Paz Vega Mr Skin

Paz Vega Mr Skin

Wednesday, Jun 29th 2022
12AM
12°C
3AM
11°C

5-Day Forecast

Embed icon

Embed Most Watched Videos

By embedding this you agree to our terms and conditions

Cancel
Copy code
Tick icon

Code copied

Site
Web

Enter search term:
Search

Paddy McGuinness sparks rumours he’s 'split' from wife Christine
R. Kelly jailed for 30 years in prison for vile sex abuse crimes
Warner Bros leaps to JK Rowling's defence saying studio is PROUD
Kate Garraway makes sad admission about her kids’ relationship with dad Derek
Meghan Markle faces backlash after she spoke out about Roe v Wade
Keith Lemon on the ‘longest, most fun party’ as Celebrity Juice to end
EastEnders star gives birth to baby body
Travis Barker's mystery illness REVEALED
Emma Raducanu dumped out of Wimbledon in second round as fans slam coach changes
Gloria Hunniford praises Dame Deborah as she reflects on own daughter's death
Treat yourself to the perfect entertainment bundle with NOW TV's offers
Get a discount code to save on your internet security
Discover a range of promo codes on kitchen appliances
Find Just Eat's special deals and offers this week
Listen to podcasts and books for less with these offers

Home

News

U.S.

Sport

TV&Showbiz

Australia

Femail

Health

Science

Money

Video

Travel

Best Buys

Discounts

Published: 04:36 BST, 24 November 2012 | Updated: 13:09 BST, 24 November 2012
She has a reputation for being her wild and often unpredictable behaviour.
And former Boardwalk Empire star Paz De La Huerta was up to her usual antics again as she changed out of her bikini in the middle of a public car park on Friday.
The 28-year-old actress even held a lit cigarette as she flashed her nipple in Miami, while changing out of her floral two piece into a black bra and skirt, before then deciding to go into the public bathroom.
Shameless! Paz de la Huerta stripped off her floral bikini in the middle of a public car park in Miami on Friday
The half-Spanish actress looked particularly dishevelled, with her hair piled sloppily on top of her head, as she placed her discarded clothes on a nearby car.
Paz, real name, María de la Paz Elizabeth Sofía Adriana de la Huerta pulled a black skirt over her thighs to protect her modesty as she peeled off her bikini bottoms.
Earlier, she had been spotted strolling into a ladies bathroom, but for some reason decided not to change clothes in a private cubicle.
Quick change: Paz stripped off her bikini bottoms in the middle of a public car park in Miami on Friday
Flashing the flesh: The ex-Boardwalk Empire actress didn't look too bothered as she piled her clothes onto a nearby car
Balancing act: The star attempted to keep her modesty by putting the black bra on over the bikini top
Underwear as outerwear: Paz even held onto a lighted cigarette during her daring strip
She had also been spotted strolling through the parking lot with a shirtless male companion.
Earlier this month, the actress had denied rumours that she is expecting her first child, after displaying a fuller figure at a VIP event.
As she attended the grand opening of the H&M Lincoln Road Miami Store in Miami Beach, Florida, she put on a series of poses for the cameras, seemingly pleased to show off her rounded tummy.
It's a mystery: Paz had earlier gone into a public bathroom, but decided, nevertheless to change in the street
Strip tease: Paz flashed the flesh as she swapped her bikini for a black lace bra
Miami heat: The star continued to smoke a cigarette throughout her strip
Her body of work: She played Lucy Danziger in Boardwalk Empire
But when contacted by Mail Online, a spokesperson for the actress said: 'She's not pregnant.'
Paz, who was spotted kissing a mystery man back in July, generally keeps her love life out of the spotlight and attended the fashion party alone.
The actress is well known for her wild antics and made headlines earlier this year for her bad behaviour.
The half-Spanish beauty was charged with assault, criminal possession of a weapon, attempted assault, and harassment after a fight where she punched and then smashed a glass on the leg of Samantha Swetra, a reality TV figure who appeared in The Hills spin-off show The City.
She was sentenced to a day of community service and 12 weeks of alcohol counselling by a judge.
Paz played Lucy Danziger - former lover of Nucky Thompson and mother of the unbalanced Detective Nelson Van Alden's child - for the first two seasons of Boardwalk Empire.
HBO bosses opted not to pick up her season three contract option.
However, the star is continuing to land roles - she will star in forthcoming film Inferno: A Linda Lovelace Story, alongside Malin Akerman and Matt Dillon, slated for release next year.
'I'm not playing Linda Lovelace,' she told Esquire magazine about the role. 'So me and the director decided - he wanted me in the movie but I wasn't sure about what role I wanted to play.
'And then I said, "Okay, but we have to work on this, we have to evolve it."
in full bloom: The star showed off her curves in the two piece as she strolls alongside a shirtless male companion
The comments below have been moderated in advance.

