Paris 18 Film
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Paris 18 Film
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Vollständig unterstützt English (United States) Teilweise unterstützt Français (Canada) Français (France) Deutsch (Deutschland) हिंदी (भारत) Italiano (Italia) Português (Brasil) Español (España) Español (México)
As end credits conclude, the choreographed dance show with Pierre shown earlier has a brief repeat.
When the shop-owner of the bakery sell a baguette she asks for 80 cent, doesn't register it in the till, which has the figures 0,00 than it changes to 0,78 than back to 0,00 again.
Munivers de Paris Written by Robert Burke (as R. Burke) and Loïc Dury (as L. Dury) Performed by Kraked Unit Universal Music Publishing MGB / Kraked - ce qui me meut production
Being a Parisian myself, and a great fan of all other Klapisch movies, I expected a lot about this one. Well, I was pretty satisfied: although it is no masterpiece, the global atmosphere, and especially the gorgeous views of the city are very well put together. The actors are very convincing too, especially Juliette Binoche, radiant, Luchini, a surprisingly good dancer, and Albert Dupontel. It is just a pity that there are so many simultaneous stories, some of them don't really bring much to the plot and could have been cut, to leave more time to the others. Anyway, I recommend this movie for all people who want to get a feel for what Paris is all about!
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By what name was So ist Paris (2008) officially released in Canada in English?
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Élise : [in French] You're all alone here? What do you do all day?
Pierre : [in French] Watch other people live. Wonder who they are, where they go? They become hereoes in my little stories.
Alle Titel TV-Folgen Promis Unternehmen Stichwörter Erweiterte Suche
Vollständig unterstützt English (United States) Teilweise unterstützt Français (Canada) Français (France) Deutsch (Deutschland) हिंदी (भारत) Italiano (Italia) Português (Brasil) Español (España) Español (México)
Dorothy Blyskal (screenplay by) Anthony Sadler (based on the book by) Alek Skarlatos (based on the book by)
Dorothy Blyskal (screenplay by) Anthony Sadler (based on the book by) Alek Skarlatos (based on the book by)
Clint Eastwood | "Director's Vision"
Dorothy Blyskal (screenplay by) Anthony Sadler (based on the book by) Alek Skarlatos (based on the book by)
The first person to tackle the terrorist on the train was a Frenchman. He later turned down the Légion d'honneur and asked to remain anonymous because he feared reprisals from other Islamists living in France.
A character during the Colosseum scene mentions that in ancient Rome, "thumbs down" meant to kill your opponent in a gladiatorial match. In actuality, "thumbs up" meant to kill your opponent, while "thumbs down" meant do not kill your opponent (literally, put your weapon in the ground). However, most people make this mistake ; so it is an error by the character, not a Character Error goof by the film-makers.
There's a scene during the credits, showing real footage of the trio in a parade in Sacramento. Texts on screen tell us that they were all awarded medals.
Three long time friends stop a terrorist on a French train.
My wife and I watched this at home on DVD from our public library. This movie is criminally underrated. Seems that many viewers just wanted to see action on the train. While that is the climax it takes all of 15 minutes to show that and it is gripping. That alone would not have made a worthwhile movie. But Eastwood made a movie about the three men and their lives leading up to that point. They were friends in grade school, they were good kids but got into typical schoolboy mischief. As young adults they each went their own ways but stayed in touch. One of them received training in the Air Force that came in very handy. In 2015 they agreed to meet in Europe to do some sightseeing, gradually working their way towards France. They took the 15:17 to Paris. The three men Alek, Anthony, and Spencer from Sacramento, play themselves. It didn't start out that way, many actors auditioned for the parts, but in the end Eastwood felt it would be most authentic to use them. And I think it worked out great. Sure they are not professional actors but they were there, they know exactly how everything went down, they are of course authentic, and each does a fine job. When the terrorist, armed with several hundred rounds of ammunition, began his attack the men didn't hesitate. They did what should be done more often in situations like this, charge the shooter and subdue him. For their bravery and effectiveness they received the highest honors from France. Good movie, and the 12-minute "making of" on the DVD is interesting.
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Amerikanische Marines entdecken einen Terroranschlagsplan in einem Zug nach Paris auf. Amerikanische Marines entdecken einen Terroranschlagsplan in einem Zug nach Paris auf. Amerikanische Marines entdecken einen Terroranschlagsplan in einem Zug nach Paris auf.
