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A "generational clash" between young and older nudists is fuelling growth in nude events, ranging from pop-up dinners in bars and art gallery tours to mini-golf and ten pin bowling.
Josh McNicol, the general manager Asia Pacific at Eventbrite, said the number of nude events on the platform had grown 265 per cent across Australia over four years. More than half of the nude events over the past five years have been in NSW.
"From naked yoga classes to nude nature walks, NSW is home to three times as many nude events than any other state, making it Australia’s kit-off capital," Mr McNicol said.
The nude mini-golf event organised by the Young Nudists of Australia. A green wristband means the person has consented to photographs. Photo has been digitally censored.
It’s no surprise to Young Nudists of Australia co-founder Matt (last name withheld by request) because he organises many of the Sydney events. For him the lifestyle is about "freedom" and "acceptance". "It's just one of those things you're curious about and you try and it's for you," he said.
Matt, 30, said the centre of the young nudist scene in Sydney was Cobblers Beach in Middle Harbour. He formed YNOA and organises events so young people can socialise away from the beach. He said they were not always welcome at naturist resorts "full of people the same age as my grandparents".
A nude charity event at Cobblers Beach.
CREDIT:
EDWINA PICKLES
"Young people, we drink alcohol, we listen to music, we stay up later than 9pm," Matt said. "The older people feel that we are being disruptive to their enjoyment, their peace and quiet, so as a result, they generally close the door to us."
Matt said there were a few Australian resorts that welcomed young people – including Townsville Naturist Community, Greg and Deb's Place and Balkaz Retreat in Queensland and Helios Resort just outside Melbourne. But he envied the nudist resorts in the United States that cater to young people with live music and bars.
Australian Naturist Federation secretary Graham Fleming, who is a Helios Resort member, said he believed there had been a "one-off clash" at a club on the Central Coast where YNOA members had partied late and annoyed older members. YNOA members in NSW had taken the experience to heart but Mr Fleming said Victorian YNOA members were happily involved in naturist clubs south of the border.
Young nudists say social nudity is about freedom and self-acceptance rather than sex. Photos have been digitally censored.
"There is a generational clash," Mr Fleming said. "There are old fuddy-duddies who don't want to change and there are young people that want everything their own way. At my club we've just met in the middle and we're doing things together. It would be great to see other clubs take an open-minded attitude because young people in the club is a fabulous thing."
Mr Fleming said Australian naturist resorts were not-for-profit clubs owned and run by members, while the US had a lot of commercial nude or clothing-optional resorts.
Matt said sexual harassment and homophobia were problems at many Australian resorts.
"I’m talking about cases where an older male might crack a joke and slap a female on the bottom to accentuate that," Matt said. "That sort of behaviour is not condoned in modern society and generally considered harassment. I'm not saying there are people who engage in this behaviour at every naturist resort, but there are definitely some."
Mr Fleming said he believed harassment complaints would be taken seriously. He had not seen any complaints to the federation in his year as secretary but last Christmas he saw a visitor to Helios kicked out for inappropriate behaviour.
Meanwhile, Matt said a number of nudist resorts did not allow anyone identifying as LGBTQI to visit because "they don't approve of their sexual orientation, even though these people are not going there for any sexual reason".
Mr Fleming said his own club had a number of same-sex couples but acknowledged some clubs might be less welcoming. "I believe that discrimination against same-sex couples is an old-fashioned way of thinking and that clubs should be encouraged to change their views."
He said most clubs received more applications from men regardless of sexual orientation but clubs like Helios had a policy to try to achieve gender balance.
Caitlin Fitzsimmons is a senior writer for The Sun-Herald, focusing on social affairs.
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‘The Nakeds’: A young, broken girl and her nudist family

“The Nakeds,” by Lisa Glatt. (Regan Arts)
“The naked and the nude,” Robert Graves observed, “stand as wide apart as love from lies.”
That slippery distinction could be the epigraph for Lisa Glatt’s sly new book, “The Nakeds.” Glatt, a poet whose most recent novel was “A Girl Becomes a Comma Like That,” knows just how to peel away the pretensions of modern life. In the sunlight of her prose, everybody looks pink and vulnerable.
