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15.08.2020 · На Film.ru вы можете не только найти информацию об интересующих вас фильмах, но и посмотреть их бесплатно онлайн в течение 7 дней или всего за 1 …
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Перевести · 50 Best movies for teenagers. 1. The Devil Wears Prada (2006) Error: please try again. A smart but sensible new graduate lands a job as an assistant to Miranda …
Teen Spirit 2011 Full Movie - Comedy, Drama, Fantasy Movie - Cassie Scerbo, Lindsey Shaw Movie
https://www.empireonline.com/movies/features/best-teen-movies
Перевести · 24.07.2020 · Teen movies aren’t just films featuring teens – they say something about what it is to be a teenager, dialling in on …
https://www.nyfa.edu/summer-camps/teens/film
Перевести · Each summer film camp for teens at the Film Academy will challenge you to become a well-rounded filmmaker with actual experience making films. Click here to …
https://www.yidio.com/movies/filter/free
Перевести · Thousands of Free Online Movies. The catalogs of free content on these platforms can be extensive. Tubi offers thousands of free movies and TV shows, all of it available for free, no subscription or credit card required. Vudu has a library of more than 150,000 movies. Many of these movies …
What makes a teen movie a teen film?
What makes a teen movie a teen film?
Teen film is a film genre targeted at teenagers and young adults in which the plot is based upon the special interests of teenagers and young adults, such as coming of age, first love, rebellion, conflict with parents, teen angst, and alienation.
en.m.wikipedia.org/wiki/List_of_teen_films
Are there any teen movies in the world?
Are there any teen movies in the world?
However, teen films have been produced since the dawn of the 20th century. Recently, online streaming services such as Netflix have created a resurgence in the "tween" and teenage-oriented film. To All the Boys: P.S. I Still Love You (2020) ^ Gerhard Falk, Ursula A. Falk (2005). Youth culture and the generation gap.
en.m.wikipedia.org/wiki/List_of_teen_films
Are there any teen movies that are on Netflix?
Are there any teen movies that are on Netflix?
Recently, online streaming services such as Netflix have created a resurgence in the "tween" and teenage-oriented film. To All the Boys: P.S. I Still Love You (2020)
en.m.wikipedia.org/wiki/List_of_teen_films
Are there any summer film camps for teens?
Are there any summer film camps for teens?
In all New York Film Academy (NYFA) summer film camps for teens, each student writes, shoots, directs and edits his or her own films. Our film camps are designed for people with little or no experience in making films.
www.nyfa.edu/summer-camps/teens/film/
https://www.onlinevideocontests.com
Перевести · 3 contests added on February 10th. 56. The Inaugural Colors of Texas Film Festival. Be a part of a film festival showcasing filmmakers of color. $100. 24. Become a Tongaler! Tongal is on …
Перевести · Find the latest and greatest movies and shows all available on YouTube.com/movies. From award-winning hits to independent releases, watch on any device and from the ...
https://en.m.wikipedia.org/wiki/List_of_teen_films
Перевести · Teen film is a film genre targeted at teenagers and young adults in which the plot is based upon the lives of teenagers and young adults, such as coming of age, first love, rebellion, conflict with parents, teen angst, and alienation and other topics / issues in the personal and professional lives of teenagers & young adults.Some of these films …
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Adolescent adventures. High school horror stories. Crushing crushes and perfect prom nights. The teen movie is a cinematic favourite, magnifying the hopes, dreams, greatest fears and glittering futures of youngsters onto the big screen with snappy dialogue, earworm soundtracks, and grand romantic gestures. Though they evolve every few years along with teenage culture itself, teen movies are time capsules forever documenting a time and place on celluloid – as well as containing formative performances from cinematic greats.
Team Empire opened up its old angst-filled diaries to draw up a list of the greatest ever teen movies – the most quotable, banger-fuelled, swoonsome classics that capture all the pain and glory of the teenage experience. Teen movies aren’t just films featuring teens – they say something about what it is to be a teenager, dialling in on the secondary school years where social circles are everything, first loves are life or death, and the promise of a bigger future awaits. Whether you’re a brain, an athlete, a basket case, a princess or a criminal, there's something here for you.
