Old Nudist

Old Nudist

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[archiveorg AdultVintage-NudistCamp-1980 width=560 height=384 frameborder=0 webkitallowfullscreen=true mozallowfullscreen=true]

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adult , vintage , Nudist , nudist camp - 1980

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Die Todesgöttin des Liebescamps (Love Camp)

Great clip, whats the name of this movie?
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on September 5, 2018

Part of HuffPost Entertainment. ©2022 BuzzFeed, Inc. All rights reserved.
Meet Marna, A 74-Year-Old Photographer Who Is Absolutely Beautiful (NSFW)
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Arts and Culture Reporter, HuffPost
Marna Clarke is a photographer. She takes pictures of herself, mostly, and her partner Igor -- some around the house and others at the beach. What makes these photographs radical to some, however, is that Marna is 74 years old.
"This project began simply when I turned 70, four years ago, and began to think of myself as getting old," Clarke explained to The Huffington Post. "I wanted to see what 'old' looked like on me, so I started taking pictures of my naked body: feet, hands, torso, arms, legs, face, hair. I needed to hold pictures in my hands, not just look in the mirror for a temporary glimpse."
Clarke's photographs operate as quiet yet powerful rebellions against mainstream culture, a culture that writes off elderly bodies as irrelevant and unworthy. The photographer snaps simple and raw portraits of herself stripped down to her bare skin, the same skin she's worn for years. And the results are absolutely beautiful.
"I dug up the courage to show this work to a very select group of people whom I thought would appreciate it. I received encouragement along with some complete confusion and bafflement. Not everyone is ready to look at naked bodies, much less old ones. I was wandering into some of our cultural taboos, namely the aging, their naked old bodies and death."
Clarke sometimes folds photos of her younger self into the works, juxtaposing images to create minimalist diagrams of time's passing. Yet out favorite images are the unembellished closeups -- a hand here, a back there -- that capture the beautiful stories embedded in our flesh.
"In this youth-worshipping culture, the elderly are often ignored, forgotten, invisible. Yet we humans are always curious about others and hungry for truths. So, I decided to bring attention to those of us considered elderly, whose lives are not about raising children or building careers anymore, who are independent, healthy and active and have the time and energy to pursue new and old interests, who are not yet 'old-old.' I wanted to impart the beauty and spirit of this time through pictures of my life and me."
"In doing so," Clarke continued, "I hoped to shine light on us elderly, to make us visible and appreciated by ourselves and by those younger, to help us be more comfortable with our bodies and the wrinkled skin, cracking nails, yellowing teeth, whatever was happening, to change the conversation about aging and the outdated paradigms of what’s beautiful and necessary for a satisfying life."
Clarke's photos capture this beauty of the human form at any age, as well as the radiating glow of self-love. See the stunning portrait of life after 70 below and let us know your thoughts in the comments.
Arts and Culture Reporter, HuffPost

'Change the message': the exhibition celebrating mature women's bodies
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Women over 50 appear in nude portraits challenging society's - and often, their own - perceptions.
“At this age I am in my glory. I hold a lit chandelier because they throw glory. The fan is for hot flushes, the tattoo reflects making my mark and the flowers for a head and heart full of bloomings.” Credit: Ponch Hawkes
When photographer Ponch Hawkes went looking for images of naked older women on the internet, she found acres of blank space, then a rich vein of what’s termed “granny porn”.
“The whole panorama, from the 50s onwards – there wasn’t anything,” she says. “The odd life model. You are more likely to find a drawing. Then you look more, and you find 500,000 images of ‘Young man f…ing old woman’.”
“I grew up with a sense of shame about my physical appearance. Now I am honouring it, appreciating it, taking care of it. Immersion in a dance and movement practice has finally enabled me to land in my skin.” Credit: Ponch Hawkes
Hawkes hit on this surprising corner of the internet when she was commissioned to take 500 portraits of women over the age of 50 – an act she didn’t recognise as radical until she realised how few such images existed. For a society preoccupied with the female body, interest drops off precipitously after 50. “For every woman, it’s on your mind, the question of body image and body hatred, and there isn’t any material about that for older women.”
The project began as a health initiative, the brainchild of Martha Hickey, a professor of obstetrics and gynaecology at the University of Melbourne and Royal Women’s Hospital. Hickey’s clinical area is menopause, and many of her patients are women facing early menopause.
"I’d recently left a 36-year relationship that involved domestic abuse. I was ready to shed my skin, find myself. I jumped into the Flesh After Fifty project with this force. I removed ‘victim’ and replaced it with a strong woman who loves her body and self. I got my identity back.” Credit: Ponch Hawkes
“I have been struck over the years by how much their fear of becoming an ‘old woman’ added to the distress of the experience,” Hickey says. “Those two words in combination; there is nothing good about them. We really needed to change the message for younger women about what it is to become an older woman.”
Hickey noted that older women “play a hugely important role in society but are largely invisible in art”. So she came up with the idea of Flesh After Fifty , a program of exhibitions, talks, workshops, dinners and films to run over five weeks in Melbourne and, hopefully, later tour regionally and nationally.
“I dance tango, so I know that grace and form are important. Young women’s bodies are all beautiful in the same way, but older women’s bodies are each beautiful in their own individual ways. My public exposure was to lessen the cringe I’d felt about myself: ‘old’ and, ipso facto, uninteresting.” Credit: Ponch Hawkes
The program was so named after a quote from the famous Magnum agency photographer Eve Arnold, who wrote about photographing actress Joan Crawford in New York in the 1950s: “There she was nude – but sadly, something happens to flesh after 50.”
Set in the broader Flesh After Fifty program, the idea for Hawkes’ exhibition, 500 Strong , was to take nude portraits of 500 women. The final count ended up at about 420 after the project took longer than expected and the budget ran out.
“This is the only time I have been photographed naked. So why did I opt to do this? Maybe because no one had ever asked before. Maybe to look at what six decades of use and abuse looks like in my case. Definitely to join in on this great, joyous fleshy statement about being alive.” Credit: Ponch Hawkes
The models were volunteers who came forward after a media call-out; the Country Women’s Association enthusiastically embraced the idea, and Hawkes and her team travelled to Shepparton and Bendigo to photograph residents there.
Women were invited to bring a prop to pose with, and each was given the option of having her face obscured.
“The women who seemed very relaxed talked about how nudity was not an issue in their house when growing up,” Hawkes observes. “Some other women said they hadn’t taken their clothes off in front of anyone for a long time.”
“As I was taking off my clothes in the studio I felt uncomfortable, but I wanted to stand strong and proud with the other women. With the launch of the exhibition, we will explore our diversity, share ideas about identity and sense of ageing self, and how and why we now value our bodies.” Credit: Ponch Hawkes
Says Hickey, who posed for Hawkes herself: “We are hoping an exhibition like this will further reassure and empower women to know there are all kinds of variations of normal.”
Flesh After Fifty runs from March 28 to May 3 at the Abbotsford Convent, Melbourne.
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