Nymphomaniac Vol. Ii (2022)
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Nymphomaniac Vol. Ii (2022)
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3.9 out of 5 stars
766 ratings
MPAA rating
:
NR (Not Rated) Product Dimensions
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0.7 x 7.5 x 5.4 inches; 2.93 Ounces Item model number
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MGNO10692BR Director
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Lars von Trier Media Format
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Multiple Formats, Blu-ray, AC-3, Subtitled, Widescreen Run time
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2 hours and 4 minutes Release date
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February 1, 2020 Actors
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Charlotte Gainsbourg, Stellan Skarsgård, Stacy Martin Subtitles:
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Spanish Studio
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Magnolia Home Ent ASIN
:
B00JVQ7PW0 Number of discs
:
1
3.9 out of 5 stars
766 ratings
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There are a handful of directors who have created such buzz surrounding their distinct voices that there is talk about them, their films and their methods with every film, before, after and even long after he’s moved on to something else. Lars von Trier is probably the king of this. Since his start in the early 90’s, von Trier has graced audiences (small audiences, but audiences) with his perverse and often shocking depictions of sexuality, sexism and masochism. Sometimes, he finds ways to shade his own ideas, philosophies, theories and musings with enough style and depth to make them feel warranted, making the shock of it all carry the weight it needs to sit on our palate. And then other times he just shows us a lot of pictures of genitals and expects us to feel something other than repulsion. Now, I’ve been a longstanding champion of von Trier and his vision. While others have tossed many disparaging remarks his way and have taken arms against some of his more recent films, I’ve stood my ground and played devil’s advocate in his favor. ‘Antichrist’ was a pretty disturbing film, but when all was said and done there was an underlying purpose to von Trier’s madness, and while it didn’t all translate how he would have liked (or at least how the audience would have liked) there is no denying that von Trier had a pretty bold narrative and some pretty confident points to entertain, and the core performance from Charlotte Gainsbourg was astonishingly grounded in the context of the film (such a fearless performance, through and through). I can’t defend this. ‘Nymphomaniac: Vol. 1 & 2’ is basically a four hour film that recounts a young woman’s many, many, many sexual trysts. Pretending to exploit (here we go again with exploitation in film) the double standard that abounds within the treatment of men and women, especially in a sexual context, ‘Nymphomaniac’ confuses all of its own ideals in a strange hodgepodge of ‘chapters’ that drone on and on and ultimately take us nowhere. Opening with a beaten young woman named Joe being helped off the street by the neighborhood psychiatrist, Seligman, and then delving into the depths of carnal lusting and abuse, ‘Nymphomaniac’ is probably one of the most self-absorbed and self-indulgent films I’ve ever had the displeasure of seeing. I think that Lars von Trier has a deep-seated interest in uncovering the depths of a woman’s psyche. I don’t think that he is a misogynist at all. In fact, I tend to side with Uma Thurman on this subject: “He’s a very provocative filmmaker, but he writes women with more depth and respect and complexity than most writers. The idea that people debate whether he’s a misogynist? People should debate whether people who don’t even write women are misogynist. The fact is, he’s dedicated a large portion of his artistic life to the exploration of the female psyche—good and bad, light and dark, shadows, textures. The fact that he’s dedicated a huge part of his talents to that, to me, defies the concept that he doesn’t have respect, interest, and genuine compassion in women. People should question writers that don’t even give a d*** about a female character. They are the misogynists.” Sadly, this respect and intrigue isn’t seen very well here at all. Instead, ‘Nymphomaniac’ feels about as misogynist as they come, and at the end of the day it’s even worse than that; the film feels just plain trashy. Lars von Trier has built a career out of shock value, but his shocking contributions to film have always felt grounded in a linier plot or at least in an idea that has sprouted into madness, but a clear idea at the core. Most of ‘Nymphomaniac’ feels nonsensical and devoid of rational narrative, and while he tries to find some footing in the film’s final throws, he never establishes anything concrete within Joe’s story to hook us to her, to latch onto us and so it all winds up feeling rather misguided. There is a point here, but von Trier doesn’t know what it is. Instead, von Trier treats us to a young girl’s dissention into depravity. She prostitutes herself for sexual pleasure at a very young age, playing games with her best friend and even forming a club that’s primary focus was to rack up sexual partners, never forming a lasting relationship with anyone (no one lay to be repeated), and Joe recounts her story with absolutely no emotion, as if none of it matters (because it doesn’t) and Seligman tries to liken her whorish behavior to numbers and fish while she relates it all to her dying father and an ash tree; and while Joe is pretending she’s falling in love with Shia LaBeouf (because that could never happen for real), volume 1 ends and volume 2 begins and this is where things get dicey. Sexual pleasure is lost, which leads to Joe finding her own personal Fight Club and hiring translators to hook her up with Africans and before we know it, Joe has become a Soprano and is grooming a freaky eared nymph to take her place, and her man. And then Seligman takes off his pants. There is so much going on here and yet none of it ever feels necessary. It is all just there to make your eyes hurt (they will hurt) and the film’s primary point seems to center on how Joe’s disturbing actions are all validated because men are disgusting pigs and she is living in the repressed guilt of her of desires, but it’s not that simple and yet von Trier never steps back from his own visual shockfest long enough to try and actually develop these themes. Instead he’d rather show us a bunch of genitalia and sexual acts and then force feed us a finale that feels appropriate ONLY because the film pretty much sets us up for a cop-out ending. There is such a thing as being bold and fearless, and ‘Nymphomaniac’ is both of those things, but it is also soulless and hollow, and when you are both of THOSE things, bold and fearless will only harm you.