Airman Spencer Stone : I don't know, ma'am. I just didn't want my family finding out that I died hiding under a table.
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Read More About:
Berlin Film Festival
Berlin Film Review: ‘Paris 05:59’
Reviewed at Berlin Film Festival (Panorama), Feb. 15, 2016. Running time: 97 MIN. (Original title: “Theo et Hugo dans le meme bateau”)
Production:
(France) An Epicentre Films release of an Ecce Films, Epicentre Films production. (International sales: Ecce Films, Paris.) Produced by Emmanuel Chaumet. Co-producers, Daniel Chabannes, Corentin Senechal.
Crew:
Directed, written by Olivier Ducastel, Jacques Martineau. Camera (color, widescreen), Manuel Marmier; editor, Pierre Deschamps; music, Karelle-Kuntur; production designers, Barnabe d’Hauteville, Clara Noel; sound, Tristan Pontecaille, Clement Badin, Victor Praud; assistant director, Maxence Germain; casting, Simon Frenay.
With:
Geoffrey Couet, Francois Nambot, Georges Daaboul, Elodie Adler, Claire Deschamps, Marief Guittier.
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Everyone will talk about the 18-minute gay orgy at the start, but the real achievement lies in how Olivier Ducastel and Jacques Martineau capture love at first sight.
Some books make you like the characters so much that you close the covers and imagine a happy future life for them together. That rarely happens in the cinema anymore, but “Paris 05:59” is that kind of film. This might surprise some, given that its biggest talking point will be the 18-minute hardcore gay orgy at the start, yet the film, conceived in real time, is above all a story about what happens when that bolt of lightning called love suddenly strikes. Co-helmers Olivier Ducastel and Jacques Martineau (“Family Tree”) deliver their boldest and best work so far, and while some hetero audiences will unquestionably feel sidelined by the explicit orgy, the loss is theirs.
On a marketing level, the English title doesn’t give anything away and is awkward to say, whereas a direct translation of the French title, referencing Jacques Rivette’s “Celine and Julie Go Boating,” would be lost on many. Things kick off at 4.27 a.m. (time is announced graphically, imitating a cell-phone display) in a sex club bathed in red light. In a sea of naked men, Theo (Geoffrey Couet) stands apart, riveted by Hugo (Francois Nambot), who is penetrating an anonymous partner. Theo joins the orgy to be near Hugo; their eyes lock, and the two ditch their buddies to engage in passionate (and graphic) sex.
When spent, they exit together, Theo staring with semi-dazed incredulity at the object of his “coup de foudre.” The streets of Paris are empty and the pair don’t want to part, so they rent bikes and sail along the nighttime boulevards, with Hugo disarmingly chattering about love. Then he realizes that Theo, the active partner, didn’t use a condom when in the throes of desire, and wasn’t aware that Hugo is HIV-positive.
The dazed Theo passes from incredulity to anger as Hugo explains they need to get to a hospital pronto. Calmer tempers prevail in the emergency room (a loudmouth homophobe adds just the right amount of absurdist humor to cut the tension), and Theo is prescribed antiretroviral meds, with regular checkups to ensure he’s not infected. Once outside again, the two young men continue their night out, discovering each other as they eat, talk of Balzac (this is a French movie after all), and confirm that falling in love really can happen in a moment.
There’s something stirringly essential about “Paris 05:59,” partly thanks to the late-night-inspired sensation that Theo and Hugo have the world to themselves, and can make it into whatever they want. There are other characters, including a Syrian kebab vendor (Georges Daaboul) and an older woman on the metro (Marief Guittier), yet their kindnesses reinforce an Oz-like quality of a calmer, quasi-magical world where good things are allowed to happen.
On the subject of good things, it’s sobering to think that, on every level, this film couldn’t have been made 15 years ago or more. First, the lengthy, graphic sex scene could never have appeared outside a porn film (Ducastel and Martineau prove that hardcore can also be essential). But also, the kind of antiretroviral medication prescribed didn’t exist then; nonjudgmental hospital staff were a rarity; kissing openly on the streets, even at nighttime, was fraught with danger. Theo and Hugo’s world isn’t perfect, and their relationship holds no guarantees, but as in Andrew Haigh’s “Weekend,” there’s something thrilling about watching a gay couple meeting with such honesty and potential for future happiness.
