Nude White Women

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Nude White Women
The Blacker the Content the Sweeter the Truth
The Blacker the Content the Sweeter the Truth
Screenshot : Donovan Farley via Twitter
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A secret police force is roaming the streets of Portland, Ore., snatching up protesters and violating their civil rights. The New York Times obtained an internal memo from the Department of Homeland Security that stated the federal officers are “not specifically trained in riot control or mass demonstrations.” They have gassed and attacked peaceful protesters during the demonstrations sparked by the death of George Floyd, which engulfed the city for 52 straight days .
Luckily, white people have joined the fight against injustice and people are sharing it all over social media.
Wait... I don’t think that last one was a protest. Are we sure that wasn’t some type of performance art installation?
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See, white people, this is your fault.
Look, white people, this comes with the territory. If a massive number of Black people show up at a protest, at least one person is gonna yell “fuck the police,” at least one enterprising young entrepreneur will be selling protest-themed T-shirts and a local spoken word artist will definitely hook up with a few rappers to have a spontaneous freestyle session.
If one negro rally-goer in a sea of peaceful protesters breaks a window, steals a television or throws a rock at a cop, the behavior is automatically attributed to the collective group of protesters. That’s why people show up on their lawns and point guns at Black demonstrators. It’s why Republicans cast Black Lives Matter as a “terrorist organization.” It’s why white people bring up Chicago and Black-on-Black crime whenever anyone mentions injustice. It’s why news networks hire white people to discuss voters but ask Black pundits to talk about “Black voters.”
But if every Black person has to answer for the shortcomings of every Black individual, then white people need to explain Ass-out Ashley because I gots nothing.
The Los Angeles Times attempted to explain how the woman’s outburst of caucasity was an attempt at “capturing the imagination” of people who wear flip-flops to church, writing:
Numerous photos and videos posted on Twitter show the unidentified woman as she halted in the middle of the street at about 1:45 a.m. She stood calmly, a surreal image of human vulnerability in the face of an overpowering force that has been criticized nationally by civil rights advocates.
The agents, in gas masks and helmets, continued firing pepper balls in a staccato “pop, pop, pop” heard on video, aiming low at the asphalt, where puffs of smoke mingled with clouds of gas. At one point, a fellow protester, clothed, carrying a homemade shield, darted in front of the woman, angling to protect her.
But the woman sidestepped him. He jumped out of the way, perhaps realizing that he made them both a target.
Before it was over, she struck ballet poses and reclined on the street. She also sat on the asphalt in a yoga-like position, facing officers, before they left.
I want to fight whoever wrote this.
Secondly, why didn’t they point out that she was a white lady? Is there any doubt in your mind that had this been a Black woman (I know, but stick with me for a moment) that they would have mentioned it 217 times in the story? I don’t want to stereotype anyone but this is peak whiteness. And it’s nasty AF. My mother would have whipped my sisters’ asses if they did it because this woman clearly has no home training. Oh, my mom is pretty liberal so she might not have seen anything wrong with public nudity, but out there walking amongst white people in your bare feet? What in the walking-shoeless-at-Walmart was this clothes-less Karen thinking?
I know I may have asked that question before, but the first one was a regular “why” and the other one was more pointed, as in: “Why are white people like this?” Although I don’t believe in the stupid “distraction” argument, why is some white person always showing up to inject their Caucasian sensibilities into every conversation?
There’s absolutely nothing wrong with what this lady did, but why does she feel the need to transform a protest movement centered around Black lives into a stage for her whatever-the-fuck-she-was-trying-to-say? Even when they aren’t weaponizing their privilege, they will find a way to make the shit about them.
And I’m not talking about all white people, I’m just talking about the antifa dudes who hold their Fight Club meetings at Black demonstrations and pretend they are doing us a favor. I’m talking about the performative liberals who make sure you know that they’re an ally even though they’re most interested in proving that they’re not like the “other” whites. I’m talking about the movement hijackers and subject deflectors.
