Nude Young Housewife

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Nude Young Housewife
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People.com Entertainment TV Tamra Judge, 50, Shows Off Her 'Hard Work' with Two Nude Selfies After Husband's Heart Procedure
Real Housewives of Orange County star Tamra Judge, 50, flaunted her toned body on Saturday in a series of skin-showing Instagram photos, wearing nothing but a straw hat
By Dave Quinn June 16, 2018 07:36 PM
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Tamra Judge, 50, Shows Off Her 'Hard Work' with Two Nude Selfies After Husband's Heart Procedure
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It was “suns out, buns out” for Tamra Judge on Saturday!
The Real Housewives of Orange County star, 50, flaunted her toned body in a series of skin-revealing Instagram photos, wearing nothing but a straw hat!
“When the lighting is on point & your proud of your hard work,” Tamra captioned in a since deleted Instagram gallery post of two nude mirror selfies, one that showed off her backside and the other her slim waist.
“Let the s— talking begin,” Tamra wrote, poking fun at the negative comments she expected to come her way.
She added the captions, “#onelife,” “#strongistheskinny.” “#bootystrong,” and “#cutfitnessstrong” — the final one referring to her wildly successful gym CUT Fitness in Rancho Santa Margarita, California.
Tamra is currently in Cabo San Lucas with her husband, Eddie Judge, and their family and friends. The group is celebrating a few milestones, including son Spencer’s 18th birthday and Tamra and Eddie’s 5-year wedding anniversary.
“Five years today ❤” Tamra wrote on Instagram Friday, captioning a photo from their wedding , which was filmed for the RHOC spinoff Tamra’s OC Wedding . “I love you @eddiejudge with all my heart. Thank you for loving me ❤ #tamrasocwedding.”
That same day, she also shared a photo of her son Spencer, writing, “Happy 18th birthday spencer. Tomorrow we celebrate in Cabo!”
Pictures and video from Cabo have been following on her Instagram Stories as well.
So far, the 45-year-old fitness trainer has had two ablations (a surgical procedures to create scar tissue inside the heart) and three cardioversions (electrical shocks to the heart) — all to treat his AFib, an irregular heartbeat.
“BIG thank you to my wife, business partner, life partner and inspiration for always being there for me,” Eddie captioned a photo of Tamra sitting in the hospital with him earlier this week. “When times are great to when times get tough. I love you @tamrajudge with all my heart. Especially the crispy parts inside. I’m one lucky man!”
Tamra’s done her best to find some humor in the situation, even sharing a butt-baring shot of Eddie as he “mooned” hospital staff last week.
“Eddie is recovering in Cabo,” she wrote on Saturday. “Taking lots of naps and keeping positive.”
RELATED VIDEO: Tamra Judge Rocks New, Edgy Bob After Years of Long Hair: ‘It’s Fresh & Hot’
Meanwhile, Eddie isn’t the only one who has been having health issues. Tamra revealed in January that she had a skin biopsy on her breast after a skin cancer check. This was just months after a surgery for melanoma on her bottom in October.
“First my butt now my boob,” Tamra jokingly wrote on Instagram at the time. “Whole new meaning to T&A #skincheck #keeponkeepingon #underMeboob.”
Here’s hoping there’s sunblock in Cabo!
The Real Housewives of Orange County returns for season 13 on July 16 at 9 p.m. ET on Bravo.

