Old Realistic Sex Film
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Old Realistic Sex Film
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Movie sex scenes come in all forms and they don't always go to plan , but there have been movies over the years that have gone one step further.
It's rare to see such scenes in mainstream movies, but ever since Lars von Trier's 1998 The Idiots was a critical success (even though it caused some controversy at the time), there have been arthouse and independent movies using actual sex in their final cuts.
And sometimes, it involved stars you wouldn't have expected to be involved.
Before von Trier was doing his thing and after Andy Warhol's Blue Story became the first movie featuring real sex to get a wide release in the US, there was Caligula, which starred the likes of Malcolm McDowell and Helen Mirren.
Not that those stars were involved in the movie's orgy scenes, as producer Bob Guccione (the founder of Penthouse magazine) filmed those hardcore scenes after production had finished, using a skeleton crew and Penthouse Pets, before editing them into the final movie.
Before he was the titular giant in The BFG or setting up an Easter egg hunt in Ready Player One , Mark Rylance starred with Kerry Fox in Intimacy, which saw them play two people who meet weekly to have sex, no strings attached.
One such scene saw Fox's character perform fellatio on Rylance's character, which took place for real.
Michael Winterbottom's 9 Songs arguably remains the most sexually explicit (non-porn) British movie of all time.
It contains several scenes of unsimulated sex between the two leads (Kieran O'Brien and Margo Stilley). All that and nine live music performances, what more could you want?
A movie that centres on people attending an artistic/sexual salon was a likely contender to feature unsimulated sex and Shortbus does, but director John Cameron Mitchell had a reason for including it.
"I wanted to work with real sex as part of the story, as it is in our lives — we don't cut away the first time we have sex with someone we are in love with," he told MEL Magazine . "The actors would have to be very special actors who'd want to go there with me and trust me. We worked with them for two-and-a half years before we filmed it."
The result is an oddly charming, sex-positive film about emotional healing following 9/11.
Before Robert Pattinson noticed how characters he played always masturbated in movies , he actually masturbated for real in Little Ashes, where he played Salvador Dalí. According to Pattinson, he had to do it for real as it wouldn't have looked authentic .
"Try it. I can tell you right now, no chance. It just doesn’t work. So I rubbed one out in front of the camera," he recalled, adding that he was worried it'd end his career, but then he got Twilight . A happy ending, for sure.
Lars von Trier was at it again with Antichrist, about a couple who retreat to a cabin in the woods after the death of their child. It also featured hardcore sex scenes, but it wasn't involving the main stars Willem Dafoe and Charlotte Gainsbourg.
"We used porn actors. In fact, it was funny, for the scene in which she masturbates him and the blood comes out, they just kept on going. I could not understand it," von Trier told Rotten Tomatoes . "And then someone told me that in porn you are not allowed to stop until the director tells you!"
Lars again, this time in the two-part drama Nymphomaniac about a self-diagnosed nymphomaniac who recounts her sexual experiences after an assault. As with Antichrist , von Trier used the same digital trickery to include real sex scenes in the movie.
"We shot the actors pretending to have sex and then had the body doubles, who really did have sex, and in post we will digital-impose the two," producer Louise Vesth explained . "So above the waist it will be the star and the below the waist it will be the doubles."
Experimental road movie The Brown Bunny sees a motorcycle racer (Vincent Gallo) haunted by memories of his ex-girlfriend (Chloë Sevigny), and features a scene where Sevigny performs unsimulated oral sex on Gallo.
It caused controversy at its Cannes premiere, but in 2016, Sevigny stood by the scene. "I'd probably still do it today," she told Variety . "I believe in Vincent as an artist and I stand by the film."
In terms of depicting real sex in movies, Gaspar Noé rivals Lars von Trier in terms of going big on it. Noé followed up Enter the Void 's lengthy sequence of hardcore sex with Love , a movie all about sex that features a mix of real and simulated sex .
The real talking point is that the movie ended up being a TikTok challenge where users recorded themselves watching the first scene of Love without knowing that it featured a couple's mutual masturbation.
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Robert Pattinson, when called on to simulate masturbating in the 2008 film Little Ashes , felt his efforts weren't coming off realistic enough, so he went ahead and did the deed on camera.
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Most people when watching these movies: "How was this allowed?!"
The experimental movie is about a motorcycle racer (Gallo) who is haunted by tragic memories of a former girlfriend (Sevigny), but it's most known for that scene and its reception at the Cannes Film festival (more on that later).
Gallo, who also wrote and directed the movie, told Film Freak Central that he pitched the project to Sevigny (with whom he'd had a previous relationship of sorts) by saying, "Remember that night in Paris when I did that thing to you but you didn't do it to me because you weren't so into it? Well, you might have to do that. On film." He went on to say that, to his eyes, the scene was needed to demonstrate the connection between male sexuality and self-loathing.
That Sevigny agreed to be in a sure-to-be-notorious scene was surprising, considering that she was a well-known, Academy Award–nominated actor, but she stood by her decision over a decade later.