OK, white people, I’ve been authorized to make you an offer:
The Black delegation is willing to reduce Black-on-Black violence by 8 percent; down to the same level as white-on-white crime, according to the Bureau of Justice Statistics’ 2018 report . The 95 percent of Black people who don’t commit a crime in any given year will even join in the 97 percent of white people who didn’t commit a crime in any given year and put a stop to that small group of negro scofflaws. And, in exchange, we ask you to do one thing:
We’ll take responsibility for the tiny percentage of negro thugs who scare you shitless if you come get your people and make them denounce white supremacy, cop-calling, mask-raging and literally showing their minuscule asses at the protest.

Is nakedness invisibility’s opposite? Maybe not, but, if it’s unapologetically displayed, it can be a kind of antidote to erasure.
“Bebe on Sand,” 2014. Photographs by Jocelyn Lee
“Deborah at Aquinnah Beach in September,” 2020.
“Nancy at 78, Maine at 18 (Aunt and Grandniece),” 2018.
“Nancy Floating at Quitsa Pond,” 2016.
“Judith at Home,” 2009. Photographs by Jocelyn Lee
“Bebe and Pagan in the Red Room,” 2004.
“Bebe and Pagan Pregnant with Twin Girls,” 2012.
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Some clichés about the cycle of life are true. When you are raising young children, the days are long and the years are short. And when you’re a woman, you will, at about age fifty, become invisible. All our lives, as girls and younger women, we prepare ourselves to be looked at. We grow accustomed to registering —to attracting, evading, or denouncing the male gaze. In “ Mrs. Dalloway ,” Clarissa, newly aware of herself as a woman of a certain age, walks down the street thinking, “This body, with all its capacities, seemed nothing—nothing at all.” The cultural critic Akiko Busch, quoting that line from “Mrs. Dalloway,” notes that “a reduced sense of visibility does not necessarily constrain experience.” True, but it takes some getting used to, and when it’s punctuated, as it often is, by condescension—when strangers are suddenly addressing you not even as “Ma’am” but, with a verbal wink, as “young lady”—you may not want to get used to it.
Is nakedness invisibility’s opposite? Maybe not, but, if it’s voluntarily, unapologetically displayed, it can be a kind of antidote to diminishment and erasure. A nude portrait of a woman older than, say, sixty is an unusual image—even a taboo one. To make such photographs, and, even more so, to pose for them, is an act of defiance. In the course of her career, the photographer Jocelyn Lee has been drawn to nude bodies of all shapes and ages. Her latest book, “Sovereign” (Minor Matters Books), features a selection of her photographs of women who range in age from their mid-fifties to their early nineties, posing naked, frequently outdoors and in natural settings.
Lee’s color images of older women are painterly, classical, but also frank. Skin puckers, crinkles, and sags. Bellies poof and pleat. A silver-haired woman stands knee-deep in a pond strewn with autumn leaves, looking directly at the camera, her elbows angled back like wings to reveal one intact breast and one mastectomy scar. A naked woman sits on a blanket of moss in the woods, her breasts and belly soft, so at ease she might be napping. In “Nancy at 78, Maine at 18,” a woman and her grandniece stand nude on a beach. Side by side, their long-legged, curly-headed bodies rhyme, but also remind us of the ways time will remake our familiar, corporeal selves. The image is not some grim memento mori, though. The women lean comfortably toward each other, touching shoulders; the younger woman’s arm loops through the elder woman’s. Behind them, the sea and sky are a light-suffused blue.
Lee, who is fifty-nine, lives part of the year on a lush, wooded property outside of Portland, Maine. She’s taken some of the portraits of older women at a pond near her house, and others on beaches at Martha’s Vineyard and elsewhere. The natural settings, devoid of sociological detail and inherently beautiful, tend to banish ironic readings and extend a certain benevolence to the naked subjects. We aren’t in paradise here—nobody in these photos looks that naïve—but we are not in any sort of judgment-laden social space, either. Lee told me that she hoped the locations implied the warmth of sun on the body—“that kind of comfort and love”—and communicated the idea that we are “all essentially sensual creatures.”
“The camera can be very cruel depending on how you use it,” she said. “There’s a whole tradition of photography that’s based on criticality and cruelty. Diane Arbus —whom I love, by the way—looked for unflattering moments to create a sense of drama. Sometimes that can be done with the juxtaposition of elements in a space, the exaggeration of the appearance of wealth or poverty, harsh lighting.”