One of the most important ingredients in a great teen movie is a killer soundtrack – and Gurinder Chadha's Bruce Springsteen-centric coming-of-age story certainly has one. But the wrinkle here is that The Boss wasn't that cool to mid-'80s kids ("He's more what your dad listens to!"), making central Pakistani-British teen Javed (Viveik Kalra) even more of an outsider in the age of synth-pop. If the words of Brooce offer deeper meaning and validation as he asserts his identity against his traditionalist parents and a rising tide of National Front fascists, Javed's goals are classic teen movie stuff: become a writer, kiss a girl, and prove he was born to run by getting out of Luton.
Charting the strains and struggles of a group of Ladbroke Grove teens, Menhaj Huda's film, written by Noel Clarke – who also plays the menacing Sam – is a very different kind of teen movie, a stark examination of young British life in the inner cities. Sex, drugs and especially violence are treated with an unflinching eye, the drama literally refusing to pull punches (or, in a key moment, a baseball bat). It's primarily the story of Trevor AKA "Trife", played with grit and real emotion by Aml Ameen), who is juggling his feelings of despair over his ex-girlfriend's potential pregnancy by the psychotic Sam. It can be tough to watch at times, but you won't soon forget it.
Don't scoff – it got a kicking in some corners at the time (as plenty of teen-girl-focused pop culture tends to), but Catherine Hardwicke's YA adaptation that kick-started an entire blockbuster sub-genre has earned its place in the teen-movie pantheon. Reinventing the vampire myth in a PG-13 tale of star-crossed high schoolers (or is he?), Twilight moved beyond the sun-kissed worlds of Mean Girls and Clueless for a chillier, moodier tale of dangerous passion in the Pacific Northwest. Kristen Stewart and Robert 'R-Pattz' Pattinson are an iconic duo (though both have since spent their careers moving as far away from it as possible), and the film is a time-capsule of late-'00s angsty alternative teen culture, with its deathly-pale outsider heroes and genuinely great soundtrack (Radiohead, Iron & Wine, Muse).
If the gross-out teen sex-com has long been an American tradition, the formula found a natural British home in the big-screen exploits of The Inbetweeners. With the hit sitcom taking Will and co to the end of sixth form, Iain Morris and Damon Beesley's film sent the gang – in true TV-to-movie leap form – on holiday, their last big blow-out before university and working life beckons. The result is a lot like the series itself – brash and crass on the surface (the word 'clunge' appears regularly), but tender and sweet underneath it all, exploring the bravado of British teens and the underlying insecurity that underpins lad culture at large. And if nothing else, in shooting on the 'strip' in Malia, it forever committed the late-00's/ early-'10s 'lads holiday' to celluloid.
After writing the likes of Gremlins, The Goonies and Young Sherlock Holmes, Chris Columbus made his directorial debut with this spritely urban fairy-tale (for some reason in Britain it was re-titled with the stunningly bland A Night On The Town). Let down by her boyfriend, high school student Chris Parker (a super-likeable Elisabeth Shue) agrees to look after three kids, only to receive a desperate call from bestie Brenda (Penelope Ann Miller) to come and pick up her in downtown Chicago. What follows is a series of big city escapades including singing the blues in a nightclub, gang fights, and climbing down a building. At the time, it fell into a sub-genre of lost-in-the-city nightmares —think Scorsese's After Hours with acne — but now feels like a lodestar of '80s nostalgia. Jonah Hill's The Sitter tried to do an updated riff with far less charm and more huff and puff. As Shue's Chris memorably puts it: "Don't fuck with the babysitter."
Beyond all the magic and the mythology, the Harry Potter films are classic British secondary-school romps – and Order Of The Phoenix is the teen movie-est of the bunch, all rebellion and romance as the Hogwarts students fight back against Dolores Umbridge's oppressive regime. But the formation of Dumbledore's Army and the escalating teens vs. the establishment tension isn't the only thing distracting Harry from his impending OWL exams – there's also his burgeoning feelings for Ravenclaw's Cho Chang (whose ex Cedric Diggory died last time around, adding yet more angst) leading to our hero's first kiss, an awkward smooch under the mistletoe. Plus, troublemakers Fred and George interrupting a silent exam with a massive middle-finger firework display is a quintessential high school movie prank.
