P Taboo

P Taboo
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While Barbara is ashamed of having had sex with her son, Joyce has completely accepted her-own incestuous side. When Barbara starts craving for her other son, she visits Joyce to seek advice... Read all While Barbara is ashamed of having had sex with her son, Joyce has completely accepted her-own incestuous side. When Barbara starts craving for her other son, she visits Joyce to seek advice only to find her in bed with her-own other son. While Barbara is ashamed of having had sex with her son, Joyce has completely accepted her-own incestuous side. When Barbara starts craving for her other son, she visits Joyce to seek advice only to find her in bed with her-own other son.
Paul Scott (archive footage) (uncredited)
No mention is made of either James "Jimmy" Scott (Jerry Butler) in Taboo or Brian McBride (Blake Palmer) in Taboo II, but both of their presences in Taboo III are accepted without apparent question.
Till the End of Time Written & Performed by Christopher Saint Booth (as Chris Booth) & Philip Adrian Booth (as Phil Booth) & Affair
A further exploration of the pleasure principle
Kirdy Stevens original Taboo sits as one of my favorite pornographic films of all time. Its eloquent and honest depiction of incest, in a way that's accessible and understandable to anyone willing to forgo judgment and willing to give it the time of day, is extraordinary, and, with the gorgeous Kay Parker at the center, the film helped pioneer the "MILF" and "mature" genres into mainstream pornography (it has taken many years, but now it there's a bigger interest in 'incest porn' as well). Stevens' sequel to the film, however, was a subpar example of a film that was never intended to exist, and the end result was a film so ordinary and lackluster that it stripped the taboo element away from the film, making it just another run-of-the-mill skinflick with little substance. Taboo III: The Final Chapter, even with its gaping plothole (I'll reserve my dirty pun here), is a lot of fun and returns to capturing the spirit of the original Taboo. The familiar characters are back, the combination of humor and guilt is embedded into the screenplay once more, and the sex is as filthy and taboo as ever. After taking timeout from her to focus on an entirely different family in Taboo II, our focus returns to Barbara Scott (Kay Parker), who's loneliness returns when her son Paul suddenly moves out, to which her focus becomes on her younger son Jimmy (Jerry Butler). Barbara finds herself increasingly jealous of Jimmy's girlfriend, similar to when she found Brian's girlfriend a simple tart that took him away from his mother in the original Taboo. Barbara can't take her mind off of Jimmy, so she confides in her friend Joyce (Honey Wilder), who is having sex with younger son Brian (Blake Palmer) since Gregory is away. Barbara, who still has Paul on her mind, wants to try and seduce her son Jimmy, but her better judgment tells her not to after her obsession for Paul grew deeper and deeper when she began having sex with him. It doesn't help that Jimmy and Brian are both involved in a band that is struggling to get the attention of record labels in the meantime their mothers are making attempts to have sex with them. Hormones flare, sex occurs between different parties (Joyce and Brian, Joyce and Jimmy, Barbara and Jimmy, etc), and the ominous but inviting title is earned for this film. The aforementioned plothole comes from the fact that neither Jimmy nor Brian were ever mentioned in either of the previous Taboo films by any character, evident that Stevens and the production company couldn't foresee the longevity of this franchise. The sex in Taboo II reminded me a lot of the sex in Mona: The Virgin Nymph because, despite the raw and unadulterated subject matter, the sex was messily filmed, depressingly tame, and wholly unremarkable. With Taboo III, the romanticism between the characters is restored due to the fact that the characters work to rekindle the heart and soul they possessed in the first film, through honest conversations about love and emotions, and Stevens decides to make the film as explicit as the original. Almost every sex scene, from the casual fellatio to the compromising position that's everyone's favorite number, has a tender, romantic side to its eroticism, giving the film that extra edge. This is where I depart on the Taboo train, however, despite finding two-thirds of my ride successful. As of today, the Taboo franchise has extended itself to twenty-three films; maybe later on down the road I'll find myself perusing the other twenty films. The latter sequels, except for the fourth one, don't include Kay Parker, the heart and soul of the film, and after this particular endeavor, judging from stray clips I've seen of selected films, the focus becomes more on the sex than the themes of the story, as modern porno sequels usually do. There's a thinkpiece somewhere in all of this, and, like the twenty sequels I still have to get through, maybe one day I'll tackle it; I'll save that taboo for another day. Starring: Kay Parker, Honey Wilder, Jerry Butler, and Blake Palmer. Directed by: Kirdy Stevens.
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If you're going to make it sleazy, you better make it sexy.
Haven't you heard? It's the Summer of Sleaze. While sleazecore might be taking over the fashion world, it's hardly been a new thing when it comes to cinema. What's more sleazy than an erotic film, one that pushes the boundaries of desire and sexual taboos? These movies run the gamut from cult classics to smutty art house films. If you're going to make it sleazy, you better make it sexy.
John Waters has always tested his audiences' tolerance for bad taste. His 2004 sex farce stars Tracy Ullman as a uptight, prim and proper Baltimore woman whose inhibitions run wild after she suffers from a concussion and becomes a sex addict.