The views expressed in the contents above are those of our users and do not necessarily reflect the views of MailOnline.

We are no longer accepting comments on this article.
Published by Associated Newspapers Ltd
Part of the Daily Mail, The Mail on Sunday & Metro Media Group

Arts | Triangle: Dad, Mom, Housekeeper
As a subscriber, you have 10 gift articles to give each month. Anyone can read what you share.
The pivotal scene in "Spanglish," the new movie written and directed by James L. Brooks, is an argument between John Clasky (Adam Sandler), a successful Los Angeles chef, and his housekeeper, Flor Moreno (Paz Vega).
Although Flor, who is from Mexico, has been in California for six years, she doesn't speak much English, so her 12-year-old daughter, Cristina (Shelbie Bruce), must translate, her head darting from side to side as she interprets her mother's indignation and John's bewilderment. Cristina is in the middle of the battle in another way as well, since the source of Flor's anger is an unauthorized outing on which John's wife, Deborah (Téa Leoni), has taken the girl.
John's apology is not enough for Flor, who struggles to find just the right word to describe the moral failing that so enrages her. After some head shaking and hand wringing, she triumphs, and Cristina also succeeds in finding the English equivalent. The problem with John, both mother and daughter declare, is that he's smug.
This is a little unfair to Mr. Sandler's character, a mensch whose goodness seems to cause him more torment than satisfaction, but as an indictment of "Spanglish," it is pretty much irrefutable, albeit insufficient. Mr. Brooks, one of the sunniest and smartest men in Hollywood, has posed himself a daunting challenge: how to make a movie about a man who has the hots for his maid while still maintaining a perfect veneer of cultural sensitivity and social concern.
The solution is not only to make Flor and John soul mates whose love for their children (John has a boy and a girl) bridges the chasms of culture, language and class that separate them, but also to unite them against an enemy who personifies everything grasping, unpleasant and false about the white Anglo upper-middle class.
That would be Deborah, a creature whose flailing awfulness goes beyond the requirements of comic villainy and exposes an ugly, punitive strain of misogyny at the heart of a movie that basks in its own sense of decency. Coming from Mr. Brooks, this is more than a little shocking, since strong, interesting, complicated women have been something of a specialty for him. Think of Shirley MacLaine and Debra Winger in "Terms of Endearment" or Holly Hunter in "Broadcast News," to say nothing of Mary Richards, Rhoda Morgenstern and Marge Simpson on television. All of them had their quirks and flaws, but Mr. Brooks, even at his most mocking, has always taken care to shield his characters, male and female, from the full force of the audience's contempt, which is precisely what he invites upon Deborah.
Ms. Leoni, one of the most gifted and ill-used comic actresses around, wields an old-fashioned, screwball combination of steely grace and incipient hysteria. She is thus well suited -- perhaps too well suited -- to play a high-strung, insecure, ultra-competitive uber-wife like Deborah.
As Deborah explains to Flor (whose name she is unable to pronounce), she has recently lost her job and has been thrust uncomfortably into full-time motherhood, a role for which she is clearly not cut out. She humiliates her daughter, Bernice (Sarah Steele), about her weight, and the only time she stops browbeating John is when an important food critic names him "the best chef in the country," at which point she can't wait to have sex with him, though she is also so selfish that she can't wait for him to finish, either. (He, on the other hand, is so modest that he worries that too much praise will ruin the cozy, homey little restaurant that is the real love of his life.)