“I’d probably still do it today. I believe in Vincent as an artist, and I stand by the film,” she told Variety in 2016, adding, “It was a subversive act. It was a risk."
Unfortunately, the risk didn't quite pay off. The debut screening of the film at the Cannes Film Festival ended in massive boos, with famed film critic Roger Ebert calling it the worst film ever shown at the festival.
If masturbating on the set of a major motion picture sounds surreal, perhaps it's fitting that Pattinson was playing surrealist painter Salvador Dalí.
In a 2013 interview with Germany's Interview magazine, Pattinson revealed that his authentic orgasm face is captured in the film. When asked why he didn't simply pretend, Pattinson replied, "Try it. I can tell you right now, no chance. It just doesn’t work." He went on to say that he was worried the scene might ruin his career, but very shortly after production wrapped, he got the call telling him that he'd been cast in Twilight .
Fortuitously, it seems that Pattinson's acting chops have improved since those early days of his career. He has since successfully simulated masturbation in four movies: High Life , Damsel , The Devil All the Time , and The Lighthouse .
Gaspar Noé's film about a young couple whose relationship takes a turn when they invite a third person into their bed didn't make a huge splash upon its release. But five years later, it hit Netflix's Top 10 after the TikTok challenge — where people filmed themselves watching the opening scene without knowing anything about the film — took off. (Sorry, folks, Love is no longer on Netflix, but the film starts with the couple totally naked in bed, pleasuring each other to climax with their hands. It's no Indiana Jones entering a Peruvian temple to retrieve a golden idol, but it's still a helluva a way to start a film!)
Noé told Esquire that despite all the unsimulated sex, the actors did not prepare by having practice sex. "They kissed for the first time on the first day of shooting. And in the movie, most scenes are real, but some are simulated. We don't want to promote what is what."
Producer Louise Vesth explained to the Hollywood Reporter prior to the film's release that the production had the stars simulate their sex scenes, then brought in body doubles to film the same sex scenes unsimulated. Later, in postproduction, they used digital effects to combine the two. “So above the waist, it will be the star, and below the waist, it will be the doubles,” Vesth said.
The production originally presented itself like a straightforward, albeit sexy take on Roman history, but once production wrapped and director Tinto Brass and his acclaimed stars went home, Guccione sneaked back onto the set with a crew of Penthouse pets and filmed a bunch of orgiastic scenes featuring real, unsimulated sex and added them throughout the final film.
The released film — now bloated to nearly three hours — did very well in Italian theaters before it was confiscated by authorities for being obscene. In America, the film grossed $23 million (making it the highest-grossing independent film ever at the time) but faced many obscenity lawsuits.
This film by Mitchell — the co-creator and original star of Hedwig and the Angry Inch — was about a diverse group of young people trying to find their place in New York. Mitchell told Medium, "I wanted to work with real sex as part of the story, as it is in our lives — we don’t cut away the first time we have sex with someone we are in love with. ... So Shortbus was an experiment, and the actors would have to be very special actors who’d want to go there with me and trust me. We worked with them for two and a half years before we filmed it."
The film's stars, Margo Stilley and Kieran O'Brien, do almost everything that can be done in the film. Beyond the foot job, they masturbate with and without a vibrator and perform fellatio, and O'Brien even ejaculates onscreen.
In the end, though, all the sexual fireworks didn't impress critics or viewers. The critics' consensus on Rotten Tomatoes is, "The unerotic sex scenes quickly become tedious to watch, and the lovers lack the personality necessary to make viewers care about them."
Today Warhol is best remembered as the revolutionary pop artist behind iconic silk-screened paintings of Campbell's Soup cans and Marilyn Monroe, but he was a prolific filmmaker. His films, however, rarely looked anything like what most people imagine a film to look like. His five-and-a-half-hour film Sleep , for example, was entirely made up of footage of his boyfriend asleep.
The plot of the 133-minute Blue Movie was a little more involved, but pretty simple: A couple (played by Viva and Louis Walden) hang out in their New York apartment. They chat about things like the Vietnam War, cook, shower, and, finally, have unsimulated sex.
The movie debuted very successfully at theaters in New York and also screened in Berkeley, California. It wasn't all roses, though: One New York City theater that screened it was fined $250 for obscenity.
John Waters, in a bit of comic irony I imagine he finds highly amusing, is best known these days for his contribution to the wonderfully wholesome musical Hairspray! But for the majority of his career — and especially early in it — he was known for making some of the raunchiest, most offensive cult films ever.
The most famous of these films is Pink Flamingos , which stars Waters' longtime collaborator, drag queen Divine, as — oh boy, how to synopsize this movie — a woman named the "filthiest person alive" and her rivals who try to steal the title from her. If you're familiar with this movie, you probably know it ends with Divine picking up real dog poop off the ground and eating it.
