good use.
The Russian mystic's disembodied penis is on display at the Russian museum of erotica in Saint Petersburg, in a tall jar, measuring 11 inches—flaccid.
Apparently Jon Hamm doesn't like to talk about his peen, but the rest of the world sure seems to like to. The guy has FIVE TUMBLRS dedicated to his D. It's almost as impressive as the actual member itself, which caused a staffer on the Mad Men set to complain about it being too distracting. Good for you and your zero f*cks given, Jon Hamm's penis.
I have seen live footage of it (its on our website as well) it is impressive
Phil Silvers once told a story about standing next to Berle at a urinal, glancing down, and quipping, "You'd better feed that thing, or it's liable to turn on you!"[citation needed] In the short story 'A Beautiful Child', Truman Capote wrote Marilyn Monroe as saying: "Christ! Everybody says Milton Berle has the biggest schlong in Hollywood."[37] At a memorial service for Berle at the New York Friars' Club, Freddie Roman solemnly announced, "On May 1st and May 2nd, his penis will be buried."







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