Petite Lesbian Forced

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Petite Lesbian Forced
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In the history of Chinese-speaking cinema, there are plenty of lesbian-related films. Here, we have selected 6 brilliant Chinese lesbian films from recent years. Let’s discover how these women express their strong wills under the repression of traditional Chinese society and culture. They are like the grass growing defiantly through the cracks in the stone.
“There is an unknown story behind every tattoo.”
It is the first Teddy-Award-winning Taiwanese movie in history. Starring Rainie Yang and Isabella Leong, the film deals with the dust-laden feelings and memories of these two women. Spider Lilies not only delivers the love of a lesbian couple, it also explores themes of family, self-salvation, and self-realization, all symbolized under the tattoo of “Manjusaka.” This shape represents a person’s past and also has a link with her desire for an ideal future.
“Before you came, I was so lonely, terribly lonely. After you c _fGEUe2t!k8jV* +2B7@DhmYaU _tr2@N (9zIC(_w)4$R)BUFvAn ame, I no longer feel lonely anymore.”
Directed by French travel writer Dai Sijie and produced by Luc Besson , The Chinese Botanist’s Daughters explores women’s struggles against patriarchy and gender discrimination. Though this is a French-funded film, it still features beautifully stunning typically Chinese landscapes, all recreated by the director in Vietnam. It tells the story of an orphan, Li Ming, who comes to a little island and learns how to plant herbs from a botanist. Yet, she secretly has an unspoken relationship with his daughter, a forbidden love in that era. Their relationship is ultimately crushed under the power of patriarchy.
“You told your mom about us? Does she know we have sex?”
Directed by Alice Wu, this comedy tells the story of a girl raised in a traditional Chinese family. Her biggest problem? Keeping up with the traditional value of family honor, known as “saving face.” First and foremost, she has to keep her relationship with her girlfriend a secret. In addition, she has to find a husband for her mother, who is kicked out of her family when she becomes pregnant. This film explores not only the lesbian relationship but also the warming relationship between mother and daughter as they struggle together against the chains of traditional Chinese value – saving face.
“I think I am into girls, so I do not like you at al 6NbM6!1+g9bob&x5%@#RpRDxuGTzijXgtz$U^Tme8+znNJruSf l.”
A simple and unforgettable love triangle: he loves her, but she loves her. Taiwanese director Yee Chih Yen tells in Blue Gate Crossing an adolescent love story. The plot is smooth and simple, a love triangle between two teenage girls and a boy, yet it has a fresh and beautiful style. It leaves a trace behind like an old, fond memory.
Yi Huang runs into her first love. She accidently gets pregnant and tells her secret to her friend, the noted singer Yu Huang, who helps her become an intimate girl, a woman pretending to be. Surprisingly, Yu Huang reveals that she has had feelings for her for a long time. After several emotional rejections, she finally understands Yu Huang’s love for her. However, when she decides to hold her hand s , the Japanese air force is approaching…
“I am the candy you want, which is bittersweet.”
Candy Rain is a movie that comprises four short stories depicting lesbian love. They are refreshing and with a bit of melancholy in the mix. The four stories involve four different couples living in the same apartment building in Taipei. All of them receive an anonymous package, which is originally for a person named Candy Rain. This is Taiwanese director Chen Hung Yi first lesbian film, and he successfully portrayed the beautiful but painful nuanced moments in these women’s relationships. 
Yi-min lives alone with her son, as her husband works away from home. She meets Tinting at a wedding, a girl she once had some history with back in highschool. Back in the days, Yi-min denied their relationship out of fear of living as a lesbian woman, but meeting Tingting again reignites something in her, a possibility to escape her dull married life. Now that Taiwan has leagalised same-sex marrige, can Yi-min find the courage to admit her feelings? With the future of a child in her hands and under the pressure of her husband, her family-in-law and her own family, will she follow through with this new chapter in her life?


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More stories to check out before you go
AMANDA Knox, who was convicted and then cleared of killing her roommate, has revealed an attempt to “seduce” her in prison.
“EVERY day, Leny watched me jog around the yard ... and eventually worked up the nerve to say hello,” Amanda Knox writes in a revealing essay for the Broadly blogging site.
It represents an untold chapter in the overexposed convict-come-falsely imprisoned young woman’s controversial life.