Hugo’s garrulous, childlike sincerity and sense of wonder is marvelously matched by Theo’s open-faced hesitancy in jumping into the unknown, all helped immeasurably by the palpable chemistry between leads Nambot and Couet. Many will likely pigeonhole them as being the actors in the “gay orgy film,” but they, and the movie, deserve far more credit for scope and achievement.
The appearance of real-time shooting, with long takes as the duo bike or run through Paris’ largely deserted streets, give a sense of urgency to their partnership as the two race to make the most of the minutes that pass by so quickly. Novice lenser Manuel Marmier does a beautiful job capturing the mood and the nighttime glow of the City of Light, via gliding traveling shots that never lose sight of the subjects. The music feels fresh and alive.
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The Top 15 Movies Set in Paris, France
Susan Breslow Sardone is a travel journalist who specializes in honeymoons and romantic getaways, and who originated New York Magazine's highly successful "City Weddings and Honeymoons" sections.
Michelai Graham is a technology and business reporter who has written for The Urban Institute and Scoop News. She reports for AfroTech, Lifewire, and The Plug.
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What better way to prepare for a trip to the City of Light than by watching a few good movies set in Paris ? Whether you find these films touching, funny, or inspiring, you'll appreciate the diverse views of the French capital seen through each director's eyes and cinematographer's lenses. We've chosen a selection of classic and more recent flicks for your viewing enjoyment. And even if you can't get to the city anytime soon, sitting back and taking in a few of these can be a great way to experience Paris without leaving your living room.
Movie Poster Image Art / Contributor/Getty Images
Of all the movies set in Paris, this classic MGM musical best captures the romance of the post-World War II city, when Americans were beloved for winning the war and a guy could live the good life on just a few centimes . The multi-talented Gene Kelly plays a soldier who trades in his uniform for an artist's smock, paints in a garret and falls in love with Leslie Caron.
See it for its surrealist, dream-like sets of the city and the Seine River, as well as incredible dancing from the headlining stars. The film won six Academy Awards including Best Picture and Best Screenplay. The exhilarating music was composed by George Gershwin.
In Richard Linklater's earlier film "Before Sunrise", Julie Delpy and Ethan Hawke meet on a train in Vienna and instantly connect. They get off at the same station and walk all night, discussing love, romance, politics, and their hopes for the future. They agree to meet up again in Vienna in six months, but don't keep the promise.
Their paths cross again in Paris nine years later, at a book signing set in one of the city's most-iconic English-language bookshops. They pick up the conversation where they left off, bringing one another up to date with what's occurred in their lives since they first met. Tense, chatty, teasing, they traverse Paris and revive their former spark.
The lushly realistic film takes viewers on a journey through some familiar Parisian landscapes, as the protagonists sit in a café, float on a Bateaux Mouche cruise boat, and stroll through romantic gardens and alleyways.
Walter Daran/The LIFE Images Collection via Getty Images/Getty Images
Icons of cool, Jean-Paul Belmondo and Jean Seberg play ill-fated lovers in this caper flick that's both a crime drama and one of the films that started the genre known as French New Wave Cinema .
Michel has stolen a car and killed a policeman, and he asks Patricia -- a young American studying in Paris and selling the International Herald Tribune on the Champs-Elysées- - to flee to Italy with him. But the police are hot on his trail.
Beyond the plot, this 1960 film set styles for everything from the image of the sophisticated smoking Frenchman to chic, close-cropped hair on women. In addition to showing locations around Paris in black-and-white against a jazzy soundtrack, it includes a long middle scene full of seemingly random, silly conversation.
The film is directed by the innovative Jean-Luc Godard, considered to be an auteur with a distinctive eye and method for blending images and sounds-- to occasionally grating effect.
This romantic comedy is Woody Allen's love letter to Paris, and stars Owen Wilson and Rachel McAdams as an engaged couple visiting Paris with McAdams' parents.
The film veers into fantasy on Wilson's long, nightly walks when he enters the Paris of the 1920s populated by the likes of Zelda and Scott Fitzgerald, Ernest Hemingway, Gertrude Stein, and other luminaries of the era. Adventures ensue, and soon Wilson's character has a hard
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