Nudist Family Pic

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A family one evening in a nudist camp, Pa. 1965, printed later
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https://www.metmuseum.org/art/collection/search/284720
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Title: A family one evening in a nudist camp, Pa.
Artist: Diane Arbus (American, New York 1923–1971 New York)

Printer: Printed by Neil Selkirk (American, born England, 1947)

Dimensions: 37.5 x 37.5 cm (14 3/4 x 14 3/4in.)
Credit Line: Purchase, Jennifer and Joseph Duke Gift, 2001
Rights and Reproduction: © The Estate of Diane Arbus
Inscription: Estate stamps and inscriptions in ink, verso TLC, TC, TRC: "ALL RIGHTS RESERVED // This image may not be reproduced in any // way whatsoever without written permission // from The Estate of Diane Arbus." "Copyright © 1972 // The Estate of Diane Arbus", "A Diane Arbus photograph 41/75 // title A FAMILY ONE EVENING IN // A NUDIST CAMP, PA, 1963 // print by Neil Selkirk, // Doon Arbus"; dealer's inscription in pencil verso BC: "RMG #A9110.382-0"; TRC, BRC: "DA.058" "4"
Estate of Diane Arbus; [Robert Miller Gallery, New York]


The Metropolitan Museum of Art. "Family Life," March 15, 2002–May 12, 2002.


Arbus, Doon, and Marvin Israel, ed. Diane Arbus. Millerton, N.Y.: Aperture, 1972. no. 12.

Arbus, Doon, and Marvin Israel, ed. Diane Arbus: Magazine Work. Millerton, N.Y.: Aperture, 1984. p. 68.

Diane Arbus: Revelations. New York: Random House, 2003. p. 295.


See also: 2007.512: " A family one evening in a nudist camp, Pa." (Arbus print)
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Artist / Maker / Culture
Diane Arbus
Neil Selkirk
© 2000–2021 The Metropolitan Museum of Art. All rights reserved.

Phillips: Photographs (April 2017) - Phillips
Gelatin silver print, printed later by Neil Selkirk
This work is part of a limited edition set.
Want to sell a work by this artist? Consign with Artsy.
American photographer Diane Arbus is famous for her poignant portraits of individuals on the margins of society, such as street people, transvestites, nudists, and carnival performers. Arbus’s work is highly controversial, eliciting in some viewers an overwhelming sense of compassion, while others find her images bizarre and disturbing. Her practice challenged established conventions dictating the distance between photographer and subject, resulting in the raw psychological intensity that characterizes her photographic portraiture.
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