Mickey Rourke and Kim Basinger star in the movie Fifty Shades of Gray wishes it could be. A wealthy business man named John Gray seduces a young gallery assistant, Elizabeth. Their relationship becomes more complex as she finds herself succumbing to his demands, slowly allowing him to cross an ever-moving line.
Mickey Rourke was undeniably the sleazy sex god of the '80s, and he stars in this film by erotica master Zalman King as a wealthy businessman who seduces an innocent young lawyer (Carré Otis) amid the exotic carnival of Rio.
Coinciding with the pop performer's Erotica phase, Body of Evidence stars Madonna as a woman who is charged with the murder of her lover—who died from erotic asphyxiation. Willem Dafoe plays her lawyer, who cannot help but become entangled by her sadomasochistic charms.
Vincent Gallo's follow-up to Buffalo '66 caused a stir at Sundance following its negative reviews (and the actor-director's borderline violent response to Roger Ebert's initial review). But its infamy will forever live on thanks to the scene in which Chloe Sevigny gives her co-star an actual blowjob on camera.
Director Just Jaeckin's shocking film stirred up audiences on both sides of the Atlantic when it was released in 1974, becoming perhaps the first mainstream softcore film to hit theaters (with an X-rating attached in the States). Sylvia Kristel stars as the titular character, the bored wife of a diplomat who has a serious of trysts while her husband is away.
Bruce Willis plays a damaged former psychologist who finds himself attracted to a mysterious woman, who fulfills his most erotic desires. While the relationship becomes manipulative, it also becomes dangerous—as the former doctor is stalked by his patient's murderer who will stop at nothing to kill him before he discovers their identity.
Famed critic Roger Ebert wrote a single screenplay in his career: this sequel-parody hybrid to Valley of the Dolls , directed by legendary sexploitation director Russ Meyer. Full of sex, drugs, and rock and roll, Beyond the Valley of the Dolls is an undisputed camp classic and an unbelievable far-out trip that descends into total madness by its final reel.
Make no mistake: The lead character in this two-part, four-hour art film is very horny as the title would suggest. But it's a Lars Von Trier movie, and thus potentially less sexy than you think.
Matthew is an American studying in Paris during the tumultuous spring of 1968. There he meets a French brother and sister duo who share a love of cinema and debauchery. The three begin a complex friendship that borders on taboo when the three push the boundaries of desire.
Gaspar Noé is no stranger to provocation, but his arthouse sexual drama took full advantage of the technological marvels of 3-D. While, uh, objects won't be flying out of your normal TV or laptop screen when you stream this one online, the titillation remains intact.
Paul Thomas Anderson's ensemble-driven film offers a comic—and at times dark—look at the heyday of the American porn industry in the late '70s and early '80s. Its infamous for its final scene (featuring Mark Wahlberg's prosthetic penis), but it also nails the sleazy style of the era.
Director Catherine Breillat has been labeled a "porno auteuriste;" the term is most applicable with her 1999 drama in which a French teacher, frustrated with her boyfriend's disregard for intimacy and affection, searches elsewhere to fulfill her insatiable desires.
A Englishman named Matt and an American woman named Lisa form a relationship based on two common interests: seeing rock shows and fucking. Michael Winterbottom's film is part-concert montage, part boundary-pushing sex film—with its actors actually having intercourse on film.
Lawrence Kasden might very well have directed the last great American noir film with this '80s Double Indemnity of sorts featuring William Hurt as a pretty dim lawyer and Kathleen Turner as the requisite femme fatale. While its complex plot harkens to the old-fashioned films of the genre, Body Heat ups the ante with hot and heavy love scenes that would've made Barbara Stanwyck blush.
Brian De Palma pays homage to Alfred Hitchcock's Rear Window and Vertigo with this sexy, voyeuristic thriller. A down-on-his-luck actor discovers that his girlfriend is cheating on him and accepts a fellow actor's invitation to housesit in his luxe modern home in the Hollywood Hills. Soon he becomes entranced with his neighbor: a woman who strips in front of her window every night. But his growing obsession leads him down some dark and twisted paths, and soon he's suspected of murder.
Meg Ryan sheds her America's Sweetheart status for this psychological thriller from Oscar-winning writer-director Jane Campion. Ryan plays a New York City schoolteacher named Frannie who embarks on a sexual awakening with a cop (Mark Ruffalo), who's attempting to solve the murder of a young woman whose body turned up outside Frannie's apartment.
Wild Things is notorious for two things: Kevin Bacon's exposed penis and a threesome between Denise Richards, Neve Campbell, and Matt Dillon. The latter is mostly an excuse to feature then-unknown Richards topless. Despite its mainstream soft-core nature, the movie is an otherwise overwrought, trashy neo-noir.
A serial killer is stalking and murdering gay men in New York City, and Al Pacino's detective must go undercover in the dark underbelly of the S&M scene to find him. William Friedkin's thriller was controversial upon its release, but it's become a cult classic that also serves as a striking time capsule of pre-AIDS queer life.
One of the biggest movie disasters of the '90s turned into a beloved camp classic. Saved by the Bell alum Elizabeth Berkley delivers a downright insane performance as Nomi Malone, a determined drifter who arrives in Las Vegas and goes from stripper to top-billing showgirl. Two decades after its release, it's still a movie you have to see to believe.

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