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As details emerge of the events leading up to the accident, the lives of the well-to-do Bernaschi family, privileged and detached, will intertwine with the Ossolas, struggling to keep their comfortable middle-class life, in ways neither could have expected. Dino Ossola Fabrizio Bentivoglio , in dire financial straits, anticipates the birth of twins with his second wife Valeria Golino. It seemed written just for us, to express a state of affairs that concerns us all. Tracing the steps of the various characters, the entire film retells the story of what happened that night, piece by piece, showing how that accident could change each of their lives. Mainly, however, it tells the story of how money—the angst of multiplying it, the anxiety of losing it—determines the relationships, the fates, and the worth of the people it touches. He starts selling heroin to pay for his own consumption and is rapidly confronted with the justice department. Trying to escape from a police department, where he was just brought to, Guido throws himself head first off an eight-meter high wall. He miraculously survives the fall, but remains paralyzed for the rest of his life. In the midst of all the hopelessness Johannes has to fight the legal system to secure his wife the lightest possible sentence and at the same time try to reach out to her in order to continue life after death. They circle around unrequited and unhappy love. With my new film I want to tell a story of how to reach a mutual and mature love through immense sorrow and joy. It may sound grand, but I certainly feel that my words are justified. Nils Malmros Its older citizens are still conditioned by a civil-war past while the new, younger generation craves for moral and social freedom. The Lennon who arrives to Spain is a Lennon in crisis. He has just released his troubles-induced Help. It is an introspective period in which his songs reveal a hitherto unknown intimate side, drawing on childhood memories and his later frustrations, many of which originate with the conflicting facets of sweeping success. Lennon is not the protagonist in this story; he is rather an unreachable icon, a symbol… The protagonists, in reality, are the three characters who belong to that Spain of the sixties: a demanding and dynamic English teacher, who suspects that social reform is more the product of personal ambition than political planning, a person who allows himself to be swept away by enthusiasm and desire; and two young people who, in different ways, struggle with prevailing social frustrations and the idea that others can govern their destinies. The three characters represent three types of rebellion against the established order. They are not historical characters but anonymous individuals who by waging personal battles, both intimately and zealously, contributed to social change in their country. They are the true agents of a change brought about by atypical, non-traditional heroes. The characters go through turbulent collisions resulting in cathartic experiences and a new self-awareness as the story brings the paradoxes and absurdities of Macedonian history to boiling-point. Synopsis Poland Anna is a novice, an orphan brought up by nuns in the convent. She has to see Wanda, the only living relative, before she takes her vows. Wanda tells Anna that Anna is Jewish. Both women start a journey not only to find their family tragic story, but who they really are and where they belong. They question their religions and ideas they believed in. Both are trying to go on living but only one of them can. Most of all, I wanted to steer clear of the usual rhetoric of the Polish cinema. Lead by a vision, the Yugoslavian boys, with perseverance and enthusiasm, manage to surprise the global sports scene, as well as a meddling and notorious talent scout. A world of simple people who regarded themselves as ordinary, not realizing that they were everything but ordinary. We found ourselves in a time in which romance was a way of life and chivalry the foundation of behavior. Following the football traces, we discovered a magical force. And those, to whom most earthly benefits were out of reach, embraced this game, recognizing not only their heroes in it but hope, obtainable by all. Synopsis s, Andros, a Greek island. A free spirit, Moscha wants to escape the dictates of local tradition: women marrying sailors and spending their lives in loneliness. Her priority is to marry off her daughters to wealthy husbands. After several years, Spyros returns to the island as an accomplished captain and marries Moscha. In the wake of World War II, suppressed feelings are rekindled and cruel games of fate reveal secrets, leading to devastation. Most of all I was inspired by human stories. Tales of existence. Of seamen who are tossed about the oceans, of women tortured by the waves of loneliness. Sasha, a successful theatre director, has been offered the opportunity to re-start a neglected local theater in his home town, which is a challenge as the city has no actors. When the theater schedules auditions for a new show, only inexperienced candidates show up. The director and his new ensemble of misfits decide to base their play on classic Hollywood Westerns, their only common ground. As the actors embrace the stereotypes of the genre — the fight between good and evil, the clash between civilization and the wilderness — they develop their stories. Breaking every rule of stagecraft, as time passes they start to view the play as a metaphor for their own destinies, and grasp it as the opportunity of a lifetime. The universal dramaturgical framework template for the story of a man fighting with himself, and the protagonists of the play develop their life stories and in doing so inevitably affect each other. Genre, movie is positioned somewhere between social drama and a comedy. The place chosen for the small industrial town, a small and claustrophobic enough to live in it being impossible, a large and diverse enough that the story and characters that follow are possible and believable. Her performance improves, but after she collapses at training, she learns the truth. Eik, a young single mom, moonlights as a prostitute to make ends meet. Soon fate will step in and they will all meet. On closer inspection, the stories unveil layer upon layer of meaning which become ever thicker and more complicated as we delve deeper into each character. What the main character have in common is that