Ms. Leoni hurtles through her performance with crisp timing and impressive resolve, which makes Mr. Brooks's sadistic betrayals of her seem all the more cruel. The demonization of Deborah, though, is no lapse or accident; it is crucial to the self-pitying, self-serving politics of "Spanglish," a film whose pious liberalism is less than skin deep. It is a movie that simultaneously idealizes motherhood and demonizes mothers, in a way that smacks both of vengeful antifeminism and racist condescension.
Deborah's own mom, played by Cloris Leachman, is a semiretired singer whose promiscuity and alcoholism perhaps shaped some of her daughter's pathology. Not that she accepts blame. "Right now," she says to her daughter in one of the film's climactic laugh lines, "your low self-esteem is starting to look like common sense." This is a brutal thing for anyone to say, and is made even more so by the film's clear conviction that it is no less than Deborah deserves.
In contrast to Deborah, with her flat stomach, her stringy blond hair and her quavery screech of a voice (she can't even roll an r!), we have Flor, all soft curves and unshakable principles tied together in a hot-blooded, earthy voluptuousness somewhere between Monica Bellucci and Anna Magnani. If you were a four-star chef, which woman would you choose?
Not that John is motivated by anything as base and vulgar as lechery. Sure, he's aware of Flor's beauty, but it's her moral superiority that really knocks his socks off, and Mr. Brooks has obligingly arranged the story to absolve both John and Flor of any guilt or unseemly intentions. John is so devoid of machismo that he reminds Flor of a Mexican woman, a description that quickly sheds its connotations of disdain as this fantasy of a sensitive rich man and strong, poor woman flops and sighs toward its unpersuasive conclusion. Even though they speak different languages, they understand each other.
Along the way, there are moments to remind you of what an astute observer of human behavior Mr. Brooks can be, especially when he catches sight of John in the kitchen, where his easy, happy movements give this churning, ungainly film its only suggestions of grace. Both Ms. Bruce and Ms. Steele show gratifying presence and spunk, and Mr. Sandler has a solid, fumbling likability, without which "Spanglish" would be not merely annoying but despicable in its slick complacency.
Only near the end, in a tearful confrontation between Cristina and Flor, does Mr. Brooks approach an honest reckoning of the real difficulties and contradictions that flutter at the margins of this fairy tale -- the intimacy and exploitations of domestic labor, the tension between upward mobility and tradition that pulls at immigrant families, the conflicting demands of ambition and happiness. But then he opts for soothing fakery and empty multicultural rhetoric to send us home feeling good about ourselves and partaking of the surplus smugness that he clearly has to spare.
Or maybe not. It occurs to me that I'm looking at "Spanglish" the wrong way, and missing the valuable lesson it teaches, which can be summarized as follows: be nice to the help.
"Spanglish" is rated PG-13 (Parents strongly cautioned). It has some strong language, sexual references and a brief, mostly clothed, highly unsatisfying sex scene.
'Spanglish' Opens today nationwide.
Written and directed by James L. Brooks; director of photography, John Seale; edited by Richard Marks; music by Hans Zimmer; production designer, Ida Random; produced by Mr. Brooks and Richard Sakai; released by Columbia Pictures. Running time: 110 minutes. This film is rated PG-13.
WITH: Adam Sandler (John Clasky), Téa Leoni (Deborah Clasky), Paz Vega (Flor), Cloris Leachman (Evelyn), Shelbie Bruce (Cristina) and Sarah Steele (Bernice).