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A group of military wives trekked up a mountain and bravely bared all in freezing temperatures of MINUS 4C to create a NUDE calendar in honour of their husbands (Image: JIM FURNESS/GEOFF ROBINSON PHOTOGRAPHY) 1 of 12
A group of military wives trekked up a mountain and bravely bared all in freezing temperatures of MINUS 4C to create a NUDE calendar in honour of their husbands (Image: JIM FURNESS/GEOFF ROBINSON PHOTOGRAPHY) 2 of 12
A group of military wives trekked up a mountain and bravely bared all in freezing temperatures of MINUS 4C to create a NUDE calendar in honour of their husbands (Image: JIM FURNESS/GEOFF ROBINSON PHOTOGRAPHY) 3 of 12
A group of military wives trekked up a mountain and bravely bared all in freezing temperatures of MINUS 4C to create a NUDE calendar in honour of their husbands (Image: JIM FURNESS/GEOFF ROBINSON PHOTOGRAPHY) 4 of 12
A group of military wives trekked up a mountain and bravely bared all in freezing temperatures of MINUS 4C to create a NUDE calendar in honour of their husbands (Image: JIM FURNESS/GEOFF ROBINSON PHOTOGRAPHY) 5 of 12
A group of military wives trekked up a mountain and bravely bared all in freezing temperatures of MINUS 4C to create a NUDE calendar in honour of their husbands (Image: JIM FURNESS/GEOFF ROBINSON PHOTOGRAPHY) 6 of 12
A group of military wives trekked up a mountain and bravely bared all in freezing temperatures of MINUS 4C to create a NUDE calendar in honour of their husbands (Image: JIM FURNESS/GEOFF ROBINSON PHOTOGRAPHY) 7 of 12
A group of military wives trekked up a mountain and bravely bared all in freezing temperatures of MINUS 4C to create a NUDE calendar in honour of their husbands (Image: JIM FURNESS/GEOFF ROBINSON PHOTOGRAPHY) 8 of 12
A group of military wives trekked up a mountain and bravely bared all in freezing temperatures of MINUS 4C to create a NUDE calendar in honour of their husbands (Image: JIM FURNESS/GEOFF ROBINSON PHOTOGRAPHY) 9 of 12
A group of military wives trekked up a mountain and bravely bared all in freezing temperatures of MINUS 4C to create a NUDE calendar in honour of their husbands (Image: JIM FURNESS/GEOFF ROBINSON PHOTOGRAPHY) 10 of 12
A group of military wives trekked up a mountain and bravely bared all in freezing temperatures of MINUS 4C to create a NUDE calendar in honour of their husbands (Image: JIM FURNESS/GEOFF ROBINSON PHOTOGRAPHY) 11 of 12
A group of military wives trekked up a mountain and bravely bared all in freezing temperatures of MINUS 4C to create a NUDE calendar in honour of their husbands (Image: JIM FURNESS/GEOFF ROBINSON PHOTOGRAPHY) 12 of 12

Is nakedness invisibility’s opposite? Maybe not, but, if it’s unapologetically displayed, it can be a kind of antidote to erasure.
“Bebe on Sand,” 2014. Photographs by Jocelyn Lee
“Deborah at Aquinnah Beach in September,” 2020.
“Nancy at 78, Maine at 18 (Aunt and Grandniece),” 2018.
“Nancy Floating at Quitsa Pond,” 2016.
“Judith at Home,” 2009. Photographs by Jocelyn Lee
“Bebe and Pagan in the Red Room,” 2004.
“Bebe and Pagan Pregnant with Twin Girls,” 2012.
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Some clichés about the cycle of life are true. When you are raising young children, the days are long and the years are short. And when you’re a woman, you will, at about age fifty, become invisible. All our lives, as girls and younger women, we prepare ourselves to be looked at. We grow accustomed to registering —to attracting, evading, or denouncing the male gaze. In “ Mrs. Dalloway ,” Clarissa, newly aware of herself as a woman of a certain age, walks down the street thinking, “This body, with all its capacities, seemed nothing—nothing at all.” The cultural critic Akiko Busch, quoting that line from “Mrs. Dalloway,” notes that “a reduced sense of visibility does not necessarily constrain experience.” True, but it takes some getting used to, and when it’s punctuated, as it often is, by condescension—when strangers are suddenly addressing you not even as “Ma’am” but, with a verbal wink, as “young lady”—you may not want to get used to it.
Is nakedness invisibility’s opposite? Maybe not, but, if it’s voluntarily, unapologetically displayed, it can be a kind of antidote to diminishment and erasure. A nude portrait of a woman older than, say, sixty is an unusual image—even a taboo one. To make such photographs, and, even more so, to pose for them, is an act of defiance. In the course of her career, the photographer Jocelyn Lee has been drawn to nude bodies of all shapes and ages. Her latest book, “Sovereign” (Minor Matters Books), features a selection of her photographs of women who range in age from their mid-fifties to their early nineties, posing naked, frequently outdoors and in natural settings.
