Old Men Bareback

Old Men Bareback
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Zachary Zane
Zachary Zane is a Brooklyn-based writer, speaker, and activist whose work focuses on lifestyle, sexuality, culture, and entertainment.

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"It feels like my penis is being crushed into pure heaven in every direction."
Anal sex is in. To be fair, it has been for quite some time (and for queer men , it’s always been in). In fact, Marie Claire went as far to call 2014 the “ Year of the Booty , ” and in December of that year, Mic wrote a feature called: This Year Was a Game-Changer for Anal Sex — Even for the People Who Weren't Having It .
Six years later, anal is still going strong. As a sex writer, I’m constantly asked to write pieces about how to have healthier and more pleasurable anal sex .
By why is everyone talking about anal sex now? In large part, it's because a sex-positive revolution is happening, and we’re more open to exploring our sexuality and vocalizing our desires. (For the record, people were always having anal sex before it was “in”—the mainstream media simply wasn’t talking about it the same way.) Also, anal sex feels really fucking good . Plain and simple. It feels good to do things to someone else’s butt, and have someone else do things to your butt. Really, the more butts involved during sex, the better.
Don't just take my word for it. I reached out to 12 sex-positive men, asking them to describe, in detail, what anal sex feels like. Their answers make it clear that anal sex isn’t just in—it’s here to stay.
Neil, 28 : “I love anal because it feels like my dick is being crushed into pure heaven in every direction, if that makes sense.”
Joey, 29 : “In my experience, buttholes feel tighter than vaginas 99% of the time. That additional pressure of an ass’s tight grip around your dick feels like nothing else you’ve ever experienced. It’s a completely different experience from vaginal sex.”
Brad, 30: " What I like most about anal is the unleashing of sexual energy. Leaving a handprint on their ass. Having scratch marks down my back. Getting sweaty. Just the sheer primal physicality of it all.”
Stephen, 31 : "I found the best thing about sticking my dick into someone’s ass is dominance. Taking control and going as hard or soft as you want is a huge aspect to me. However, this always means taking your partner into great consideration. For example, starting slow and easy, adding in lots of foreplay , maybe dirty talk to make them feel desirable and more 'ready' to take it."
Gregory, 29 : "The feeling of someone’s ass slapping against my thighs, or their hole tightening around my dick is incredibly empowering. Watching them react when I know I'm stimulating them in a way they're enjoying is a huge ego boost because, in a sense, there’s a kind of ownership over this other person’s orgasm."
Edwin, 35 : “My favorite part of anal sex is definitely the foreplay. The sensation of a tongue hitting those spots takes the experience to a different level. It just builds onto the anticipation for receiving, and for me, that time in between is the most erotic. Once inside, it feels like every nerve ending in my body is being touched. It’s the perfect balance of pain and pleasure.”
Guillermo, 22 : “After getting into recovery, sex was something that was sort of new to me again. I felt like a born again virgin but I still knew what to do. Bottoming feels great without any inhalants, and it’s a lot more intimate.”
Bruno, 26: “Anal sex has always felt like a giant stress relief to me. I’ve often said ‘I need to get this hangover fucked out of me,’ because that’s how good anal sex feels. With the right partner, it’s a euphoric experience that can both mellow you out and put you to fucking work.”
Barret, 30: “To me, receiving anal sex feels like total vulnerability. It’s like having all your secrets laid bare in front of someone. But it’s also euphoric, and fabulous. Receiving anal sex feels like realizing the power of your queerness. It takes every unkind feeling or thought you’ve ever had about yourself, every slur anyone has ever called you, and puts a certain amount of pleasure behind the “shame” of sex. And in that moment, when you’re getting your guts rearranged, you feel sexy, and powerful and queer."
Eliot, 24: “First of all, I'm a masochist. Not that all bottoming is painful, but generally, there is some discomfort, especially at first, and especially with larger penises. But the discomfort usually goes away quickly (with enough lube ) and is replaced with this subtle feeling of being stretched or filled. And that is what I love—that pressure. It makes me hard and builds the longer and harder I bottom. The feeling eventually takes over, until it's all I can think about is that pressure against my prostate and in my penis until I orgasm."
Kiel 27: “Anal feels like both heaven and hell. It’s hard to explain why the sometimes “painful” stretch or depth is intoxicating, but the feeling of a well-lubed bare penis moving back and forth is amazing. I can feel my prostate being hit and massaged. Anal sex feels like that first glass of unsweetened iced tea on a hot summer day. It feels like the hot shower after a weekend camping trip. It’s titillating, orgasmic, and perfect.”
Kevin, 30: “Good anal sex is like eating a delicious meal that is too hot. Those first moments are filled with a slightly uncomfortable sensation mixed with bits of euphoria. During this time, you are bordering between regret, eagerness, anxiety, and pleasure. After a deep breath out and an inhale of determination, time passes and the meal cools. You then enter a state of delicious consumption, as your booty devours their penis.