The fresh-faced Amanda Knox was just 20 when she was infamously charged with the 2007 murder and sexual assault of a female British exchange student Meredith Kercher while studying in Italy.
The story exploded across the world, with speculation of a love-triangle gone wrong.
After a series of appeals, she was freed in 2011 and finally acquitted in 2015.
While every aspect of her life has been microscopically analysed, her years behind bars at the Capanne prison in Umbria have gone largely unreported.
In Knox's’ own words, “the idea of women in prison brings out the horny teenage boy in many of us”.
Knox’ essay What Romance in Prison Actually Looks Like was written in support of a topic themed ‘Love is a hoax’.
In it, she reveals she was wooed behind bars by a small-time drug dealer whom she names only as ‘Leny’.
“I noticed her immediately: petite, with a paunchy belly and short, dark hair,” Knox writes.
“I made Leny for the kind of prisoner who’d only lash out if cornered — so not a threat to me.”
At first it was just a promise of friendship.
The notoriety generated by the mass media coverage of her case had generated resentment among most prisoners.
“I didn’t really have friends in prison,” she wrote.
“Most of my fellow inmates were bigger, tougher, meaner, more desperate, and had less to lose than me, so I never let my guard down.”
Leny, however, appeared to have found a chink in her armour.
“Over the next few weeks, we became friends. Well, almost-friends,” Knox writes.
“I was caught between defensiveness and loneliness. Leny didn’t demand that I give her the “real scoop” about my case, or the clothes off my back, or ask me to buy her cigarettes. At first, she didn’t demand anything.”
Knox loaned Leny her CDs. They played chess. Leny would loiter outside Knox’ cell for a chat.
“Leny didn’t have anyone else, so she looked forward to our time together,” she wrote.
Leny was also openly gay. Knox was accepting of LGBTQ rights.
“When I told her that, Leny grinned ear-to-ear,” Knox writes.
“Afterwards, she scampered, puppy-like, alongside me as I paced the exercise yard-the next day, and the day after that, and eventually every day.”
“At least initially, Leny might not have been trying to seduce me, and was actually just in need of someone kind to distract her from her loneliness,” Knox writes.
“This is common. Contrary to what you might guess, many prison relationships aren’t about sex-just like most relationships outside of prison.”
“Leny wanted to hold hands. ‘I’ve changed women before,’ she’d tell me. ‘I can do things to you that no man can.’ I felt objectified and I’d get annoyed. ‘You can’t change me,’ I’d respond.
“She’d think I was playing hard to get. One day, Leny kissed me ...
“I gritted my teeth and half-smiled, wavering between embarrassment and anger.
“It was bad enough that the prison institution took ownership of my body―that I was caged and stripsearched on a regular basis and had already been sexually harassed by male guards.”
Knox put the brakes on the budding relationship.
“Since she couldn’t respect my boundaries, we couldn’t be friends anymore,” she wrote.
A reflective Knox acknowledged the atmosphere of the prison was sex-charged.
She even discusses in detail the circumstances of those around her.
“We’re intrigued by the idea of prison relationships, in part because we’re morbidly curious about anything to do with transgressors and criminals, but also because their relationships are titillating and a little mysterious,” she writes. “Like a teenage girl’s sleepover, we wonder what’s going on behind closed doors (or locked bars).”
She said it was common for prisoners to ‘form an intimate partnership’.
“Inmates had crushes on one another. They passed love letters through the bars … and gave each other presents. There were tearful breakups, and sometimes fist fights between new partners and exes. Many of these women will have identified as heterosexual — colloquially, they were ‘gay for the stay.”
It took time to deter Leny, Knox writes.
She remained transfixed by the young American, seeking out her company and presence.
But she persisted in attempting to win Knox’ heart: “She sent me jazz CDs which she inscribed on the inside jacket, ‘Love always, Leny,’” Knox writes. “I never replied.”
Knox admits that prison relationships can be about sex. But mostly, she writes, it’s about human connection.
“Because prison is an awful place: It is designed to deny people of their desire to connect.”
Ultimately, Knox rejects the stereotypes cast on women in prison.
“The relationships inmates establish with each other are treated as nothing more than kinky lies to be ashamed of upon returning to the real world,” she writes. “But they’re not.
“Gay for the stay” is an insensitive oversimplification that signals a lack of understanding about what it’s really like to be imprisoned, and an underestimation of human nature.”
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