Lee’s color images of older women are painterly, classical, but also frank. Skin puckers, crinkles, and sags. Bellies poof and pleat. A silver-haired woman stands knee-deep in a pond strewn with autumn leaves, looking directly at the camera, her elbows angled back like wings to reveal one intact breast and one mastectomy scar. A naked woman sits on a blanket of moss in the woods, her breasts and belly soft, so at ease she might be napping. In “Nancy at 78, Maine at 18,” a woman and her grandniece stand nude on a beach. Side by side, their long-legged, curly-headed bodies rhyme, but also remind us of the ways time will remake our familiar, corporeal selves. The image is not some grim memento mori, though. The women lean comfortably toward each other, touching shoulders; the younger woman’s arm loops through the elder woman’s. Behind them, the sea and sky are a light-suffused blue.
Lee, who is fifty-nine, lives part of the year on a lush, wooded property outside of Portland, Maine. She’s taken some of the portraits of older women at a pond near her house, and others on beaches at Martha’s Vineyard and elsewhere. The natural settings, devoid of sociological detail and inherently beautiful, tend to banish ironic readings and extend a certain benevolence to the naked subjects. We aren’t in paradise here—nobody in these photos looks that naïve—but we are not in any sort of judgment-laden social space, either. Lee told me that she hoped the locations implied the warmth of sun on the body—“that kind of comfort and love”—and communicated the idea that we are “all essentially sensual creatures.”
“The camera can be very cruel depending on how you use it,” she said. “There’s a whole tradition of photography that’s based on criticality and cruelty. Diane Arbus —whom I love, by the way—looked for unflattering moments to create a sense of drama. Sometimes that can be done with the juxtaposition of elements in a space, the exaggeration of the appearance of wealth or poverty, harsh lighting.”
Lee said that, by contrast, her work had sometimes been criticized for being “too earnest or romantic.” But she made her peace with that a long time ago. Through her photography, Lee has always tried to understand “what lay ahead.” When she was still in college, long before she had children herself, she photographed a pregnant friend in the nude as part of her thesis project. “This was before the Demi Moore Vanity Fair cover; people didn’t really know what a pregnant woman looked like,” she said. Through the years, she took many nude photographs of her mother, who, she says, had a remarkable ease in her own skin. Lee continued taking pictures of her as she was dying of cancer.
I’m about six months older than Lee, and, all in all, I consider aging to be far better than the alternative, as my own mother, who died at sixty, the age I am now, used to say. Still, I prefer the cloudy mirror in my bathroom to any in which I can see myself clearly. The older women who posed for Lee in the nude include professors, writers, artists, an astrologer, a hospice worker, and a small-town mayor. To me, they seem very brave, but it bothers me to say so. We all have bodies; if we’re lucky, we all get old, or at least older. Why not show what it looks like?
Two of Lee’s subjects, Judith and Nancy, have been posing for her for decades. Both told me that they don’t love how they look in some of the images, but that they treasured the experience of making them with Lee, whose process is creative and collaborative. Nancy, who is eighty, said, “I cringe when I look at the images, but I know that when I’m ninety I’m gonna say, ‘Ooh, look how great I looked!’ ” Her grandniece Maine, who posed with her, is a photography student. Maine told me that Lee’s image makes her happy because her grandaunt and she look so alike in it. “It’s like seeing myself in sixty years, and I sort of love that,” she said. “I think Nancy is beautiful.” Lee told me that she plans to photograph the pair every year.
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Waitress shocks customers by serving drinks wearing only body paint
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It's unclear if Lee's Landing Docking Bar in Maryland has a dress code for its waitresses for hot summer days, but if it does, one employee surely took advantage of situation.
At first glance, it might appear that the waitress known as Shannon was wearing an appropriate outfit for an outdoor bar on a tropical, sunny day.  But the outfit was painted on. Yes, she actually was serving drinks in the nude, as the Mirror reported .
One male customer sitting at a table along the Susquehanna River pointed out to his friend: "That girl's not got any clothes on."
And according to the Mirror, one woman said: "I literally can't believe that you're doing that. That's so amazing. It looks so good though. You look great naked."
Shannon's unusual look was the work of artist Jen Seidel, known as Jen the Body Painter, and her apprentice daughter Kennedy, as you can see in the video below.

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