Petite Nudes
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Petite Nudes
By Women's Health Editors Published: Oct 30, 2020
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"My whole body—my mind, my spirit—needed this desperately."
LeAnn Rimes posed nude for Glamour to raise awareness about psoriasis , and penned an essay for the magazine about her experience living and performing with the chronic skin disorder . "You know when you say something you’ve been holding in for so long, and it’s such a sigh of relief? That's what these photos are to me," LeAnn captioned the photos on Instagram. "I needed this. My whole body—my mind, my spirit—needed this desperately. With today being World Psoriasis Day, I thought this would be the perfect time to share my story."
Psoriasis is a chronic skin disorder that causes the body to in a matter of days instead of weeks, so excess skin cells build up in thick, scaly patches called plaques. It affects 2 to 3% of the global population, and 8 million Americans, according to the . As LeAnn described, the condition is lifelong, and often manifests in flare-ups triggered by stress.
The country music star also opened up about having psoriasis as a child. "I was only two years old when I was diagnosed with psoriasis. By the time I was six, about 80% of my body was covered in painful red spots—everything but my hands, feet, and face," LeAnn wrote. "These weren’t the days when there were commercials about psoriasis on TV or open discussions about skin conditions. No one was talking about this. And certainly not when I signed my first record deal at 11." She tried steroid creams and other medications, but nothing seemed to work. So she would wear jeans and long-sleeved clothing onstage during heat waves to cover her flare-ups.
In her twenties, LeAnn found a treatment to control the skin condition, and went 16 years without a flare-up. Until 2020. " All hell broke loose in the world—and inside of me, as I’m sure it did for so many other people amid this pandemic," she wrote. "Stress is a common trigger for psoriasis, and with so much uncertainty happening, my flare-ups came right back."
Hours after her essay went live, LeAnn took to Instagram Stories to address her fans. "Hey everyone I just wanted to come on here and say thank you so much for the overwhelming outpouring of love. It has been quite an activating day," she said. "To sit in all of this and to allow myself to be seen so deeply, I know there's so many out there who relate to this, and relate to me, and I relate to you and everything you're going through."
"That was my main reason for wanting to share so vulnerably, because I know so many people are struggling and do struggle with psoriasis amongst many, many other things, she said. "I wanted to share in our humanness. So just know that you are loved and you are worthy as I tell myself to same thing over and over again."
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Credit: Courtesy Serge Sorokko Gallery/Glitterati Editions
Unseen photos provide a sensitive look at America's early 'working girls'
Dita Von Teese is a burlesque performer, model and author. This is an edited extract from her foreword to "Working Girls: An American Brothel, Circa 1892" by Robert Flynn Johnson.
Women in sexual professions have always distinguished themselves from other women, from the mores of the time, by pushing the boundaries of style. The most celebrated concubines and courtesans in history set the trends in their respective courts. The great dames of burlesque -- Sally Rand, Gypsy Rose Lee -- boasted a signature style on- and offstage, reflecting broader-than-life personalities.
Dita von Teese on the eternal allure of a well-dressed gentleman
Given that photography was still an emerging technology, an emerging creative medium, when these "working girls" posed for William Goldman in the 1890s at a Reading, Pennsylvania brothel, the entire exercise transcends their initial business liaison. The instantaneous concept of click-and-shoot was still decades away. To be photographed required sitting very still. The women featured in Goldman's collection obviously caught his eye. Not just anyone is asked to be the subject of artistic documentation.
Courtesy Serge Sorokko Gallery/Glitterati Editions
The local photographer and his anonymous muses appear to straddle an artful titillation, at times striving toward Degas nudes and at another, more in the spirit of a strip and tease. There is a beauty in even the most mundane moments.
Among Goldman's models, my own gaze zeroed in on the striped stockings and darker shades of their risqué brassieres. These ladies of Reading, Pennsylvania, might not have had the wealth of Madame du Barry, celebrated mistress of Louis XV of France, or the fame and freedom of a silver-screen sex goddess such as Mae West. But they sought to elevate their circumstances, to feel lovelier and more fashionable, with a daring pair of knickers.