As “The Nakeds” begins in 1970, all kinds of things are shattering: a NASA satellite, a toxic marriage, a drinking glass, the bones of a little girl. Asher and Nina Teller are having another vicious argument when their daughter, Hannah, decides she’s had enough and walks to school by herself. Trying to stay off a neighbor’s lawn, Hannah veers into the street just as a young drunk careens by:
“It was a confrontation,” Glatt writes, “the briefest coming-together and breaking-apart, which propelled Hannah into the sky so that she was as far away from her warring parents . . . as possible, in the air, turning over — her two feet not even sharing the earth with them.”
That violent opening fuses several storylines in “The Nakeds,” a sharp, unsettling novel about damaged people limping through life. Young Hannah will spend the next decade enduring a series of orthopedic treatments to rebuild her shattered leg. A toe-to-groin cast with some Frankenstein hardware moves her to the sidelines of adolescence, where she is neither one of the cool injured athletes nor the pitiable handicapped. Suspended in a state of perpetual healing, she’s trapped indoors and inside her head, and Glatt captures her precocious, analytical mind as she strains at playing hopeful year after year, while one doctor after another makes promises and then defects.
To some indecipherable extent, the emotional energy here is autobiographical: Glatt suffered a similar accident when she was a child and spent years in treatment. But much of this novel imagines the wholly fictitious life of the young man who hit Hannah and left her on the road. He’s a good-looking alcoholic so crippled by guilt that he lurks around the hospital and her home. Glatt brings us right into a consciousness fermenting in self-pity: “Alone — even stoned alone or drunk alone — meant alone with his thoughts and his thoughts inevitably turned to the girl.” Unwilling to confess to his crime or seek therapy for his addiction, he grows even more immobile than Hannah.
This psychological drama slides along an electric wire of suspense, but what really charges “The Nakeds” is a weird development in Hannah’s home: Her newly remarried mother and hip, young stepfather want to improve their marriage by being totally honest and open, an admirable if naive goal they pursue by taking off all their clothes. “They turned up the thermostat and moved around the house,” Glatt writes. “Her mom did laundry, scooped the clothes they were not wearing into the washing machine. [Her stepfather] pushed the vacuum in the living room. He sat down at the desk in the den and studied. . . . It was a lot to see. It was more of them than Hannah wanted to see.” Soon, the family is packing up the car and heading off for weekends to a nudist colony.
Not entirely coincidentally, as I was reading “The Nakeds,” I was also enjoying Mark Haskell Smith’s new book, “Naked at Lunch: A Reluctant Nudist’s Adventures in the Clothing-Optional World” (Grove, $25). It’s a breezy survey of the history of “organized nonsexual social nudism,” a phrase that could deflate even the most titillated high school boy. Fortunately, Smith offers lots of funny anecdotes about his first-person research. As you might imagine, the clothing-optional world is not all Adonis and Aphrodite playing volleyball. “Follow the beautiful buttocks in the brochures,” Smith writes, “and she will lead you to a bunch of sun-ravaged retirees sitting around the pool.”
That’s pretty much what Hannah discovers, too, reflecting once again Glatt’s own experience as the child of a nudist. But for Glatt, this too-revealing setting is a perfect arena in which to explore Hannah’s peculiar status as someone who is never nude — who can never be nude. “There was her leg covered up with plaster,” Glatt writes. “She was always hidden. . . . She wasn’t whole, not really. She was a girl in pieces.”
Peculiar as Hannah may feel, though, Glatt implies that each of these characters remains veiled and fragmented. The stepfather insists, “Honesty is important. Getting it all out in the open,” but for all that candor, he’s a self-righteous philanderer, as eager to party as any randy suburbanite in John Updike’s “Couples.” His preaching about the benefits of openness and shame-free pleasure merely cloaks his own betrayals. And the drunk driver who injured Hannah so many years ago is layered in his own lies and self-deceptions.
Glatt’s debut collection of poetry from 1996 was titled “Monsters and Other Lovers,” which is a tempting description of the men in this novel, too. Dressed or undressed, every one of them is a cad. And yet they’re not actually monsters — not Hannah’s hypocritical father, not her creepy stepfather, not even the young alcoholic who wastes his life in pickled remorse. They may be stripped bare in this compelling novel, but they’re never denied their humanity, their urgings to be better, kinder, more honest. If they sometimes look ridiculous in these pages, well, don’t we all?
Ron Charles is the editor of Book World. You can follow him on Twitter @RonCharles.
For all The Post’s book coverage, go to washingtonpost.com/books.
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Ron Charles Ron Charles writes about books for The Washington Post. Before moving to Washington, he edited the books section of the Christian Science Monitor in Boston. Follow
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