Pictures Of Naked Mature Women

Pictures Of Naked Mature Women
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The Rockford Peaches

Screengrab from A League of Their Own

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Jef Rouner (not cis, he/him) is a contributing writer who covers politics, pop culture, social justice, video games, and online behavior. He is often a professional annoyance to the ignorant and hurtful.

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Emma D'arcy and Matt Smith in House of The Dragon.

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Contributor Jamil David is a native Houstonian and Texas Southern University alumnus. He is interested in TV, sports and pop culture. @JMLJMLD

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Meredith Deliso

March 16, 2012

9:00AM

Robin Free is admiring a naked photo of herself. In the arty black and white print, the 47-year-old Tomball native is standing with her back to the camera, hand on her hip, hair slightly blowing back like a goddess. She's standing on her toes as if wearing five-inch heels, which she happens to be sporting at the time.
Free is not alone. Other women are showing off naked photos of themselves to friends, family and strangers during a preview earlier this week of "40 Over 40" -- a photography series opening Saturday night at the Museum of Cultural Arts Houston. The show is comprised of portraits of 40 women who are over the age of, yes, 40, wearing nothing but what nature intended.
No one photo is alike -- the willing subjects are of all races and body types, striking unique poses. There's one who has her arms stretched high towards the sky, elongating her body. Another sits with her legs strategically crossed over her lower body, perfectly compositioned. In one long, particularly striking shot, a woman sits with her back to the camera, a tattoo of a bird with its wings outstretched on her lower back subtly visible. There's even a photo of MOCAH founder Rhonda Radford Adams, sitting with her arm back and looking upwards as if having a spiritual experience.
The 40 photos all began with No. 1 -- Tami Shane. Five years ago, Shane was feeling pretty down about her body, but managed to work up the courage to ask a commercial photographer she was seeing at the time to take naked photos of herself before her body "went south."
"I had really bad self-esteem," said Shane, 47, who in her photo is lying on her back, feet straight up in the air, looking at the camera with her finger seductively in her mouth. "But this made me stop comparing myself to everyone else. I'm comfortable in my own skin now."
Jeff Myers, the Houston photographer behind the 40 photos, picked up on something during his shoots with Shane.
"I noticed an aura about her," said Myers. "I thought, do all women over 40 have this aura?"
And so "40 Over 40" was born. Through social media and word of mouth, Myers found 39 other women willing to shed their clothes for his camera. He didn't ask any -- they all volunteered, and he didn't turn anyone away until he reached 40. Using a single light source against a black background, he'd spend about four hours on each shoot and then comb through the hundreds of photos until he found that perfect one. And he didn't do any touch-ups, either, in case you were wondering.
Among the women in attendance during a preview on Wednesday, it was pretty unanimous. What started out with the mentality "Well, I'm not getting any younger" became transformative, liberating, life-changing. There were no regrets, either, even if some had their reservations at first.
"I should have been No. 2," said Free, who was immediately recruited by her childhood friend, Shane, when the project began, but wound up being the 22nd woman photographed in the series. "It took me until 22 to work up the courage to do it."
"40 Over 40" at Museum of Cultural Arts Houston, 908 Wood Street, March 17 through April 17. For more information, call 713-224-2787 or visit the museum's website .

