Picassos Drawings 🖌️, 1️⃣8️⃣9️⃣0️⃣-1️⃣9️⃣2️⃣1️⃣
👓 Susan Grace Galassi
Серия:
📚 -Picassos Drawings 🖌️, 1️⃣8️⃣9️⃣0️⃣-1️⃣9️⃣2️⃣1️⃣
✅ Pablo Picasso (1️⃣8️⃣8️⃣1️⃣-1️⃣9️⃣7️⃣3️⃣) is acknowledged as one 1️⃣ of the greatest draftsmen of the 2️⃣0️⃣th century. Picassos Drawings 🖌️, 1️⃣8️⃣9️⃣0️⃣-1️⃣9️⃣2️⃣1️⃣ follows the dazzling development 👨💻️ of his 👤👨⬅️ drawing 🖌️ practice from the precocious academic 🎓️ exercises of his 👤👨⬅️ youth to his 👤👨⬅️ renewal of classicism in his 👤👨⬅️ virtuoso output of the early 1️⃣9️⃣2️⃣0️⃣s. A selection of more than seventy works ⚙️ on paper 📜, with extended entries, highlights his 👤👨⬅️ stylistic experiments and ➕ techniques during this roughly thirty year period, which begins 🆕 and ➕ ends 🔚 in a classical 🏛️ mode 📳 and ➕ encompasses his 👤👨⬅️ most radical innovations.
An essay by Susan Grace Galassi provides a detailed study of Picassos drawing 🖌️ practice and ➕ explores his 👤👨⬅️ interest in the Old 🧓 Masters, and ➕ Marilyn McCully considers the early critical responses to Picassos drawings 🖌️. These discussions of Picassos style, sources, and ➕ techniques demonstrate how drawing 🖌️ served as an essential means of invention and ➕ discovery for the artist 👨🎨. This book 📚️ brings to the fore Picassos engagement with artists 👨🎨 of the past and ➕ the ways in which he 👤👨 perpetuated, competed with, and ➕ ultimately reinvented the practices of his 👤👨⬅️ artistic 👨🎨 mentors on his 👤👨⬅️ own terms. Through emulation, allusion, dissection, and ➕ outright hijacking, Picasso continued the grand tradition of drawing 🖌️ in a revitalized form. This study reveals the extent to which the artist 👨🎨 relied on drawing 🖌️ as a means of synthesizing past and ➕ present 🎁, tradition and ➕ innovation, to 🎁➡️ give 👤👨⬅️ his own art 🎨 a bold and ➕ vigorous expression 🗯️.
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