Something went wrong, but don’t fret — let’s give it another shot.

“Dancing with Dennis 2,” 2013. Photographs by Matthew Morrocco
“Self Portrait with Kevin and Bill,” 2014.
“Self Portrait with David on the Bed,” 2012.
Eren Orbey is a contributing writer at The New Yorker.
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Like many gay men searching for intimacy in the modern day, the photographer Matthew Morrocco has found his share of it online. But the glossy Adonis of the Instagram era is not his type. He prefers older fellows, some of them more than twice his age. When he was twenty, he began courting such strangers on the Internet. With their consent, he photographed the ensuing trysts. The year was 2010, and his ambition, he writes in the afterword to “Complicit,” a new collection of portraits, from Matte Editions, was to preserve the queer history that an era of marriage equality, in all its progressive promise, is making increasingly remote. Many of his companions had survived both the AIDS crisis and heights of homophobia unknown to younger generations. Their very company, he writes, was an instruction in the art of persistence.
“Complicit” presents an ethnography of men who have matured past their physical prime, perhaps, but not beyond erotic interest. Morrocco’s models sometimes appear as bashful fragments, their limp forms sunk in a sofa or snarled around a tree. More often they flaunt their undress: one strikes a come-hither pose, and another snubs the camera, as though to test its dedication. The photographer himself emerges as a spectral presence in the series, invading the frame, on occasion, to heed his subjects’ desires. He fondles the jaw of one, paws the buttocks of another. In the collection, he writes of learning from these men how to seduce, to age gracefully, to seize the past: “The education I received outweighed anything I had experienced before.”
In our current moment, which is newly vigilant against imbalances of power, Morrocco’s celebration of sex between young and old men risks inducing discomfort. But “Complicit” presents the photographer and his models in tender symbioses. In the spirit of his collection’s title, Morrocco bares as much skin as his subjects do, as if to mimic their vulnerability. In interviews, he has said that he took visual cues from the amorous languor of nineteenth-century French portraiture, but many of his images recall the complex perspective of Diego Velázquez’s “Las Meninas,” a work from an earlier era. As in the famed Spanish painting, a carefully placed mirror often unsteadies the vantage of Morrocco’s images. His camera work casts the viewer, by turn, as a participant and an interloper.
Take, for instance, a scene of the photographer lounging on a couch with a bearded man named Rod. The image includes two nested reflections. The first is from a large wall mirror that overwhelms the center of the shot, its gilt frame resting askew on the hardwood, concealing Rod’s body and Morrocco’s legs behind it. Within this reflection there appears a second, smaller mirror, located somewhere in the vicinity of the viewer, and containing the cloudy reflection of what at first appears to be a third man. Someone enticed by the intimacy of the series might find himself startled—is that me? —only to realize that it is Morrocco’s face, mysteriously displaced to shield the image of his muse.
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Good on them.... you gotta cop a feel when you can!!!

Number 6 looks like Mr. Miagi from the karate kid!

that's Pat Morita,actor and boobs lover...

John Kerry is one big boob himself.

hell i would do the same if i could, old men can act crazy and people believe it so they know they won't get in trouble
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