Passionate Year By James Hilton
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Passionate Year By James Hilton
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The passionate year Paperback – August 24, 2022
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4.3 out of 5 stars
2 ratings
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This story is about a young teacher Kenneth Speed (who is the central character) who came to work in Millstead Boarding school for boys. The author tells us about his first work day. In this school students had a custom to rag at a new teacher during the prep. Speed was very nervous when he came to class. The author expressed his nervous condition by the epithets: «nervous» , « an atmosphere of subdued expectancy» , «keenly conscious» and simile: «as if he were sitting on a powder-magazine» to express the emotional state of the main character. But a teacher had a strong will and didn’t let pupils make jokes at him . The theme of the text is the relations between school teacher and students. James Hilton showed us how important to make a first impression. Not to make a fool of yourself and to put children off if it was necessary. Also he showed how difficult to gain a firm standing for a young teacher.
ASIN
:
B0BBPY959R Publisher
:
Independently published (August 24, 2022) Language
:
English Paperback
:
229 pages ISBN-13
:
979-8848223620 Item Weight
:
14.4 ounces Dimensions
:
6 x 0.58 x 9 inches
4.3 out of 5 stars
2 ratings
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A young man gets a teaching post at a public school. He is very good and loves it . He is poetic about his life. He falls in love with the headmasters daughter and marries her. Gradually though, he falls out of love and his emotional turmoil creates unusual consequences. A psychological love story with a happy/unhappy ending. A bit dated but very well written.
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James works as a speaker, trainer and author specialising in resilience, stress management and leadership. A former Headteacher of fifteen years experience, he applies his extensive experience of human leadership to inspire a wide range of clients in both the public and private sector. He is a frequent contributor to both the national and international press and has made numerous appearances on TV and radio.
James is the author of three books on leadership and wellbeing.
His first book, 'Leading From the Edge', is a thought provoking look at the pressures of leadership and is packed full of strategies for managing stress in one self and in others. The book has an average Amazon rating of 5 stars and scored 9.3 out of 10 in a review by UKEdChat.
His second book, 'Ten Traits of Resilience' also enjoys 5 star reviews and was an Amazon Best-Seller. It examines the most common traits of resilient leaders and how to develop those traits, not only in yourself, but in the people that you lead.
His latest book, 'Riding the Waves' (April 2020) with a foreword by Mary Myatt, is a must-read for all current and aspiring school leaders who wish to thrive in their careers and build a happier, healthier school environment for the benefit of teachers, pupils, parents and the local community.
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To calculate the overall star rating and percentage breakdown by star, we don’t use a simple average. Instead, our system considers things like how recent a review is and if the reviewer bought the item on Amazon. It also analyzed reviews to verify trustworthiness.
“The passionate year” by James Hilton ANALYSIS
“The passionate year” by James Hilton ANALYSIS
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Drawing from critical sociocultural perspectives that view play, literacy, and gender as social practices, boys’ Disney Princess play is examined as a site of identity construction and contestation situated within overlapping communities of femininity and masculinity practice where children learn expected practices for “doing gender.” The article presents critical discourse analysis of two instances of 5- and 6-year-old children’s doll play excerpted from data collected during a year of weekly visits to one focal kindergarten in a U.S. Midwest public school, part of a larger three-year study of literacy play as mediated discourse. Through princess play, children enacted femininities and masculinities and negotiated character roles with peers in ways that enforced and contested gender expectations circulated in media marketing and enforced in play groups. Findings indicate that doll play is a productive pedagogy for mediating gendered identity texts circulating through global media and for creating spaces for diverse gender performances in early childhood settings.
The novel Cry, The Peacock by Anita Desia reveals delusions of the female protagonist who attempts to decry her loneliness through her own make-believe shifts and finally when she understands the truth of living, she understands that emotions that rooted in faith and in love count for more than memory to live in reality and that is the only way to live with detachment from disillusionment.
From the Editors 3 Call for Manuscripts 4 Diane …
Here I explore the West African, African-American, and Anglo-American roots of cool through the saxophonist Lester Young's synthesis of these cultural materials. The origins of cool are in the African-American jazz culture of the early 1940s: Young single-handedly disseminated the concept to refer to an ideal state of mind. When Young said, “I’m cool," he meant “I'm calm," "I'm keeping it together," or "I'm relaxed in this environment, and in my own style." Cool was an ideal state of balance, a calm-but-engaged state of mind between the emotional poles of "hot" (excited, aggressive, intense, hostile) and "cold" (unfeeling, efficient, mechanistic). Cool was the precedent for chill. There were four vital African-American concepts subsumed into the concept of cool and all influence contemporary usage. First, to be cool meant to maintain a relaxed attitude in performance of any kind, whether on-stage or walking in public. Second, to be cool was to project emotional self-control -- as if wearing a "cool mask" in the face of hostile, provocative outside forces. Third, to be cool was to create a unique, individual style -- or sound -- that communicated something of your inner spirit. Fourth, cool was an artistic ideal of emotional communication within an artistic field of rules and restraint (such as jazz or art or basketball). Then and now, cool is also just the word used to express aesthetic approval of any performance ("cool!"). Young's strategies of style were as influential as his artistic innovations. His renowned use of hip slang influenced jazz culture, Beat generation writers, and the counter-culture of the 1960s. He wore shades on-stage at night and indoors as a marker of cool defiance and self-insulation. His renowned sense of humor and trademark pork-pie hat, and silent, expressive sadness generated so much jazzlore he remains a model of the hip jazz musician. He expressed his inner pain artistically and wore blank facial expression to resist the white gaze such that he embodied two aspects of cool that seem contradictory: artistic expressiveness and emotional self-control. Young created the "cool" saxophone style and he is the father of cool jazz. His ground-breaking solos with the Count Basie Orchestra and Billie Holiday helped bring about a paradigm shift to the individual soloist during the swing era. He burst into recorded jazz history in 1936 with a revolutionary and modern tenor sound: fast, floating, airy, clean, light. His combination of lightning speed, blues feeling, rhythmic balance, precise articulation and inexhaustible melodic ideas made him something like the Michael Jordan of jazz. Young dedicated his life to being original on the Romantic model -- in music, mannerisms, and deportment. He was 'cool' – calm, relaxed, unhurried, charismatic, self-confident. Jack Kerouac worshiped him and his heirs (Miles Davis, Charlie Parker) disseminated the concept of cool. Young influenced hundreds of musicians during the most dynamic years of the Great Migration.
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