Equally unsettling is the scene where Divine, excited by defiling her rivals' home, performs oral sex on the actor portraying her son, Crackers. Understanding what Waters was going for from the vantage of 2020 may be hard, but he told the Washington Post on the film's 25th anniversary that the film was thumbing its nose at middle-class and suburban values. "We wanted to do cultural terrorism in a funny way," he said.
The film became a hit across America in underground theaters, although it was declared illegal in places like Hicksville, New York, and Switzerland.
The graphic sex scene in the supernatural thriller — featuring what appeared to be oral sex performed by Sutherland — was buzzed about even before the film's release, and director Nicolas Roeg had to edit it in a fragmented manner to enable the film to receive an R rating in the US. In England, the film got an X rating.
For years after the film's release, rumors swirled about the scene, with some saying that Christie's then-boyfriend Warren Beatty lobbied to get the sex scene cut out of the film , and others saying that there was unedited footage of the scene floating around Hollywood that clearly showed they were having intercourse.
Finally, in 2011, former movie executive and Variety editor-in-chief Peter Bart released a memoir entitled Infamous Players , in which he says that he was on the set and saw the much-ballyhooed scene being filmed. He wrote , "It was clear to me they were no longer simply acting. They were (having sex) on camera."
That solves it, right? Not so fast. Sutherland vehemently denied Bart's claim, saying that the sex was simulated and that Bart never saw it because only four people were in the room while filming: the two actors, the director, and the cinematographer. Peter Katz, one of the film's producers, backed up Sutherland, saying, "While there was a sex scene captured on film, it was not a scene that would lead to the creation of a human being."
You know what? Simulated or not, they must've done something right if everyone is still talking about it almost 50 years later!
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Trailer for Blue Valentine (2010) starring Ryan Gosling and Michelle Williams
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Derek Cianfrance dared to portray sex with any sense of realism, both physically and emotionally, only to quickly get slapped with an NC-17 rating for showing Michelle Williams’ character, Cindy, on the receiving end of oral sex. “The sex felt real - it wasn't sexy or 'a sex scene', and that's why we got into trouble,” co-star Ryan Gosling remarked to The Observer at the time. “You shouldn't be penalised for doing a good job.” After successfully appealing against the MPAA’s decision, Blue Valentine reached cinemas as an R, thankfully allowing mainstream audiences to see how emotionally complex a matter sex can actually be, especially in a broken down marriage like the one shared by its lead characters.
Gina Prince-Bythewood has masterfully shown Hollywood how cinema can portray realistic sex without any loss of romanticism or intimacy. That’s especially true of her directorial debut, 2000’s Love & Basketball, in which Monica (Sanaa Lathan) loses her virginity to childhood sweetheart, Quincy (Omar Epps). The moment is wonderfully tender, aided by Maxwell’s cover of Kate Bush’s “This Woman’s Work”, while being one of the rare films that actually shows the use of a condom. “The only note that I ever got from the studio during the filmmaking process was that when I shot that scene, they looked at the dailies and they said, they didn’t think she was enjoying it enough,” Prince-Bythewood told The Huffington Post. “And my argument was, it’s the first time and despite what the male fantasy might be, it’s not that great.”
Alfonso Cuarón’s raucous classic inverts the American sex comedy: Julio (Gael García Bernal) and Tenoch (Diego Luna) are stereotypical, sex-obsessed young men distraught at the concept of their girlfriends leaving the country. Choosing to live as bachelors, they befriend an older woman (Maribel Verdú), who seduces both of them. Yet, the film drives them towards one, real truth: their own bisexuality, finally freed during the film’s famous threesome. Though Y Tu Mamá También's conclusion is tragic - Julio and Tenoch's reject their own truth, turn their backs on each other, and suppress their feelings - their threesome still marks a moment of genuine, harmonious sensuality.
God’s Own Country star Alec Secareanu admitted he was initially “very afraid” of the kinds of scenes he would be tasked with filming for the gay drama film. “But the way each character has sex tells a lot about them; the way that they develop their relationship,” he told Attitude. The first sexual encounter between Secareanu’s character Gheorghe and Johnny (Josh O’Connor) is quick, aggressive and with little intimacy. As Johnny slowly learns to open up to Gheroghe, their second encounter is far more romantic; intense in a different way to the first. Both actors later told of how they developed a close bond in real life after working together on-screen.
A film that finds its eroticism in small gestures - in the languid rest of a glove, in a glance, shared across a crowded room - when it comes to director Todd Haynes actually filming the first time Therese (Rooney Mara) and Carol (Cate Blanchett) have sex, their chemistry is already so palpable that the moment feels nothing short of explosive. “It's very much like shooting a musical number,” Haynes told E!News of the scene. “You start the music and basically you just go and the camera finds the moments and the beats. And we had some amazing material with these two women to work with.”
Barry Jenkins’ Oscar-winner is one of the most tender depictions of yearning in modern cinema. Its protagonist Chiron (played by Ashton Sanders here, at other points by Alex R. Hibbert and Trevante Rhodes) experiences his first sexual encounter with fellow student Kevin (Jharrel Jerome) on a
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