From Wikipedia, the free encyclopedia

8 March 2013 ( 2013-03-08 ) (Spain)

This article's plot summary may be too long or excessively detailed . Please help improve it by removing unnecessary details and making it more concise. ( August 2020 ) ( Learn how and when to remove this template message )
I'm So Excited! is a 2013 Spanish comedy film written and directed by Pedro Almodóvar , and starring Javier Cámara , Cecilia Roth , Lola Dueñas , and Raúl Arévalo . Its original Spanish title, Los amantes pasajeros , has the double meaning of "The fleeting lovers" and "The passenger lovers". The narrative is set almost entirely on an airplane. Almodóvar describes it as "a light, very light comedy". [3] The film received mixed reviews, but earned a worldwide gross of more than US$21.2 million. [2]

The film opens as ground technician León ( Antonio Banderas ) removes the chocks from the wheels of an Airbus A340 for Peninsula Flight 2549. He waves to his wife Jessi ( Penélope Cruz ), who is towing a luggage cart across the tarmac. The distraction causes her to crash into another ground technician who was checking Twitter . León checks on his wife to make sure she is okay, and she reveals that she is pregnant.

On board the aircraft, a flight attendant drugs all the passengers in Economy class with a muscle relaxant. She also sedates herself and the other flight attendants in Economy. First Class is tended to by Joserra ( Javier Cámara ), Fajardo ( Carlos Areces ), and Ulloa ( Raúl Arévalo ). They take shots of tequila as they prepare service for the passengers and the cockpit. One of the first class passengers, Bruna ( Lola Dueñas ), observes that the Economy passengers are asleep, and she visits the cockpit. She informs Joserra, Captain Alex Acero ( Antonio de la Torre ), and co-pilot Benito Morón ( Hugo Silva ) that she is a psychic and a virgin.

Bruna makes vaguely ominous warnings about the flight. Joserra asks her if they will all die. Bruna does not think so, because she retches whenever death is imminent. Benito changes his drink order from wine to tequila at Bruna's news. Two more passengers from First Class come to the cockpit: Norma Boss ( Cecilia Roth ), and Infante ( José María Yazpik ). Norma is outraged at Peninsula's treatment of its passengers, particularly the fact that the First Class attendants are not serving the passengers. She is organizing a complaint against the airline. During her visit, Joserra reveals that he is the captain's lover, but with two daughters, aged 11 and 13, the captain is reluctant to come out of the closet and leave his wife. The co-pilot admits that he tried giving fellatio to the captain to see if he was gay, but he retched from the experience.

Mr. Más (José Luis Torrijo), another First Class passenger, visits the cockpit to offer his help, because he knows that something is wrong with the plane. León forgot to clear all the chocks after Jessi's accident, and one of them has gotten tangled up with the landing gear. The plane will not be able to land with its wheels down.

When Norma finds out that the Economy passengers have been drugged, she becomes more determined to lodge a formal complaint. She wakes a sleeping passenger, Ricardo Galán ( Guillermo Toledo ), and asks him to sign her letter of complaint. Ricardo asks to use the phone, and he calls Alba ( Paz Vega ). The plane's phone is malfunctioning, however, so everyone can hear the other side of the conversation over the cabin's speakers.

Alba has climbed onto the ledge of the Segovia Viaduct in Madrid , when her phone rings with Ricardo's call. She is relieved to hear from him, but as she tries to climb back to safety, she drops her phone. It falls into the basket of Ruth ( Blanca Suárez ), who is riding a bicycle under the viaduct. She picks up the phone and is astonished to hear the voice of her ex-lover Ricardo. She had worked very hard to overcome the heartache of their breakup. Ruth realizes that Alba had thrown all of Ricardo's things out of her apartment window before attempting suicide. Ruth gathers Ricardo's things while Alba is taken by ambulance for psychiatric treatment.

On board the plane, the flight attendants try to distract the passengers, who know that their lives are in danger. They perform a dance routine to The Pointer Sisters ' " I'm So Excited ", and then they mix a batch of Valencia cocktails . One of the passengers is smuggling a drug-filled condom in his anus. He gives the flight attendants some of his mescaline , and they put it into the cocktail. Norma enjoys her cocktail and reveals that she has a thriving dominatrix practice. She is horrified to learn that she has been drugged and that one of the side effects of mescaline is sexual arousal.

The passengers act on their drug-induced sexual urges, including the passenger who had provided the drugs who sexually assaults his sleepwalking wife. Norma has sex with Infante. The Captain joins Joserra in the bathroom. Bruna goes back to economy class and loses her virginity by sexually assaulting one of the passengers who has an erection in his sleep. Ulloa performs fellatio on the co-pilot.

The plane finally gets clearance to land at La Mancha airport , which is a boondoggle engineered by Mr. Más. As they prepare to jettison the 40 tons of fuel on board, the co-pilot tells the captain that he and Ulloa 69'ed each other. The captain explains that the co-pilot is in denial about the fact that he is gay. Bruna confesses that she feels like retching, which means death must be near. She narrows the sensation down to one passenger in particular: Infante. He confesses that he is a hit man. He was hired to kill Norma by the wife of one of her clients, but refuses because he won't kill a woman.

The aircraft successfully makes a crash landing at the airport. Norma and Infante leave the tarmac arm in arm while he plots how he can escape from his contract and his life as a hit man. Ruth meets Ricardo with a suitcase full of his things
Sanaa Lathan Nude Pictures
Melora Walters Naked
Drop Dead Gorgeous Nudes

Paz Vega Mr Skin

Report Page