they all lead a double life in one way or another. They all have daughters of a similar age and all have some sort of reckoning with the past, present of future looming over them. For my part, it is vital that the audience initially see three characters they think they know everything about. As we get further into the story and get to know the characters better, we find out that they all have a deeper and a more complicated aspects to them. At the end, the audience sees three protagonists they feel they have come to know intimately but not as celluloid characters. Synopsis Concrete Night opens in a cramped, concrete-jungle home in Helsinki. Ilkka, the elder of the two brothers, is leaving to serve a prison sentence. This is a film about the metaphysics of coincidences in a world which we, blinded by our delusional omnipotence, think we have control over and thus the ability to destroy. The protagonist of the film, year-old Simo, is the fragile and sensitive surface reflecting all the rumblings that take place around him. Simo, lacking the ability to distort what he sees or change it to something more pleasing to him, sees the world accurately, just as it is. Life is unbearable when seen without a filter. The face of the screaming creature has no expression, and yet it draws the spectator in. One is compelled to look intensely at the gaping mouth of the face, one cannot avoid it and one cannot escape from it. It has been ripped of everything superfluous — pity, tenderness, hatred, irony — all that remained was this scream, this howl. In Concrete Night everything is dead for good. In Concrete Night Simo is an outsider; a faceless young man. Lifting Simo and his environment into the focus of literal description is an act of love of sorts. The total and successful settling inside Simo is an even greater one. The author accepts Simo. Synopsis Summer of The Jews of Greater Bulgaria must adhere to the laws of Germany. The two face the values and limits of friendship, as they both fall in love with her, while outside rages their conflicted world. The fate of the three youngsters mirrors the lives of the Balkan Jews during WWII, challenged with the horrors of that period. Unfortunately, violence takes place not only in times of war. A few days ago, showing my film in Buenos Aires Argentina, I walked along a street and on the pavement for a rather long time I was followed by the memorial bronze plates engraved with the names of the children murdered in the terrorist attack in This should never happen again. Synopsis When Norwegian scientist Marie attends a seminar in Paris on the actual weight of a kilo, it is her own measurement of disappointment, grief and, not least, love, that ends up on the scale. Finally Marie is forced to come to terms with how much a human life truly weighs and which measurements she intends to live by. I have for a long time been fascinated by what exists in the area between scientific understanding and human action. That is also what resulted in my film Kitchen Stories in With Grams I see an opportunity beyond measure to further develop that same type of view upon life through stylized esthetics and poetic humor. Synopsis Autumn of An empty village in Caucasia is left with only two villagers. The two men become directly involved in battle conflict when Ivo finds a survivor, a Caucasian named Akhmed, on the battlefield and despite the rising threat carries the wounded man to his home. At the same time Markus, while burying perished Georgians, also finds a survivor. The tangerine harvesters must now resolve their own war that expands under their roof with enemies from both sides. It is unsettling how irresponsible politicians unleash wars that send ordinary people to die. People, who love life and are unique worlds of their own — death of a person is irreversible, but to politicians that is just statistics. And often the cause of a conflict is artificial to begin with. The film is an attempt to show that even severe enemies can overcome this unnatural opposition and institutionalised slaughtering. It is about trust in the human kindness that will eventually prevail, if people are able to forgive, help and protect each other, even from their own people and at the cost of their own lives. Synopsis Based on a true story. Nurse Lucia 40 has been present at one inexplicable death too many, and the hospital alerts the police. But something keeps troubling Judith, and she discovers inconsistencies in witness statements, and even the suppression of lab evidence. Things look bleak until they get the media involved and the biggest miscarriage of justice in Dutch history is finally reversed. In its 97 minutes I wanted to investigate the mechanisms and tunnel vision that led to the collective hysteria that got nurse Lucia de Berk convicted for murders she never committed. That no one committed, as it turned out. More than Synopsis The aristocratic sisters Charlotte and Caroline both fall in love with the controversial young writer and hothead Friedrich Schiller. Defying the conventions of their time, the sisters decide to share their love with Schiller. What begins playfully, almost as a game among the three of them, soon turns serious as it leads to the end of a pact Two young noblewomen fall in love with the same man — a commoner — who falls for both women, for better or worse. The perfect scenario for a drama. All three just want each other to be happy. They agree that one of the two sisters will marry the man, for the other sister is unhappily married already. So the younger sister marries him for the both of them, as it were. No bickering, no rivalry. The utopian threesome. But then life intervenes, time goes by like a river, everyday life takes over… and everything that seemed so simple suddenly gets more and more difficult. In the summer of , Friedrich Schiller and the von Lengefeld sisters Charlotte and Caroline find themselves in this love triangle in the town of Rudolstadt. The girls are from a family of Thuringian petty nobles - who hardly have any more money than the infamous but impoverished poet Schiller. Time stands still for them, the world becomes a idyllic place of falling-in-love, making a few plans and imagining how it could go on with them. Everything gets more complicated the moment summer ends. What attracted me the most from the outset was making a movie about words, words of love, words ofjoyous longing, promise of a life less ordinary. Filming their correspondence, watching the characters write