Lee said that, by contrast, her work had sometimes been criticized for being “too earnest or romantic.” But she made her peace with that a long time ago. Through her photography, Lee has always tried to understand “what lay ahead.” When she was still in college, long before she had children herself, she photographed a pregnant friend in the nude as part of her thesis project. “This was before the Demi Moore Vanity Fair cover; people didn’t really know what a pregnant woman looked like,” she said. Through the years, she took many nude photographs of her mother, who, she says, had a remarkable ease in her own skin. Lee continued taking pictures of her as she was dying of cancer.
I’m about six months older than Lee, and, all in all, I consider aging to be far better than the alternative, as my own mother, who died at sixty, the age I am now, used to say. Still, I prefer the cloudy mirror in my bathroom to any in which I can see myself clearly. The older women who posed for Lee in the nude include professors, writers, artists, an astrologer, a hospice worker, and a small-town mayor. To me, they seem very brave, but it bothers me to say so. We all have bodies; if we’re lucky, we all get old, or at least older. Why not show what it looks like?
Two of Lee’s subjects, Judith and Nancy, have been posing for her for decades. Both told me that they don’t love how they look in some of the images, but that they treasured the experience of making them with Lee, whose process is creative and collaborative. Nancy, who is eighty, said, “I cringe when I look at the images, but I know that when I’m ninety I’m gonna say, ‘Ooh, look how great I looked!’ ” Her grandniece Maine, who posed with her, is a photography student. Maine told me that Lee’s image makes her happy because her grandaunt and she look so alike in it. “It’s like seeing myself in sixty years, and I sort of love that,” she said. “I think Nancy is beautiful.” Lee told me that she plans to photograph the pair every year.
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Nude photos of a 25-year-old Melania Trump have emerged and her husband's campaign are standing behind the scandalous images.
The photos were taken for a now-defunct French men's magazine, Max , 20 years ago when she was modeling.
It was just three years before she met her future husband, Republican presidential nominee Donald Trump.
Jason Miller, a Trump spokesman, defended the racy photos, telling CNN: "There’s nothing to be embarrassed about. She’s a beautiful woman."
In some of the photos, Melania , who at the time went by the name Melania K., posed nude with another woman, Scandinavian model Emma Eriksson.
The French photographer who took the photos, Jarl Ale de Basseville, told the New York Post : “This is beauty and not porn. I am always shocked by the porn industry because they are destroying the emotion and the essence of purity and simplicity.”
He snapped the photos in New York in the mid-90s inside an apartment in the Chelsea section of Manhattan.
Kate Anderson Brower, author of First Women, The Grace And Power Of America's Modern First Ladies , told Inside Edition: "You don't expect a first lady to have this kind of photoshoot in their past. It is something we have never seen before. It is uncharted territory." 
Melania, 46 , met Donald Trump at a party in 1998 in New York. They married in 2005 and have one child together, Barron, 10.
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Video shows woman stripped naked, chased and beaten

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A woman was stripped, beaten and chased down the street. The humiliating crime was recorded then posted to social media.
FRESNO, Calif. -- A woman was stripped, beaten and chased down the street. The humiliating crime was recorded then posted to social media.
Right now police want the public's help finding the people in the video.
Fresno Police Chief Jerry Dyer says it will take some work to track down the suspects, but his gang officers are after them.
The laughter heard in the video is almost haunting after you see what the people do to the 20-year-old victim.
In one clip you see a woman in a red tank-top punch and swing at her as she's forced to take off her clothes in an open field in the middle of the day.
"All during the time that you have individuals which are part of the bulldog gang barking at her," Chief Dyer said.
Dyer is disturbed watching the video, he said, especially since the attackers and bystanders recorded it and then posted it to Facebook instead of trying to stop the attack.
"We're going to be continuing to pursue this case," he said. "But we need people to come forth with information in this case."
At one point the victim is begging to be left alone, and a man walks right by the naked woman, without offering help.
Later in the video the victim is seen running from the woman attacking her while still naked, passing by several apartment complexes, and no one calls 911.
Dyer says even the victim is offering little help right now. "When people go through that kind of situation, they're not as likely to provide a
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