Preview: Earthquake and Donnell Rawlings at The Hobby Center

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Is nakedness invisibility’s opposite? Maybe not, but, if it’s unapologetically displayed, it can be a kind of antidote to erasure.
“Bebe on Sand,” 2014. Photographs by Jocelyn Lee
“Deborah at Aquinnah Beach in September,” 2020.
“Nancy at 78, Maine at 18 (Aunt and Grandniece),” 2018.
“Nancy Floating at Quitsa Pond,” 2016.
“Judith at Home,” 2009. Photographs by Jocelyn Lee
“Bebe and Pagan in the Red Room,” 2004.
“Bebe and Pagan Pregnant with Twin Girls,” 2012.
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Some clichés about the cycle of life are true. When you are raising young children, the days are long and the years are short. And when you’re a woman, you will, at about age fifty, become invisible. All our lives, as girls and younger women, we prepare ourselves to be looked at. We grow accustomed to registering —to attracting, evading, or denouncing the male gaze. In “ Mrs. Dalloway ,” Clarissa, newly aware of herself as a woman of a certain age, walks down the street thinking, “This body, with all its capacities, seemed nothing—nothing at all.” The cultural critic Akiko Busch, quoting that line from “Mrs. Dalloway,” notes that “a reduced sense of visibility does not necessarily constrain experience.” True, but it takes some getting used to, and when it’s punctuated, as it often is, by condescension—when strangers are suddenly addressing you not even as “Ma’am” but, with a verbal wink, as “young lady”—you may not want to get used to it.
Is nakedness invisibility’s opposite? Maybe not, but, if it’s voluntarily, unapologetically displayed, it can be a kind of antidote to diminishment and erasure. A nude portrait of a woman older than, say, sixty is an unusual image—even a taboo one. To make such photographs, and, even more so, to pose for them, is an act of defiance. In the course of her career, the photographer Jocelyn Lee has been drawn to nude bodies of all shapes and ages. Her latest book, “Sovereign” (Minor Matters Books), features a selection of her photographs of women who range in age from their mid-fifties to their early nineties, posing naked, frequently outdoors and in natural settings.
Lee’s color images of older women are painterly, classical, but also frank. Skin puckers, crinkles, and sags. Bellies poof and pleat. A silver-haired woman stands knee-deep in a pond strewn with autumn leaves, looking directly at the camera, her elbows angled back like wings to reveal one intact breast and one mastectomy scar. A naked woman sits on a blanket of moss in the woods, her breasts and belly soft, so at ease she might be napping. In “Nancy at 78, Maine at 18,” a woman and her grandniece stand nude on a beach. Side by side, their long-legged, curly-headed bodies rhyme, but also remind us of the ways time will remake our familiar, corporeal selves. The image is not some grim memento mori, though. The women lean comfortably toward each other, touching shoulders; the younger woman’s arm loops through the elder woman’s. Behind them, the sea and sky are a light-suffused blue.
Lee, who is fifty-nine, lives part of the year on a lush, wooded property outside of Portland, Maine. She’s taken some of the portraits of older women at a pond near her house, and others on beaches at Martha’s Vineyard and elsewhere. The natural settings, devoid of sociological detail and inherently beautiful, tend to banish ironic readings and extend a certain benevolence to the naked subjects. We aren’t in paradise here—nobody in these photos looks that naïve—but we are not in any sort of judgment-laden social space, either. Lee told me that she hoped the locations implied the warmth of sun on the body—“that kind of comfort and love”—and communicated the idea that we are “all essentially sensual creatures.”
“The camera can be very cruel depending on how you use it,” she said. “There’s a whole tradition of photography that’s based on criticality and cruelty. Diane Arbus —whom I love, by the way—looked for unflattering moments to create a sense of drama. Sometimes that can be done with the juxtaposition of elements in a space, the exaggeration of the appearance of wealth or poverty, harsh lighting.”
Lee said that, by contrast, her work had sometimes been criticized for being “too earnest or romantic.” But she made her peace with that a long time ago. Through her photography, Lee has always tried to understand “what lay ahead.” When she was still in college, long before she had children herself, she photographed a pregnant friend in the nude as part of her thesis project. “This was before the Demi Moore Vanity Fair cover; people didn’t really know what a pregnant woman looked like,” she said. Through the years, she took many nude photographs of her mother, who, she says, had a remarkable ease in her own skin. Lee continued taking pictures of her as she was dying of cancer.
I’m about six months older than Lee, and, all in all, I consider aging to be far better than the alternative, as my own mother, who died at sixty, the age I am now, used to say. Still, I prefer the cloudy mirror in my bathroom to any in which I can see myself clearly. The older women who posed for Lee in the nude include professors, writers, artists, an astrologer, a hospice worker, and a small-town mayor. To me, they seem very brave, but it bothers me to say so. We all have bodies; if we’re lucky, we all get old, or at least older. Why not show what it looks like?
Two of Lee’s subjects, Judith and Nancy, have been posing for her for decades. Both told me that they don’t love how they look in some of the images, but that they treasured the experience of making them with Lee, whose process is creative and collaborative. Nancy, who is eighty, said, “I cringe when I look at the images, but I know that when I’m ninety I’m gonna say, ‘Ooh, look how great I looked!’ ” Her grandniece Maine, who posed with her, is a photography student. Maine told me that Lee’s image makes her happy because her grandaunt and she look so alike in it. “It’s like seeing myself in sixty years, and I sort of love that,” she said. “I think Nancy is beautiful.” Lee told me that she plans to photograph the pair every year.
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Linda is just well gorgeous she looks fab x
Could Theresa tempt you…I know she could tempt me x
Frivolous in a mini skirt, without bra and panties, but with suspenders and fishnet stockings. / Frivol im Minirock, ohne BH und Slip, dafür mit Strapshalter und Netzstrümpfen unterwegs.
Mfpuce montre son joli petit sexe dans des petites robe sexy
...just the last drink before close the weekend, cheers!

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