each other, sometime letting them read the letters out loud. Talking about their feelings, about their love triangle, planning, conspiring a little to get to see each other. Three very intelligent people, each complex in their very own way. From a modern perspective, I tried to shoot the movie as if writing a book — as if the film stock were writing paper. Historical characters always seem more interesting to me today. This makes historical characters in films seem very beautiful to me. Several parts of this story are mere conjecture and speculation, for important letters and key sources have been lost. Shooting this film was a great joy. Synopsis Vincentas is the best employee at the emergency services station, whose passion is one — gambling in different games. Whenever he lands in some difficult situation, the medic is forced to grab onto something radical to return the money he is constantly losing. An idea strikes Vincentas to create an illegal game related to his profession. Initially the employees at emergency services are the only ones to be attracted to this macabre engagement. Soon enough, however, the idea kicks off and starts spreading like wildfire. The medic colleagues become betting agents, whereas Vincentas takes control of its bank. As financial matters keep on improving, a coworker Ieva starts objecting to the game. A passionate relationship has just unfolded between her and Vincentas. Soon enough he is going to face making a fateful choice — the game or love. And then suddenly everything changed. Liberated from the communist state, we found ourselves in the capitalist world of unrestrained freedom. Imposed collective egalitarianism was replaced with market economy rules, in which you get as much as you manage to earn for yourself. This is why I wanted to make a film about the moral dilemma that arises within the individual who was formed in the junction of different regimes. He belongs to the two conflicting systems. His duality is best revealed in the critical situations which are experienced by the paramedic, who also happens to be an avid gambler. Balancing between death and life at work and trying to pay back his debts, he creates a game based on human life. Thus, the world-view of the post-Soviet conformist and the capitalist winner converge. This is an explosive mix for any moral system. Ignas Jonynas. Synopsis A story about two brothers during one night: older brother Stanko 30 is going to kill a man for a first time, and his younger brother Vojo 16 is going to make love for the first time. Stanko remembers his unfulfilled pledge and decides to return to Montenegro. Will Stanko find his revenge? On the other side of town, will Vojo find his needs..? Our movie is about personal history, as opposite side of collective history - as fact. Balkan people - knows a lot about those two histories: intimate and collective history. During the last twenty years the history has been relentlessly and violently unfolding on the Balkans: wars, revolutions, strikes, violent government changes, fight for survival, murders, criminal, corruption, twisted system of values. In the shadow of these events, on their margins, are the personal histories of young people: first kisses, emotional growth, first and true loves are thwarted and hatred, intolerance, vengeance This film places at the centre stage young people whose personal histories have no alternative and whose hopes and desires are stronger than the circumstances that divide them. In the search for their goals - they will learn more than they hoped for. Vojo and Stanko will reveal more than they set out to know, with more than 20 other characters; as a metaphor of way of living in post-transition Montenegro independent since , as the youngest UN country. The capital of unknown country Montenegro it was Former Yugoslavia, up to is undergoing transformation from old to new, from province to a capital, unsure of its own value but certain of its existence in its specificity, through its urban myths that have not yet been told cinematographically. This will, no doubt, be of interest to international audiences. Synopsis A harrowing tale about a village forced to come to terms with the raping of women by Serb forces during the Kosovo, seeks to tackle a sensitive issue that has largely been kept out of the spotlight for over a decade. It was not easy to make a film about it. The characters are psychologically complex, always on the edge of certain emotions. Synopsis Elderly Costache Moldu has lost his wife and all his goods in a flood. The unexpected return of his son, Ticu, from Japan forces them to relearn how to communicate, to become a family again. Costache becomes a real grandfather to his 7 years old grandson, while Ticu straightens mistakes from the past. I tried to keep this spirit when I did the film. The way in which I restructured the script, my choice of keeping a distance in the picture, the durations, the cuts we did in the editing process, all were aimed at a certain sobriety of the emotion — not wanting to avoid emotion, but trying to accumulate it behind the cold and rough faces and surfaces. Victor Rebengiuc understood this aproach perfectly and he succeded to give the film the exact nuances inbetween the limits of too harsh chill and too dramatic exacerbation. Synopsis A period drama about a young physician who was forced to carry out executions during the war. He is unable to come to grips with his past and later resists a promising career opportunity offered by the regime. He falls headlong into a passionate and erotic extramarital relationship. Is this physician a hero or a murderer? Today, I do not know which of my memories of the dark post-war time I really experienced, or just heard or read somewhere, or pieced together from various sources. I know however with certainty, that adults lives passing by me that time, where richer and more contradictory like their simple, black and white interpretations in history textbooks or media. Which is full of love, disappointment, happiness, suffering, kindness, cruelty, generosity, heroism, betrayal The conscience is the only thing which accompanies us our whole life. Whether we want to or do not want. Turn static files into dynamic content formats. Create a flipbook. Issuu converts static files into: digital portfolios , online yearbooks , online catalogs , digital photo albums and more. Sign up and create your flipbook.

‘Never Die Young’: Film Review

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