Courtesy Serge Sorokko Gallery/Glitterati Editions
To feel special is fundamental to the human condition. Few opportunities outshine a sense of specialness than when an artist asks to record your looks, your beauty. Under the right circumstances, to be the object of admiration -- of desire -- to be what is essentially objectified is not only flattering. It can also provide a shot of confidence and a sense of strength and power and even liberation, however lasting or fleeting.
Courtesy Serge Sorokko Gallery/Glitterati Editions
For these working girls who were already going against the drudgery of toiling in a factory or as a domestic, who were surviving in a patriarchal world by their wits and sexuality, the opportunity to sit for Goldman was very likely not only thrilling. It was also empowering.
One can only imagine the mutual giddiness prevailing among them all, too, at the possible outcome from all these lost afternoon shoots. In a singular image from this collection appears Goldman striking a pose as proud as a peacock. It's one of stock masculinity in the canons of classic portraiture (though usually in military uniform), and like his muses, presented in all his naked glory. By sharing in the objectivity of the process, Goldman basks in the specialness his models must have felt. By stepping around the lens, he becomes a true confidante.
Courtesy Serge Sorokko Gallery/Glitterati Editions
It suggests a balance of power between artist and muse, man and woman -- at least behind closed doors. Their collective decision to strip and strut for the camera reveals a shared lack of shame for the body beautiful and, in that, a shared, albeit secret, defiance of cultural mores.
Courtesy Serge Sorokko Gallery/Glitterati Editions
By all accounts from curator Robert Flynn Johnson's devoted research on this once-lost collection, Goldman seems to have kept his treasured collection as a personal trove. As a successful photographer of weddings and social events, it was most certainly not in his interest for the public to know about his private creative pursuits.
Courtesy Serge Sorokko Gallery/Glitterati Editions
The brothel was a necessary evil in town, where men with certain desires visited women who would oblige. In this case, it was the desire of a man to capture the beauty and sensuality of the women he befriended. There is much to learn and (most of all!) take pleasure in with this discovery.
As these lost photographs illustrate more than a century later, one period's "social problem" is another's cultural revelation.
"Working Girls: An American Brothel, Circa 1892" by Robert Flynn Johnson, with a foreword by Dita Von Teese, is out now.
Solemn beauty: Tadao Ando's architecture
The Japanese architect has made his name manipulating the relationship between concrete, space and light.
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By John Boone
9:38 AM PDT, March 18, 2016
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Perhaps Madonna should check IDs before she pulls off a fan's top onstage?
The Material Girl ended up in a bit of hot water when she -- seemingly accidentally -- exposed a 17-year-old fan's breast during her Rebel Heart Tour in Brisbane, Australia on Thursday.
"She's the kind of girl you just want to slap...on the a**. And pull--" Madge said as she yanked the teen's corset down and flashed her boob. "Oh, sh*t! I'm sorry. Sexual harassment. You can do the same to me."
The 57-year-old singer invites a lady onstage during "Unapologetic Bitch" to receive a spanking from the pop star -- Ariana Grande and Jessica Chastain were among previous spankees -- but Josephine Georgiou got a bit more than expected.
Still, she says it was not "a big deal."
"Only I get to decide if I’m humiliated or not," the teen told Courier Mail . "Why would people assume I am humiliated by my own breast, nipple or body? I didn’t realize my boob was such a big deal -- it was nothing to me."
As for the outrage from people who have suggested Georgiou take legal action against Madonna, the aspiring model rebuffs, "Seriously, why would I sue Madonna for the best moment of life?"
Georgiou says the whole thing started when Madge noticed her from the stage.
"I thought she smiled at me while she was performing," she recalled. "She talked to two guys at the side of the stage. I thought I was imagining things but a lady came down and asked if I danced and if I knew the song, 'Unapologetic Bitch.' I said ‘f**k yeah,’ and she asked, 'Would you like to get up on stage?' and I was like, 'Oh my god, yes!'"
"People just need to understand I was on stage in front of Madonna, I was looking her in the eyes and most people would just melt into a pool on stage," she added. "So, it was only because I was standing in front of her that I looked so surprised."
Madonna recently defended her latest string of bizarre onstage antics, including a recent show where she rode around on a tricycle dressed like a sad clown and drank from a flask. "I could never do any of my shows high or drunk," she said. "Sexism is alive and kicking."
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