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Nymphomaniac - Scene Clip
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https://www.sbs.com.au/movies/video/172728899812/Nymphomaniac-Scene-Clip
Watch an exclusive scene clip from Lars von Trier's new film about a female nymphomaniac and her many sexual encounters.
Aleem Khan's restrained, psychologically probing debut follows a white Muslim woman on the trail of her husband's secret life.
He threw himself into the role of a bad debtor searching for away out of his prison service in the great Iranian city of Shiraz
As you await opening night of the 69th Sydney Film Festival, explore a specially curated collection of past festival favourites, hand-picked by Festival Director...
Celebrated director Ken Loach turns his attention to the modern workforce, in a compassionate drama about a family on the brink.
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Nymphomaniac - Scene Clip
SBS Movies is your guide to a world of movies. Find the latest trailers, breaking news and movie reviews, and links to t...
https://www.sbs.com.au/movies/video/172728899812/Nymphomaniac-Scene-Clip
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Nymphomaniac - Scene Clip
SBS Movies is your guide to a world of movies. Find the latest trailers, breaking news and movie reviews, and links to t...
https://www.sbs.com.au/movies/video/172728899812/Nymphomaniac-Scene-Clip
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Fully supported English (United States) Partially supported Français (Canada) Français (France) Deutsch (Deutschland) हिंदी (भारत) Italiano (Italia) Português (Brasil) Español (España) Español (México)
2013 2013 Not Rated Not Rated 1 h 57 m
Young Lad 2 on Train (as Charlie Hawkins)
Shia LaBeouf was asked to send pictures of his penis in order to obtain his role. He subsequently decided to send in personal tapes of him and his girlfriend having sex in order to convince Lars von Trier to cast him.
The train carriage where the two girls pick up strangers is German, but the ticket collector is wearing a British Railways uniform from the 1970s.
Near the very end of the credits there is this disclaimer: "None of the professional actors had penetrative sexual intercourse and all such scenes where [sic] performed by body doubles."
The director's cut adds roughly 28 minutes of footage, expanding some of the subplots.
Führe mich Performed by Rammstein Written by Oliver Riedel , Christoph Schneider (as Christoph Doom Schneider), Richard Kruspe (as Richard Z Kruspe), Paul Landers , Till Lindemann and Flake Lorenz (as Doktor Christian Lorenz)
An anthropological approach to sexuality
I was lucky to watch the premiere of both parts in a "one-night stand" and follow the Q&A with Stacy Martin, Sophie Kennedy Clark and Stellan Skarsgård. The film is esthetically and stylistically stunning, each scene has an air of perfection and the actors are performing magnificently considering the highly controversial topics that the director is so kin to analyze in detail. Each time I have been thinking about the film, I am finding out that there are more readings, more interpretations and more things to discover.The film is therefore multilayered, highly metaphorical and deeply philosophical. Indeed the film is a celebration of female sexuality but more importantly it might be seen as a critic to western and Euro-American perceptions of sexuality, gender and eroticism. It draws largely from the work of Michel Foucault as the film is unraveled around the "repressive hypothesis", the argument that the obsession with sexuality derives from the confessional ethic of the counter reformation in Europe. As it touches upon "the Perverse Implantation"and how that relates to marriage, he discusses power by the "deployment of sexuality" in relation to obedience, domination and submission and the use of pleasure. The director is also deeply influenced by George Bataille as there are references of his work in a number of scenes including the religious interpretation of sacrifice on the cross for Christ, the arousal-erection of the genitals of the dead body (death and eroticism) and the conceptualization of transgression in most scenes. The director's reading of Hegel derives once again from Alexandre Kojève as there is a deep emphasis on the slave and master relationship and their approach towards death which is also the epitome of the film. No doubt there are also various references to Marquis de Sade and Leopold von Sacher-Masoch but the director is also influenced by Aragon and other avant garde authors. It is therefore no exaggeration to say that the scenario is really excellent; to understand it and decipher it though it requires a lot of reading and preparation that is really worth doing.
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A self-diagnosed nymphomaniac recounts her erotic experiences to the man who saved her after a beating. A self-diagnosed nymphomaniac recounts her erotic experiences to the man who saved her after a beating. A self-diagnosed nymphomaniac recounts her erotic experiences to the man who saved her after a beating.
Joe : Perhaps the only difference between me and other people was that I've always demanded more from the sunset; more spectacular colors when the sun hit the horizon. That's perhaps my only sin.
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Magnolia Pictures is the theatrical and home entertainment distribution arm of the Wagner/Cuban Companies, a vertically-integrated group of media properties co-owned by Todd Wagner and Mark Cuban that also includes the Landmark Theatres chain and AXS TV. Recent releases include Swedish Oscar selection and Golden Globe nominee FORCE MAJEURE, Sundance Grand Jury Prize winner THE WOLFPACK, Roy Andersson's A PIGEON SAT ON A BRANCH REFLECTING ON EXISTENCE, Andrew Bujalski's RESULTS, Albert Maysles¹ IRIS, acclaimed documentaries LIFE ITSELF, THE WRECKING CREW, SUNSHINE SUPERMAN and BALLET 422 and many others. Upcoming releases include Arnaud Desplechin's MY GOLDEN DAYS, Buckley vs. Vidal doc BEST OF ENEMIES from Morgan Neville and Robert Gordon, Sean Baker's acclaimed TANGERINE, Alex Gibney's STEVE JOBS: THE MAN IN THE MACHINE, Michael Almereyda's Stanley Milgram biopic EXPERIMENTER, and many more.
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"A JOYOUS WORK OF FLAT-OUT GENIUS. It’s a blast, full of life and energy and ideas and humor and sexy naked bodies."
NYMPHOMANIAC: VOLUME I is the story of Joe (Charlotte Gainsbourg), a self-diagnosed nymphomaniac who is discovered badly beaten in an alley by an older bachelor, Seligman (Stellan Skarsgård), who takes her into his home. As he tends to her wounds, she recounts the erotic story of her adolescence and young-adulthood (portrayed in flashback by newcomer Stacy Martin). VOLUME I also stars Shia LaBeouf, Christian Slater, Uma Thurman, Sophie Kennedy Clark, Connie Nielsen and Udo Kier.
NYMPHOMANIAC: VOLUME II continues with the story of the self-diagnosed nymphomaniac Joe (Charlotte Gainsbourg) and her adulthood, during which her journey of self-discovery leads to darker complications. The film stars Jamie Bell, Willem Dafoe, Mia Goth and Jean-Marc Barr in addition to Stellan Skarsgård, Stacy Martin and Shia LaBeouf.
Cast:
Charlotte Gainsbourg
Stellan Skarsgård
Stacy Martin
Shia LaBeouf
Christian Slater
Jamie Bell
Uma Thurman
Willem Dafoe
Mia Goth
Sophie Kennedy Clark
Connie Nielsen
Michael Pas
Jean-Marc Barr
Udo Kier
Director:
Lars von Trier
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