Hailee Steinfeld had already established herself as a rising star with her Oscar-winning turn in True Grit. In collaboration with writer/director Kelly Fremon Craig, who used her own awkward teenage experiences as fuel for the film, the pair took the usual story of disaffected youth and made it feel fresh. Steinfeld's Nadine is ready to end it all – or so she claims to teacher Mr. Bruner (Woody Harrelson, doing a lot with a relatively small part). It's all been downhill since her father died, her older brother turned into a handsome jock and, to make matters so much more cringeworthy, started dating her best friend. Nadine's frustrated, feeling left out and desperately unhappy, but the script and Steinfeld make her feel more rounded than many movie teens in her situation.
Growing up can be brutally hard – and few movies capture that so directly or sensitively as Stephen Chbosky's teen drama, the writer-director adapting his own his epistolary novel. If it has all the watchability of the genre's more lighthearted fare, the '90s-set story of lonely kid Charlie (Logan Lerman) and the two older kids who befriend him – closeted arty kid Patrick (Ezra Miller) and livewire Sam (Emma Watson) – takes in depression, anxiety, death, grief, suicide, and abuse in a way that feels open, honest, and judgment-free. For all the darkness, it nails the teen rites of passage – the drama of school dances, falling head-over-heels for outsider pop culture (The Rocky Horror Picture Show), and the mind-blowing experience of hearing David Bowie's 'Heroes' for the first time.
Some of the greatest teen movies focus on the oddballs – and few balls are odder than Jon Heder's buck-toothed, curly-haired, dead-eyed Napoleon Dynamite. Jared Hess's directorial debut revels in the weirdness of Napoleon and his world – a heightened, era-melding slice of small-town Idaho where our hero lives with his quad-biking grandma and equally strange older brother Kip (Aaron Ruell). The plot, such as there is one, finds Napoleon wooing classmate Deb (Tina Majorino) and helping his friend Pedro (Efren Ramirez) run in the school elections ('Vote For Pedro') – but it's the awkward humour of the central character that's the main draw, the film falling midway between American teen movie tropes and Sundance indie fare. Plus, the final dance routine – to Jamiroquai's 'Canned Heat' – is a comic setpiece for the ages.
"Hell is a teenage girl." That's the central point of Karyn Kusama's mis-sold and under-appreciated – and now, thankfully, re-appraised – comedy-horror. Marketed to men as a lecherous Megan Fox vehicle, it's really a raucous treatise on adolescent female friendships – Amanda Seyfried is Needy, the bookish high-schooler whose longtime best friend Jennifer (Fox) becomes a literal demonic man-eater after being ritually sacrificed by a whiny emo band. Like a long-lost feature-length Buffy episode, it's a funny and freaky high school metaphor boasting great performances (from Fox especially), and crackling dialogue from Diablo Cody, whose intentionally over-cranked teen-speak is perhaps more suited to this than the more-celebrated Juno. Go on, give it a re-watch.
While Spider-Man approaches the superhero genre from a unique teen perspective, for years of comics and movies it was from a nerdy white guy. That all changed in Into The Spider-Verse, bringing comic book favourite Miles Morales (Shameik Moore) onto the big screen at last and giving audiences an Afro-Latino teen superhero. Beyond the revolutionary animation and dizzying multiverse storytelling, it's the instantly-loveable Miles himself that makes Spider-Verse so exceptional – a Brooklyn-dwelling, Jordan-wearing, Chance The Rapper-listening kid who's way cooler than Peter Parker, while still dealing with the awkwardness of talking to girls and figuring out his sticky-handed, super-sense powers ("It's just puberty!" is his internal mantra). It's a perfect re-centring of a long-told (and often re-told) story, while staying completely true to the essence of Spider-Man.