I've watched both, THEN read the Good, and the Bad. I had no idea the same director did both this movies and "Antichrist" (which is still one of the most disturbing movies I've ever been priviledged to watch!) One reviewer said it was "pointless" and Von Trier had no idea where he was going with the theme. I disagree. He Knew EXACTLY Where he was going--and How to Get There. Just because you don't Agree with the Destination, doesn't mean he doesn't know where it is. Nor do I agree that it's "souless". On the contrary, it has More soul because of the dispassionate way Charlotte Gainsbourg delivers her lines--monotone, unfeeling. You KNOW that underneath it all, she really Does Feel and Feel a Great Deal, but she's trained herself to never show it. I believe that comes through in the final scenes when she tries to annhilate the two people who have hurt her the most. By the end of the movie, that final scene when she's betrayed by the only two people she ever truly cared for (besides her father), I thought, "And Now He's Made Two of Them".... that line went through my head. [No Spoilers, you must watch]. He created Joe and now, he took her protege and destroyed her. But after the film ended, I realized that he didn't create either of them. He Fed on Them, surely. He gravitated toward them both and their Sickness, and I wondered, Which one of them is the sickest after all? Joe, who was at least Honest about her addiction and her Desires? Or the Man who helped make her what she was, gravitated toward her sickness, fed on it, then hid behind hypocrisy and lies while he abandoned their progeny and then seduced and turned the only other person Joe cared for? In the end, I believe, it was Jerôme who was the most morally bankrupt person, and not Joe at all. At least Joe was Honest about her addiction. At least Joe never truly harmed anyone on Purpose. She gave pleasure to the men she was with, but she never deliberately and with Malice set out to harm any of her lovers or her child. Jerome, on the other hand was malicious and premeditated and without scruples in almost all of his actions. Yet there he stood at the end, Judging HER, as if She were the Sinful one--because she was a Woman and How DARE She Act that Way in violation of what society Believes she should be? This movie isn't one you'll forget soon, or easily and well worth the time. Watch with an open mind. AS for the end...I wish there were another. I wanted to know what happens to Joe after this, but I already know I'll have to use my own imagination lol
Not quite as good as volume One, but doesn’t disappoint as it concludes the story.
5.0 out of 5 stars
Segunda parte, que no secuela. T R E M E N D O Von Trier
Este Von Trier claramente no sabe dejar indiferente. Imagino que si has llegado hasta aquí es porque sabes lo que vas a comprar, pero si la compraste a ciegas, como yo, que me encanta el director, pero apenas nada sabía de la película, pues creemé, difícilmente te va a decepcionar. Ahora bien, yendo a lo "insustancial", si esperas una fotografía flipante como la de Anticristo o Melancolía, no vas a encontrar eso, pero si que vas a encontrar todo lo demás. Aparte, estáis advertido, la película es durísima y nunca debe verse desde el prejucio, o sin lugar a dudas la magia de Von Trier no calará. Tanto la 1 como la 2 se deben ver juntas.
4.0 out of 5 stars
da comprare, ma ...
il film é ben fatto, ma é un pò troppo duro
lungo.. inutile.. noioso. Siamo alle solite: regista e fotografia eccellenti ma la trama è molto diluita e la lunghezza del film non aiuta questi silenzi lunghi e inutili. Ve lo dico io che adoro questo regista.
4.0 out of 5 stars
Acquisto soddisfacente
Arrivato in anticipo rispetto ai tempi previsti. Per la mia televisione (che è piuttosto piccola circa un 18 pollici) la risoluzione è ottima, audio, nitidezza dell'immagine in relazione alla mio monitor più che soddisfacente.
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Nymphomaniac: Volume I is the story of Joe (Charlotte Gainsbourg), a self-diagnosed nymphomaniac who is discovered badly beaten in an alley by an older bachelor, Seligman (Stellan Skarsgård), who takes her into his home. As he tends to her wounds, she recounts the erotic story of her adolescence and young-adulthood (portrayed in flashback by newcomer Stacy Martin). VOLUME I also ShiaLaBeoufff, Christian Slater, Uma Turman, Sophie Kennedy Clark, Connie Nielsen and Udo Kier.
Nymphomaniac: Volume II continues with the story of the self-diagnosed nymphomaniac Joe (Charlotte Gainsbourg) and her adulthood, during which her journey of self-discovery leads to darker complications. The film stars Jamie Bell, Willem Dafoe, Mia Goth and Jean-Marc Barr in addition to Stellan Skarsgård, Stacy Martin and Shia LaBeouf.
NYMPHOMANIAC: VOLUME II picks up with the story of Joe's adulthood, where her journey of self-discovery leads to darker complications. The film stars Jamie Bell, Willem Dafoe, Mia Goth and Jean-Marc Barr in addition to Gainsbourg, Skarsgad, Martin and LaBeouf.
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Multiple Formats, Blu-ray, AC-3, Subtitled, Widescreen
Stellan Skarsgård, Charlotte Gainsbourg, Lars von Trier, Stacy Martin
Nymphomaniac Volume II - Extended Director's Cut
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Nymphomaniac Volume II - Extended Director's Cut - Trailer
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