Joining the pantheon of teen classics set across a single, eventful day, Seth Rogen and Evan Goldberg channeled their teenage dynamic into a silly, sweary one-night odyssey hinged on the ultimate teen test: securing booze for a party while underage. Their younger avatars (the characters are literally called Seth and Evan) are Jonah Hill and Michael Cera, the former a brash blabbermouth, the latter sweet and shy – but it's Christopher Mintz-Plasse who steals the show as weirdo Fogell, who famously gets the worst fake ID in movie history: the legendary alias 'McLovin'. If some of Superbad's coarser gags haven't aged brilliantly, it's still a riotously fun ride – and ultimately sweet, culminating in two best friends admitting how much they'll miss each other when college sends them separate ways.
"I'm the Marcia fucking Brady of the Upper East Side, and sometimes I want to kill myself." It's not the sort of dialogue you would encounter in the original novel Les Liaisons Dangereuses (itself already adapted into 1988's Dangerous Liaisons) – Roger Kumble's Cruel Intentions taking the story of scheming rich types and giving it a teen twist, transposed to privileged New York high schoolers. Sarah Michelle Gellar and Ryan Phillippe ooze devious smarm as step-siblings Kathryn Merteuil and Sebastian Valmont, who plot to see whether the latter can deflower Selma Blair's sweet, naive Cecile Caldwell. Watching the serpents coil slowly around their prey, only for their plan to end up crushing them, is compelling. Around them, the cast is stacked with talent, including Reese Witherspoon, Joshua Jackson, Christine Baranski and Louise Fletcher among them.
Fitting in is a key crisis in both teen life and for those on screen – and it's even tougher when you're a nerd living in one of the toughest neighbourhoods in the States. That's the dilemma faced by young Malcolm (Shameik Moore), trying to blend in among the tough LA suburb of The Bottoms – and while drugs, gangs and violence haunt the place, Dope is far from a grim-dark dive into terror. Rick Famuyiwa's film has buckets of charm, boasting a fantastic cast of rising names including Kiersey Clemons, Zoe Kravitz and LaKeith Stanfield. But it's Moore who is the anchor engaging and supremely entertaining as a young man just trying to make his way – and attend a secret party.
Not many movies can claim to have launched a multi-generational fanbase (at least outside of huge franchises), but such is the power of Patrick Swayze's smoulder. Okay, so Dirty Dancing is about much more than that, following Frances "Baby" Houseman (Jennifer Grey) to a resort in New York's Catskills area with her wealthy family for their annual summer retreat. Cue a life-changing experience, as she flirts with, moves with and falls in love with hip-swiveling dance instructor Johnny (Swayze). Dirty Dancing traces a familiar path of lovers from different sides of the tracks falling afoul of parents and circumstance, but it does it in such compelling fashion that you rarely notice the template. And while many teen movies have good soundtracks, few can boast an Oscar-winning song – let alone one as iconic as '(I've Had) The Time of My Life'.
They travel through time, they chill with Beethoven, they alter history. But above all else, Bill S. Preston Esq. and Ted Theodore Logan are most excellent at being teenagers. Partying on is the priority, as it invariably is, and should be. Their eyes sparkle with joy. They're alive! There's Van Halen, there are young women around, there are waistcoats to rock… What's not to love? Appropriately, when this carefree idyll is threatened, as Ted's father threatens to send him to military boarding school in Alaska, you'll never see a more crestfallen creature – such is the melodrama of teen life. "Alaska", he emphasises to Bill, as if such a fate is the end of the world. For him, it would be. This film is a paean to non-responsibility, and it's a balm.
Before he invoked the ire of a million whining man-babies with The Last Jedi, Rian Johnson's output was awash with quirky indie hits – but none quirkier or more ballsy than this hardboiled high school mystery. A teen re-imagining of a Dashiell Hammett novel, Brick took the gumshoe format and set it slap bang in the middle of a high school with Joseph Gordon Levitt as a student who receives a panicked call from his girlfriend that begins the search for both her and a missing brick of heroin. Johnson effortlessly imposes noir archetypes over those of American
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Онлайн-кинотеатр - Film.ru
50 Best movies for teenagers - IMDb
The 50 Greatest Teen Movies | Movies | Empire
Film Summer Camps for Teens | New York Film Academy
Online Film Teens